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  1. The Four Masterworks of the Ming Novel
    Ssu ta ch'i-shu
    Author: Plaks, Andrew H.
    Published: 2016; ©1988
    Publisher:  Princeton University Press, Princeton, NJ

    Andrew Plaks reinterprets the great texts of Chinese fiction known as the “Four Masterworks of the Ming Novel” (ssu ta ch’i-shu). Arguing that these are far more than collections of popular narratives, Professor Plaks shows that their fullest... more

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    Andrew Plaks reinterprets the great texts of Chinese fiction known as the “Four Masterworks of the Ming Novel” (ssu ta ch’i-shu). Arguing that these are far more than collections of popular narratives, Professor Plaks shows that their fullest recensions represent a sophisticated new genre of Chinese prose fiction arising in the late Ming dynasty, especially in the sixteenth century. He then analyzes these radical transformations of prior source materials, which reflect the values and intellectual concerns of the literati of the period.Originally published in 1987.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
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    ISBN: 9781400843930
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    Series: Princeton Legacy Library
    Subjects: Chinese fiction; Chinese fiction.; Chinese fiction
    Scope: 1 online resource
  2. The Writing on the Wall
    Chinese and Japanese Immigration to BC, 1920
    Author: Glynn-Ward, Hilda
    Published: [2017]; ©1974
    Publisher:  University of Toronto Press, Toronto

    With tales of a gruesome murder, a typhoid epidemic, corrupt politicians, and a Japanese invasion, The Writing on the Wall was intended to shock its readers when it was published in 1921. Thinly disguised as a novel, it is a propaganda tract... more

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    With tales of a gruesome murder, a typhoid epidemic, corrupt politicians, and a Japanese invasion, The Writing on the Wall was intended to shock its readers when it was published in 1921. Thinly disguised as a novel, it is a propaganda tract exhorting white British Columbians to greater vigilance to prevent greedy politicians from selling out to the Chinese and Japanese. It was also designed to convince eastern Canada of British Columbia's need for protections against an onslaught of the 'yellow peril.'This novel is not exceptional in its extreme racism; it reiterates almost every anti-oriental cliché circulating in British Columbia at the time of its publication. While modern readers will find the story horrifying and unbelievable, it is in fact based on real incidents. Many of the views expressed were only exaggerated versions of ideas held throughout the country about non-Anglo-Saxon immigrants. The Writing on the Wall is a vivid illustration of the fear and prejudice with which immigrants were regarded in the early twentieth century.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442627628
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    Subjects: Japanese fiction; Chinese fiction; Japanese fiction; Chinese fiction; Chinese fiction.; Japanese fiction.
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    Frontmatter -- -- Introduction -- -- Part I. The past -- -- Chapter 1. Introducing one Chung Lee and another man of parts -- -- Chapter 2. In which Gordon Morley tells no secrets -- -- Chapter 3. Which introduces Lizzie Laidlaw -- -- Chapter 4. In which the 'Empress' unships a valuable cargo -- -- Chapter 5. In which a famous lawyer finds himself in a hurry -- -- Chapter 6. Describing a yacht and a career -- -- Chapter 7. In which the fish inspector sees something that makes him sit up -- -- Chapter 8. In which Harding comes upon a 'pleasant joke' -- -- Chapter 9. In which Harding finds that two and two make four -- -- Chapter 10. In which Mrs Morley attends a reception -- -- Chapter 11. In which one Chinaman escapes justice and another gets a government job -- -- Part 2. The present (ten years after) -- -- Chapter 12. In which we hear of a wedding and a death -- -- Chapter 13. Which tells of an elopement -- -- Chapter 14. Showing the perspicacity of Peter McReady -- -- Chapter 16. In which there are many rumors and a few facts -- -- Chapter 17. In which Rose's nose is put out of joint and a man reaches the last stages -- -- Chapter 18. In which we meet Chung Lee again as a winner -- -- Chapter 19. In which the lieutenant-governor is confronted by a choice -- -- Part 3. The future -- -- Chapter 20. In which positions are reversed -- -- Chapter 21. In which yellow wins -- -- Chapter 22. In which many things are made clear -- -- Finis
  3. The Chinese Novel at the Turn of the Century
    Published: 2017; ©1980
    Publisher:  University of Toronto Press, Toronto

    This collection of essays reveals the dynamic role of the late Qing novel in the process of modernization of Chinese fiction. Substantial changes in various aspects of the Chinese novel at the turn of the century, demonstrated by structural analyses... more

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    This collection of essays reveals the dynamic role of the late Qing novel in the process of modernization of Chinese fiction. Substantial changes in various aspects of the Chinese novel at the turn of the century, demonstrated by structural analyses of several representative novels, suggest that the evolution of modern Chinese fiction was a more complex process than a simple imitation of Western literatures. The results challenge the scholarly consensus that modern Chinese fiction resulted from a radical change brought about by the May Fourth Movement in 1919. It is demonstrated rather that the transformation had already begun in the first decade of the twentieth century and that the conspicuous changes in Chinese fiction of the 1920s represent a culmination rather than a beginning of the modern evolutionary process. The book consists of nine studies which analyse the late Qing novel in its general and specific aspects. The introduction and first essay explain how social changes conditioned cultural and literary changes during the period and how the resultant new theory of fiction generated new concepts of a politically engaged novel. The two following studies develop a general statement of narrative structures and devices, derived from structural analyses of seven outstanding late Qing novels. The last six articles examine particular novels in detail, focusing on the specific fictional techniques which predominate in each. This is the first volume in a new series, Modern East Asian Studies.

     
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    ISBN: 9781442653856
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    Series: Heritage
    Subjects: Chinese fiction; Chinese fiction; Chinese fiction.
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    Frontmatter -- -- Contents -- -- Preface -- -- Introduction -- -- The Rise of ‘New Fiction’ -- -- Typology of Plot Structures in Late Qing Novels -- -- Narrative Modes in Late Qing Novels -- -- A Novel of Setting: The Bureaucrats -- -- Time in Nine Murders : Western influence and domestic tradition -- -- The Travels of Laocan: Allegorical Narrative -- -- The Dramatic Structure of Niehai hua -- -- Characterization in Sea of Woe -- -- The Nine-Tailed Turtle: Pornography or ‘Fiction of Exposure’? -- -- Glossary -- -- Biographies of Authors -- -- Bibliography -- -- Index -- -- Contributors
  4. Demonic Warfare
    Daoism, Territorial Networks, and the History of a Ming Novel
    Author: Meulenbeld, Mark R.
    Published: 2015; ©2015
    Publisher:  University of Hawaii Press, Honolulu

