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Displaying results 1 to 24 of 24.

  1. Value in art
    Manet and the slave trade
    Published: 2022
    Publisher:  The University of Chicago Press, Chicago ; Oxford University Press, Oxford

    Art historian Henry M. Sayre traces the origins of the term 'value' in art criticism, revealing the politics that define Manet's art. How did art critics come to speak of light and dark as, respectively, 'high in value' and 'low in value'? Sayre... more

    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan

     

    Art historian Henry M. Sayre traces the origins of the term 'value' in art criticism, revealing the politics that define Manet's art. How did art critics come to speak of light and dark as, respectively, 'high in value' and 'low in value'? Sayre shows that it was Émile Zola who introduced the new 'law of values' in an 1867 essay on Manet. Unpacking the intricate contexts of Zola's essay and of several related paintings by Manet, Sayre argues that Zola's usage of value was intentionally double coded - an economic metaphor for the political economy of slavery.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226809960
    Other identifier:
    RVK Categories: LI 56030
    Series: Chicago scholarship online
    Subjects: Kunstkritik; Literatur; Sklavenhandel; Art and society; Black people in art; Slavery; Art; Art and literature
    Other subjects: Manet, Édouard (1832-1883): Olympia; Manet, Edouard (1832-1883); Manet, Edouard (1832-1883): Olympia
    Scope: 1 Online-Ressource, Illustrations (black and white, and colour).
    Notes:

    Also issued in print: 2022

    Includes bibliographical references and index

  2. Balthazar
    a Black African king in medieval and Renaissance art
    Contributor: Collins, Kristen M. (Herausgeber); Keene, Bryan C. (Herausgeber); Gates, Henry Louis (Verfasser einer Einleitung)
    Published: [2023]; ©2023
    Publisher:  J. Paul Getty Museum, Los Angeles

    "In this book, experts explore the representation of Balthazar as a Black African king. They examine medieval and Renaissance artworks that portray the European fantasy of the Black magus, offer clues about the Africans who may have inspired these... more

    Städel Museum, Bibliothek
    I/11H/BALT/2023
    No inter-library loan

     

    "In this book, experts explore the representation of Balthazar as a Black African king. They examine medieval and Renaissance artworks that portray the European fantasy of the Black magus, offer clues about the Africans who may have inspired these images, and chronicle the Black presence in premodern Europe

     

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    Source: Union catalogues
    Contributor: Collins, Kristen M. (Herausgeber); Keene, Bryan C. (Herausgeber); Gates, Henry Louis (Verfasser einer Einleitung)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781606067857
    Subjects: Afrikaner <Motiv>; Kunst; Mittelalter; Renaissance; Art, Medieval; Art, Renaissance; Black people in art; Africans in art; Magi
    Other subjects: Balthasar Heiliger; Balthazar (Biblical figure)
    Scope: xiii, 137 Seiten, Illustrationen, 27 cm
    Notes:

    "This publication was inspired by the exhibition Balthazar: A Black African King in Medieval and Renaissance Art, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from November 19, 2019-February 16, 2020."--Colophon

    Includes bibliographical references and index

  3. Untangling blackness in Greek antiquity
    Published: 2022
    Publisher:  Cambridge University Press, Cambridge, United Kingdom

    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Unlimited inter-library loan, copies and loan
    Seminar für Alte Geschichte, Bibliothek
    Frei 31a: Q 3917
    No loan of volumes, only paper copies will be sent
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    9: PH:Der/31710
    No inter-library loan
    Universitätsbibliothek Heidelberg
    2022 A 6999
    Unlimited inter-library loan, copies and loan
    Thüringer Universitäts- und Landesbibliothek
    HIS:JS:280:::2022
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Kiel, Zentralbibliothek
    Bereich Klassische Archäologie
    No inter-library loan
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Osnabrück
    6270-618 0
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    LG 1600 DER
    Unlimited inter-library loan, copies and loan
    Württembergische Landesbibliothek
    73/3601
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781108495288
    Other identifier:
    RVK Categories: LG 1600
    Subjects: Art, Greek; Black people in art; Black people in literature; Race in art; Race in literature; Art, Greek; Black people in art; Black people in literature; Civilization; Race in art; Race in literature
    Scope: xvii, 253 Seiten, Illustrationen, Karten
    Notes:

    Literaturverzeichnis: Seite 203-240

    Hier auch später erschienene, unveränderte Nachdrucke

  4. Untangling blackness in Greek antiquity
    Published: 2022
    Publisher:  Cambridge University Press, Cambridge

    How should articulations of blackness from the fifth century BCE to the twenty-first century be properly read and interpreted? This important and timely new book is the first concerted treatment of black skin color in the Greek literature and visual... more

