Includes bibliographical references (pages 246-261) and index
Communal form and the transitional culture of the eighteenth-century novel -- - Terra nullius, cannibalism, and the natural law of appropriation in Robinson Crusoe -- - Henry Fielding and the common law of plenitude -- - Commodity fetishism in heterogeneous spaces -- - Ann Radcliffe and the political economy of Gothic space -- - Scottish law and Waverley's museum of property
"In Eighteenth-Century Fiction and the Law of Property, Wolfram Schmidgen draws on legal and economic writings to analyze the descriptions of houses, landscapes, and commodities in eighteenth-century fiction
His study argues that such descriptions are important to the British imagination of community. By making visible what it means to own something, they illuminate how competing concepts of property define the boundaries of the individual, of social
In this way Schmidgen recovers description as a major feature of eighteenth-century prose, and he makes his case across a wide range of authors, including Daniel Defoe, Henry Fielding, William Blackstone, Adam Smith, and Ann Radcliffe. The book's
This approach produces fresh insights into the relationship between law, literature, and economics."--Jacket