    Revealing the fundamental continuities that exist between vernacular fiction and exorcist, martial rituals in the vernacular language, Mark Meulenbeld argues that a specific type of Daoist exorcism helped shape vernacular novels in the late Ming... more

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    Revealing the fundamental continuities that exist between vernacular fiction and exorcist, martial rituals in the vernacular language, Mark Meulenbeld argues that a specific type of Daoist exorcism helped shape vernacular novels in the late Ming dynasty (1368–1644). Focusing on the once famous novel Fengshen yanyi ("Canonization of the Gods"), the author maps out the general ritual structure and divine protagonists that it borrows from much older systems of Daoist exorcism.By exploring how the novel reflects the specific concerns of communities associated with Fengshen yanyi and its ideology, Meulenbeld is able to reconstruct the cultural sphere in which Daoist exorcist rituals informed late imperial "novels." He first looks at temple networks and their religious festivals. Organized by local communities for territorial protection, these networks featured martial narratives about the powerful and heroic deeds of the gods. He then shows that it is by means of dramatic practices like ritual, theatre, and temple processions that divine acts were embodied and brought to life. Much attention is given to local militias who embodied "demon soldiers" as part of their defensive strategies. Various Ming emperors actively sought the support of these local religious networks and even continued to invite Daoist ritualists so as to efficiently marshal the forces of local gods with their local demon soldiers into the official, imperial reserves of military power.This unusual book establishes once and for all the importance of understanding the idealized realities of literary texts within a larger context of cultural practice and socio-political history. Of particular importance is the ongoing dialog with religious ideology that informs these different discourses. Meulenbeld's book makes a convincing case for the need to debunk the retrospective reading of China through the modern, secular Western categories of "literature," "society," and "politics." He shows that this disregard of religious dynamics has distorted our understanding of China and that "religion" cannot be conveniently isolated from scholarly analysis.

     
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  5. How to Read the Chinese Novel
    Contributor: Rolston, David Lee (Hrsg.)
    Published: 1990; ©1990
    Publisher:  Princeton University Press, Princeton, New Jersey

    Fiction criticism has a long and influential history in pre-modern China, where critics would read and reread certain novels with a concentration and fervor far exceeding that which most Western critics give to individual works. This volume, a source... more

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    Fiction criticism has a long and influential history in pre-modern China, where critics would read and reread certain novels with a concentration and fervor far exceeding that which most Western critics give to individual works. This volume, a source book for the study of traditional Chinese fiction criticism from the late sixteenth to the early twentieth centuries, presents translations of writings taken from the commentary editions of six of the most important novels of pre-modern China. These translations consist mainly of tu-fa, or "how-to-read" essays, which demonstrate sensitivity and depth of analysis both in the treatment of general problems concerning the reading of any work of fiction and in more focused discussions of particular compositional details in individual novels.The translations were produced by pioneers in the study of this form of fiction criticism in the West: Shuen-fu Lin, Andrew H. Plaks, David T. Roy, John C. Y. Wang, and Anthony C. Yu. Four introductory essays by Andrew H. Plaks and the editor address the historical background for this type of criticism, its early development, its formal features, recurrent terminology, and major interpretive strategies. A goal of this volume is to aid in the rediscovery of this traditional Chinese poetics of fiction and help eliminate some of the distortions encountered in the past by the imposition of Western theories of fiction on Chinese novels.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Rolston, David Lee (Hrsg.)
    Language: English
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    ISBN: 9781400860470
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    Series: Princeton Legacy Library
    Princeton legacy library
    Princeton library of Asian translations
    Subjects: LITERARY CRITICISM; Chinese fiction; Chinese fiction.
    Scope: Online-Ressource (552 pages)
  6. Red peonies
    two Novellas of China
    Author: Zhang, Yihe
    Published: 2017; ©2017
    Publisher:  University of Hawaii Press, Honolulu

    Red Peonies: Two Novellas of China is the first translation in English of two of the books written by Zhang Yihe about women she met and befriended in prison. The subjects of her stories have been described as “beautiful women who wielded magic power... more

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    Red Peonies: Two Novellas of China is the first translation in English of two of the books written by Zhang Yihe about women she met and befriended in prison. The subjects of her stories have been described as “beautiful women who wielded magic power over men. They were like jealous evil spirits, vengeful treacherous persons—countless snakes coiled around other people.”Zhang Yihe was fifteen in 1957, the year her father was declared an enemy of the People’s Republic of China. Denounced as the nation’s Number One Rightist, he was persecuted by Chairman Mao. Zhang herself was arrested at age twenty-eight and sentenced to twenty-one years in a remote labor prison. While in the women’s prison, she came to know the other inmates, most of whom were from farms and lacked education. In 2011, at age seventy, she began to write and publish her fictionalized accounts of some of the women. The novellas were quickly censored in China, but have become widely popular in pirated, unexpurgated editions in the PRC, Hong Kong, and Taiwan. Zhang Yihe is now an outspoken advocate of free expression. Red Peonies contains the first two novellas in Zhang’s projected series of ten. Never before translated into English, the works are powerfully written, tender, and sorrowful. They bring to life the stories of Chinese women caught in the turmoil of the Cultural Revolution. This volume includes the work of Xing Danwen, an internationally known artist based in Beijing.

     
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    Source: Staatsbibliothek zu Berlin
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    ISBN: 9780824874094
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    Series: De Gruyter eBook-Paket Literatur- und Kulturwissenschaft, Area Studies
    Manoa
    Subjects: Women prisoners; Women prisoners; Women prisoners.; Asian literature.; Chinese fiction.; Novella.; prison literature.; women’s fiction.
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    :
  7. The reincarnated giant
    an anthology of twenty-first-century Chinese science fiction
    Contributor: Song, Mingwei (HerausgeberIn); Huters, Theodore (HerausgeberIn)
    Published: [2018]; © 2018
    Publisher:  Columbia University Press, New York

    A new wave of Chinese science fiction is here. This golden age has not only resurrected the genre but also subverted its own conventions. Going beyond political utopianism and technological optimism, contemporary Chinese writers conjure glittering... more

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    A new wave of Chinese science fiction is here. This golden age has not only resurrected the genre but also subverted its own conventions. Going beyond political utopianism and technological optimism, contemporary Chinese writers conjure glittering visions and subversive experiments—ranging from space opera to cyberpunk, utopianism to the posthuman, and parodies of China’s rise to deconstructions of the myth of national development.This anthology showcases the best of contemporary science fiction from Taiwan, Hong Kong, and the People’s Republic of China. In fifteen short stories and novel excerpts, The Reincarnated Giant opens a doorway into imaginary realms alongside our own world and the history of the future. Authors such as Lo Yi-chin, Dung Kai-cheung, Han Song, Chen Qiufan, and the Hugo winner Liu Cixin—some alive during the Cultural Revolution, others born in the 1980s—blur the boundaries between realism and surrealism, between politics and technology. They tell tales of intergalactic war; decoding the last message sent from an extinct human race; the use of dreams as tools to differentiate cyborgs and humans; poets’ strange afterlife inside a supercomputer; cannibalism aboard an airplane; and unchecked development that leads to uncontrollable catastrophe. At a time when the Chinese government promotes the “Chinese dream,” the dark side of the new wave shows a nightmarish unconscious. The Reincarnated Giant is an essential read for anyone interested in the future of the genre.

