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  1. The great parade - Portrait of the artist as clown
    [Galeries Nationales du Grand Palais, Paris, 12 march - 31 may 2004 ; National Gallery of Canada, Ottawa, 25 june - 19 september 2004, the Exhibition The Great Parade: Portrait of the Artist as Clown]
    Contributor: Clair, Jean (Hrsg.)
    Published: 2004
    Publisher:  Yale University Press [u.a.], New Haven, Conn. [u.a.]

    Location:
    Universitätsbibliothek Duisburg-Essen
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    KBLE2752
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    Kunsthistorisches Institut, Abteilung Allgemeine Kunstgeschichte, Bibliothek
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    428/O268/62
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    11M2536
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    FH Münster, Hochschulbibliothek
    Signature:
    77 FCS 168
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    Source: Union catalogues
    Contributor: Clair, Jean (Hrsg.)
    Language: English
    Media type: Book
    ISBN: 0300103751; 0888847793
    Subjects: Clowns in art; Circus in art; Painting; Circus; Selbstbildnis; Clown <Motiv>
    Scope: 423 S., Ill.
  2. Porträt des Künstlers als Gaukler
    drei Essays
    Author: Starobinski, Jean
    Published: 1985
    Publisher:  Fischer, Frankfurt am Main

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Regensburg
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  3. Portrait de l'artiste en saltimbanque
    Author: Starobinski, Jean
    Published: 1983
    Publisher:  Skira [u.a.], Genève [u.a.]

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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Deutsches Forum für Kunstgeschichte, Bibliothek

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    Universitätsbibliothek Passau
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 2605000281
    RVK Categories: IG 3950
    Series: Champs ; 125
    Les sentiers de la création
    Subjects: Psychologie; Artists and models in art; Arts; Clowns in art; Kunst; Gaukler <Motiv>; Pierrot; Clown; Künstler; Narr <Motiv>; Spiegelbild; Französisch; Clown <Motiv>; Künstler <Motiv>; Literatur
    Scope: 147 S., Ill.
  4. Decadent aesthetics and the acrobat in French fin de siècle
    Author: Forrest, Jennifer
    Published: 2020; © 2020
    Publisher:  Routledge, New York, NY

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    Volltext (URL des Erstveroeffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429341960; 0429341962
    Series: Routledge Studies in nineteenth century literature
    Routledge studies in nineteenth-century literature ; 53
    Subjects: Art, French / 20th century / History and criticism; Clowns in art; Acrobats / Social aspects; Fin de siècle; Französisch; Clown; Akrobat <Motiv>; Clown <Motiv>; Literatur; Kunst
    Scope: 1 online resource (viii, 215 pages.)
    Notes:

    Description based on print version record
  5. Portrait de l'artiste en Saltimbanque
    Author: Starobinski, Jean
    Published: 1970
    Publisher:  Skira, Genève

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    TM 72/43
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Fr.L.19.J.b 265
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    IE 2278 S795
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    kun 49/s91a
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    Saarländische Universitäts- und Landesbibliothek
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    70-3927
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    Universität des Saarlandes, Fachrichtung Romanistik, Bibliothek
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    A 80 STA 101
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    Württembergische Landesbibliothek
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    34/7401
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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    RVK Categories: IE 2278 ; IG 3950
    Series: Les Sentiers de la création ; 7
    Subjects: Clowns in art; Artists and models in art; Arts
    Scope: 143 S.
  6. Portrait de l'artiste en saltimbanque
    Author: Starobinski, Jean
    Published: 2004
    Publisher:  Gallimard, [Paris]

    Location:
    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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  7. <<The>> great parade - Portrait of the artist as clown
    [Galeries Nationales du Grand Palais, Paris, 12 march - 31 may 2004 ; National Gallery of Canada, Ottawa, 25 june - 19 september 2004, the Exhibition The Great Parade: Portrait of the Artist as Clown]
    Contributor: Clair, Jean (Herausgeber)
    Published: 2004
    Publisher:  Yale University Press [u.a.], New Haven, Conn. [u.a.]

