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  1. Mapping Movie Magazines
    Digitization, Periodicals and Cinema History
    Author: Biltereyst, Daniel
    Published: 2020; ©2020
    Publisher:  Springer International Publishing AG, Cham

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030332778
    RVK Categories: AP 57700
    Series: Global Cinema Ser
    Subjects: Motion pictures-Periodicals; Dänisch; Verbreitung; Französisch; Filmstar <Motiv>; Cineastik; Publikum <Motiv>; Englisch; Filmzeitschrift; Filmschaffender <Motiv>; Digitalisierung; Spanisch
    Scope: 1 Online-Ressource (343 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

    Intro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Images -- List of Graphs -- List of Tables -- Chapter 1: Introduction: Movie Magazines, Digitization and New Cinema History -- Magazines, Digitization and Cinema Historiography -- Magazines, the Film Industry and the Cultural Economy -- Authors, Stars and Fans -- Part I: Magazines, Digitization and Cinema Historiography -- Chapter 2: Variety's Transformations: Digitizing and Analyzing the First 35 Years of the Canonical Trade Paper -- The Digitization Process: Post-Production Labor as Philology -- Computational Analysis: Using Scaled Entity Search -- Distant Reading with Quantitative Content Analysis -- Synthesizing Methods and Understanding Variety's Shifts Toward Film and Radio -- Conclusion -- Chapter 3: Who Knew? Using Digital Trade Papers to Explore Ethnic Programming in American Picture Palaces -- A New Jewish Patronage -- Before Broadway -- Broadway Discovers the Jewish Passover Crowds -- Vaudeville Stars and Sacred Songs for the High Holidays -- Competition for the High Holiday Public -- Methodological Reflection: The Needle and the Haystack -- Chapter 4: Periodical Studies, Intermediality, and Cinema: Film in The Listener -- Intermedial Periodical Studies -- The Listener -- Film Criticism in The Listener -- Conclusion -- Part II: Magazines, the Film Industry and the Cultural Economy -- Chapter 5: Gross "Inaccuracies, Misrepresentations, and Exaggerations": The Motion Picture Industry's Clean-up of Movie Fan Magazines in 1934 -- The Association of Motion Picture Producers, Studio Publicity Directors and Fan Magazines in the 1930s -- Hollywood Discourses: Mainstream Journalism vs. Fan Magazines -- "Inaccuracies, Misrepresentations, and Exaggerations": Fan Magazines in 1933-1934 -- Conclusion

    Chapter 6: "The Great and Important Thing in Her Life": Depicting Female Labor and Ambition in 1920s and 1930s US Movie Magazines -- "Boadiceas of Big Business": The Hollywood Women's Press Club and Female Wage Labor -- "Her Consuming Ambition and Burning Desire": Joan Crawford and Gender Identity in the Movie Magazines -- Chapter 7: "The Girl Friend in Canada": Ray Lewis and Canadian Moving Picture Digest (1915-1957) -- Women Editors of Movie Magazines -- Ray Lewis: Genesis of a Character -- Canadian Moving Picture Digest -- The White Commission -- Ray Lewis Versus the World -- Tireless Advocate for a Domestic Industry -- Industry Honors Lewis as Pioneer -- Chapter 8: Drumming up Readers: Zonk! African People's Pictorial and Films for African Audiences in South Africa in 1949 and the Early 1950s -- Access, Archives and Cinema History in the "Global South" -- Zonk! African People's Pictorial and African Jim -- The Magazine, and the Film Zonk! -- Zonk! African People's Pictorial and The Magic Garden (1951) -- "Two Famous Films" -- African Film Production's Film Song of Africa (1951) -- Drum Arrives on the Scene -- Conclusions -- Chapter 9: Mapping the Dutch Film Magazine Market, 1920-1960 -- Pre-War Era: Westerbaan as a Key Figure -- The Cinephile Niche -- Movie Magazines During Occupation -- After the War: A Challenging Market -- Conclusions -- Part III: Authors, Stars, and Fans -- Chapter 10: Looking at Movie Fans: On Pictures Published in French Film Magazines of the Interwar Years -- Dreaming of Being a Star: Pictures Sent in a 'Search for a Star' Contest -- Being a Member of a Cinephilic Society: Pictures in the Mail Section of Pour Vous -- Pictures of Stars Side by Side with Spectators: The Movie Family Gathered -- Conclusion: They Had Faces Too