     
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    Source: Union catalogues
    Contributor: Song, Mingwei (HerausgeberIn); Huters, Theodore (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231542548
    Other identifier:
    Series: Weatherhead Books on Asia
    Subjects: Chinese fiction; Science fiction, Chinese; Chinese fiction; Science fiction, Chinese; Chinese fiction.; Science fiction, Chinese.; LITERARY CRITICISM / General
    Scope: 1 Online-Ressource
    Notes:

    Song, Mingwei --: Frontmatter -- ; CONTENTS -- ; Acknowledgments -- ; Introduction: Does Science Fiction Dream of a Chinese New Wave?

    Song, Han --: PART I: OTHER REALITIES -- ; 1. REGENERATED BRICKS

    Cixin, Liu --: 2. THE VILLAGE SCHOOLTEACHER

    Kai-Cheung, Dung --: 3. HISTORIES OF TIME: THE LUSTER OF MUTE PORCELAIN (EXCERPTS)

    Zheng, Egoyan --: 4. THE DREAM DEVOURER

    Jia, Xia --: 5. THE DEMON-ENSLAVING FLASK

    Cixin, Liu --: PART II: OTHER US -- ; 6. THE POETRY CLOUD

    Yi-Chin, Lo --: 7. “SCIENCE FICTION”: A CHAPTER OF DAUGHTER

    Qiufan, Chen --: 8. BALIN, BY CHEN QIUFAN

    La, La --: 9. THE RADIO WAVES THAT NEVER DIE

    Haihong, Zhao --: 10. 1923: A FANTASY

    Song, Han --: PART III: OTHER FUTURES -- ; 11. THE PASSENGERS AND THE CREATOR

    Jinkang, Wang --: 12. THE REINCARNATED GIANT

    Hui, Chi --: 13. THE RAIN FOREST

    Dao, Fei --: 14. THE DEMON’S HEAD

    Shu, Bao --: 15. SONGS OF ANCIENT EARTH, BY BAO SHU
  8. Rereading the Stone
    Desire and the Making of Fiction in Dream of the Red Chamber
    Author: Yu, Anthony C.
    Published: 2018; ©1997
    Publisher:  Princeton University Press, Princeton, NJ

    The eighteenth-century Hongloumeng, known in English as Dream of the Red Chamber or The Story of the Stone, is generally considered to be the greatest of Chinese novels--one that masterfully blends realism and romance, psychological motivation and... more

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    The eighteenth-century Hongloumeng, known in English as Dream of the Red Chamber or The Story of the Stone, is generally considered to be the greatest of Chinese novels--one that masterfully blends realism and romance, psychological motivation and fate, daily life and mythical occurrences, as it narrates the decline of a powerful Chinese family. In this path-breaking study, Anthony Yu goes beyond the customary view of Hongloumeng as a vivid reflection of late imperial Chinese culture by examining the novel as a story about fictive representation. Through a maze of literary devices, the novel challenges the authority of history as well as referential biases in reading. At the heart of Hongloumeng, Yu argues, is the narration of desire. Desire appears in this tale as the defining trait and problem of human beings and at the same time shapes the novel's literary invention and effect. According to Yu, this focalizing treatment of desire may well be Hongloumeng's most distinctive accomplishment. Through close readings of selected episodes, Yu analyzes principal motifs of the narrative, such as dream, mirror, literature, religious enlightenment, and rhetorical reflexivity in relation to fictive representation. He contextualizes his discussions with a comprehensive genealogy of qing--desire, disposition, sentiment, feeling--a concept of fundamental importance in historical Chinese culture, and shows how the text ingeniously exploits its multiple meanings. Spanning a wide range of comparative literary sources, Yu creates a new conceptual framework in which to reevaluate this masterpiece.

     
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691188195
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    Subjects: Chinese fiction; Chinese fiction; Chinese fiction.; LITERARY CRITICISM / Asian / General
    Scope: 1 Online-Ressource
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    Frontmatter -- -- Contents -- -- Abbreviations -- -- Preface -- -- Chapter I. Reading -- -- Chapter II. Desire -- -- Chapter III. Stone -- -- Chapter IV. Literature -- -- Chapter V. Tragedy -- -- Conclusion -- -- Glossary -- -- Bibliography -- -- Index
  9. C. T. Hsia on Chinese Literature
    Author: Hsia, Chih-tsing
    Published: 2004; ©2004
    Publisher:  Columbia University Press, New York

    Best known for the groundbreaking works A History of Modern Chinese Fiction (1961) and The Classic Chinese Novel (1968), C. T. Hsia has gathered sixteen essays and studies written during his Columbia years as a professor of Chinese literature. Wider... more

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    Best known for the groundbreaking works A History of Modern Chinese Fiction (1961) and The Classic Chinese Novel (1968), C. T. Hsia has gathered sixteen essays and studies written during his Columbia years as a professor of Chinese literature. Wider in range and scope, C. T. Hsia on Chinese Literature stands beside his two earlier books as part of his critical legacy to all readers seriously interested in the subject.

