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Displaying results 1 to 25 of 1328.

  1. El intersticio de la colonia
    ruptura y mediación en la narrativa antiesclavista cubana
    Author: Casanova Marengo, Ilia
    Published: 2002
    Publisher:  Vervuert, Frankfurt am Main ; Iberoamericana, Madrid

    Location:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Universität Potsdam, Universitätsbibliothek
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    Source: Union catalogues
    Language: Spanish
    Media type: Book
    Format: Print
    ISBN: 8484890678; 3893546057
    RVK Categories: IQ 00512
    Series: Colección Nexos y diferencias ; Nr 3
    Subjects: Cuban fiction; Antislavery movements in literature; Slavery in literature; Blacks in literature
    Scope: 126 S
  2. C. L. R. James and creolization
    circles of influence
    Author: King, Nicole
    Published: 2001
    Publisher:  Univ. Pr. of Mississippi, Jackson, Miss.

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    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1578063647
    RVK Categories: HQ 7999
    Subjects: Blacks in literature; Cultural pluralism in literature; Cultural relations in literature; Influence (Literary, artistic, etc.); Intercultural communication in literature
    Scope: XIX, 168 S
  3. Becoming human
    matter and meaning in an antiblack world
    Author: Jackson, Zakiyyah Iman
    Published: [2020]; © 2020
    Publisher:  New York University Press, New York

  4. Die Herkunft der anderen
    über Rasse, Rassismus und Literatur
    Author: Morrison, Toni
    Published: April 2018; © 2018
    Publisher:  Rowohlt e-Book, Reinbek bei Hamburg

    Die amerikanische Literaturnobelpreis-Trägerin Toni Morrison hat ihr Leben als Schriftstellerin der Rassenfrage und dem Rassismus gewidmet. Nun meldet sie sich mit klugen, schneidend klaren Worten zum Thema Rassismus in Amerika. Die sechs hier... more

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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Bibliothek der Hansestadt Lübeck
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    Die amerikanische Literaturnobelpreis-Trägerin Toni Morrison hat ihr Leben als Schriftstellerin der Rassenfrage und dem Rassismus gewidmet. Nun meldet sie sich mit klugen, schneidend klaren Worten zum Thema Rassismus in Amerika. Die sechs hier abgedruckten Texte basieren auf Vorlesungen an der Harvard University im Sommer 2016. Es sind Betrachtungen über Rasse und Rassismus, die die Zerrissenheit der amerikanischen Gesellschaft widerspiegeln und durch die Wahl eines das Land spaltenden Präsidenten sowie den zunehmenden, unverbrämten Alltagsrassismus eine brennende Aktualität bekommen. Wie und wann entsteht das Konzept des Andersseins? Angeboren ist es ja nicht. Toni Morrison beantwortet diese Frage mit persönlichen Erinnerungen aus ihrer Kindheit, erzählt von eigenen Familien- und Berufserfahrungen und spricht über reale Fälle, die sie zu ihren Romanen inspiriert haben. Zudem macht sich Toni Morrison Gedanken zur Geschichte und Funktion von Literatur in einer latent rassistischen Gesellschaft. Sie leitet den literarischen Rassismus aus der Romantisierung des Sklaventums her und belegt mit Beispielen von Faulkner bis Hemingway die ständige Angst vor den schwarzen Gesichtern. Dabei schlägt sie einen weltpolitischen Bogen, von der individuellen Herkunft bis hin zur Globalisierung, zu Grenzen und Fluchtbewegungen. Eine große Autorin erhebt ihre Stimme. Ein brisantes Buch, das Mut macht und Hoffnung gibt.