    Access:
    Resolving-System (lizenzpflichtig)
    Fachinformationsverbund Internationale Beziehungen und Länderkunde
    E-Book CUP HSFK
    No inter-library loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    No inter-library loan
    Staats- und Universitätsbibliothek Bremen
    No inter-library loan
    Technische Universität Chemnitz, Universitätsbibliothek
    No inter-library loan
    Peace Research Institute Frankfurt, Bibliothek
    E-Book CUP HSFK
    Unlimited inter-library loan, copies and loan
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    No inter-library loan
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    No inter-library loan
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    No inter-library loan
    Otto-von-Guericke-Universität, Universitätsbibliothek
    eBook Cambridge
    No inter-library loan
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    No inter-library loan
    Universitätsbibliothek Rostock
    No inter-library loan
    Württembergische Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No loan of volumes, only paper copies will be sent

     

    How should articulations of blackness from the fifth century BCE to the twenty-first century be properly read and interpreted? This important and timely new book is the first concerted treatment of black skin color in the Greek literature and visual culture of antiquity. In charting representations in the Hellenic world of black Egyptians, Aithiopians, Indians, and Greeks, Sarah Derbew dexterously disentangles the complex and varied ways in which blackness has been co-produced by ancient authors and artists; their readers, audiences, and viewers; and contemporary scholars. Exploring the precarious hold that race has on skin coloration, the author uncovers the many silences, suppressions, and misappropriations of blackness within modern studies of Greek antiquity. Shaped by performance studies and critical race theory alike, her book maps out an authoritative archaeology of blackness that reappraises its significance. It offers a committedly anti-racist approach to depictions of black people while rejecting simplistic conflations or explanations.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108861816
    Other identifier:
    Subjects: Classical literature; Black people in literature; Black people in art; Race in art; Race in literature
    Scope: 1 Online-Ressource (xvii, 253 Seiten)
  5. Peter Brathwaite - Rediscovering Black portraiture
    Contributor: Brathwaite, Peter‏ (FotografIn); Finley, Cheryl (VerfasserIn von ergänzendem Text); Odumosu, Temitope (VerfasserIn von ergänzendem Text); Sealy, Mark (VerfasserIn von ergänzendem Text)
    Published: [2023]; ©2023
    Publisher:  Getty Publications, Los Angeles, California

    "Explores representations of Black subjects in Western art, from medieval Europe through the present day"-- more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan

     

    "Explores representations of Black subjects in Western art, from medieval Europe through the present day"--

     

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    Source: Union catalogues
    Contributor: Brathwaite, Peter‏ (FotografIn); Finley, Cheryl (VerfasserIn von ergänzendem Text); Odumosu, Temitope (VerfasserIn von ergänzendem Text); Sealy, Mark (VerfasserIn von ergänzendem Text)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781606068168
    RVK Categories: AP 94100
    Subjects: Black people in art; Black people; Black people; Portraits, European
    Scope: 168 Seiten
    Notes:

    Includes bibliographical references and index

  6. A site of struggle
    American art against anti-Black violence
    Contributor: Dees, Janet (HerausgeberIn); Copeland, Huey (VerfasserIn eines Vorworts, VerfasserIn von ergänzendem Text); Aranke, Sampada (VerfasserIn von ergänzendem Text); Baker, Courtney R. (VerfasserIn von ergänzendem Text); Harris, Leslie M. (VerfasserIn von ergänzendem Text); Ward, LaCharles (VerfasserIn von ergänzendem Text)
    Published: [2022]
    Publisher:  Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Illinois ; Princeton University Press, Princeton

    Preface / Huey Copeland -- A site of struggle / Janet Dees -- Making racial violence visible / Leslie M. Harris -- Functional abstractions : sensorial afterlives of the Black body / Sampada Aranke -- Black redaction, Black evidence : another... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan

     

    Preface / Huey Copeland -- A site of struggle / Janet Dees -- Making racial violence visible / Leslie M. Harris -- Functional abstractions : sensorial afterlives of the Black body / Sampada Aranke -- Black redaction, Black evidence : another testimony of Black life / LaCharles Ward -- Pausing at the threshold / Courtney R. Baker. Examines the vast array of art produced by African Americans in response to the continuing impact of anti-Black violence and how it is used to protest, process, mourn and memorialize those events

     

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    Content information
    Source: Union catalogues
    Contributor: Dees, Janet (HerausgeberIn); Copeland, Huey (VerfasserIn eines Vorworts, VerfasserIn von ergänzendem Text); Aranke, Sampada (VerfasserIn von ergänzendem Text); Baker, Courtney R. (VerfasserIn von ergänzendem Text); Harris, Leslie M. (VerfasserIn von ergänzendem Text); Ward, LaCharles (VerfasserIn von ergänzendem Text)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780691209272; 0691209278
    RVK Categories: LO 94030
    Subjects: African Americans; Black people; African Americans in art; Black people in art; Violence in art; African Americans; African American art; African American art; Racism; Art; Art, American; Art, American
    Scope: 133 Seiten, 29 cm
    Notes:

    Impressum: This publication accompanies the exhibition "A Site of Struggle: American Art against Anti-Black Violence", organized by the Mary and Leigh Block Museum of Art, Northwestern University, on view at the Block January 26-July 10, 2022, and the Montgomery Museum of Fine Arts, August 13-November 6, 2022