     
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    ISBN: 9780231503471
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    Series: Masters of Chinese studies ; v. 1
    Subjects: Chinese fiction; Chinese fiction.; Literary Studies.; Literature in Diverse Languages.; Other Nations and Languages.
    Scope: 1 online resource (xvi, 532 p)
  10. How to Read the Chinese Novel
    Contributor: Rolston, David L. (Hrsg.)
    Published: 1990; ©1990
    Publisher:  Princeton University Press, Princeton, New Jersey

    Fiction criticism has a long and influential history in pre-modern China, where critics would read and reread certain novels with a concentration and fervor far exceeding that which most Western critics give to individual works. This volume, a source... more

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    Fiction criticism has a long and influential history in pre-modern China, where critics would read and reread certain novels with a concentration and fervor far exceeding that which most Western critics give to individual works. This volume, a source book for the study of traditional Chinese fiction criticism from the late sixteenth to the early twentieth centuries, presents translations of writings taken from the commentary editions of six of the most important novels of pre-modern China. These translations consist mainly of tu-fa, or "how-to-read" essays, which demonstrate sensitivity and depth of analysis both in the treatment of general problems concerning the reading of any work of fiction and in more focused discussions of particular compositional details in individual novels.The translations were produced by pioneers in the study of this form of fiction criticism in the West: Shuen-fu Lin, Andrew H. Plaks, David T. Roy, John C. Y. Wang, and Anthony C. Yu. Four introductory essays by Andrew H. Plaks and the editor address the historical background for this type of criticism, its early development, its formal features, recurrent terminology, and major interpretive strategies. A goal of this volume is to aid in the rediscovery of this traditional Chinese poetics of fiction and help eliminate some of the distortions encountered in the past by the imposition of Western theories of fiction on Chinese novels.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     
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    Contributor: Rolston, David L. (Hrsg.)
    Language: English
    Media type: Ebook
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    ISBN: 9781400860470
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    Series: Princeton Legacy Library
    Princeton legacy library
    Princeton library of Asian translations
    Subjects: LITERARY CRITICISM; Chinese fiction; Chinese fiction.
    Scope: Online-Ressource (552 pages)
  11. Angelwings
    Contemporary Queer Fiction from Taiwan
    Published: 2003; ©2003
    Publisher:  University of Hawaii Press, Honolulu

    Lesbian and gay--or queer--fiction (known in Mandarin as tongzhi wenxue) constitutes a major contribution to Taiwanese literature, as evidenced by the remarkable number of prestigious literary awards won by many of the authors of the short stories... more

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    Lesbian and gay--or queer--fiction (known in Mandarin as tongzhi wenxue) constitutes a major contribution to Taiwanese literature, as evidenced by the remarkable number of prestigious literary awards won by many of the authors of the short stories presented here. Indeed, the meteoric rise of this new genre was a defining feature of Taiwan's literary scene in the 1990s. Queer fiction was also instrumental in forming self-identifying subcultural gay readerships, thus serving a significant political function. But most strikingly, this fiction has been immensely popular with general readers in Taiwan, Hong Kong, and Singapore, as well as in diasporic Chinese communities worldwide. The startlingly fresh, brave voices that speak through these stories attest to the powerful social ferment of the past ten years in Taiwan, which have witnessed a revolution in discourses on sex and sexuality in the public sphere. Contributors: Chu T'ien-Wen, Qiu Miaojin, Chu T'ien-Hsin, Hsu Yoshen, Lin Yuyi, Lin Chun Ying, Chen Xue, Hong Ling, Chi Tawei, Wu Jiwen.

     
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    ISBN: 9780824861469
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    Subjects: Chinese fiction; Chinese fiction; Chinese fiction; Chinese fiction; Chinese fiction.; Chinese fiction.; LITERARY CRITICISM / General
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    Martin, Fran --: Frontmatter -- ; Contents -- ; Acknowledgments -- ; Introduction. Taiwan’s Literature of Transgressive Sexuality

    T’Ien-Wen, Chu --: Bodhisattva Incarnate

    Miaojin, Qiu --: Platonic Hair

    T’Ien-Hsin, Chu --: A Story of Spring Butterflies

    Yoshen, Hsu --: Stones on the Shore

    Yuyi, Lin --: The Boy in the Pink Orchid Tree

    Ying, Lin Chun --: Who Is Singing?

    Xue, Chen --: Searching for the Lost Wings of the Angel

    Ling, Hong --: Poem from the Glass Womb

    Tawei, Chi --: A Stranger’s Id

    Jiwen, Wu --: Rose Is the Past Tense of Rise
  12. Stories for Saturday
    Twentieth-Century Chinese Popular Fiction
    Published: 2003; ©2003
    Publisher:  University of Hawaii Press, Honolulu

    In the first half of the twentieth century, urban Chinese regularly lost themselves in tales of scandalous affairs, tender romances, and splendid acts of martial gallantry--standard reading fare on Saturdays among city dwellers craving entertainment... more

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    In the first half of the twentieth century, urban Chinese regularly lost themselves in tales of scandalous affairs, tender romances, and splendid acts of martial gallantry--standard reading fare on Saturdays among city dwellers craving entertainment and escape. Openly disdained by many intellectuals for their frothy content and maudlin appeal, these tales have been largely ignored in histories and anthologies of modern Chinese fiction both in China and the West. Recently, however, increasing attention has been paid to this fiction and its place in the vibrant tradition of Chinese writing during a period of rapid cultural change. The stories selected and translated here invited Chinese readers to enter worlds at once connected to and removed from their familiar surroundings. Today, the stories have become a record of what urban life was actually like, as well as what readers then wished it to be. Like Chinese from decades past indulging in a pleasurable hour or two on a Saturday afternoon, readers of English can now enjoy and learn from these diverse stories, expertly translated. The volume's afterword provides valuable insights into this long-overlooked area of modern Chinese literature.

     
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    ISBN: 9780824864477
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    Subjects: Chinese fiction; Chinese fiction; Chinese fiction.; LITERARY CRITICISM / Asian / Chinese
    Scope: 1 Online-Ressource
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    Frontmatter -- -- Contents -- -- Preface -- -- I. Scandal -- -- II. Love -- -- III. Gallantry -- -- IV. Crime -- -- V. Satire -- -- Afterword -- -- Publication Notes -- -- About the Authors -- -- About the Translator
  13. Heroes of China's Great Leap Forward
    Two Stories
    Published: 2010; ©2010
    Publisher:  University of Hawaii Press, Honolulu

    Heroes of China’s Great Leap Forward presents contrasting narratives of the most ambitious and disastrous mass movement in modern Chinese history. The objective of the Great Leap, when it was launched in the late 1950s, was to catapult China into the... more

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    Heroes of China’s Great Leap Forward presents contrasting narratives of the most ambitious and disastrous mass movement in modern Chinese history. The objective of the Great Leap, when it was launched in the late 1950s, was to catapult China into the ranks of the great military and industrial powers with no assistance from the outside world; it resulted in a famine that killed tens of millions of the nation’s peasants.Li Zhun’s "A Brief Biography of Li Shuangshuang," written while the movement was underway, celebrates the Great Leap as it was supposed to be: a time of optimism, dynamism, and shared purpose. A spirited young peasant woman, freed from the restrictions of home life, launches a canteen and wins the recognition of authorities and the admiration of her husband. The story—and the film that followed it—made Li Shuangshuang the greatest fictional heroine of the Great Leap. In contrast, Zhang Yigong’s short novel The Story of the Criminal Li Tongzhong, written two decades later, was one of the first works published in China to suggest a much darker side to the Great Leap. A village official leads a raid on a state granary to feed starving peasants; he is later arrested and dies a criminal. Although Zhang stopped short of portraying the horrors of famine, his tone of moral outrage provides a rejoinder to the triumphalism of "Li Shuangshuang."The stories are accompanied by an introduction to the Great Leap and portraits of the two writers, including their recollections of that traumatic time and the creation of their very different heroes.