     
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    Source: Union catalogues
    Contributor: Coates, Ta-Nehisi (VerfasserIn eines Vorworts); Piltz, Thomas (ÜbersetzerIn)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783644001831
    Other identifier:
    9783644001831
    Subjects: Racism in literature; African Americans in literature; Blacks in literature; Race in literature
    Scope: 1 Online-Ressource (110 Seiten), EPUB, JPEG
  5. Caryl Phillips
    writing in the key of life
    Published: 2012
    Publisher:  Rodopi B.V, Amsterdam

    Preliminary Material -- Oxford /Peter H. Marsden -- Preamble /Caryl Phillips -- Colour Me English /Caryl Phillips -- Caryl Phillips and the Question of Political Identity: Wrestling with Prejudice /Kirpal Singh -- Conversations with Caryl Phillips:... more

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    Universitätsbibliothek Leipzig
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    Preliminary Material -- Oxford /Peter H. Marsden -- Preamble /Caryl Phillips -- Colour Me English /Caryl Phillips -- Caryl Phillips and the Question of Political Identity: Wrestling with Prejudice /Kirpal Singh -- Conversations with Caryl Phillips: Reflections upon an Intellectual Life /Renée Schatteman -- Plural Selves: The Dispersion of the Autobiographical Subject in the Essays of Caryl Phillips /Louise Yelin -- “Look liberty in the face”: Determinism and Free Will in Caryl Phillips’s Foreigners: Three English Lives /Bénédicte Ledent -- Hybrid Inventiveness: Caryl Phillips’s Black-Atlantic Subjectivity – The European Tribe and The Atlantic Sound /Joan Miller Powell -- Vido, Not Sir Vidia: Caryl Phillips’s Encounters with V.S. Naipaul /John Mcleod -- A New World’s Twilight: Ethics of the Caribbean Writer in Caryl Phillips’s and Derek Walcott’s Essays /Malik Ferdinand -- Caryl Phillips’s “Heartland” and Joseph Conrad’s Heart of Darkness: Revisiting Fear – An Intertextual Approach /Imen Najar -- Linking Legacies of Loss: Traumatic Histories and Cross-Cultural Empathy in Caryl Phillips’s Higher Ground and The Nature of Blood /Stef Craps -- Bidirectional Revision: The Connection between Past and Present in Caryl Phillips’s Crossing the River /Fatim Boutros -- “The cloud of ambivalence”: Exploring Diasporan Identity in Caryl Phillips’s The Atlantic Sound and A New World Order /Abigail Ward -- Caryl Phillips’s Seascapes of the Imaginary /Wendy Knepper -- The Dis-ease of Multiple Identities: The Nature of Diasporan Identity in Caryl Phillips’s Strange Fruit /Chika Unigwe -- A New World Tribe in Caryl Phillips’s A Distant Shore /Alessandra Di Maio -- Dorothy’s Heart of Darkness: How Europe Meets Africa in A Distant Shore /Sandra Courtman -- Negotiating Inclusion in Caryl Phillips’s A Distant Shore /Thomas Bonnici -- Strange Encounters: Nationhood and the Stranger in Caryl Phillips’s A Distant Shore /Petra Tournay–Theodotou -- The Civilized Pretence: Caryl Phillips and A Distant Shore /Cindy Gabrielle -- Omnipresent and Everlasting Imperialism: Race and Gender Oppression in Caryl Phillips’s Cambridge and A Distant Shore /Lucie Gillet -- The Dilemma of a Black Entertainer: A Contextualized Reading of Caryl Phillips’s Dancing in the Dark /Tsunehiko Kato -- The Mask and the Unheimlich in Caryl Phillips’s Dancing in the Dark /Itala Vivan -- Concentric and Centripetal Narratives of Race: Caryl Phillips’s Dancing in the Dark and Percival Everett’s Erasure /Dave Gunning -- The Dynamic of Revelation and Concealment: In the Falling Snow and the Narrational Architecture of Blighted Existences /Gordon Collier -- Notes on Contributors -- Index. Writing in the Key of Life is the first critical collection devoted to the British-Caribbean author Caryl Phillips, a major voice in contemporary anglophone literatures. Phillips’s impressive body of fiction, drama, and non-fiction has garnered wide praise for its formal inventiveness and its incisive social criticism as well as its unusually sensitive understanding of the human condition. The twenty-six contributions offered here, including two by Phillips himself, address the fundamental issues that have preoccupied the writer in his now three-decades-long career – the enduring legacy of history, the intricate workings of identity, and the pervasive role of race, class, and gender in societies worldwide. Most of Phillips’s writing is covered here, in essays that approach it from various thematic and interpretative angles. These include the interplay of fact and fiction, Phillips’s sometimes ambiguous literary affiliations, his long-standing interest in the black and Jewish diasporas, his exploration of Britain and its ‘Others’, and his recurrent use of motifs such as masking and concealment. Writing in the Key of Life testifies to the vitality of Phillipsian scholarship and confirms the significance of an artist whose concerns, at once universal and topical, find particular resonance with the state of the world at the beginning of the twenty-first century. Contributors: Thomas Bonnici, Fatim Boutros, Gordon Collier, Sandra Courtman, Stef Craps, Alessandra Di Maio, Malik Ferdinand, Cindy Gabrielle, Lucie Gillet, Dave Gunning, Tsunehiko Kato, Wendy Knepper, Bénédicte Ledent, John McLeod, Peter H. Marsden, Joan Miller Powell, Imen Najar, Caryl Phillips, Renée Schatteman, Kirpal Singh, Petra Tournay–Theodotou, Chika Unigwe, Itala Vivan, Abigail Ward, Louise Yelin

