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Displaying results 1 to 7 of 7.

  1. Žižek's jokes
    (did you hear the one about Hegel and negation?)
    Published: 2013
    Publisher:  MIT Press, Cambridge, Mass.

    Zizek as comedian: jokes in the service of philosophy."A serious and good philosophical work could be written consisting entirely of jokes."--Ludwig WittgensteinThe good news is that this book offers an entertaining but enlightening compilation of... more

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    Universitätsbibliothek der Eberhard Karls Universität
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    Zizek as comedian: jokes in the service of philosophy."A serious and good philosophical work could be written consisting entirely of jokes."--Ludwig WittgensteinThe good news is that this book offers an entertaining but enlightening compilation of Zizekisms. Unlike any other book by Slavoj Zizek, this compact arrangement of jokes culled from his writings provides an index to certain philosophical, political, and sexual themes that preoccupy him. Zizek's Jokes contains the set-ups and punch lines--as well as the offenses and insults--that Zizek is famous for, all in less than 200 pages. So what's the bad news? There is no bad news. There's just the inimitable Slavoj Zizek, disguised as an impossibly erudite, politically incorrect uncle, beginning a sentence, "There is an old Jewish joke, loved by Derrida ..." For Zizek, jokes are amusing stories that offer a shortcut to philosophical insight. He illustrates the logic of the Hegelian triad, for example, with three variations of the "Not tonight, dear, I have a headache" classic: first the wife claims a migraine; then the husband does; then the wife exclaims, "Darling, I have a terrible migraine, so let's have some sex to refresh me!" A punch line about a beer bottle provides a Lacanian lesson about one signifier. And a "truly obscene" version of the famous "aristocrats" joke has the family offering a short course in Hegelian thought rather than a display of unspeakables. Zizek's Jokes contains every joke cited, paraphrased, or narrated in Zizek's work in English (including some in unpublished manuscripts), including different versions of the same joke that make different points in different contexts. The larger point being that comedy is central to Zizek's seriousness.

     

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  2. Control
    digitality as cultural logic
    Published: [2015]; ©2015
    Publisher:  MIT Press, Cambridge, MA

    An examination of digitality not simply as a technical substrate but also as the logical basis for reshaped concepts of labor, subjectivity, and collectivity. more

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    Max-Planck-Institut für Wissenschaftsgeschichte, Bibliothek
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Hochschule für Bildende Künste Dresden, Bibliothek
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    Hochschule für Technik und Wirtschaft Dresden, Bibliothek
    MIT Press Abo im Sachsenkonsortium
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Hochschule für Technik, Wirtschaft und Kultur Leipzig, Hochschulbibliothek
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    Universitätsbibliothek Leipzig
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    Universitätsbibliothek Osnabrück
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    Universitätsbibliothek der Eberhard Karls Universität
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    An examination of digitality not simply as a technical substrate but also as the logical basis for reshaped concepts of labor, subjectivity, and collectivity.

     

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  3. Poiesis and enchantment in topological matter
    Author: Sha, Xin Wei
    Published: [2013]; ©2013
    Publisher:  MIT Press, Cambridge, Massachusetts

    Movement and gesture are arguably essential aspects of engendering human experience. But rather than taking 'the body' or 'cognition' for granted as conceptual starting points, we attend to the substrate matter in which gesture takes shape and place.... more

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    Max-Planck-Institut für Wissenschaftsgeschichte, Bibliothek
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Hochschule für Bildende Künste Dresden, Bibliothek
    No inter-library loan
    Hochschule für Technik und Wirtschaft Dresden, Bibliothek
    MIT Press Abo im Sachsenkonsortium
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Hochschule für Technik, Wirtschaft und Kultur Leipzig, Hochschulbibliothek
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    Universitätsbibliothek Leipzig
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    Universitätsbibliothek Osnabrück
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    Universitätsbibliothek der Eberhard Karls Universität
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    Movement and gesture are arguably essential aspects of engendering human experience. But rather than taking 'the body' or 'cognition' for granted as conceptual starting points, we attend to the substrate matter in which gesture takes shape and place. An experimental approach to such questions motivates the exploration of responsive, and in particular, computational media created for sustaining experientially rich, improvisational activity. This book explores rehearsed as well as unrehearsed activity in distributed, continuous fields of responsive media-topological matter.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780262318914; 0262318911
    Subjects: Art; New media art; Topology; Art ; Mathematics; New media art; Topology; DIGITAL HUMANITIES & NEW MEDIA/New Media Art; CULTURAL STUDIES/Critical Theory; SOCIAL SCIENCES/Media Studies
    Scope: 1 online resource (xix, 363 pages), illustrations
  4. Life after new media
    mediation as a vital process
    Published: 2012
    Publisher:  MIT Press, Cambridge, Mass.

    A call for a "rigorous cross-disciplinary interventions and inventions that will be equally at home with critical theory and media practice and will be prepared and able to make a difference--academically, institutionally, politically, ethically, and... more

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    Max-Planck-Institut für Wissenschaftsgeschichte, Bibliothek
    No inter-library loan
    Technische Universität Chemnitz, Universitätsbibliothek
    No inter-library loan
    Hochschule für Bildende Künste Dresden, Bibliothek
    No inter-library loan
    Hochschule für Technik und Wirtschaft Dresden, Bibliothek
    MIT Press Abo im Sachsenkonsortium
    No inter-library loan
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    No inter-library loan
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    No inter-library loan
    Hochschule für Technik, Wirtschaft und Kultur Leipzig, Hochschulbibliothek
    No inter-library loan
    Universitätsbibliothek Leipzig
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    Universitätsbibliothek Osnabrück
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    A call for a "rigorous cross-disciplinary interventions and inventions that will be equally at home with critical theory and media practice and will be prepared and able to make a difference--academically, institutionally, politically, ethically, and aesthetically" (p. 201).