     
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    ISBN: 9780824837594
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    Subjects: Chinese fiction; Chinese fiction; Chinese fiction.
    Scope: 1 Online-Ressource
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    Zhun, Li --: Frontmatter -- ; Contents -- ; Introduction -- ; A Brief Biography of Li Shuangshuang

    Yigong, Zhang --: The Story of the Criminal Li Tongzhong
  14. Demonic Warfare
    Daoism, Territorial Networks, and the History of a Ming Novel
    Author: Meulenbeld, Mark R.
    Published: 2015; ©2015
    Publisher:  University of Hawaii Press, Honolulu

    Revealing the fundamental continuities that exist between vernacular fiction and exorcist, martial rituals in the vernacular language, Mark Meulenbeld argues that a specific type of Daoist exorcism helped shape vernacular novels in the late Ming... more

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    Revealing the fundamental continuities that exist between vernacular fiction and exorcist, martial rituals in the vernacular language, Mark Meulenbeld argues that a specific type of Daoist exorcism helped shape vernacular novels in the late Ming dynasty (1368–1644). Focusing on the once famous novel Fengshen yanyi ("Canonization of the Gods"), the author maps out the general ritual structure and divine protagonists that it borrows from much older systems of Daoist exorcism.By exploring how the novel reflects the specific concerns of communities associated with Fengshen yanyi and its ideology, Meulenbeld is able to reconstruct the cultural sphere in which Daoist exorcist rituals informed late imperial "novels." He first looks at temple networks and their religious festivals. Organized by local communities for territorial protection, these networks featured martial narratives about the powerful and heroic deeds of the gods. He then shows that it is by means of dramatic practices like ritual, theatre, and temple processions that divine acts were embodied and brought to life. Much attention is given to local militias who embodied "demon soldiers" as part of their defensive strategies. Various Ming emperors actively sought the support of these local religious networks and even continued to invite Daoist ritualists so as to efficiently marshal the forces of local gods with their local demon soldiers into the official, imperial reserves of military power.This unusual book establishes once and for all the importance of understanding the idealized realities of literary texts within a larger context of cultural practice and socio-political history. Of particular importance is the ongoing dialog with religious ideology that informs these different discourses. Meulenbeld's book makes a convincing case for the need to debunk the retrospective reading of China through the modern, secular Western categories of "literature," "society," and "politics." He shows that this disregard of religious dynamics has distorted our understanding of China and that "religion" cannot be conveniently isolated from scholarly analysis.

     
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    ISBN: 9780824838454
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    Subjects: Demonology in literature; Chinese fiction; Taoism in literature; Ritual in literature; Demonology in literature; Chinese fiction; Taoism in literature; Ritual in literature; Chinese fiction.; Demonology in literature.; Ritual in literature.; Taoism in literature.
    Scope: 1 Online-Ressource, 20 illustrations
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    Frontmatter -- -- Contents -- -- Acknowledgments -- -- 1. Introduction: Under Scrutiny -- -- 2. Racial Playgrounds: Illusion and Danger in Don Lee’s Country of Origin -- -- 3. The Conspicuous Subjects of Interracial Spaces in Nina Revoyr’s Southland -- -- 4. Persistent Vigilance and Racial Longing in Choi’s Person of Interest and Kim’s The Interpreter -- -- 5. Intimate Details: Scrutiny and Evidentiary Photographs in Kerri Sakamoto’s the Electrical Field -- -- 6. Double Surveillance in Mohsin Hamid’s The Reluctant Fundamentalist -- -- 7. Conclusion -- -- Notes -- -- Works Cited -- -- Index -- -- About the Author
  15. Snakes' Legs
    Sequels, Continuations, Rewritings, and Chinese Fiction
    Published: 2004; ©2004
    Publisher:  University of Hawaii Press, Honolulu

    Snakes' Legs examines sequels (xushu), a common but long-neglected literary phenomenon in traditional China. What prompted writers to produce sequels despite their poor reputation as a genre? What motivated readers to read them? How should we... more

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    Snakes' Legs examines sequels (xushu), a common but long-neglected literary phenomenon in traditional China. What prompted writers to produce sequels despite their poor reputation as a genre? What motivated readers to read them? How should we characterize the nature of the relationship between sequels and rewritings? Contributors to this volume illuminate these and other questions, and the collection as a whole offers a comprehensive consideration of this vigorous genre while suggesting fascinating new directions for research. Xushu as a discursive practice reinforces the paradox that innovation is impossible without imitation. It presents us with fertile ground for studying the intricate ties that bind the writer and reader of traditional Chinese fiction: the writer of xushu is always self-consciously assuming the dual role of author and reader and in the writing process must consider both the work in progress as well as its precursor(s). Snakes' Legs contains detailed discussions of some representative xushu works from the late Ming and Qing periods, many of which have received little scholarly attention. It will shed light on the development of Chinese fiction and the various textual practices in traditional China as well as account for the genre’s continuing vitality in modern times. Contributors: Robert E. Hegel, Siao-chen Hu, Martin W. Huang, Keith McMahon, Qiancheng Li, Ying Wang, Ellen Widmer, Laura H. Wu, Shuhui Yang.

     
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    ISBN: 9780824864330
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    Subjects: Sequels (Literature); Chinese fiction; Sequels (Literature); Chinese fiction; Chinese fiction.; Sequels (Literature).
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    Huang, Martin --: Frontmatter -- ; Contents -- ; Acknowledgments -- ; Introduction

    Huang, Martin --: 1. Boundaries and Interpretations: Some Preliminary Thoughts on Xushu

    Li, Qiancheng --: 2. Transformations of Monkey: Xiyou ji Sequels and the Inward Turn

    Chen Hu, Siao --: 3. In the Name of Correctness: Ding Yaokang’s Xu Jin Ping Mei as a Reading of Jin Ping Mei

    Mcmahon, Keith --: 4. Eliminating Traumatic Antinomies: Sequels to Honglou meng

    Widmer, Ellen --: 5. Honglou meng Sequels and Their Female Readers in Nineteenth- Century China

    Yang, Shuhui --: 6. Growing from the Waist: The Problem of Sequeling in Yu Wanchun’s Dangkou zhi