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789401207409
    Other identifier:
    Series: Readings in the post/colonial literatures in English ; 146
    Subjects: Caribbean literature (English); European literature; West Indians in literature; Blacks; African diaspora in literature; Race in literature; Blacks in literature
    Other subjects: Phillips, Caryl
    Scope: 1 Online-Ressource (xxi, 441 pages)
    Notes:

    Includes bibliographical references and index
  6. Pan–African American Literature
    Signifyin(g) Immigrants in the Twenty-First Century
    Author: Li, Stephanie
    Published: [2018]; © 2018
    Publisher:  Rutgers University Press, New Brunswick, NJ

    The twenty-first century is witnessing a dynamic broadening of how blackness signifies both in the U.S. and abroad. Literary writers of the new African diaspora are at the forefront of exploring these exciting approaches to what black subjectivity... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    The twenty-first century is witnessing a dynamic broadening of how blackness signifies both in the U.S. and abroad. Literary writers of the new African diaspora are at the forefront of exploring these exciting approaches to what black subjectivity means. Pan-African American Literature is dedicated to charting the contours of literature by African born or identified authors centered around life in the United States. The texts examined here deliberately signify on the African American literary canon to encompass new experiences of immigration, assimilation and identification that challenge how blackness has been previously conceived. Though race often alienates and frustrates immigrants who are accustomed to living in all-black environments, Stephanie Li holds that it can also be a powerful form of community and political mobilization

     
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  7. The Bounds of Race
    Perspectives on Hegemony and Resistance
    Contributor: LaCapra, Dominick (Publisher)
    Published: [2018]; © 1992
    Publisher:  Cornell University Press, Ithaca, NY

    The concept of race is central to one of the most powerful ideological formations in history, Dominick LaCapra argues in his introduction to this volume, and understanding the effects of that ideology and its intricate relations with issues of class... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    The concept of race is central to one of the most powerful ideological formations in history, Dominick LaCapra argues in his introduction to this volume, and understanding the effects of that ideology and its intricate relations with issues of class and gender is one of the most pressing challenges to contemporary modes of thought. The eleven essays comprising The Bounds of Race confront this challenge with insight, rigor, and imagination.The authors take on questions of language, genre, and politics with reference to African-American, Anglo-American, African, South African, Francophone North African, British, and Afro-Hispanic texts. Individual chapters discuss writings from an array of genres including homily, autobiography, the novel, children's literature, and political and scientific discourse. Taken together, the essays argue persuasively that the existing canon must be expanded, that the protocols of interpretation must be transformed to make a prominent place for such issues as race, and that the problem of interpretation cannot be posed in the absence of theoretically informed modes of historical investigation.The Bounds of Race provides a subtle analysis of the variable role of racial ideologies and traces the interplay between hegemonic constraints and the strategies of resistance to them