    Location:
    Universitätsbibliothek Duisburg-Essen
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    FH Münster, Hochschulbibliothek
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    Content information
    Source: Union catalogues
    Contributor: Clair, Jean (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0300103751; 0888847793
    Subjects: Clowns in art; Circus in art; Painting; Circus
    Scope: 423 S. : Ill.
  8. Portrait de l'artiste en saltimbangue
    Author: Starobinski, Jean
    Published: 1983
    Publisher:  Skira, Genève

    Location:
    Universitätsbibliothek Bamberg
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 2605000281
    RVK Categories: IE 2836
    Series: Les sentiers de la création
    Subjects: Psychologie; Artists and models in art; Arts; Clowns in art; Kunst; Clown <Motiv>; Französisch; Literatur
    Scope: 147 S., zahlr. Ill. (z.T.farb.)
  9. Decadent Aesthetics and the Acrobat in Fin-de-Siècle France
    Author: Forrest, Jennifer
    Published: 2019
    Publisher:  Routledge, [Erscheinungsort nicht ermittelbar] ; Taylor & Francis Group, London

    In his discussion of clowns in nineteenth-century French painting from Jean-Léon Gérôme's 1857 La Sortie du bal masqué to Georges Rouault, art historian Francis Haskell wondered why they are so sad. The myth of the sad clown as an allegory for the... more

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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    In his discussion of clowns in nineteenth-century French painting from Jean-Léon Gérôme's 1857 La Sortie du bal masqué to Georges Rouault, art historian Francis Haskell wondered why they are so sad. The myth of the sad clown as an allegory for the unappreciated artist found echoes in the work of literary counterparts like Charles Baudelaire and his "Vieux saltimbanque" who seeks in vain a responsive public. For some, the attraction of the acrobatic clown for the creative imagination may have been his ability to embody the plight of the artist: these artistes generally led an ambulatory and uncertain existence. Other artists and writers, however, particularly the Decadents, perceived in the circus acrobat - including the acrobatic clown - a conceptual and performative tool for liberating their points of view from the prison-house of aesthetic convention. If authors' protagonists were themselves sometimes failures, their aesthetic innovations often produced exhilarating artistic triumphs. Among the works examined in this study are the circus posters of Jules Chéret, Thomas Couture's Pierrot and Harlequin paintings, Honoré Daumier's saltimbanque paintings, Edgar Degas's Miss Lala au Cirque Fernando, Édouard Manet's Un bar au Folies-Bergère, the pantomimes of the Hanlon-Lees troupe, and novels, short stories, and poems by Théodore de Banville, Edmond de Goncourt, J. K. Huysmans, Gustave Kahn, Jules Laforgue, Catulle Mendès, Octave Mirbeau, Jean Richepin, Edouard Rod, and Marcel Schwob

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429341960; 0429341962; 9781000682465; 1000682463; 9781000681765; 1000681769; 9781000682113; 1000682110
    RVK Categories: EC 5910
    Edition: First edition
    Series: Routledge Studies in Nineteenth Century Literature
    Subjects: Clowns in art; Art, French; LITERARY CRITICISM / General
    Scope: 1 Online-Ressource (x, 216 pages)
  10. Porträt des Künstlers als Gaukler
    drei Essays
    Author: Starobinski, Jean
    Published: 1985
    Publisher:  Fischer, Frankfurt am Main

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    TU Berlin, Universitätsbibliothek
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    Universität der Künste Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: German
    Media type: Book
    ISBN: 3100751027
    RVK Categories: EC 1070 ; EC 5410 ; IH 83570
    Subjects: Artists and models in art; Arts; Clowns in art; Literatur; Pierrot; Französisch; Clown <Motiv>; Gaukler <Motiv>; Spiegelbild; Künstler; Künstler <Motiv>; Narr <Motiv>; Clown; Kunst
    Scope: 167 S., zahlr. Ill.
  11. Decadent aesthetics and the acrobat in fin-de-siècle France
    Author: Forrest, Jennifer
    Published: 2020
    Publisher:  Routledge, Taylor & Francis Group, New York

    In his discussion of clowns in nineteenth-century French painting from Jean-Léon Gérôme's 1857 La Sortie du bal masqué to Georges Rouault, art historian Francis Haskell wondered why they are so sad. The myth of the sad clown as an allegory for the... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    10 A 89448
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    Universitätsbibliothek Freiburg
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    GE 2020/2619
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    Universitätsbibliothek Heidelberg
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    2020 A 9940
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
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    299934 - A
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    In his discussion of clowns in nineteenth-century French painting from Jean-Léon Gérôme's 1857 La Sortie du bal masqué to Georges Rouault, art historian Francis Haskell wondered why they are so sad. The myth of the sad clown as an allegory for the unappreciated artist found echoes in the work of literary counterparts like Charles Baudelaire and his "Vieux saltimbanque" who seeks in vain a responsive public. For some, the attraction of the acrobatic clown for the creative imagination may have been his ability to embody the plight of the artist: these artistes generally led an ambulatory and uncertain existence. Other artists and writers, however, particularly the Decadents, perceived in the circus acrobat - including the acrobatic clown - a conceptual and performative tool for liberating their points of view from the prison-house of aesthetic convention. If authors' protagonists were themselves sometimes failures, their aesthetic innovations often produced exhilarating artistic triumphs. Among the works examined in this study are the circus posters of Jules Chéret, Thomas Couture's Pierrot and Harlequin paintings, Honoré Daumier's saltimbanque paintings, Edgar Degas's Miss Lala au Cirque Fernando, Édouard Manet's Un bar au Folies-Bergère, the pantomimes of the Hanlon-Lees troupe, and novels, short stories, and poems by Théodore de Banville, Edmond de Goncourt, J. K. Huysmans, Gustave Kahn, Jules Laforgue, Catulle Mendès, Octave Mirbeau, Jean Richepin, Edouard Rod, and Marcel Schwob