    Hegel, Robert --: 7. Rewriting the Tang: Humor, Heroics, and Imaginative Reading

    Laura Wu, H. --: 8. Vindication of Patriarchy: Chen Tianchi’s Ruyijun zhuan as a Critique of the Ming Ruyijin zhuan

    Wang, Ying --: 9. The Voices of the Re-readers: Interpretations of Three Late-Qing Rewrites of Jinhua yuan

    Huang, Martin --: 10. From Self-Vindication to Self-Celebration: The Autobiographical Journey in Lao Can youji and Its Sequel
  16. Virgin Widows
    Author: Gu, Hua
    Published: 1996; ©1996
    Publisher:  University of Hawaii Press, Honolulu

    Virgin Widows is a poignant and disquieting novel that unfolds the stories of two women whose lives, despite being separated by nearly a century, reveal a disturbing similarity. First published in China in 1985, it appears now in English for the... more

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    Virgin Widows is a poignant and disquieting novel that unfolds the stories of two women whose lives, despite being separated by nearly a century, reveal a disturbing similarity. First published in China in 1985, it appears now in English for the first time.

     
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    ISBN: 9780824865481
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    Subjects: Chinese fiction; Chinese fiction; Chinese fiction.; LITERARY CRITICISM / General
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    Frontmatter -- -- 1 -- -- 2 1983 -- -- 3 The reign of the great Qing emperor Guangxu. Once again Love Goose Shoals at the base of Celestial Peak. -- -- 4 -- -- 5 -- -- 6 -- -- 7 -- -- 8 -- -- 9 -- -- 10 -- -- 11 -- -- 12 -- -- 13 The year, 1908. The great Qing emperor Guangxu has died. Pu Yi, three-year-old heir to the throne, is carried into the throne room to be coronated as the last emperor of a line that has run continuously for more than two thousand years. -- -- 14 -- -- 15 -- -- 16 -- -- 17 -- -- 18 -- -- 19 -- -- 20 -- -- Translator’s Postscript
  17. Red peonies
    two Novellas of China
    Author: Zhang, Yihe
    Published: 2017; ©2017
    Publisher:  University of Hawaii Press, Honolulu

    Red Peonies: Two Novellas of China is the first translation in English of two of the books written by Zhang Yihe about women she met and befriended in prison. The subjects of her stories have been described as “beautiful women who wielded magic power... more

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    Red Peonies: Two Novellas of China is the first translation in English of two of the books written by Zhang Yihe about women she met and befriended in prison. The subjects of her stories have been described as “beautiful women who wielded magic power over men. They were like jealous evil spirits, vengeful treacherous persons—countless snakes coiled around other people.”Zhang Yihe was fifteen in 1957, the year her father was declared an enemy of the People’s Republic of China. Denounced as the nation’s Number One Rightist, he was persecuted by Chairman Mao. Zhang herself was arrested at age twenty-eight and sentenced to twenty-one years in a remote labor prison. While in the women’s prison, she came to know the other inmates, most of whom were from farms and lacked education. In 2011, at age seventy, she began to write and publish her fictionalized accounts of some of the women. The novellas were quickly censored in China, but have become widely popular in pirated, unexpurgated editions in the PRC, Hong Kong, and Taiwan. Zhang Yihe is now an outspoken advocate of free expression. Red Peonies contains the first two novellas in Zhang’s projected series of ten. Never before translated into English, the works are powerfully written, tender, and sorrowful. They bring to life the stories of Chinese women caught in the turmoil of the Cultural Revolution. This volume includes the work of Xing Danwen, an internationally known artist based in Beijing.

     
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    ISBN: 9780824874094
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    Series: De Gruyter eBook-Paket Literatur- und Kulturwissenschaft, Area Studies
    Manoa
    Subjects: Women prisoners; Women prisoners; Women prisoners.; Asian literature.; Chinese fiction.; Novella.; prison literature.; women’s fiction.
    Scope: 1 Online-Ressource
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    Frontmatter -- -- CONTENTS -- -- Editors’ Note -- -- The Woman Liu -- -- Preface -- -- Chapter One -- -- Chapter Two -- -- Chapter Three -- -- Chapter Four -- -- Chapter Five -- -- Chapter Six -- -- Chapter Seven -- -- Chapter Eight -- -- Chapter Nine -- -- The Woman Yang -- -- Prologue -- -- PART ONE -- -- Chapter One -- -- Chapter Two -- -- Chapter Three -- -- Chapter Four -- -- Chapter Five -- -- Chapter Six -- -- Chapter Seven -- -- Chapter Eight -- -- Chapter Nine -- -- Chapter Ten -- -- Chapter Eleven -- -- PART TWO -- -- Chapter Twelve -- -- Chapter Thirteen -- -- Chapter Fourteen -- -- Chapter Fifteen -- -- Chapter Sixteen -- -- Chapter Seventeen -- -- Chapter Eighteen -- -- Chapter Nineteen -- -- Epilogue -- -- Afterword -- -- FEATURED ARTIST AND TRANSLATORS
  18. A Garden of Marvels
    Tales of Wonder from Early Medieval China
    Author: Campany, Robert Ford
    Published: 2015; ©2015
    Publisher:  University of Hawaii Press, Honolulu

    Between 300 and 600 C.E., Chinese writers compiled thousands of accounts of the strange and the extraordinary. Some described weird spirits, customs, and flora and fauna in distant lands. Some depicted individuals of unusual spiritual or moral... more

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    Between 300 and 600 C.E., Chinese writers compiled thousands of accounts of the strange and the extraordinary. Some described weird spirits, customs, and flora and fauna in distant lands. Some depicted individuals of unusual spiritual or moral achievement. But most told of ordinary people’s encounters with ghosts, demons, or gods; sojourns in the land of the dead; eerily significant dreams; and uncannily accurate premonitions. The selection of such stories presented here provides an alluring introduction to early medieval Chinese storytelling and opens a doorway to the enchanted world of thought, culture, and religious belief of that era. Known as zhiguai, or “accounts of anomalies,” they convey a great deal about how people saw the cosmos and their place in it. The tales were circulated because they were entertaining but also because their compilers meant to document the mysterious workings of spirits, the wonders of exotic places, and the nature of the afterlife.A collection of more than two hundred tales, A Garden of Marvels offers an authoritative yet accessible introduction to zhiguai writings, particularly those never before translated or adequately researched. This volume will likely find its way to bedside tables as well as into classrooms and libraries, just as collections of zhiguai did in early medieval times.