     
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    Source: Union catalogues
    Contributor: LaCapra, Dominick (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501727481
    Other identifier:
    Subjects: HISTORY / Historiography; African Americans in literature; Blacks in literature; Blacks; Race in literature; Rasse; Ethnische Identität; Englisch; Schwarze; Literatur
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2019)
  8. Racial Worldmaking
    The Power of Popular Fiction
    Author: Jerng, Mark C.
    Published: [2017]; © 2018
    Publisher:  Fordham University Press, New York, NY

    When does racial description become racism? Critical race studies has not come up with good answers to this question because it has overemphasized the visuality of race. According to dominant theories of racial formation, we see race on bodies and... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    When does racial description become racism? Critical race studies has not come up with good answers to this question because it has overemphasized the visuality of race. According to dominant theories of racial formation, we see race on bodies and persons and then link those perceptions to unjust practices of racial inequality. Racial Worldmaking argues that we do not just see race. We are taught when, where, and how to notice race by a set of narrative and interpretive strategies. These strategies are named "racial worldmaking" because they get us to notice race not just at the level of the biological representation of bodies or the social categorization of persons. Rather, they get us to embed race into our expectations for how the world operates. As Mark C. Jerng shows us, these strategies find their most powerful expression in popular genre fiction: science fiction, romance, and fantasy. Taking up the work of H.G. Wells, Margaret Mitchell, Samuel Delany, Philip K. Dick and others, Racial Worldmaking rethinks racial formation in relation to both African American and Asian American studies, as well as how scholars have addressed the relationships between literary representation and racial ideology. In doing so, it engages questions central to our current moment: In what ways do we participate in racist worlds, and how can we imagine and build one that is anti-racist?

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823277780
    Other identifier:
    Subjects: African American; Asian American; Fantasy; Genre; Plantation Romance; Popular fiction; Race; Science Fiction; LITERARY CRITICISM / American / General; American fiction; Asians in literature; Blacks in literature; English fiction; Group identity in literature; Literature and society; Race discrimination; Racism in literature
    Scope: 1 online resource (272 pages), 1
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  9. The Black Radical Tragic
    Performance, Aesthetics, and the Unfinished Haitian Revolution
    Author: Glick, Jeremy Matthew
    Published: [2016]; © 2016
    Publisher:  New York University Press, New York, NY

    2017 Nicolás Guillén Outstanding Book Award presented by the Caribbean Philosophical AssociationAs the first successful revolution emanating from a slave rebellion, the Haitian Revolution remains an inspired site of investigation for a remarkable... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    2017 Nicolás Guillén Outstanding Book Award presented by the Caribbean Philosophical AssociationAs the first successful revolution emanating from a slave rebellion, the Haitian Revolution remains an inspired site of investigation for a remarkable range of artists and activist-intellectuals in the African Diaspora.In The Black Radical Tragic, Jeremy Matthew Glick examines twentieth-century performances engaging the revolution as laboratories for political thinking. Asking readers to consider the revolution less a fixed event than an ongoing and open-ended history resonating across the work of Atlantic world intellectuals, Glick argues that these writers use the Haitian Revolution as a watershed to chart their own radical political paths, animating, enriching, and framing their artistic and scholarly projects. Spanning the disciplines of literature, philosophy, and political thought, The Black Radical Tragic explores work from Lorraine Hansberry, Sergei Eisenstein, Edouard Glissant, Malcolm X, and others, ultimately enacting a speculative encounter between Bertolt Brecht and C.L.R. James to reconsider the relationship between tragedy and revolution. In its grand refusal to forget, The Black Radical Tragic demonstrates how the Haitian Revolution has influenced the ideas of freedom and self-determination that have propelled Black radical struggles throughout the modern era

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781479814855
    Other identifier:
    Series: America and the Long 19th Century ; 2
    Subjects: LITERARY CRITICISM / Semiotics & Theory; Blacks in literature; Radicalism in literature; Tragic, The, in literature
    Scope: 1 online resource, 1 black and white illustrations
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  10. Being property once myself
    blackness and the end of man
    Author: Bennett, Joshua
    Published: [2020]; © 2020
    Publisher:  Harvard University Press, Cambridge ; London

