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Displaying results 1 to 13 of 13.

  1. The elocutionists
    women, music, and the spoken word
    Author: Kimber, Marian Wilson
    Published: [2017]; © 2017
    Publisher:  University of Illinois Press, Urbana ; Chicaco ; Springfield

    "Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre...dominated by women...achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the... more

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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek der LMU München
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    "Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre...dominated by women...achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the twentieth century. Marian Wilson Kimber restores elocution with music to its rightful place in performance history. Gazing through the lenses of gender and genre, Wilson Kimber argues that these female artists transgressed the previous boundaries between private and public domains. Their performances advocated for female agency while also contributing to a new social construction of gender. Elocutionists, proud purveyors of wholesome entertainment, pointedly contrasted their "acceptable" feminine attributes against those of morally suspect actresses. As Wilson Kimber shows, their influence far outlived their heyday. Women, the primary composers of melodramatic compositions, did nothing less than create a tradition that helped shape the history of American music"...

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780252040719; 9780252082221
    RVK Categories: LR 57716
    Series: Music in American life
    Subjects: MUSIC / History & Criticism; SOCIAL SCIENCE / Women's Studies; Geschichte; Oral interpretation; Elocutionists; Women and literature; Women and literature; Women performance artists; Music theater; Readers' theater; Choral speaking; Oral reading; MUSIC / History & Criticism; SOCIAL SCIENCE / Women's Studies; Deklamation; Frau; Musiktheater
    Scope: xvii, 324 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Includes bibliographical references and index
  2. Prose and poetry of today
    regional America
    Author: Lucas, Harriet A.
    Published: 1941
    Publisher:  Singer, Syracuse, N.Y.

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Subjects: American literature / 20th century; Regionalism / United States; Choral speaking; American literature; Choral speaking; Regionalism
    Scope: XXI, 808 S., Ill.
    Notes:

    Portrait and biographical sketch of the artist on verso of each colored plate. - "Further readings--the regional novel": S. 763, 764
  3. Praxis des Sprechchors
    mit Regiebuch des Chorspiels Der Krieg
    Author: Vogt, Karl
    Published: [1929]
    Publisher:  Verl. Der Sturm, Berlin

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    Landesbibliothek Coburg
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    Bayerische Staatsbibliothek
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    Deutsches Theatermuseum, früher Clara-Ziegler-Stiftung, Theaterbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Book
    RVK Categories: AP 71300 ; AP 73800
    Subjects: Choral speaking; Sprechchor
    Scope: 63 S., Ill.
    Notes:

    <<Der>> Krieg
  4. A handbook of creative choral speaking
    Author: Brown-Azarowicz, Marjory Frances
    Published: 1970
    Publisher:  Burgess, Minneapolis, Minn.

    Location:
    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    RVK Categories: HD 150
    Subjects: Choral speaking
    Scope: XI,148 S.
  5. The elocutionists
    women, music, and the spoken word
    Author: Kimber, Marian Wilson
    Published: 2017
    Publisher:  University of Illinois Press, Urbana

    "Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre--dominated by women--achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the... more

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    Location:
    Hochschule Aalen, Bibliothek
    Signature:
    E-Book EBSCO
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    Hochschule Esslingen, Bibliothek
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    E-Book Ebsco
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    "Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre--dominated by women--achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the twentieth century. Marian Wilson Kimber restores elocution with music to its rightful place in performance history. Gazing through the lenses of gender and genre, Wilson Kimber argues that these female artists transgressed the previous boundaries between private and public domains. Their performances advocated for female agency while also contributing to a new social construction of gender. Elocutionists, proud purveyors of wholesome entertainment, pointedly contrasted their "acceptable" feminine attributes against those of morally suspect actresses. As Wilson Kimber shows, their influence far outlived their heyday. Women, the primary composers of melodramatic compositions, did nothing less than create a tradition that helped shape the history of American music"-- 7. Womanly Women and Moral Uplift: Female Readers and Concert Companies on the Chautauqua Circuit8. Multiplying Voices: American Women and the Music of Choral Speaking; 9. Words and Music Ladies: The Careers of Phyllis Fergus and Frieda Peycke; 10. Women's Work, Women's Humor: Musical Recitations by Female Composers; Afterword: Echoes of Elocutionary Arts; Appendix; Notes; Index Cover; Title; Copyright; Contents; Preface: Hearing Lost Voices; Acknowledgments; 1. The Odyssey of a Nice Girl: Elocution and Women's Cultural Aspirations; 2. Making Elocution Musical: Accompanied Recitation and the Musical Voice; 3. Reading the Fairies: Shakespeare in Concert with Mendelssohn's A Midsummer Night's Dream; 4. Sentimentality and Gender in Musically Accompanied Recitations; 5. Grecian Urns in Iowa Towns: Delsarte and The Music Man; 6. In Another Voice: Women and Dialect Recitations

     
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  6. Chor-Figuren
    transdisziplinäre Beiträge
    Contributor: Bodenburg, Julia (HerausgeberIn); Grabbe, Katharina (HerausgeberIn); Haitzinger, Nicole (HerausgeberIn)
    Published: [2016]; © 2016
    Publisher:  Rombach Verlag, Freiburg i. Br.