    Includes bibliographical references (pages 127-131)

  7. Untangling blackness in Greek antiquity
    Published: 2022
    Publisher:  Cambridge University Press, Cambridge

    How should articulations of blackness from the fifth century BCE to the twenty-first century be properly read and interpreted? This important and timely new book is the first concerted treatment of black skin color in the Greek literature and visual... more

    Access:
    Resolving-System (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    How should articulations of blackness from the fifth century BCE to the twenty-first century be properly read and interpreted? This important and timely new book is the first concerted treatment of black skin color in the Greek literature and visual culture of antiquity. In charting representations in the Hellenic world of black Egyptians, Aithiopians, Indians, and Greeks, Sarah Derbew dexterously disentangles the complex and varied ways in which blackness has been co-produced by ancient authors and artists; their readers, audiences, and viewers; and contemporary scholars. Exploring the precarious hold that race has on skin coloration, the author uncovers the many silences, suppressions, and misappropriations of blackness within modern studies of Greek antiquity. Shaped by performance studies and critical race theory alike, her book maps out an authoritative archaeology of blackness that reappraises its significance. It offers a committedly anti-racist approach to depictions of black people while rejecting simplistic conflations or explanations.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108861816
    Other identifier:
    Subjects: Classical literature; Black people in literature; Black people in art; Race in art; Race in literature
    Scope: 1 Online-Ressource (xvii, 253 Seiten)
  8. Balthazar - a Black African king in medieval and Renaissance art
    Contributor: Collins, Kristen M. (HerausgeberIn); Keene, Bryan C. (HerausgeberIn); Gates, Henry Louis (VerfasserIn einer Einleitung)
    Published: [2023]; © 2023
    Publisher:  J. Paul Getty Museum, Los Angeles

    "In this book, experts explore the representation of Balthazar as a Black African king. They examine medieval and Renaissance artworks that portray the European fantasy of the Black magus, offer clues about the Africans who may have inspired these... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    "In this book, experts explore the representation of Balthazar as a Black African king. They examine medieval and Renaissance artworks that portray the European fantasy of the Black magus, offer clues about the Africans who may have inspired these images, and chronicle the Black presence in premodern Europe"--

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Collins, Kristen M. (HerausgeberIn); Keene, Bryan C. (HerausgeberIn); Gates, Henry Louis (VerfasserIn einer Einleitung)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781606067857
    Subjects: Art, Medieval; Art, Renaissance; Black people in art; Africans in art; Magi
    Other subjects: Balthazar (Biblical figure)
    Scope: xiii, 137 Seiten, Illustrationen, 27 cm
    Notes:

    Seite [138]: "This publication was inspired by the exhibition "Balthazar: A Black African King in Medieval and Renaissance Art", on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from November 19, 2019-February 16, 2020."--Colophon

    Includes bibliographical references and index

  9. Amoako Boafo
    Contributor: Boafo, Amoako (KünstlerIn); Bonsu, Osei (VerfasserIn von ergänzendem Text); Cargle, Rachel (VerfasserIn von ergänzendem Text); Mutombo Da Poet (VerfasserIn von ergänzendem Text); Monet, Aja (MitwirkendeR); Schimmel, Paul (MitwirkendeR)
    Published: [2022]; ©2022
    Publisher:  Roberts Projects, Los Angeles

    "The first monograph on the sinuous, exhilaratingly colorful and pattern-filled portraiture of Amoako Boafo. Ghanaian painter Amoako Boafo has built a practice synthesizing the ways that art both reflects and perpetuates the power of representation.... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    "The first monograph on the sinuous, exhilaratingly colorful and pattern-filled portraiture of Amoako Boafo. Ghanaian painter Amoako Boafo has built a practice synthesizing the ways that art both reflects and perpetuates the power of representation. Amoako Boafo is the first monograph to comprehensively examine the artist's career to date. Heavily illustrated and featuring original contributions by Osei Bonsu, Rachel Cargle, Mutombo Da Poet and Aja Monet, the book also presents an insightful and expansive conversation with the artist by Paul Schimmel. Exclusively portraying individuals from the diaspora and beyond, Boafo invites a reflection on Black subjectivity, diversity and complexity. His portraits, notable for their bold colors and patterns, celebrate his subjects as a means to challenge portrayals that objectify and dehumanize Blackness. As Boafo has stated, "the primary idea of my practice is representation, documenting, celebrating and showing new ways to approach Blackness.""--Publisher's website

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Boafo, Amoako (KünstlerIn); Bonsu, Osei (VerfasserIn von ergänzendem Text); Cargle, Rachel (VerfasserIn von ergänzendem Text); Mutombo Da Poet (VerfasserIn von ergänzendem Text); Monet, Aja (MitwirkendeR); Schimmel, Paul (MitwirkendeR)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781957920993; 1957920998
    RVK Categories: LI 99999
    Subjects: Painters; Black people in art; Exhibition catalogs; Biographies
    Other subjects: Boafo, Amoako; Boafo, Amoako
    Scope: 208 Seiten, 34 cm
    Notes:

    Foreword / Camille Weiner -- The mirror's edge / Osei Bonsu -- Shadow work / Aja Monet -- Painting is a safe refuge: an interview with Amoako Boafo / Paul Schimmel -- Plates -- A painter's passage / Mutombo Da Poet -- Singularity duality: me can make we / Rachel Cargle -- Artist biography.