    Throughout US history, black people have been configured as sociolegal nonpersons. Joshua Bennett explores the place of animality in works by Richard Wright, Toni Morrison, Jesmyn Ward, and other black writers, delving into the literary imagination... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Throughout US history, black people have been configured as sociolegal nonpersons. Joshua Bennett explores the place of animality in works by Richard Wright, Toni Morrison, Jesmyn Ward, and other black writers, delving into the literary imagination and ethical concerns that emerge from being viewed as a subgenre of the human

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674245495; 9780674245464; 9780674245488
    Other identifier:
    RVK Categories: HU 1728
    Subjects: LITERARY CRITICISM / American / African-American; American literature; Animals in literature; Anthropomorphism in literature; Blacks in literature; Literature and race; Literatur; Schwarze
    Scope: 1 Online-Ressource (213 Seiten)
  11. Impossible Purities
    Blackness, Femininity, and Victorian Culture
    Author: Brody, Jennifer DeVere
    Published: [1998]; © 1998
    Publisher:  Duke University Press, Durham

    Using black feminist theory and African American studies to read Victorian culture, Impossible Purities looks at the construction of "Englishness" as white, masculine, and pure and "Americanness" as black, feminine, and impure. Brody's readings of... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Using black feminist theory and African American studies to read Victorian culture, Impossible Purities looks at the construction of "Englishness" as white, masculine, and pure and "Americanness" as black, feminine, and impure. Brody's readings of Victorian novels, plays, paintings, and science fiction reveal the impossibility of purity and the inevitability of hybridity in representations of ethnicity, sexuality, gender, and race. She amasses a considerable amount of evidence to show that Victorian culture was bound inextricably to various forms and figures of blackness.Opening with a reading of Daniel Defoe's "A True-Born Englishman," which posits the mixed origins of English identity, Brody goes on to analyze mulattas typified by Rhoda Swartz in William Thackeray's Vanity Fair, whose mixed-race status reveals the "unseemly origins of English imperial power." Examining Victorian stage productions from blackface minstrel shows to performances of The Octoroon and Uncle Tom's Cabin, she explains how such productions depended upon feminized, "black" figures in order to reproduce Englishmen as masculine white subjects. She also discusses H.G. Wells's The Island of Dr. Moreau in the context of debates about the "new woman," slavery, and fears of the monstrous degeneration of English gentleman. Impossible Purities concludes with a discussion of Bram Stoker's novella, "The Lair of the White Worm," which brings together the book's concerns with changing racial representations on both sides of the Atlantic.This book will be of interest to scholars in Victorian studies, literary theory, African American studies, and cultural criticism

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822396956
    Other identifier:
    Subjects: SOCIAL SCIENCE / Anthropology / Cultural & Social; Black race; Blacks in literature; Blacks; English literature; Femininity in literature; National characteristics, English, in literature; Race awareness; Race in literature; Women, Black, in literature
    Scope: 1 online resource (272 pages), 13 b&w photographs
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  12. ¿Quién te lo vezó a decir?
    el habla de negro en la literatura del XVI, imitación de una realidad lingüística
    Author: Santos Morillo, Antonio
    Published: 2020; © 2020
    Publisher:  Vervuert, Frankfurt am Main ; Iberoamericana, Madrid

    La variante lingüística que denominamos habla de negro literaria es imitación – contaminada de la repetición impuesta por el estereotipo y de rasgos estilísticos de cada autor– de una interlengua propia de aprendices de español –o portugués– como L2... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    La variante lingüística que denominamos habla de negro literaria es imitación – contaminada de la repetición impuesta por el estereotipo y de rasgos estilísticos de cada autor– de una interlengua propia de aprendices de español –o portugués– como L2 utilizada por los negros no nacidos en la península para comunicarse con los amos o con otros negros alóglotas.Todas las variedades afrohispánicas comparten interferencias de las estructuras de los distintos idiomas maternos y las tendencias reductoras, mecanismos que se ponen en funcionamiento siempre que se da el contacto de lenguas. Así pues, por tratarse en todos los casos de resultados diversos de contactos lingüísticos, son muchos los rasgos que comparten y son precisamente esos los destacados a lo largo de esta investigación con el fin de demostrar la autenticidad de los que aparecen en el habla de negro literaria del XVI.