    Chapter 11: Between Hollywood and Babelsberg: Popular Cinephilia in a Dutch Movie Magazine of the 1920s -- Running a Movie Magazine in an Underdeveloped Market -- Modes of Interactive Fandom -- Engaging Dutch Movie Fans -- "Do You Want to Go to Berlin?" -- The Dutch Clara Bow -- Chapter 12: Hollywood Imaginaries at the End of the World: Ecran and the Construction of the International Industry from the Periphery -- Chilean Film Magazines -- Ecran Magazine -- Ecran as a Mediator Between Hollywood and Chile -- Hollywood Between Modernity and Mistrust -- Ecran and Hollywood es así (1944) -- Conclusion -- Chapter 13: "How's Your Sense of Direction?" Using Movie Magazines to Study Audiences' Perception of Classical Hollywood Directors, 1934-1943 -- "Pantheon Directors" -- "The Far Side of Paradise" -- Other Directors -- Conclusion -- Chapter 14: "Coming Attractions": Tijuana Bibles and the Pornographic Reimagining of Hollywood -- Histories of the Tijuana Bible -- Tijuana Bibles as Bridging Episode -- Tijuana Bibles as an Object and Generic Category -- Tijuana Bibles Go to Hollywood -- Tijuana Bibles and Moral Panic -- Conclusion -- Correction to: "Coming Attractions": Tijuana Bibles and the Pornographic Reimagining of Hollywood -- Index
  2. Mapping movie magazines
    digitization, periodicals and cinema history
    Contributor: Biltereyst, Daniël (Publisher); Van de Vijver, Lies (Publisher)
    Published: 2021
    Publisher:  palgrave macmillan, Cham, Switzerland

    Location:
    Universitätsbibliothek Regensburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Contributor: Biltereyst, Daniël (Publisher); Van de Vijver, Lies (Publisher)
    Language: English
    Media type: Conference proceedings
    ISBN: 9783030332792
    Corporations / Congresses: Turning The Page: Digitalization, movie magazines and historical audience studies (Veranstaltung) (2015, Gent)
    Series: Global cinema
    Subjects: Film History; Media and Communication; Cultural History; Journalism; International Political Economy; Motion pictures—History; Communication; Civilization—History; Journalism; Political economy; Publikum <Motiv>; Dänisch; Filmstar <Motiv>; Französisch; Verbreitung; Spanisch; Cineastik; Filmzeitschrift; Digitalisierung; Englisch; Filmschaffender <Motiv>
    Scope: xxix, 324 Seiten, Illustrationen
  3. Mapping movie magazines
    digitization, periodicals and cinema history
    Contributor: Biltereyst, Daniël (Publisher); Vijver, Lies van de (Publisher)
    Published: 2020
    Publisher:  Palgrave Macmillan, Cham

    Location:
    Universitätsbibliothek Bayreuth
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Passau
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    Unlimited inter-library loan, copies and loan
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  4. Mapping movie magazines
    digitization, periodicals and cinema history
    Contributor: Biltereyst, Daniël (Publisher); Vijver, Lies van de (Publisher)
    Published: [2020]; © 2020
    Publisher:  palgrave macmillan, Cham, Switzerland

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Regensburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Contributor: Biltereyst, Daniël (Publisher); Vijver, Lies van de (Publisher)
    Language: English
    Media type: Conference proceedings
    ISBN: 9783030332792; 9783030332761
    RVK Categories: AP 57700
    Corporations / Congresses: Turning The Page: Digitalization, movie magazines and historical audience studies (Veranstaltung) (2015, Gent)
    Series: Global cinema
    Subjects: Film History; Media and Communication; Cultural History; Journalism; International Political Economy; Motion pictures—History; Communication; Civilization—History; Journalism; Political economy; Verbreitung; Spanisch; Filmstar <Motiv>; Publikum <Motiv>; Cineastik; Filmzeitschrift; Französisch; Englisch; Dänisch; Digitalisierung; Filmschaffender <Motiv>
    Scope: xxix, 324 Seiten, Illustrationen
  5. Mapping movie magazines
    digitization, periodicals and cinema history
    Contributor: Biltereyst, Daniël (Publisher); Vijver, Lies van de (Publisher)
    Published: 2020
    Publisher:  Palgrave Macmillan, Cham