  10. Betye Saar, Black doll blues
    Contributor: Saar, Betye (KünstlerIn); Roberts, Julie (VerfasserIn eines Vorworts); Jentleson, Katherine (VerfasserIn von ergänzendem Text); Federman, Rachel (VerfasserIn von ergänzendem Text); Leeser, Maddy Inez (InterviewerIn)
    Published: [2022]; ©2022
    Publisher:  Roberts Projects, Los Angeles, California

    This volume features new watercolor works on paper and assemblages by Betye Saar (born 1926) that incorporate the artist's personal collection of Black dolls. These watercolors showcase the artist's experimentation with vivid color and layered... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan

     

    This volume features new watercolor works on paper and assemblages by Betye Saar (born 1926) that incorporate the artist's personal collection of Black dolls. These watercolors showcase the artist's experimentation with vivid color and layered techniques, and her new interest in flat shapes. While Saar has previously used painting in her mixed-media collages, this is the first publication to focus on her watercolor works on paper. "Watercolor is something that children use, so I decided, maybe I'll paint something about children, maybe I'll paint the dolls," Saar says. Referencing the underrepresented history of Black dolls through Saar's artistic lens, this catalog distills several intersecting themes, imagery and objects in Saar's oeuvre, highlighting her prominent usage and reinvention of Black imagery. It contains 90 color images, including early assemblage works that feature Black dolls, such as Gris-Gris Box (1972) and Mti (1973), plus early sketchbooks and a curated selection of Saar's Black doll collection. It also includes original essays by Rachel Federman, Associate Curator of Modern and Contemporary Drawings at the Morgan Library & Museum, and Katherine Jentleson, Merrie and Dan Boone Curator of Folk and Self-Taught Art at the High Museum of Art, and an interview with the artist by her granddaughter, Maddy Inez Leeser

     

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    Source: Union catalogues
    Contributor: Saar, Betye (KünstlerIn); Roberts, Julie (VerfasserIn eines Vorworts); Jentleson, Katherine (VerfasserIn von ergänzendem Text); Federman, Rachel (VerfasserIn von ergänzendem Text); Leeser, Maddy Inez (InterviewerIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1733664769; 9781733664769
    RVK Categories: LI 99999
    Subjects: Watercolor painting; Black dolls; Dolls in art; Black people in art; African American art; African American women artists; African American artists; Women artists; Black dolls; Black dolls in art; Women artists; Dolls in art; Art - Private collections; African American artists; Watercolor painting; Black dolls; Black people in art; African American art; African American women artists; Interviews; Exhibition catalogs; Criticism, interpretation, etc; Interviews; Art criticism; Exhibition catalogs
    Other subjects: Saar, Betye; Saar, Betye; Saar, Betye; Saar, Betye; Saar, Betye; Saar, Betye
    Scope: 221 Seiten, 31 x 24 cm
    Notes:

    Seite [224]: This publication has been realized for the exhibition "Betye Saar, Black Doll Blues", September 18-November 6, 2021 at Roberts Projects, Culver City, California

  11. The Wayland Rudd collection
    exploring racial imaginaries in Soviet visual culture
    Contributor: Fiks, Yevgeniy (HerausgeberIn); Rudd, Wayland (SammlerIn)
    Published: [2021]
    Publisher:  Ugly Duckling Presse, Brooklyn, NY

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Contributor: Fiks, Yevgeniy (HerausgeberIn); Rudd, Wayland (SammlerIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781946433275; 1946433276
    RVK Categories: LH 29912 ; LO 75030
    Edition: First edition
    Subjects: Art; Mass media; Black people in art; Black people in mass media; Black people; Art - URSS; Médias - URSS; Personnes noires dans l'art; Personnes noires dans les médias; Noirs - URSS; Art; Mass media; Race relations
    Other subjects: Rudd, Wayland
    Scope: 215 Seiten, Illustrationen
  12. Portraits of resistance
    activating art during slavery
    Published: [2022]
    Publisher:  Yale University Press, New Heaven

    This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan

     

    This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait's importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people's relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0300257635; 9780300257632
    Subjects: Portrait painting, American; Portraits, American; Slaves; Slavery in art; Black people in art; Portraits (peinture) - États-Unis; Esclaves - États-Unis - Portraits; Esclaves - Dans l'art; Noirs - Dans l'art
    Scope: x, 331 Seiten, Illustrationen, 26 cm
    Notes:

    Notes bibliographiques. Index

  13. Rediscovering black portraiture
    Published: [2023]; © 2023
    Publisher:  Getty Publications, Los Angeles

    Universitäts- und Landesbibliothek Bonn
    Unlimited inter-library loan, copies and loan
    Kunst- und Museumsbibliothek der Stadt Köln
    Unlimited inter-library loan, copies and loan
    FH Münster, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Paderborn
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Contributor: Finley, Cheryl (Mitwirkender); Odumosu, Temitope (Mitwirkender); Sealy, Mark (Mitwirkender)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781606068168
    Subjects: Art & design styles: Pop art; ART / American / African American & Black; ART / Popular Culture; ART / Subjects & Themes / Portraits; Portraits, European; Black people; Black people in art; Black people - Portraits
    Other subjects: Fine Arts / Art History
    Scope: 168 Seiten, 238 mm
  14. Balthazar
    a black African king in medieval and renaissance art
    Contributor: Collins, Kristen M (Herausgeber); Keene, Bryan C (Herausgeber); Gates, Henry Louis (Verfasser einer Einleitung)
    Published: [2023]
    Publisher:  J. Paul Getty Museum, Los Angeles

    "In this book, experts explore the representation of Balthazar as a Black African king. They examine medieval and Renaissance artworks that portray the European fantasy of the Black magus, offer clues about the Africans who may have inspired these... more

    Universitäts- und Landesbibliothek Bonn
    Unlimited inter-library loan, copies and loan
    Kunst- und Museumsbibliothek der Stadt Köln
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Wuppertal
    Unlimited inter-library loan, copies and loan

     

    "In this book, experts explore the representation of Balthazar as a Black African king. They examine medieval and Renaissance artworks that portray the European fantasy of the Black magus, offer clues about the Africans who may have inspired these images, and chronicle the Black presence in premodern Europe"--

     

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    Source: Union catalogues
    Contributor: Collins, Kristen M (Herausgeber); Keene, Bryan C (Herausgeber); Gates, Henry Louis (Verfasser einer Einleitung)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781606067857
    Subjects: Art, Medieval / Themes, motives; Art, Renaissance / Themes, motives; Black people in art; Africans in art; Magi / Art
    Other subjects: Balthazar / (Biblical figure) / Art
    Scope: xiii, 137 Seiten, Illustrationen
    Notes:

    "This publication was inspired by the exhibition Balthazar: A Black African King in Medieval and Renaissance Art, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from November 19, 2019-February 16, 2020."--Colophon

  15. Latin Blackness in Parisian visual culture, 1852-1932
    Published: 2022
    Publisher:  Bloomsbury Visual Arts, New York ; London ; Oxford ; New Delhi ; Sydney

  16. Untangling blackness in Greek antiquity
    Published: 2022
    Publisher:  Cambridge University Press, Cambridge

    How should articulations of blackness from the fifth century BCE to the twenty-first century be properly read and interpreted? This important and timely new book is the first concerted treatment of black skin color in the Greek literature and visual... more

    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    How should articulations of blackness from the fifth century BCE to the twenty-first century be properly read and interpreted? This important and timely new book is the first concerted treatment of black skin color in the Greek literature and visual culture of antiquity. In charting representations in the Hellenic world of black Egyptians, Aithiopians, Indians, and Greeks, Sarah Derbew dexterously disentangles the complex and varied ways in which blackness has been co-produced by ancient authors and artists; their readers, audiences, and viewers; and contemporary scholars. Exploring the precarious hold that race has on skin coloration, the author uncovers the many silences, suppressions, and misappropriations of blackness within modern studies of Greek antiquity. Shaped by performance studies and critical race theory alike, her book maps out an authoritative archaeology of blackness that reappraises its significance. It offers a committedly anti-racist approach to depictions of black people while rejecting simplistic conflations or explanations

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108861816
    Other identifier:
    RVK Categories: LG 1600
    Subjects: Classical literature / History and criticism; Black people in literature; Black people in art; Race in art; Race in literature; Schwarze <Motiv>; Kunst; Literatur; Griechisch
    Scope: 1 Online-Ressource (xvii, 253 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 07 Apr 2022)

  17. Balthazar - a Black African king in medieval and Renaissance art
    Contributor: Collins, Kristen M. (HerausgeberIn); Keene, Bryan C. (HerausgeberIn); Gates, Henry Louis (VerfasserIn einer Einleitung)
    Published: [2023]; © 2023
    Publisher:  J. Paul Getty Museum, Los Angeles

    "In this book, experts explore the representation of Balthazar as a Black African king. They examine medieval and Renaissance artworks that portray the European fantasy of the Black magus, offer clues about the Africans who may have inspired these... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2023:2372:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 B 203926
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    Hochschule für Bildende Künste Braunschweig, Bibliothek
    K 6.27 Bal 1
    Unlimited inter-library loan, copies and loan
    Kunsthalle Bremen
    Kat. Ausst. Los Angeles 2019/20
    No inter-library loan
    Staatliche Ethnographische Sammlungen Sachsen, Museum für Völkerkunde Dresden, Bibliothek
    No loan of volumes, only paper copies will be sent
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    KGS-in Bearbeitung
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    Universitätsbibliothek Heidelberg
    2023 C 1837
    Unlimited inter-library loan, copies and loan
    Thüringer Universitäts- und Landesbibliothek
    KUN:EG:2323:::2023
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    Badische Landesbibliothek
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    Staatliche Kunstsammlungen Dresden, Museum für Völkerkunde Leipzig, Bibliothek
    No loan of volumes, only paper copies will be sent
    Germanisches Nationalmuseum, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    "In this book, experts explore the representation of Balthazar as a Black African king. They examine medieval and Renaissance artworks that portray the European fantasy of the Black magus, offer clues about the Africans who may have inspired these images, and chronicle the Black presence in premodern Europe"--