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: Spanish
    Media type: Ebook
    Format: Online
    ISBN: 9783968690377
    Other identifier:
    RVK Categories: IO 1558 ; IM 2725
    Subjects: LANGUAGE ARTS & DISCIPLINES / Linguistics / General; Blacks in literature; Blacks; Creole dialects, Spanish; Language and languages in literature; Spanish literature; Spanisch; Soziolekt; Schwarze <Motiv>; Literatur
    Scope: 1 Online-Ressource (427 Seiten)
  13. Clear Word and Third Sight
    Folk Groundings and Diasporic Consciousness in African Caribbean Writing
    Author: John, Catherine
    Published: [2003]; © 2003
    Publisher:  Duke University Press, Durham

    Clear Word and Third Sight examines the strands of a collective African diasporic consciousness represented in the work of a number of Black Caribbean writers. Catherine A. John shows how a shared consciousness, or "third sight," is rooted in both... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Clear Word and Third Sight examines the strands of a collective African diasporic consciousness represented in the work of a number of Black Caribbean writers. Catherine A. John shows how a shared consciousness, or "third sight," is rooted in both pre- and postcolonial cultural practices and disseminated through a rich oral tradition. This consciousness has served diasporic communities by creating an alternate philosophical "worldsense" linking those of African descent across space and time.Contesting popular discourses about what constitutes culture and maintaining that neglected strains in negritude discourse provide a crucial philosophical perspective on the connections between folk practices, cultural memory, and collective consciousness, John examines the diasporic principles in the work of the negritude writers Léon Damas, Aimé Césaire, and Léopold Senghor. She traces the manifestations and reworkings of their ideas in Afro-Caribbean writing from the eastern and French Caribbean, as well as the Caribbean diaspora in the United States. The authors she discusses include Jamaica Kincaid, Earl Lovelace, Simone Schwarz-Bart, Audre Lorde, Paule Marshall, and Edouard Glissant, among others. John argues that by incorporating what she calls folk groundings-such as poems, folktales, proverbs, and songs-into their work, Afro-Caribbean writers invoke a psychospiritual consciousness which combines old and new strategies for addressing the ongoing postcolonial struggle

     
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    Source: Union catalogues
    Contributor: Pease, Donald E. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822385097
    Other identifier:
    Series: New Americanists
    Subjects: LITERARY CRITICISM / Caribbean & Latin American; African literature; Blacks in literature; Caribbean literature (English); Caribbean literature (English); Caribbean literature (French); Caribbean literature (French); Folklore in literature; Folklore; Literature and folklore
    Scope: 1 online resource (254 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  14. Jump Jim Crow
    Lost Plays, Lyrics, and Street Prose of the First Atlantic Popular Culture
    Author: Lhamon, W. T.
    Published: [2022]; © 2003
    Publisher:  Harvard University Press, Cambridge, MA

    Beginning in the 1830s, the white actor Thomas D. Rice took to the stage as Jim Crow, and the ragged and charismatic trickster of black folklore entered--and forever transformed--American popular culture. Jump Jim Crow brings together for the first... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Beginning in the 1830s, the white actor Thomas D. Rice took to the stage as Jim Crow, and the ragged and charismatic trickster of black folklore entered--and forever transformed--American popular culture. Jump Jim Crow brings together for the first time the plays and songs performed in this guise and reveals how these texts code the complex use and abuse of blackness that has characterized American culture ever since Jim Crow's first appearance. Along with the prompt scripts of nine plays performed by Rice--never before published as their original audiences saw them--W. T. Lhamon Jr. provides a reconstruction of their performance history and a provocative analysis of their contemporary meaning. His reading shows us how these plays built a public blackness, but also how they engaged a disaffected white audience, who found in Jim Crow's sass and wit and madcap dancing an expression of rebellion and resistance against the oppression and confinement suffered by ordinary people of all colors in antebellum America and early Victorian England. Upstaging conventional stories and forms, giving direction and expression to the unruly attitudes of a burgeoning underclass, the plays in this anthology enact a vital force still felt in great fictions, movies, and musics of the Atlantic and in the jumping, speedy styles that join all these forms