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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  6. Mapping Movie Magazines
    Digitization, Periodicals and Cinema History
    Author: Biltereyst, Daniel
    Published: 2020; ©2020
    Publisher:  Springer International Publishing AG, Cham

    Location:
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030332778
    RVK Categories: AP 57700
    Series: Global Cinema Ser
    Subjects: Motion pictures-Periodicals; Dänisch; Verbreitung; Französisch; Filmstar <Motiv>; Cineastik; Publikum <Motiv>; Englisch; Filmzeitschrift; Filmschaffender <Motiv>; Digitalisierung; Spanisch
    Scope: 1 Online-Ressource (343 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

    Intro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Images -- List of Graphs -- List of Tables -- Chapter 1: Introduction: Movie Magazines, Digitization and New Cinema History -- Magazines, Digitization and Cinema Historiography -- Magazines, the Film Industry and the Cultural Economy -- Authors, Stars and Fans -- Part I: Magazines, Digitization and Cinema Historiography -- Chapter 2: Variety's Transformations: Digitizing and Analyzing the First 35 Years of the Canonical Trade Paper -- The Digitization Process: Post-Production Labor as Philology -- Computational Analysis: Using Scaled Entity Search -- Distant Reading with Quantitative Content Analysis -- Synthesizing Methods and Understanding Variety's Shifts Toward Film and Radio -- Conclusion -- Chapter 3: Who Knew? Using Digital Trade Papers to Explore Ethnic Programming in American Picture Palaces -- A New Jewish Patronage -- Before Broadway -- Broadway Discovers the Jewish Passover Crowds -- Vaudeville Stars and Sacred Songs for the High Holidays -- Competition for the High Holiday Public -- Methodological Reflection: The Needle and the Haystack -- Chapter 4: Periodical Studies, Intermediality, and Cinema: Film in The Listener -- Intermedial Periodical Studies -- The Listener -- Film Criticism in The Listener -- Conclusion -- Part II: Magazines, the Film Industry and the Cultural Economy -- Chapter 5: Gross "Inaccuracies, Misrepresentations, and Exaggerations": The Motion Picture Industry's Clean-up of Movie Fan Magazines in 1934 -- The Association of Motion Picture Producers, Studio Publicity Directors and Fan Magazines in the 1930s -- Hollywood Discourses: Mainstream Journalism vs. Fan Magazines -- "Inaccuracies, Misrepresentations, and Exaggerations": Fan Magazines in 1933-1934 -- Conclusion

    Chapter 6: "The Great and Important Thing in Her Life": Depicting Female Labor and Ambition in 1920s and 1930s US Movie Magazines -- "Boadiceas of Big Business": The Hollywood Women's Press Club and Female Wage Labor -- "Her Consuming Ambition and Burning Desire": Joan Crawford and Gender Identity in the Movie Magazines -- Chapter 7: "The Girl Friend in Canada": Ray Lewis and Canadian Moving Picture Digest (1915-1957) -- Women Editors of Movie Magazines -- Ray Lewis: Genesis of a Character -- Canadian Moving Picture Digest -- The White Commission -- Ray Lewis Versus the World -- Tireless Advocate for a Domestic Industry -- Industry Honors Lewis as Pioneer -- Chapter 8: Drumming up Readers: Zonk! African People's Pictorial and Films for African Audiences in South Africa in 1949 and the Early 1950s -- Access, Archives and Cinema History in the "Global South" -- Zonk! African People's Pictorial and African Jim -- The Magazine, and the Film Zonk! -- Zonk! African People's Pictorial and The Magic Garden (1951) -- "Two Famous Films" -- African Film Production's Film Song of Africa (1951) -- Drum Arrives on the Scene -- Conclusions -- Chapter 9: Mapping the Dutch Film Magazine Market, 1920-1960 -- Pre-War Era: Westerbaan as a Key Figure -- The Cinephile Niche -- Movie Magazines During Occupation -- After the War: A Challenging Market -- Conclusions -- Part III: Authors, Stars, and Fans -- Chapter 10: Looking at Movie Fans: On Pictures Published in French Film Magazines of the Interwar Years -- Dreaming of Being a Star: Pictures Sent in a 'Search for a Star' Contest -- Being a Member of a Cinephilic Society: Pictures in the Mail Section of Pour Vous -- Pictures of Stars Side by Side with Spectators: The Movie Family Gathered -- Conclusion: They Had Faces Too