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Bodenburg, Julia (HerausgeberIn); Grabbe, Katharina (HerausgeberIn); Haitzinger, Nicole (HerausgeberIn)
    Language: German
    Media type: Conference proceedings
    Format: Print
    ISBN: 3793098370; 9783793098379
    Other identifier:
    9783793098379
    RVK Categories: EC 7825 ; LR 12560 ; AP 71300
    Edition: 1. Auflage
    Corporations / Congresses: Interdisziplinäre Tagung Chorfiguren: Stimme, Affekt, Kollektiv (2014, Münster (Westf))
    Series: Rombach-Wissenschaften : [...], Reihe Paradeigmata ; Band 30
    Subjects: Theater; Drama; Music theater; Choral speaking; Choirs (Music)
    Scope: 261 Seiten, Illustrationen, 22.4 cm x 15 cm
    Notes:

    Einleitung: "... an der Universität Münster veranstalteten Julia Bodenburg und Katharina Grabbe im November 2014 die transdisziplinäre und internationale Konferenz Chorfiguren. Stimme - Affekt - Kollektiv."

    Julia Bodenburg, Katharina Grabbe, Nicole Haitzinger: Einleitung

    Sebastian Bolz: Der Chor und der Tod Stimmen der Geschichte in den Opern von Egon Wellesz

    Claudia Bosse, Nicole Haitzinger: fragmente zum chor

    Thomas Boyken: Zwischen Kommentar und Affekt Schillers Konzept des Chors und seine Realisation

    Matthias Dreyer: Der unmögliche Chor : Gemeinschaft als désæuvrement in Theater und Tanz (Schleef, Blanchot, Nancy, Charmatz)

    Nils Grosch: Gestus und Demokratisierung : Beobachtungen zum Chor im epischen Musiktheater der Weimarer Republik

    Nicole Haitzinger: Ordnungen des Chorischen im Tanztheater der Aufklärung und im zeitgenössischen Tanz

    Ulrike Hass: Chor_Figur und Grund

    Momoko Inoue: Die Satyrn als Spur des Chors in Elfriede Jelineks Kein Licht

    Monika Meister: Figurationen des Chors im gegenwärtigen Theater

    Nikolaus Müller-Schöll: De-Figurationen des Politischen Chorische Theaterkollektive nach Marx

    Clemens Peck: Chorus pacis Gleichklang und Choreografie im Friedensspiel um 1650

    Carolin Rocks: Feldgeschrey zur politischen Funktion des Chors bei Sulzer und Schiller

    Lily Tonger-Erk: Den Chor lesen Medialität der Vielstimmigkeit in Schillers Die Braut von Messina

    Ulrike Wels: Transzendenz und Didaxe oder die heile Welt des Chors im Theater des siebzehnten Jahrhunderts

    Bernhard Zimmermann.: "Ein ungeheures, mit übernatürlicher Lunge begabtes Einzelwesen" Griechische Chöre zwischen Religion, Politik und Theater
  7. The elocutionists
    women, music, and the spoken word
    Author: Kimber, Marian Wilson
    Published: 2017
    Publisher:  University of Illinois Press, Urbana

    "Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre--dominated by women--achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre--dominated by women--achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the twentieth century. Marian Wilson Kimber restores elocution with music to its rightful place in performance history. Gazing through the lenses of gender and genre, Wilson Kimber argues that these female artists transgressed the previous boundaries between private and public domains. Their performances advocated for female agency while also contributing to a new social construction of gender. Elocutionists, proud purveyors of wholesome entertainment, pointedly contrasted their "acceptable" feminine attributes against those of morally suspect actresses. As Wilson Kimber shows, their influence far outlived their heyday. Women, the primary composers of melodramatic compositions, did nothing less than create a tradition that helped shape the history of American music"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780252082221; 9780252040719
    RVK Categories: LR 57716
    Series: Music in American life
    Subjects: Oral interpretation; Elocutionists; Women and literature; Women and literature; Women performance artists; Music theater; Readers' theater; Choral speaking; Oral reading
    Scope: xvii, 324 pages, illustrations, 25 cm
    Notes:

    Includes bibliographical references (pages 257-310) and index
  8. An approach to choral speech
    Author: Swann, Mona
    Published: 1946
    Publisher:  Macmillan, London

    Location:
    Pädagogische Hochschulbibliothek Ludwigsburg
    Signature:
    Spra 3bc Swa
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    Edition: 3. ed.
    Subjects: Choral speaking
    Scope: 87 S.
    Notes:

    "First published 1934...Third edition 1946." - Introductory volume to the author's "Many voices: a collection of poems suitable for choral speech." cf. p. 12 - "Illustrative references": p. 80-87 - [Full name: Kathleen Mona Swann]
  9. The speech choir
    with American poetry and English ballads for choral reading
    Author: Gullan, Marjorie
    Published: 1937
    Publisher:  Harper & Brothers, New York [u.a.]

    Location:
    Universitätsbibliothek Mannheim
    Signature:
    500 HG 812 G973
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    RVK Categories: HG 812
    Subjects: Choral speaking; American poetry; Ballads, English
    Scope: XIX, 284 S.
    Notes:

    Bibliography: p. 277-278
  10. Praxis des Sprechchors
    mit Regiebuch des Chorspiels Der Krieg
    Author: Vogt, Karl
    Published: [1929]
    Publisher:  Verl. Der Sturm, Berlin

    Location:
    Archiv der Akademie der Künste, Bibliothek
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    BBF | Bibliothek für Bildungsgeschichtliche Forschung in Berlin
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    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    TU Berlin, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Language: German
    Media type: Book
    RVK Categories: AP 71300 ; AP 73800
    Subjects: Choral speaking; Sprechchor
    Scope: 63 S., Ill.
    Notes:

    <<Der>> Krieg
  11. Chor-Figuren
    transdisziplinäre Beiträge
    Contributor: Bodenburg, Julia (HerausgeberIn); Grabbe, Katharina (HerausgeberIn); Haitzinger, Nicole (HerausgeberIn)
    Published: [2016]; © 2016
    Publisher:  Rombach Verlag, Freiburg i. Br.

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 986140
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Universitätsbibliothek Freiburg
    Signature:
    GE 2016/2271
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    D-1 8/58
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    LR 12560 100
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    AP 71300 B666
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    Hochschule für Musik und Theater, Bibliothek
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    Sdk 3, Bode, Chor
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    Badische Landesbibliothek
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Hochschule für Musik und Theater 'Felix Mendelssohn Bartholdy' Leipzig, Bibliothek und Archiv
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    Universitätsbibliothek Leipzig
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    2016.05690:1
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    Universitätsbibliothek Mannheim
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    500 EC 7825 B666
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    Deutsches Literaturarchiv Marbach, Bibliothek
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    Landesbibliothek Oldenburg
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    16-4422
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    Saarländische Universitäts- und Landesbibliothek
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    2017-547
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    Landesbibliographie Baden-Württemberg, Zentralredaktion
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    66/6140
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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Bodenburg, Julia (HerausgeberIn); Grabbe, Katharina (HerausgeberIn); Haitzinger, Nicole (HerausgeberIn)
    Language: German
    Media type: Conference proceedings
    Format: Print
    ISBN: 3793098370; 9783793098379
    Other identifier:
    9783793098379
    RVK Categories: EC 7825 ; LR 12560 ; AP 71300
    Edition: 1. Auflage
    Corporations / Congresses: Interdisziplinäre Tagung Chorfiguren: Stimme, Affekt, Kollektiv (2014, Münster (Westf))
    Series: Rombach-Wissenschaften : [...], Reihe Paradeigmata ; Band 30
    Subjects: Theater; Drama; Music theater; Choral speaking; Choirs (Music)
    Scope: 261 Seiten, Illustrationen, 22.4 cm x 15 cm
    Notes:

    Einleitung: "... an der Universität Münster veranstalteten Julia Bodenburg und Katharina Grabbe im November 2014 die transdisziplinäre und internationale Konferenz Chorfiguren. Stimme - Affekt - Kollektiv."