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674274815
    Other identifier:
    Subjects: LITERARY CRITICISM / American / African-American; African Americans in literature; African Americans; American literature; Blackface entertainers; Blacks in literature; Minstrel shows; Popular literature; Race in literature; Social classes in literature; Social classes
    Scope: 1 online resource (478 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 31. Jan 2022)
  15. Shakespeare without women
    representing gender and race on the Renaissance stage
    Author: Callaghan, Dympna
    Published: 2000
    Publisher:  Routledge, London [u.a.]

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  16. Black Australian literature
    a bibliography of fiction, poetry, drama, oral traditions and non-fiction, including critical commentary, 1900 - 1991
    Author: Schürmann-Zeggel, Heinz
    Published: 1997
    Publisher:  Lang, Bern [u.a.]

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 390675684X
    Series: German-Australian Studies ; 11
    Subjects: Australian literature; Australian literature; Aboriginal Australians in literature; Torres Strait Islanders; Blacks in literature
    Scope: 320 S
  17. Le utopie e la storia
    saggio sull'Othello di Shakespeare
    Author: Colombo, Rosa Maria
    Published: 1975
    Publisher:  Adriatica, Bari

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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2000 A 18548
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    Format: Print
    Series: Biblioteca di studi inglesi ; 30
    Subjects: Muslims in literature; Blacks in literature; Tragedy
    Other subjects: Shakespeare, William (1564-1616): Othello; Othello (Fictitious character from Shakespeare)
    Scope: 151 S, 22 cm
    Notes:

    Includes bibliographical references and index
  18. Negritude and literary criticism
    the history and theory of "Negro-African" literature in French
    Author: Jack, Belinda Elizabeth
    Published: 1996
    Publisher:  Greenwood Press, Westport, Conn. [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0313295115
    Series: Contributions in Afro-American and African studies ; no. 178
    Subjects: African literature (French); African literature; Negritude (Literary movement); Blacks in literature
    Scope: [ix] , 194 S, 24 cm
    Notes:

    Includes bibliographical references (p. [169]-183) and index
  19. Postcoloniality - decoloniality - black critique
    joints and fissures
    Published: 2014
    Publisher:  Campus, Frankfurt

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    Bereich Soziologie
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 3593501929; 9783593501925
    Other identifier:
    9783593501925
    RVK Categories: MK 2700 ; MS 3450
    Subjects: Colonization; Racism; Decolonization; Postcolonialism; Blacks; Blacks; Blacks in literature
    Scope: 398 Seiten, 21 cm
    Notes:

    Literaturangaben
  20. Representaciones del personaje del negro en la literatura cubana
    una perspectiva desde los estudios subalternos
    Author: Uxó González, Carlos
    Published: c2010
    Publisher:  Editorial Verbum, Madrid

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    Source: Union catalogues
    Language: Spanish
    Media type: Book
    Format: Print
    ISBN: 9788479624873; 8479624876
    RVK Categories: IQ 00512
    Series: Verbum ensayo
    Subjects: Cuban fiction; Blacks in literature; Blacks
    Scope: 306 Seiten, 20 cm
    Notes:

    Includes bibliographical references (p. 277-298) and index
  21. The black imagination
    science fiction, futurism and the speculative
    Published: 2011
    Publisher:  Lang, New York, NY [u.a.]

