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  1. The aesthetic brain
    how we evolved to desire beauty and enjoy art
    Published: 2014
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

    "The Aesthetic Brain takes the reader on a wide-ranging journey addressing fundamental questions about aesthetics and art. Using neuroscience and evolutionary psychology, Chatterjee shows how beauty, pleasure, and art are grounded biologically, and... more

    Hochschulbibliothek Ingolstadt
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    Bayerische Staatsbibliothek
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    "The Aesthetic Brain takes the reader on a wide-ranging journey addressing fundamental questions about aesthetics and art. Using neuroscience and evolutionary psychology, Chatterjee shows how beauty, pleasure, and art are grounded biologically, and offers explanations for why beauty, pleasure, and art exist at all"--

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780199811809; 0199811806; 9780190262013
    RVK Categories: CC 5680 ; CC 6900
    Subjects: Aesthetics / Psychological aspects; Genetic psychology; Brain / Evolution; PSYCHOLOGY / Cognitive Psychology; Kunst; Psychologie; Ästhetik; Ästhetische Wahrnehmung; Neuropsychologie; Evolutionspsychologie
    Scope: XXIII, 217 S., 23 cm
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke

    Includes bibliographical references and index

    Machine generated contents note: -- PREFACE -- INTRODUCTION -- BEAUTY -- 1. What is this thing called beauty? -- 2. Captivating faces -- 3. The measure of facial beauty -- 4. The body beautiful -- 5. How the brain works -- 6. Brains behind beauty -- 7. Evolving beauty -- 8. Landscapes -- 9. Numbering beauty -- 10. The illogic of beauty -- PLEASURE -- 1. What is this thing called pleasure? -- 2. Food -- 3. Sex -- 4. Money -- 5. Liking, wanting, learning -- 6. The logic of pleasure -- ART -- 1. What is this thing called art? -- 2. Art: Biology and culture -- 3. Descriptive science of the arts -- 4. Experimental science of the arts -- 5. Conceptual art -- 6. The inception of art -- 7. Messy minds -- 8. Evolving art -- 9. Art: A tail or a song? -- 10. The serendipity of art

  2. The aesthetic brain
    how we evolved to desire beauty and enjoy art
    Published: 2014
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

    "The Aesthetic Brain takes the reader on a wide-ranging journey addressing fundamental questions about aesthetics and art. Using neuroscience and evolutionary psychology, Chatterjee shows how beauty, pleasure, and art are grounded biologically, and... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität der Künste Berlin, Universitätsbibliothek
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    "The Aesthetic Brain takes the reader on a wide-ranging journey addressing fundamental questions about aesthetics and art. Using neuroscience and evolutionary psychology, Chatterjee shows how beauty, pleasure, and art are grounded biologically, and offers explanations for why beauty, pleasure, and art exist at all"--

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9780199811809; 0199811806; 9780190262013
    RVK Categories: CC 5680 ; CC 6900
    Subjects: Aesthetics / Psychological aspects; Genetic psychology; Brain / Evolution; PSYCHOLOGY / Cognitive Psychology; Kunst; Psychologie; Ästhetik; Ästhetische Wahrnehmung; Neuropsychologie; Evolutionspsychologie
    Scope: XXIII, 217 S., 23 cm
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke

    Includes bibliographical references and index

    Machine generated contents note: -- PREFACE -- INTRODUCTION -- BEAUTY -- 1. What is this thing called beauty? -- 2. Captivating faces -- 3. The measure of facial beauty -- 4. The body beautiful -- 5. How the brain works -- 6. Brains behind beauty -- 7. Evolving beauty -- 8. Landscapes -- 9. Numbering beauty -- 10. The illogic of beauty -- PLEASURE -- 1. What is this thing called pleasure? -- 2. Food -- 3. Sex -- 4. Money -- 5. Liking, wanting, learning -- 6. The logic of pleasure -- ART -- 1. What is this thing called art? -- 2. Art: Biology and culture -- 3. Descriptive science of the arts -- 4. Experimental science of the arts -- 5. Conceptual art -- 6. The inception of art -- 7. Messy minds -- 8. Evolving art -- 9. Art: A tail or a song? -- 10. The serendipity of art

  3. The aesthetic brain
    how we evolved to desire beauty and enjoy art
    Published: 2013
    Publisher:  Oxford University Press, New York, NY

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780199316403; 0199316406; 9780199811878; 0199811873; 9780199811809; 0199811806
    Other identifier:
    Series: EBL ebooks online
    Subjects: PSYCHOLOGY / Cognitive Psychology; PHILOSOPHY / Metaphysics; Aesthetics / Psychological aspects; Brain / Evolution; Genetic psychology; Psychology; Esthetics; Brain / physiology; Pleasure; Psychologie; Ästhetik; Aesthetics; Genetic psychology; Brain; Evolutionspsychologie; Neuropsychologie; Ästhetische Wahrnehmung
    Scope: 1 online resource
    Notes:

    Description based on print version record

    "The Aesthetic Brain takes the reader on a wide-ranging journey addressing fundamental questions about aesthetics and art. Using neuroscience and evolutionary psychology, Chatterjee shows how beauty, pleasure, and art are grounded biologically, and offers explanations for why beauty, pleasure, and art exist at all"--

    Machine generated contents note: -- PREFACE -- INTRODUCTION -- BEAUTY -- 1. What is this thing called beauty? -- 2. Captivating faces -- 3. The measure of facial beauty -- 4. The body beautiful -- 5. How the brain works -- 6. Brains behind beauty -- 7. Evolving beauty -- 8. Landscapes -- 9. Numbering beauty -- 10. The illogic of beauty -- PLEASURE -- 1. What is this thing called pleasure? -- 2. Food -- 3. Sex -- 4. Money -- 5. Liking, wanting, learning -- 6. The logic of pleasure -- ART -- 1. What is this thing called art? -- 2. Art: Biology and culture -- 3. Descriptive science of the arts -- 4. Experimental science of the arts -- 5. Conceptual art -- 6. The inception of art -- 7. Messy minds -- 8. Evolving art -- 9. Art: A tail or a song? -- 10. The serendipity of art

  4. Neopoetics
    The Evolution of the Literate Imagination
    Published: [2016]; ©2016
    Publisher:  Columbia University Press, New York, NY

    The quest to understand the evolution of the literary mind has become a fertile field of inquiry and speculation for scholars across literary studies and cognitive science. In Paleopoetics, Christopher Collins's acclaimed earlier title, he described... more

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    The quest to understand the evolution of the literary mind has become a fertile field of inquiry and speculation for scholars across literary studies and cognitive science. In Paleopoetics, Christopher Collins's acclaimed earlier title, he described how language emerged both as a communicative tool and as a means of fashioning other communicative tools-stories, songs, and rituals. In Neopoetics, Collins turns his attention to the cognitive evolution of the writing-ready brain. Further integrating neuroscience into the popular field of cognitive poetics, he adds empirical depth to our study of literary texts and verbal imagination and offers a whole new way to look at reading, writing, and creative expression. Collins begins Neopoetics with the early use of visual signs, first as reminders of narrative episodes and then as conventional symbols representing actual speech sounds. Next he examines the implications of written texts for the play of the auditory and visual imagination. To exemplify this long transition from oral to literate artistry, Collins examines a wide array of classical texts-from Homer and Hesiod to Plato and Aristotle and from the lyric innovations of Augustan Rome to the inner dialogues of St. Augustine. In this work of "big history," Collins demonstrates how biological and cultural evolution collaborated to shape both literature and the brain we use to read it

     

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