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  1. Hollow Men
    Writing, Objects, and Public Image in Renaissance Italy
    Published: [2013]; © 2013
    Publisher:  Fordham University Press, New York, NY

    This book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century frescoes, statues, coins, letters, dialogues, epic poems, personal emblems, and... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    This book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century frescoes, statues, coins, letters, dialogues, epic poems, personal emblems, and printed collections of portraits. Its interdisciplinary analyses show that Renaissance theories of emulating classical heroes generated a deep skepticism about self-presentation, ultimately contributing to a new awareness of representation as representation.Hollow Men shows that the Renaissance questioning of "interiority" derived from a visual ideal, the monument that was the basis of teachings about imitation. In fact, the decline of exemplary pedagogy and the emergence of modern masculine subjectivity were well underway in the mid–fifteenth century, and these changes were hastened by the rapid development of the printed image

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823252183
    Other identifier:
    Subjects: Aretino; Bembo; Castiglione; Ghirlandaio; Pontano; Tasso; exemplar; impresa; monument; portrait; LITERARY CRITICISM / Renaissance; Art, Renaissance; Italian language; Italian literature; Italian literature; Masculinity in art; Masculinity in literature; Renaissance
    Scope: 1 online resource (372 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  2. Hollow Men
    Writing, Objects, and Public Image in Renaissance Italy
    Published: [2013]; © 2013
    Publisher:  Fordham University Press, New York, NY

    This book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century frescoes, statues, coins, letters, dialogues, epic poems, personal emblems, and... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Technische Hochschule Augsburg
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Hochschule Coburg, Zentralbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Kempten, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Passau
    Unlimited inter-library loan, copies and loan

     

    This book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century frescoes, statues, coins, letters, dialogues, epic poems, personal emblems, and printed collections of portraits. Its interdisciplinary analyses show that Renaissance theories of emulating classical heroes generated a deep skepticism about self-presentation, ultimately contributing to a new awareness of representation as representation.Hollow Men shows that the Renaissance questioning of "interiority" derived from a visual ideal, the monument that was the basis of teachings about imitation. In fact, the decline of exemplary pedagogy and the emergence of modern masculine subjectivity were well underway in the mid–fifteenth century, and these changes were hastened by the rapid development of the printed image

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823252183
    Other identifier:
    Subjects: Aretino; Bembo; Castiglione; Ghirlandaio; Pontano; Tasso; exemplar; impresa; monument; portrait; LITERARY CRITICISM / Renaissance; Art, Renaissance; Italian language; Italian literature; Italian literature; Masculinity in art; Masculinity in literature; Renaissance
    Scope: 1 online resource (372 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  3. Pietro Bembo
    lover, linguist, cardinal
    Published: 2004
    Publisher:  McGill-Queen's University Press, Montréal [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 573810
    No loan of volumes, only paper copies will be sent
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    673934
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Freiburg
    GE 2005/1064
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Heidelberg
    2005 A 2529
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Mannheim
    300 NN 1645 B455
    No inter-library loan
    Universitätsbibliothek Rostock
    NN 1645 B455 K4
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek der Eberhard Karls Universität
    45 A 2513
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0773527095
    Other identifier:
    9780773527096
    RVK Categories: BO 5150 ; BO 5385 ; IU 4337
    Subjects: Cardinals; Bembo
    Other subjects: Bembo, Pietro *1470-1547*
    Scope: XII, 537 S, Ill
    Notes:

    The first full-length biography of Pietro Bembo, a Venetian patrician whose 2,600 personal letters bring the world of 1500 to life

  4. Pietro Bembo
    lover, linguist, cardinal
    Published: 2004
    Publisher:  McGill-Queen's University Press, Montréal [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0773527095
    Other identifier:
    9780773527096
    RVK Categories: BO 5150 ; BO 5385 ; IU 4337
    Subjects: Cardinals; Bembo
    Other subjects: Bembo, Pietro *1470-1547*
    Scope: XII, 537 S, Ill
    Notes:

    The first full-length biography of Pietro Bembo, a Venetian patrician whose 2,600 personal letters bring the world of 1500 to life