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781433112416; 9781433112423
    RVK Categories: HU 1821 ; HU 1818
    Series: Black studies and critical thinking ; 14
    Subjects: American fiction; Blacks in literature; Blacks in motion pictures; Blacks; Futurism (Literary movement); Science fiction; African Americans
    Scope: VI, 231 S.
    Notes:

    Literaturangaben
  22. Dicionário literário afro-brasileiro
    Author: Lopes, Nei
    Published: 2007
    Publisher:  Pallas Ed., Rio de Janeiro

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    A 08 / 9119
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    Source: Union catalogues
    Language: Portuguese
    Media type: Book
    Format: Print
    ISBN: 9788534704120
    Subjects: Brazilian literature; Authors, Black; Blacks in literature
    Scope: 167 S
  23. Carnival and national identity in the poetry of Afrocubanismo
    Author: Anderson, Thomas F.
    Published: 2011
    Publisher:  University Press of Florida, Gainesville

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0813035589; 9780813035581
    RVK Categories: IQ 00530
    Subjects: Cuban poetry; Cuban poetry; Carnival in literature; Blacks in literature; National characteristics, Cuban, in literature
    Scope: xvi, 341 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references (Seite 299-325) and index

    Hier auch später erschienene, unveränderte Nachdrucke
  24. Narrative projections of a black British history
    Author: Pirker, Eva Ulrike
    Published: 2011
    Publisher:  Routledge, New York

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    2011 A 13980
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780415893756
    RVK Categories: HN 1135 ; HP 1202
    Series: Routledge approaches to history ; 2
    Subjects: Blacks; Blacks; Blacks in literature
    Scope: xiv, 322 p, ill, 24 cm
    Notes:

    Includes bibliographical references (p. [295]-313) and index

    Black Britain's historical culture: setting the scene -- Introduction and conceptual reflections -- Representations of a black history in Britain: an overview of "factual" and "fictional" -- Engaging with the historical culture: reactions -- Two black British lives: Charlotte Williams's Sugar and Slate and Mike Phillips's London crossings -- Writing war ; writing Windrush: Andrea Levy's novel Small island -- Artistic historiographies between the Black Atlantic and black Britain: Caryl Phillips's The Atlantic Sound and Foreigners -- Narratives beyond texts -- Conclusion and outlook.
  25. Staging blackness and performing whiteness in eighteenth-century German drama
    Author: Sutherland, Wendy
    Published: [2016]; © 2016
    Publisher:  Ashgate, Farnham

    Introduction -- Race in eighteenth-century Germany -- Slavery, colonialism, and the eighteenth-century global stage -- "Looking at the overlooked": stage properties and the table in Karl Lessing's Die mätresse (1780) excursus: the court moor and... more

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    Introduction -- Race in eighteenth-century Germany -- Slavery, colonialism, and the eighteenth-century global stage -- "Looking at the overlooked": stage properties and the table in Karl Lessing's Die mätresse (1780) excursus: the court moor and eighteenth-century court painting -- The construction of whiteness in eighteenth-century bourgeois drama -- Race, doubles, and foils: staging blackness in Friedrich Wilhelm Ziegler's Die mohrinn -- Race, homosocial desire, and the black in Ernst Lorenz Rathlef's Die mohrinn zu Hamburg -- Reading in the dark? racial hierarchy and miscegenation in Heinrich von Kleist's "Die verlobung in St. Domingo" and Theodor Körner's Toni -- Epilogue

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781409424024
    Subjects: German drama; Theater; Race in literature; Human skin color in literature; Blacks in literature; Whites in literature
    Scope: xv, 258 Seiten, Illustrationen, 24 cm
    Notes:

    Literaturverzeichnis: Seite 233-250

    Introduction: Race in eighteenth-century Germany -- Slavery, colonialism, and the eighteenth-century global stage -- "Looking at the overlooked": stage properties and the table in Karl Lessing's Die mätresse (1780) excursus: the court moor and eighteenth-century court painting -- The construction of whiteness in eighteenth-century bourgeois drama -- Race, doubles, and foils: staging blackness in Friedrich Wilhelm Ziegler's Die mohrinn -- Race, homosocial desire, and the black in Ernst Lorenz Rathlef's Die mohrinn zu Hamburg -- Reading in the dark? racial hierarchy and miscegenation in Heinrich von Kleist's "Die verlobung in St. Domingo" and Theodor Körner's Toni -- Epilogue.