    Chapter 11: Between Hollywood and Babelsberg: Popular Cinephilia in a Dutch Movie Magazine of the 1920s -- Running a Movie Magazine in an Underdeveloped Market -- Modes of Interactive Fandom -- Engaging Dutch Movie Fans -- "Do You Want to Go to Berlin?" -- The Dutch Clara Bow -- Chapter 12: Hollywood Imaginaries at the End of the World: Ecran and the Construction of the International Industry from the Periphery -- Chilean Film Magazines -- Ecran Magazine -- Ecran as a Mediator Between Hollywood and Chile -- Hollywood Between Modernity and Mistrust -- Ecran and Hollywood es así (1944) -- Conclusion -- Chapter 13: "How's Your Sense of Direction?" Using Movie Magazines to Study Audiences' Perception of Classical Hollywood Directors, 1934-1943 -- "Pantheon Directors" -- "The Far Side of Paradise" -- Other Directors -- Conclusion -- Chapter 14: "Coming Attractions": Tijuana Bibles and the Pornographic Reimagining of Hollywood -- Histories of the Tijuana Bible -- Tijuana Bibles as Bridging Episode -- Tijuana Bibles as an Object and Generic Category -- Tijuana Bibles Go to Hollywood -- Tijuana Bibles and Moral Panic -- Conclusion -- Correction to: "Coming Attractions": Tijuana Bibles and the Pornographic Reimagining of Hollywood -- Index
  7. Poétique de la police
    Author: de Sutter, Laurent
    Published: 2017; ©2017
    Publisher:  Vittorio Klostermann, Frankfurt am Main

    Dieses Buch bietet keine "trockene" rechtstheoretische oder rechtsphilosophische Abhandlung, sondern ein bewegtes, die Theorie nicht scheuendes Nachdenken über "law in action". Indem Laurent de Sutter sich dem faszinierenden Genre des Polizeifilms... more

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    Location:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Location:
    Universitätsbibliothek Freiburg
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    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signature:
    ebook
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    No inter-library loan

    Location:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Location:
    Badische Landesbibliothek
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    Location:
    Badische Landesbibliothek
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    Location:
    Pädagogische Hochschulbibliothek Ludwigsburg
    Signature:
    E-Book Klostermann
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    Location:
    Hochschule Osnabrück, Bibliothek Campus Westerberg
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    No inter-library loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
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    Dieses Buch bietet keine "trockene" rechtstheoretische oder rechtsphilosophische Abhandlung, sondern ein bewegtes, die Theorie nicht scheuendes Nachdenken über "law in action". Indem Laurent de Sutter sich dem faszinierenden Genre des Polizeifilms zuwendet, greift er die kulturwissenschaftliche Forderung auf, bei der Suche nach der Wirklichkeit des Rechts seine symbolischen Repräsentationen nicht auszublenden, sondern sie als konstitutiven Bestandteil der sozialen Rechtsgeltung ernst zu nehmen. Die Suche nach dem gestalterischen Prinzip der Polizei, ihrer "poiesis", führt zur Erkenntnis, dass es verfehlt wäre, sie als reinen Garanten von "law and order" zu verstehen. Vielmehr wirkt sie häufig mit an der Suspension des Rechts wie an der Korruption ihrer eigenen Ordnung - Ausdruck einer eigenen Form der "Entdifferenzierungskultur", in der die Grenzen von Recht, Politik, Polizei und Ökonomie fließend werden. Wenn die Rechtsanwendung strukturell immer Elemente der Gewalt und der Ungerechtigkeit in sich trägt, dann kann gerade die Polizei dieser Aporie nicht entgehen und muss sich in ihrem Handeln zwangsläufig in Widersprüche verwickeln. Es sind solche Formen der Grenzziehung und Entgrenzung, die der Autor in seinen Filmanalysen den popkulturellen Inszenierungen der Polizei abliest. So macht das Buch Lust, alte Filmklassiker mit anderen Augen zu sehen.

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783465143031
    Other identifier:
    RVK Categories: PI 4120 ; PH 9160
    Series: Schriftenreihe des Käte Hamburger Kollegs "Recht als Kultur
    Recht als Kultur ; 17
    Subjects: Ästhetik; Gewalt; Kulturwissenschaft; Polizei; Recht; Medienwissenschaft; Gesetz; Filmanalyse; Rechtstheorie; Poetik; Rechtsphilosophie; Repräsentationen; Cineastik; Polizeifilm
    Scope: 1 Online-Ressource