     
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    ISBN: 9780824853518
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    Subjects: Fantasy fiction, Chinese; Chinese fiction; Short stories, Chinese; Fantasy fiction, Chinese; Chinese fiction; Short stories, Chinese; Chinese fiction.; Fantasy fiction, Chinese.; Short stories, Chinese.
    Scope: 1 Online-Ressource, 1 black & white illustration
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    Chongzhi, Zu --: Frontmatter --

    Fang, Ren --: Shuyi ji (Items 85–90)

    Taizhi, Zu --: Soushen houji (Items 91–102) --
  19. Der chinesische Roman der ausgehenden Kaiserzeit
    Author: Zimmer, Thomas
    Published: 2008; ©2002
    Publisher:  K. G. Saur, München

    Band 2 ist die erste umfassende Darstellung der Entwicklung des chinesischen Romans der ausgehenden Kaiserzeit: vom 16. Jahrhundert bis 1911. Die wenigen auch im Westen bekannten herausragenden Beispiele wie „Der Traum der roten Kammer“ oder „Jin... more

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    Band 2 ist die erste umfassende Darstellung der Entwicklung des chinesischen Romans der ausgehenden Kaiserzeit: vom 16. Jahrhundert bis 1911. Die wenigen auch im Westen bekannten herausragenden Beispiele wie „Der Traum der roten Kammer“ oder „Jin Ping Mei“ sind Teil einer bis ins 16. Jahrhundert zurückreichenden Tradition. Thomas Zimmer analysiert die Entstehung der Romankunst in ihren verschiedenen Ausprägungen, die textgeschichtlichen Bezüge sowie die Realisierung über Jahrhunderte entwickelter Themen. Wegen der Anonymität der Autoren und einer gewissen Randständigkeit der Gattung liegt der konkrete Entstehungsprozeß der frühen Romane weitgehend im Dunkeln. Seit dem späten 16. und 17. Jahrhundert gewann jedoch die fiktionale Erzählkunst als Teil einer umfassenden kulturellen Bewegung zunehmend an gesellschaftlicher Relevanz. Der Herrschaftswechsel von der Ming- zur Qing-Dynastie und die damit verbundene Krise bewirkten einen Bruch in der Entwicklung des chinesischen Romans. Zur Mitte des 18. Jahrhunderts wird eine gewisse autobiographische Sensibilisierung erkennbar, seit der Wende vom 18. zum 19. Jahrhundert wurden verstärkt Zeiterscheinungen thematisiert, was etwa hundert Jahre später in der schonungslosen Abrechnung mit den herrschenden Kräften in Staat und Gesellschaft gipfelt. Die Wirkungsgeschichte des traditionellen chinesischen Romans reicht bis in die unmittelbare Gegenwart.

     
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    Language: German
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    ISBN: 9783598441110
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    Series: Geschichte der chinesischen Literatur ; 2
    Subjects: Chinese fiction; Chinese fiction.; Chinesisch.; Geschichte 1600-1911.; Roman.; LITERARY CRITICISM / General
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  20. Die chinesische Erzählung
    Vom Altertum bis zur Neuzeit
    Author: Motsch, Monika
    Published: 2008; ©2003
    Publisher:  K. G. Saur, München

    In Band 3 wird die über tausendjährige Tradition der chinesischen Erzählung entfaltet. Monika Motsch nähert sich einem Stück Weltliteratur unter historischen, thematischen und komparatistischen Betrachtungsweisen. Chinesische Erzählungen wurzeln in... more

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    In Band 3 wird die über tausendjährige Tradition der chinesischen Erzählung entfaltet. Monika Motsch nähert sich einem Stück Weltliteratur unter historischen, thematischen und komparatistischen Betrachtungsweisen. Chinesische Erzählungen wurzeln in Religionen und Gesellschaftsformen, in kulturellen und sprachlichen Traditionen, die sich stark von westlichen unterscheiden und vermitteln so einen lebendigen Zugang zur chinesischen Kultur. Sie schildern die chinesische Gesellschaft vom Kaiser bis zum Bettler, die Höhen und Tiefen des Schicksals, himmlische Geister und Teufel der Unterwelt. Die Geburt der chinesischen Erzählung fällt in die Zeit der Sechs Dynastien (220-589) mit den zhiguai, den Berichten über Geister und Dämonen. Wie auch die Helden- und Liebesgeschichten der Tang-Dynastie, deren Verfasser bereits namentlich bekannt sind, waren sie noch in der klassischen Schriftsprache der Gebildeten geschrieben. Erst die umgangssprachlichen Erzählungen der Song- und Ming-Dynastie wendeten sich an ein breiteres Publikum. Ein eigenes Kapitel ist Pu Songling (1640-1717) gewidmet, dessen Werk den Gipfel- und Endpunkt der traditionellen chinesischen Erzählung darstellt. Chinesische Erzählkunst, das ist die moralische Anstalt des Konfuzianismus, Taoismus und Buddhismus. Sie entwirft Situationen des Alltags, in welchem sich immer wieder das Fremde und das Wunderbare einfinden. Die Geschichte der chinesischen Literatur ist die erste Gesamtschau einer über drei Jahrtausende und viele Formen und Themen sich erstreckenden gewaltigen Kulturleistung. Das Werk wird nach seinem Abschluß eine unverzichtbare Grundlage über die Sinologie hinaus auch für die Literatur- und Kulturwissenschaft darstellen.

     
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    Language: German
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    Format: Online
    ISBN: 9783598441127
    Other identifier:
    RVK Categories: EG 9480
    Series: Geschichte der chinesischen Literatur ; 3
    Subjects: Short stories, Chinese; Chinese fiction; Chinese fiction.; Short stories, Chinese.; Chinesisch.; Erzählung.; Geschichte 220-1911.; LITERARY CRITICISM / General
    Scope: Online-Ressource
  21. Der chinesische Roman der ausgehenden Kaiserzeit
    Author: Zimmer, Thomas
    Published: 2008; ©2002
    Publisher:  K. G. Saur, München

    Band 2 ist die erste umfassende Darstellung der Entwicklung des chinesischen Romans der ausgehenden Kaiserzeit: vom 16. Jahrhundert bis 1911. Die wenigen auch im Westen bekannten herausragenden Beispiele wie „Der Traum der roten Kammer“ oder „Jin... more

