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  1. Hollow Men
    Writing, Objects, and Public Image in Renaissance Italy
    Published: [2013]; © 2013
    Publisher:  Fordham University Press, New York, NY

    This book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century frescoes, statues, coins, letters, dialogues, epic poems, personal emblems, and... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    This book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century frescoes, statues, coins, letters, dialogues, epic poems, personal emblems, and printed collections of portraits. Its interdisciplinary analyses show that Renaissance theories of emulating classical heroes generated a deep skepticism about self-presentation, ultimately contributing to a new awareness of representation as representation.Hollow Men shows that the Renaissance questioning of "interiority" derived from a visual ideal, the monument that was the basis of teachings about imitation. In fact, the decline of exemplary pedagogy and the emergence of modern masculine subjectivity were well underway in the mid–fifteenth century, and these changes were hastened by the rapid development of the printed image

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823252183
    Other identifier:
    Subjects: Aretino; Bembo; Castiglione; Ghirlandaio; Pontano; Tasso; exemplar; impresa; monument; portrait; LITERARY CRITICISM / Renaissance; Art, Renaissance; Italian language; Italian literature; Italian literature; Masculinity in art; Masculinity in literature; Renaissance
    Scope: 1 online resource (372 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  2. Hollow Men
    Writing, Objects, and Public Image in Renaissance Italy
    Published: [2013]; © 2013
    Publisher:  Fordham University Press, New York, NY

    This book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century frescoes, statues, coins, letters, dialogues, epic poems, personal emblems, and... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Technische Hochschule Augsburg
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Hochschule Coburg, Zentralbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Kempten, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Passau
    Unlimited inter-library loan, copies and loan

     

    This book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century frescoes, statues, coins, letters, dialogues, epic poems, personal emblems, and printed collections of portraits. Its interdisciplinary analyses show that Renaissance theories of emulating classical heroes generated a deep skepticism about self-presentation, ultimately contributing to a new awareness of representation as representation.Hollow Men shows that the Renaissance questioning of "interiority" derived from a visual ideal, the monument that was the basis of teachings about imitation. In fact, the decline of exemplary pedagogy and the emergence of modern masculine subjectivity were well underway in the mid–fifteenth century, and these changes were hastened by the rapid development of the printed image

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823252183
    Other identifier:
    Subjects: Aretino; Bembo; Castiglione; Ghirlandaio; Pontano; Tasso; exemplar; impresa; monument; portrait; LITERARY CRITICISM / Renaissance; Art, Renaissance; Italian language; Italian literature; Italian literature; Masculinity in art; Masculinity in literature; Renaissance
    Scope: 1 online resource (372 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  3. Courts and courtiers in Renaissance Northern Italy
    Published: 2003
    Publisher:  Ashgate, Aldershot [u.a.]

    Universitätsbibliothek Freiburg
    GE 2004/5345
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Heidelberg
    2004 A 6562
    Unlimited inter-library loan, copies and loan
    Württembergische Landesbibliothek
    54/14390
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English; Italian
    Media type: Book
    Format: Print
    ISBN: 0860789292
    RVK Categories: LN 10250
    Series: Collected studies series ; 779
    Subjects: Castiglione; Courts and courtiers; Courtesy; Italian literature; Literature and society; Courtesy books; Courts and courtiers in literature; Courtesy in literature
    Scope: Getr. Zählung
    Notes:

    Includes bibliographical references and index. - Beitr. teilw. engl., teilw. ital

  4. Humouring the hero: the uses of melancholy among military nobles in late Elizabethan England