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Collins, Kristen M. (HerausgeberIn); Keene, Bryan C. (HerausgeberIn); Gates, Henry Louis (VerfasserIn einer Einleitung)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781606067857
    Subjects: Art, Medieval; Art, Renaissance; Black people in art; Africans in art; Magi
    Other subjects: Balthazar (Biblical figure)
    Scope: xiii, 137 Seiten, Illustrationen, 27 cm
    Notes:

    Seite [138]: "This publication was inspired by the exhibition "Balthazar: A Black African King in Medieval and Renaissance Art", on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from November 19, 2019-February 16, 2020."--Colophon

    Includes bibliographical references and index

  18. A site of struggle
    American art against anti-Black violence
    Contributor: Dees, Janet (HerausgeberIn); Copeland, Huey (VerfasserIn eines Vorworts, VerfasserIn von ergänzendem Text); Aranke, Sampada (VerfasserIn von ergänzendem Text); Baker, Courtney R. (VerfasserIn von ergänzendem Text); Harris, Leslie M. (VerfasserIn von ergänzendem Text); Ward, LaCharles (VerfasserIn von ergänzendem Text)
    Published: [2022]
    Publisher:  Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Illinois ; Princeton University Press, Princeton

    Preface / Huey Copeland -- A site of struggle / Janet Dees -- Making racial violence visible / Leslie M. Harris -- Functional abstractions : sensorial afterlives of the Black body / Sampada Aranke -- Black redaction, Black evidence : another... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2022:2411:
    No inter-library loan
    Universitätsbibliothek Leipzig
    Unlimited inter-library loan, copies and loan
    UB Weimar
    Ir 1312/4
    No inter-library loan

     

    Preface / Huey Copeland -- A site of struggle / Janet Dees -- Making racial violence visible / Leslie M. Harris -- Functional abstractions : sensorial afterlives of the Black body / Sampada Aranke -- Black redaction, Black evidence : another testimony of Black life / LaCharles Ward -- Pausing at the threshold / Courtney R. Baker. Examines the vast array of art produced by African Americans in response to the continuing impact of anti-Black violence and how it is used to protest, process, mourn and memorialize those events

     

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    Source: Union catalogues
    Contributor: Dees, Janet (HerausgeberIn); Copeland, Huey (VerfasserIn eines Vorworts, VerfasserIn von ergänzendem Text); Aranke, Sampada (VerfasserIn von ergänzendem Text); Baker, Courtney R. (VerfasserIn von ergänzendem Text); Harris, Leslie M. (VerfasserIn von ergänzendem Text); Ward, LaCharles (VerfasserIn von ergänzendem Text)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780691209272; 0691209278
    RVK Categories: LO 94030
    Subjects: African Americans; Black people; African Americans in art; Black people in art; Violence in art; African Americans; African American art; African American art; Racism; Art; Art, American; Art, American
    Scope: 133 Seiten, 29 cm
    Notes:

    Impressum: This publication accompanies the exhibition "A Site of Struggle: American Art against Anti-Black Violence", organized by the Mary and Leigh Block Museum of Art, Northwestern University, on view at the Block January 26-July 10, 2022, and the Montgomery Museum of Fine Arts, August 13-November 6, 2022

    Includes bibliographical references (pages 127-131)

  19. Portraits of resistance
    activating art during slavery
    Published: [2022]
    Publisher:  Yale University Press, New Heaven

    This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2022:5394:
    No inter-library loan
    Universitätsbibliothek Heidelberg
    2022 C 3784
    Unlimited inter-library loan, copies and loan
    Thüringer Universitäts- und Landesbibliothek
    KUN:EP:3900:::2022
    Unlimited inter-library loan, copies and loan

     

    This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait's importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people's relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0300257635; 9780300257632
    Subjects: Portrait painting, American; Portraits, American; Slaves; Slavery in art; Black people in art; Portraits (peinture) - États-Unis; Esclaves - États-Unis - Portraits; Esclaves - Dans l'art; Noirs - Dans l'art
    Scope: x, 331 Seiten, Illustrationen, 26 cm
    Notes:

    Notes bibliographiques. Index

  20. Peter Brathwaite - Rediscovering Black portraiture
    Contributor: Brathwaite, Peter‏ (FotografIn); Finley, Cheryl (VerfasserIn von ergänzendem Text); Odumosu, Temitope (VerfasserIn von ergänzendem Text); Sealy, Mark (VerfasserIn von ergänzendem Text)
    Published: [2023]; ©2023
    Publisher:  Getty Publications, Los Angeles, California