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780367358143; 036735814X
    Series: Routledge Studies in nineteenth-century literature ; 53
    Subjects: Art, French; Clowns in art; Acrobats; Art, French; Clowns in art; Criticism, interpretation, etc
    Scope: viii, 215 Seiten, Illustrationen, 24 cm
    Notes:

    Literaturangaben
  12. The great parade
    portrait of the artist as clown
    Published: 2004
    Publisher:  Yale Univ. Pr. [u.a.], New Haven, Conn. [u.a.]

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2004:4970
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0300103751; 0888847793
    RVK Categories: LH 84400 ; LH 85000 ; LH 90070
    Subjects: Clowns in art; Circus in art; Artists and models in art
    Scope: 423 S, zahlr. Ill, 32 cm
  13. Decadent aesthetics and the acrobat in fin-de-siècle France
    Author: Forrest, Jennifer
    Published: 2020
    Publisher:  Routledge, New York ; London

    Location:
    Universitäts- und Landesbibliothek Münster
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    Volltext (URL des Erstveroeffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429341960
    Other identifier:
    Series: Routledge Studies in nineteenth century literature ; 53
    Subjects: Art, French / 20th century / History and criticism; Clowns in art; Acrobats / Social aspects; Kunst; Französisch; Clown <Motiv>; Fin de siècle; Clown; Akrobat <Motiv>; Literatur
    Scope: 1 Online-Ressource (viii, 215 Seiten)
  14. The great parade
    portrait of the artist as clown
    Published: 2004
    Publisher:  Yale Univ. Pr. [u.a.], New Haven, Conn. [u.a.]

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0300103751; 0888847793
    RVK Categories: LH 84400 ; LH 85000 ; LH 90070
    Subjects: Clowns in art; Circus in art; Artists and models in art
    Scope: 423 S, zahlr. Ill, 32 cm
  15. Decadent aesthetics and the acrobat in fin-de-siècle France
    Author: Forrest, Jennifer
    Published: 2020
    Publisher:  Routledge, Taylor & Francis Group, New York

    In his discussion of clowns in nineteenth-century French painting from Jean-Léon Gérôme's 1857 La Sortie du bal masqué to Georges Rouault, art historian Francis Haskell wondered why they are so sad. The myth of the sad clown as an allegory for the... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    In his discussion of clowns in nineteenth-century French painting from Jean-Léon Gérôme's 1857 La Sortie du bal masqué to Georges Rouault, art historian Francis Haskell wondered why they are so sad. The myth of the sad clown as an allegory for the unappreciated artist found echoes in the work of literary counterparts like Charles Baudelaire and his "Vieux saltimbanque" who seeks in vain a responsive public. For some, the attraction of the acrobatic clown for the creative imagination may have been his ability to embody the plight of the artist: these artistes generally led an ambulatory and uncertain existence. Other artists and writers, however, particularly the Decadents, perceived in the circus acrobat - including the acrobatic clown - a conceptual and performative tool for liberating their points of view from the prison-house of aesthetic convention. If authors' protagonists were themselves sometimes failures, their aesthetic innovations often produced exhilarating artistic triumphs. Among the works examined in this study are the circus posters of Jules Chéret, Thomas Couture's Pierrot and Harlequin paintings, Honoré Daumier's saltimbanque paintings, Edgar Degas's Miss Lala au Cirque Fernando, Édouard Manet's Un bar au Folies-Bergère, the pantomimes of the Hanlon-Lees troupe, and novels, short stories, and poems by Théodore de Banville, Edmond de Goncourt, J. K. Huysmans, Gustave Kahn, Jules Laforgue, Catulle Mendès, Octave Mirbeau, Jean Richepin, Edouard Rod, and Marcel Schwob