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    Band 2 ist die erste umfassende Darstellung der Entwicklung des chinesischen Romans der ausgehenden Kaiserzeit: vom 16. Jahrhundert bis 1911. Die wenigen auch im Westen bekannten herausragenden Beispiele wie „Der Traum der roten Kammer“ oder „Jin Ping Mei“ sind Teil einer bis ins 16. Jahrhundert zurückreichenden Tradition. Thomas Zimmer analysiert die Entstehung der Romankunst in ihren verschiedenen Ausprägungen, die textgeschichtlichen Bezüge sowie die Realisierung über Jahrhunderte entwickelter Themen. Wegen der Anonymität der Autoren und einer gewissen Randständigkeit der Gattung liegt der konkrete Entstehungsprozeß der frühen Romane weitgehend im Dunkeln. Seit dem späten 16. und 17. Jahrhundert gewann jedoch die fiktionale Erzählkunst als Teil einer umfassenden kulturellen Bewegung zunehmend an gesellschaftlicher Relevanz. Der Herrschaftswechsel von der Ming- zur Qing-Dynastie und die damit verbundene Krise bewirkten einen Bruch in der Entwicklung des chinesischen Romans. Zur Mitte des 18. Jahrhunderts wird eine gewisse autobiographische Sensibilisierung erkennbar, seit der Wende vom 18. zum 19. Jahrhundert wurden verstärkt Zeiterscheinungen thematisiert, was etwa hundert Jahre später in der schonungslosen Abrechnung mit den herrschenden Kräften in Staat und Gesellschaft gipfelt. Die Wirkungsgeschichte des traditionellen chinesischen Romans reicht bis in die unmittelbare Gegenwart.

     
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    ISBN: 9783598441110
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    Series: Geschichte der chinesischen Literatur ; 2
    Subjects: Chinese fiction; Chinese fiction.; Chinesisch.; Geschichte 1600-1911.; Roman.; LITERARY CRITICISM / General
    Scope: Online-Ressource
  22. Die chinesische Erzählung
    Vom Altertum bis zur Neuzeit
    Author: Motsch, Monika
    Published: 2008; ©2003
    Publisher:  K. G. Saur, München

    In Band 3 wird die über tausendjährige Tradition der chinesischen Erzählung entfaltet. Monika Motsch nähert sich einem Stück Weltliteratur unter historischen, thematischen und komparatistischen Betrachtungsweisen. Chinesische Erzählungen wurzeln in... more

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    In Band 3 wird die über tausendjährige Tradition der chinesischen Erzählung entfaltet. Monika Motsch nähert sich einem Stück Weltliteratur unter historischen, thematischen und komparatistischen Betrachtungsweisen. Chinesische Erzählungen wurzeln in Religionen und Gesellschaftsformen, in kulturellen und sprachlichen Traditionen, die sich stark von westlichen unterscheiden und vermitteln so einen lebendigen Zugang zur chinesischen Kultur. Sie schildern die chinesische Gesellschaft vom Kaiser bis zum Bettler, die Höhen und Tiefen des Schicksals, himmlische Geister und Teufel der Unterwelt. Die Geburt der chinesischen Erzählung fällt in die Zeit der Sechs Dynastien (220-589) mit den zhiguai, den Berichten über Geister und Dämonen. Wie auch die Helden- und Liebesgeschichten der Tang-Dynastie, deren Verfasser bereits namentlich bekannt sind, waren sie noch in der klassischen Schriftsprache der Gebildeten geschrieben. Erst die umgangssprachlichen Erzählungen der Song- und Ming-Dynastie wendeten sich an ein breiteres Publikum. Ein eigenes Kapitel ist Pu Songling (1640-1717) gewidmet, dessen Werk den Gipfel- und Endpunkt der traditionellen chinesischen Erzählung darstellt. Chinesische Erzählkunst, das ist die moralische Anstalt des Konfuzianismus, Taoismus und Buddhismus. Sie entwirft Situationen des Alltags, in welchem sich immer wieder das Fremde und das Wunderbare einfinden. Die Geschichte der chinesischen Literatur ist die erste Gesamtschau einer über drei Jahrtausende und viele Formen und Themen sich erstreckenden gewaltigen Kulturleistung. Das Werk wird nach seinem Abschluß eine unverzichtbare Grundlage über die Sinologie hinaus auch für die Literatur- und Kulturwissenschaft darstellen.

     
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    ISBN: 9783598441127
    Other identifier:
    RVK Categories: EG 9480
    Series: Geschichte der chinesischen Literatur ; 3
    Subjects: Short stories, Chinese; Chinese fiction; Chinese fiction.; Short stories, Chinese.; Chinesisch.; Erzählung.; Geschichte 220-1911.; LITERARY CRITICISM / General
    Scope: Online-Ressource
  23. The Chinese Vernacular Story
    Author: Hanan, Patrick
    Published: 1981; ©1981
    Publisher:  Harvard University Press, s.l.

    Biographical note: HananPatrick: Mr. Hanan is Professor of Chinese Literature, Harvard University. more

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    Biographical note: HananPatrick: Mr. Hanan is Professor of Chinese Literature, Harvard University.

     
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  24. Chinese Narrative
    Critical and Theoretical Essays
    Published: 1987; ©1987
    Publisher:  Princeton University Press, Princeton, N.J.

    Although Chinese narrative, and especially the genres of colloquial fiction, have been subjected to intensive scholarly scrutiny, no comprehensive volume has provided a framework that would permit an overall view of the tradition. The distinguished... more

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    Although Chinese narrative, and especially the genres of colloquial fiction, have been subjected to intensive scholarly scrutiny, no comprehensive volume has provided a framework that would permit an overall view of the tradition. The distinguished contributors to this volume have taken an important first step in making possible the consideration of Chinese narrative at the level of comparative and general literary scholarship.Originally published in 1987.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     
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    ISBN: 9781400856466
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    Series: Princeton Legacy Library ; 697
    Subjects: Chinese fiction; Narration (Rhetoric); Literatur in anderen Sprachen.; Chinese fiction; Narration (Rhetoric); LANGUAGE ARTS & DISCIPLINES; Chinese fiction.; LANGUAGE ARTS & DISCIPLINES / Rhetoric
    Scope: 1 online resource(382p.)
  25. Chinese Fiction of the Nineteenth and Early Twentieth Centuries
    Essays by Patrick Hanan
    Author: Hanan, Patrick
    Published: 2004; ©2004
    Publisher:  Columbia University Press, New York, NY

    It has often been said that the nineteenth century was a relatively stagnant period for Chinese fiction, but preeminent scholar Patrick Hanan shows that the opposite is true: the finest novels of the nineteenth century show a constant experimentation... more

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    It has often been said that the nineteenth century was a relatively stagnant period for Chinese fiction, but preeminent scholar Patrick Hanan shows that the opposite is true: the finest novels of the nineteenth century show a constant experimentation and evolution. In this collection of detailed and insightful essays, Hanan examines Chinese fiction before and during the period in which Chinese writers first came into contact with western fiction.

     
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