    "Explores representations of Black subjects in Western art, from medieval Europe through the present day"-- more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2023:2995:
    No inter-library loan
    Hochschule für Bildende Künste Braunschweig, Bibliothek
    K 5.1 Brathwaite,P 1
    Unlimited inter-library loan, copies and loan
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Unlimited inter-library loan, copies and loan
    Staatliche Akademie der Bildenden Künste Karlsruhe, Bibliothek
    No inter-library loan
    Universitätsbibliothek Kiel, Zentralbibliothek
    Df 5646
    Unlimited inter-library loan, copies and loan
    Germanisches Nationalmuseum, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    "Explores representations of Black subjects in Western art, from medieval Europe through the present day"--

     

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    Source: Union catalogues
    Contributor: Brathwaite, Peter‏ (FotografIn); Finley, Cheryl (VerfasserIn von ergänzendem Text); Odumosu, Temitope (VerfasserIn von ergänzendem Text); Sealy, Mark (VerfasserIn von ergänzendem Text)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781606068168
    RVK Categories: AP 94100
    Subjects: Black people in art; Black people; Black people; Portraits, European
    Scope: 168 Seiten
    Notes:

    Includes bibliographical references and index

  21. Amoako Boafo
    Contributor: Boafo, Amoako (KünstlerIn); Bonsu, Osei (VerfasserIn von ergänzendem Text); Cargle, Rachel (VerfasserIn von ergänzendem Text); Mutombo Da Poet (VerfasserIn von ergänzendem Text); Monet, Aja (MitwirkendeR); Schimmel, Paul (MitwirkendeR)
    Published: [2022]; ©2022
    Publisher:  Roberts Projects, Los Angeles

    "The first monograph on the sinuous, exhilaratingly colorful and pattern-filled portraiture of Amoako Boafo. Ghanaian painter Amoako Boafo has built a practice synthesizing the ways that art both reflects and perpetuates the power of representation.... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::4:2023:5:
    No inter-library loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 B 204010
    Unlimited inter-library loan, copies and loan
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Unlimited inter-library loan, copies and loan

     

    "The first monograph on the sinuous, exhilaratingly colorful and pattern-filled portraiture of Amoako Boafo. Ghanaian painter Amoako Boafo has built a practice synthesizing the ways that art both reflects and perpetuates the power of representation. Amoako Boafo is the first monograph to comprehensively examine the artist's career to date. Heavily illustrated and featuring original contributions by Osei Bonsu, Rachel Cargle, Mutombo Da Poet and Aja Monet, the book also presents an insightful and expansive conversation with the artist by Paul Schimmel. Exclusively portraying individuals from the diaspora and beyond, Boafo invites a reflection on Black subjectivity, diversity and complexity. His portraits, notable for their bold colors and patterns, celebrate his subjects as a means to challenge portrayals that objectify and dehumanize Blackness. As Boafo has stated, "the primary idea of my practice is representation, documenting, celebrating and showing new ways to approach Blackness.""--Publisher's website

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Boafo, Amoako (KünstlerIn); Bonsu, Osei (VerfasserIn von ergänzendem Text); Cargle, Rachel (VerfasserIn von ergänzendem Text); Mutombo Da Poet (VerfasserIn von ergänzendem Text); Monet, Aja (MitwirkendeR); Schimmel, Paul (MitwirkendeR)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781957920993; 1957920998
    RVK Categories: LI 99999
    Subjects: Painters; Black people in art; Exhibition catalogs; Biographies
    Other subjects: Boafo, Amoako; Boafo, Amoako
    Scope: 208 Seiten, 34 cm
    Notes:

    Foreword / Camille Weiner -- The mirror's edge / Osei Bonsu -- Shadow work / Aja Monet -- Painting is a safe refuge: an interview with Amoako Boafo / Paul Schimmel -- Plates -- A painter's passage / Mutombo Da Poet -- Singularity duality: me can make we / Rachel Cargle -- Artist biography.

  22. Betye Saar, Black doll blues
    Contributor: Saar, Betye (KünstlerIn); Roberts, Julie (VerfasserIn eines Vorworts); Jentleson, Katherine (VerfasserIn von ergänzendem Text); Federman, Rachel (VerfasserIn von ergänzendem Text); Leeser, Maddy Inez (InterviewerIn)
    Published: [2022]; ©2022
    Publisher:  Roberts Projects, Los Angeles, California

    This volume features new watercolor works on paper and assemblages by Betye Saar (born 1926) that incorporate the artist's personal collection of Black dolls. These watercolors showcase the artist's experimentation with vivid color and layered... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2023:154:
    No inter-library loan
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Unlimited inter-library loan, copies and loan

     