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780367358143; 036735814X
    Series: Routledge Studies in nineteenth-century literature ; 53
    Subjects: Art, French; Clowns in art; Acrobats; Art, French; Clowns in art; Criticism, interpretation, etc
    Scope: viii, 215 Seiten, Illustrationen, 24 cm
    Notes:

    Literaturangaben
  16. Der Künstler als Gaukler
    [anlässlich der Ausstellung "Der Künstler als Gaukler" im Graphikmuseum Pablo Picasso Münster vom 15. September 2006 bis zum 7. Januar 2007]
    Published: 2006
    Publisher:  Dt. Kunstverl., München

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783422066700; 3422066705
    Other identifier:
    9783422066700
    RVK Categories: LH 46170 ; LH 46220 ; LH 84390 ; LH 60200
    Subjects: Fools and jesters in art; Clowns in art; Harlequin (Fictitious character) in art
    Scope: 163 S., zahlr. Ill., 30 cm
  17. Decadent aesthetics and the acrobat in fin-de-siècle France
    Author: Forrest, Jennifer
    Published: 2020
    Publisher:  Routledge, New York ; London

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    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Volltext (URL des Erstveroeffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429341960
    Other identifier:
    Series: Routledge Studies in nineteenth century literature ; 53
    Subjects: Art, French / 20th century / History and criticism; Clowns in art; Acrobats / Social aspects
    Scope: 1 Online-Ressource (viii, 215 Seiten)
  18. Der Künstler als Gaukler
    [anlässlich der Ausstellung "Der Künstler als Gaukler" im Graphikmuseum Pablo Picasso Münster vom 15. September 2006 bis zum 7. Januar 2007]
    Published: 2006
    Publisher:  Dt. Kunstverl., München

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    Landschaftsbibliothek Aurich
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    y 13453
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2007:863:
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    Staats- und Universitätsbibliothek Bremen
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    Landkreis Rotenburg (Wümme), Kreisarchiv
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    Landkreis Rotenburg (Wümme), Kreisarchiv
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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Ik 434
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    Location:
    Universität des Saarlandes, Fachrichtung Kunst- und Kulturwissenschaft, Bibliothek
    Signature:
    O 139/300
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Staatsgalerie Stuttgart, Bibliothek
    Signature:
    X Münster 2006/07
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Württembergische Landesbibliothek
    Signature:
    57a/549
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    UB Weimar
    Signature:
    4ʿ-221 557
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783422066700; 3422066705
    Other identifier:
    9783422066700
    RVK Categories: LH 46170 ; LH 46220 ; LH 84390 ; LH 60200
    Subjects: Fools and jesters in art; Clowns in art; Harlequin (Fictitious character) in art
    Scope: 163 S., zahlr. Ill., 30 cm
  19. Böse Clowns
    Contributor: Hartware MedienKunstVerein, Hartware (Herausgeber); Arns, Inke (HerausgeberIn)
    Published: 2016
    Publisher:  Verlag Kettler, Dortmund

    Location:
    Staats- und Universitätsbibliothek Bremen
    Signature:
    7.049 CLO
    Inter-library loan:
    No inter-library loan

    Location:
    Burg Giebichenstein Kunsthochschule Halle, Hochschulbibliothek
    Signature:
    A 39744
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Contributor: Hartware MedienKunstVerein, Hartware (Herausgeber); Arns, Inke (HerausgeberIn)
    Language: English; German
    Media type: Book
    Format: Print
    ISBN: 3862065413; 9783862065417
    Other identifier:
    9783862065417
    RVK Categories: AP 79500 ; LH 42180
    Subjects: Clowns in art; Good and evil in art
    Scope: 254 Seiten, Illustrationen, 23.4 cm x 16.8 cm
  20. Clown
    la risa, una historia inconclusa
    Contributor: Canevaro, Walter (KünstlerIn, VerfasserIn)
    Published: [2020?]
    Publisher:  Del Centro Editores, Madrid

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Contributor: Canevaro, Walter (KünstlerIn, VerfasserIn)
    Language: Spanish
    Media type: Book
    Format: Print
    ISBN: 9788412123340; 8412123344
    RVK Categories: LI 99999
    Subjects: Clowns in art
    Other subjects: Canevaro, Walter
    Scope: 82 ungezählte Seiten
    Notes:

    100 numbered copies printed

    Bound

    W. Canevaro (1945-), Argentinian painter and illustrator