     

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  5. Theorizing digital cultural heritage
    a critical discourse
    Contributor: Cameron, Fiona (MitwirkendeR); Kenderdine, Sarah (MitwirkendeR)
    Published: 2007
    Publisher:  MIT Press, Cambridge, Mass.

    This is a collection of theoretical and practical perspectives from a range of disciplines on the challenges of using digital media in research, preservation, management, interpretation, and representation of cultural heritage. more

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    Max-Planck-Institut für Wissenschaftsgeschichte, Bibliothek
    No inter-library loan
    Technische Universität Chemnitz, Universitätsbibliothek
    No inter-library loan
    Hochschule für Bildende Künste Dresden, Bibliothek
    No inter-library loan
    Hochschule für Technik und Wirtschaft Dresden, Bibliothek
    MIT Press Abo im Sachsenkonsortium
    No inter-library loan
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    No inter-library loan
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    No inter-library loan
    Hochschule für Technik, Wirtschaft und Kultur Leipzig, Hochschulbibliothek
    No inter-library loan
    Universitätsbibliothek Leipzig
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    Universitätsbibliothek Osnabrück
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    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    This is a collection of theoretical and practical perspectives from a range of disciplines on the challenges of using digital media in research, preservation, management, interpretation, and representation of cultural heritage.

     

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  6. Protocol
    how control exists after decentralization
    Published: 2004
    Publisher:  MIT Press, Cambridge, Mass.

    How Control Exists after DecentralizationIs the Internet a vast arena of unrestricted communication and freely exchanged information or a regulated, highly structured virtual bureaucracy? In Protocol, Alexander Galloway argues that the founding... more

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    How Control Exists after DecentralizationIs the Internet a vast arena of unrestricted communication and freely exchanged information or a regulated, highly structured virtual bureaucracy? In Protocol, Alexander Galloway argues that the founding principle of the Net is control, not freedom, and that the controlling power lies in the technical protocols that make network connections (and disconnections) possible. He does this by treating the computer as a textual medium that is based on a technological language, code. Code, he argues, can be subject to the same kind of cultural and literary analysis as any natural language; computer languages have their own syntax, grammar, communities, and cultures. Instead of relying on established theoretical approaches, Galloway finds a new way to write about digital media, drawing on his backgrounds in computer programming and critical theory. "Discipline-hopping is a necessity when it comes to complicated socio-technical topics like protocol," he writes in the preface.Galloway begins by examining the types of protocols that exist, including TCP/IP, DNS, and HTML. He then looks at examples of resistance and subversion--hackers, viruses, cyberfeminism, Internet art--which he views as emblematic of the larger transformations now taking place within digital culture. Written for a nontechnical audience, Protocol serves as a necessary counterpoint to the wildly utopian visions of the Net that were so widespread in earlier days.

     

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  7. The robot in the garden
    telerobotics and telepistemology in the age of the Internet
    Contributor: Goldberg, Ken (MitwirkendeR)
    Published: 2000
    Publisher:  MIT Press, Cambridge, Mass.

    "The Robot in the Garden initiates a critical theory of telerobotics and introduces telepistemology, the study of knowledge acquired at a distance. Many of our most influential technologies, the telescope, telephone, and television, were developed to... more

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    "The Robot in the Garden initiates a critical theory of telerobotics and introduces telepistemology, the study of knowledge acquired at a distance. Many of our most influential technologies, the telescope, telephone, and television, were developed to provide knowledge at a distance. Telerobots, remotely controlled robots, facilitate action at a distance. Specialists use telerobots to explore actively environments such as Mars, the Titanic, and Chernobyl. Military personnel increasingly employ reconnaissance drones and telerobotic missiles. At home, we have remote controls for the garage door, car alarm, and television (the latter a remote for the remote). The Internet dramatically extends our scope and reach. Thousands of cameras and robots are now accessible online. Although the role of technical mediation has been of interest to philosophers since the seventeenth century, the Internet forces a reconsideration. As the public gains access to telerobotic instruments previously restricted to scientists and soldiers, questions of mediation, knowledge, and trust take on new significance for everyday life. Telerobotics is a mode of representation. But representations can misrepresent. If Orson Welles's War of the Worlds was the defining moment for radio, what will be the defining moment for the Internet? As artists have always been concerned with how representations provide us with knowledge, the book also looks at telerobotics' potential as an artistic medium"--Provider website.

     

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    Source: Union catalogues
    Contributor: Goldberg, Ken (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585309582; 9780585309583; 9780262274029; 0262274027
    Series: Leonardo
    Subjects: Robotics; Knowledge, Theory of; Robotics; Knowledge, Theory of; DIGITAL HUMANITIES & NEW MEDIA/New Media Art; CULTURAL STUDIES/Critical Theory; ARTS/Art History/General
    Scope: 1 online resource (xix, 366 pages), illustrations.