    This volume features new watercolor works on paper and assemblages by Betye Saar (born 1926) that incorporate the artist's personal collection of Black dolls. These watercolors showcase the artist's experimentation with vivid color and layered techniques, and her new interest in flat shapes. While Saar has previously used painting in her mixed-media collages, this is the first publication to focus on her watercolor works on paper. "Watercolor is something that children use, so I decided, maybe I'll paint something about children, maybe I'll paint the dolls," Saar says. Referencing the underrepresented history of Black dolls through Saar's artistic lens, this catalog distills several intersecting themes, imagery and objects in Saar's oeuvre, highlighting her prominent usage and reinvention of Black imagery. It contains 90 color images, including early assemblage works that feature Black dolls, such as Gris-Gris Box (1972) and Mti (1973), plus early sketchbooks and a curated selection of Saar's Black doll collection. It also includes original essays by Rachel Federman, Associate Curator of Modern and Contemporary Drawings at the Morgan Library & Museum, and Katherine Jentleson, Merrie and Dan Boone Curator of Folk and Self-Taught Art at the High Museum of Art, and an interview with the artist by her granddaughter, Maddy Inez Leeser

     

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    Source: Union catalogues
    Contributor: Saar, Betye (KünstlerIn); Roberts, Julie (VerfasserIn eines Vorworts); Jentleson, Katherine (VerfasserIn von ergänzendem Text); Federman, Rachel (VerfasserIn von ergänzendem Text); Leeser, Maddy Inez (InterviewerIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1733664769; 9781733664769
    RVK Categories: LI 99999
    Subjects: Watercolor painting; Black dolls; Dolls in art; Black people in art; African American art; African American women artists; African American artists; Women artists; Black dolls; Black dolls in art; Women artists; Dolls in art; Art - Private collections; African American artists; Watercolor painting; Black dolls; Black people in art; African American art; African American women artists; Interviews; Exhibition catalogs; Criticism, interpretation, etc; Interviews; Art criticism; Exhibition catalogs
    Other subjects: Saar, Betye; Saar, Betye; Saar, Betye; Saar, Betye; Saar, Betye; Saar, Betye
    Scope: 221 Seiten, 31 x 24 cm
    Notes:

    Seite [224]: This publication has been realized for the exhibition "Betye Saar, Black Doll Blues", September 18-November 6, 2021 at Roberts Projects, Culver City, California

  23. The Wayland Rudd collection
    exploring racial imaginaries in Soviet visual culture
    Contributor: Fiks, Yevgeniy (HerausgeberIn); Rudd, Wayland (SammlerIn)
    Published: [2021]
    Publisher:  Ugly Duckling Presse, Brooklyn, NY

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2023:145:
    No inter-library loan
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Unlimited inter-library loan, copies and loan
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    KGS-Ost 207,80
    No inter-library loan
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    Source: Union catalogues
    Contributor: Fiks, Yevgeniy (HerausgeberIn); Rudd, Wayland (SammlerIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781946433275; 1946433276
    RVK Categories: LH 29912 ; LO 75030
    Edition: First edition
    Subjects: Art; Mass media; Black people in art; Black people in mass media; Black people; Art - URSS; Médias - URSS; Personnes noires dans l'art; Personnes noires dans les médias; Noirs - URSS; Art; Mass media; Race relations
    Other subjects: Rudd, Wayland
    Scope: 215 Seiten, zahlreiche Illustrationen
  24. Kara Walker - white shadows in blackface
    Published: [2023]
    Publisher:  Karma, New York

    In 2002, Kara Walker was selected to represent the United States at the prestigious São Paulo Art Biennial. Curator Robert Hobbs wrote extended essays on her work for this exhibition, and also for her show later that year at the Kunstverein Hannover.... more

    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Unlimited inter-library loan, copies and loan

     

    In 2002, Kara Walker was selected to represent the United States at the prestigious São Paulo Art Biennial. Curator Robert Hobbs wrote extended essays on her work for this exhibition, and also for her show later that year at the Kunstverein Hannover. Because these essays have not been distributed in the US and remain among the most in-depth and essential investigations of her work, Karma is now republishing them in this new clothbound volume. Among the most celebrated artists of the past three decades, with over 93 solo exhibitions to her credit, including a major survey at the Whitney Museum of American Art, Walker is known for her tough, critical, provocative and highly imaginative representations of African Americans and whites reaching back to antebellum times. In his analysis, Hobbs looks at the five main sources of her art: blackface Americana, Harlequin romances, Julia Kristeva's concept of abjection, Stone Mountain's racist tourist attraction and the minstrel tradition

     

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    Source: Union catalogues
    Contributor: Walker, Kara (IllustratorIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1949172732; 9781949172737
    RVK Categories: LI 99999
    Subjects: African Americans in art; Black people in art; Slavery in art; Race in art; Noirs américains dans l'art; Personnes noires dans l'art; Race dans l'art; African Americans in art; Black people in art; Race in art; Slavery in art; Themes, motives; Criticism, interpretation, etc
    Other subjects: Walker, Kara Elizabeth; Walker, Kara Elizabeth; Walker, Kara Elizabeth
    Scope: 174 pages, Illustrationen
    Notes:

    Introduction -- Kara Walker's Slavery! Slavery! -- White Shadows in Blackface.