    Julia Bodenburg, Katharina Grabbe, Nicole Haitzinger: Einleitung

    Sebastian Bolz: Der Chor und der Tod Stimmen der Geschichte in den Opern von Egon Wellesz

    Claudia Bosse, Nicole Haitzinger: fragmente zum chor

    Thomas Boyken: Zwischen Kommentar und Affekt Schillers Konzept des Chors und seine Realisation

    Matthias Dreyer: Der unmögliche Chor : Gemeinschaft als désæuvrement in Theater und Tanz (Schleef, Blanchot, Nancy, Charmatz)

    Nils Grosch: Gestus und Demokratisierung : Beobachtungen zum Chor im epischen Musiktheater der Weimarer Republik

    Nicole Haitzinger: Ordnungen des Chorischen im Tanztheater der Aufklärung und im zeitgenössischen Tanz

    Ulrike Hass: Chor_Figur und Grund

    Momoko Inoue: Die Satyrn als Spur des Chors in Elfriede Jelineks Kein Licht

    Monika Meister: Figurationen des Chors im gegenwärtigen Theater

    Nikolaus Müller-Schöll: De-Figurationen des Politischen Chorische Theaterkollektive nach Marx

    Clemens Peck: Chorus pacis Gleichklang und Choreografie im Friedensspiel um 1650

    Carolin Rocks: Feldgeschrey zur politischen Funktion des Chors bei Sulzer und Schiller

    Lily Tonger-Erk: Den Chor lesen Medialität der Vielstimmigkeit in Schillers Die Braut von Messina

    Ulrike Wels: Transzendenz und Didaxe oder die heile Welt des Chors im Theater des siebzehnten Jahrhunderts

    Bernhard Zimmermann.: "Ein ungeheures, mit übernatürlicher Lunge begabtes Einzelwesen" Griechische Chöre zwischen Religion, Politik und Theater
  12. The elocutionists
    women, music, and the spoken word
    Author: Kimber, Marian Wilson
    Published: 2017
    Publisher:  University of Illinois Press, Urbana

    "Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre--dominated by women--achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    8 A 5820
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    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule für Musik, Theater und Medien Hannover, Bibliothek
    Signature:
    Mus 03 c.69
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    "Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre--dominated by women--achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the twentieth century. Marian Wilson Kimber restores elocution with music to its rightful place in performance history. Gazing through the lenses of gender and genre, Wilson Kimber argues that these female artists transgressed the previous boundaries between private and public domains. Their performances advocated for female agency while also contributing to a new social construction of gender. Elocutionists, proud purveyors of wholesome entertainment, pointedly contrasted their "acceptable" feminine attributes against those of morally suspect actresses. As Wilson Kimber shows, their influence far outlived their heyday. Women, the primary composers of melodramatic compositions, did nothing less than create a tradition that helped shape the history of American music"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780252082221; 9780252040719
    RVK Categories: LR 57716
    Series: Music in American life
    Subjects: Oral interpretation; Elocutionists; Women and literature; Women and literature; Women performance artists; Music theater; Readers' theater; Choral speaking; Oral reading
    Scope: xvii, 324 pages, illustrations, 25 cm
    Notes:

    Includes bibliographical references (pages 257-310) and index
  13. The Elocutionists
    Women, Music, and the Spoken Word
    Author: Wilson Kimber, Marian
    Published: 2017; ©2017
    Publisher:  University of Illinois Press, Baltimore

    Cover -- Title -- Copyright -- Contents -- Preface: Hearing Lost Voices -- Acknowledgments -- 1. The Odyssey of a Nice Girl: Elocution and Women's Cultural Aspirations -- 2. Making Elocution Musical: Accompanied Recitation and the Musical Voice -- 3.... more

    Location:
    Hochschulbibliothek Friedensau
    Signature:
    Online-Ressource
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    Cover -- Title -- Copyright -- Contents -- Preface: Hearing Lost Voices -- Acknowledgments -- 1. The Odyssey of a Nice Girl: Elocution and Women's Cultural Aspirations -- 2. Making Elocution Musical: Accompanied Recitation and the Musical Voice -- 3. Reading the Fairies: Shakespeare in Concert with Mendelssohn's A Midsummer Night's Dream -- 4. Sentimentality and Gender in Musically Accompanied Recitations -- 5. Grecian Urns in Iowa Towns: Delsarte and The Music Man -- 6. In Another Voice: Women and Dialect Recitations -- 7. Womanly Women and Moral Uplift: Female Readers and Concert Companies on the Chautauqua Circuit -- 8. Multiplying Voices: American Women and the Music of Choral Speaking -- 9. Words and Music Ladies: The Careers of Phyllis Fergus and Frieda Peycke -- 10. Women's Work, Women's Humor: Musical Recitations by Female Composers -- Afterword: Echoes of Elocutionary Arts -- Appendix -- Notes -- Index

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780252099151
    Series: Music in American Life
    Subjects: Choral speaking; Elocutionists; Music theater; Oral interpretation; Oral reading; Readers' theater; Women and literature; Women and literature; Women performance artists
    Scope: 1 Online-Ressource (293 pages)