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  1. The wounded self
    writing illness in twenty-first-century German literature
    Published: 2018
    Publisher:  Camden House, Rochester, New York

    In the German-speaking world there has been a new wave - intensifying since 2007 - of autobiographically inspired writing on illness and disability, death and dying. Nina Schmidt's book takes such writing seriously as literature, examining how the... more

    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    In the German-speaking world there has been a new wave - intensifying since 2007 - of autobiographically inspired writing on illness and disability, death and dying. Nina Schmidt's book takes such writing seriously as literature, examining how the authors of such personal narratives come to write of their experiences between the poles of cliché and exceptionality. Identifying shortcomings in the approaches taken thus far to such texts, she makes suggestions as to how to better read such narratives from the stance of literary scholarship, then demonstrates the value of a literary disability studies approach to such writing with close readings of Charlotte Roche's Schoßgebete (2011), Kathrin Schmidt's Du stirbst nicht (2009), Verena Stefan's Fremdschläfer (2007), and - in the final, comparative chapter - Christoph Schlingensief's So schön wie hier kanns im Himmel gar nicht sein! Tagebuch einer Krebserkrankung (2009) and Wolfgang Herrndorf's blog-cum-book Arbeit und Struktur (2010-13). Schmidt shows that authors dealing with illness and disability do so with an awareness of their precarious subject position in the public eye, a position they negotiate creatively. Writing the liminal experience of serious illness along the borders of genre, moving between fictional and autobiographical modes, they carve out spaces from which they speak up and share their personal stories in the realm of literature, to political ends. Nina Schmidt is a postdoctoral researcher in the Friedrich Schlegel School of Literary Studies at the Freie Universität Berlin

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781787442870
    Other identifier:
    RVK Categories: GO 16011
    Series: Studies in German literature, linguistics, and culture
    Subjects: Diseases in literature; People with disabilities in literature; German fiction / 21st century / History and criticism; Autobiographical fiction, German / History and criticism; German prose literature / 21st century / History and criticism; Krankheit <Motiv>; Deutsch; Behinderung <Motiv>; Sterben <Motiv>; Literatur
    Other subjects: Roche, Charlotte (1978-); Herrndorf, Wolfgang (1965-2013); Schlingensief, Christoph (1960-2010); Stefan, Verena (1947-2017); Schmidt, Kathrin (1958-)
    Scope: 1 Online-Ressource (x, 235 Seiten)
    Notes:

    Introduction -- Autofiction, disgust, and trauma: negotiating vulnerable subject positions in Charlotte Roche's Schossgebete -- Looking beyond the self-reflecting the other: staring as a narrative device in Kathrin Schmidt's Du stirbst nicht -- Intertextuality and the transnational in Verena Stefan's Fremdschlafer: writing breast cancer from beyond the border -- Confronting cancer publicly: diary writing in extremis by Christoph Schlingensief and Wolfgang Herrndorf -- Conclusion: "und was dann": recent developments and research desiderata. - Title from publisher's bibliographic system (viewed on 02 Aug 2018)

  2. Hermann Hesse's Fictions of the Self
    Autobiography and the Confessional Imagination
    Published: [1988]
    Publisher:  Princeton University Press, Princeton, N.J.

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400859559
    Other identifier:
    Subjects: Deutsche Literatur; Authors, German / 20th century / Biography; Autobiographical fiction, German / History and criticism; Confession in literature; Self in literature; Autobiography; BIOGRAPHY & AUTOBIOGRAPHY / General; Authors, German; Autobiographical fiction, German; Autobiografische Literatur; Selbstdarstellung
    Other subjects: Hesse, Hermann (1877-1962)
    Scope: 1 Online-Ressource (360p.)
    Notes:

    This masterful synthesis of criticism and biography surveys all of Hermann Hesse's major works and many of his minor ones in relation to the intricate psychological design of his entire life history. Eugene Stelzig examines what it means to be an "autobiographical writer" by considering Hesse's fictions of the self as an exemplary instance of the relationship between life and art and between biography and autobiography. In a graceful and inviting style, he frees this major confessional writer from the confines of German culture and the status of "cult figure" of the 1960s, and situates him in the tradition of world literature and in a variety of literary, psychological, philosophical, and religious contexts.Three introductory chapters on autobiography and Hesse set the stage for a chronological study. Then follows a penetrating analysis of the balance between biographical fact and confessional fantasy in Hesse's long career, from the failed autobiography of his first literary success, Beneath the Wheel, through the protracted midlife crisis of the grotesque Steppenwolf period, to the visionary autobiography of his magisterial fictional finale, The Glass Bead Game.Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

  3. Nationalsozialismus und Shoah im autobiographischen Roman
    Poetologie des Erinnerns bei Ruth Klüger, Martin Walser, Georg Heller und Günter Grass
    Published: [2016]; ©2016
    Publisher:  De Gruyter, Berlin ; Boston

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  4. The wounded self
    writing illness in twenty-first-century German literature
    Published: 2018
    Publisher:  Camden House, Rochester, New York

    In the German-speaking world there has been a new wave - intensifying since 2007 - of autobiographically inspired writing on illness and disability, death and dying. Nina Schmidt's book takes such writing seriously as literature, examining how the... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    In the German-speaking world there has been a new wave - intensifying since 2007 - of autobiographically inspired writing on illness and disability, death and dying. Nina Schmidt's book takes such writing seriously as literature, examining how the authors of such personal narratives come to write of their experiences between the poles of cliché and exceptionality. Identifying shortcomings in the approaches taken thus far to such texts, she makes suggestions as to how to better read such narratives from the stance of literary scholarship, then demonstrates the value of a literary disability studies approach to such writing with close readings of Charlotte Roche's Schoßgebete (2011), Kathrin Schmidt's Du stirbst nicht (2009), Verena Stefan's Fremdschläfer (2007), and - in the final, comparative chapter - Christoph Schlingensief's So schön wie hier kanns im Himmel gar nicht sein! Tagebuch einer Krebserkrankung (2009) and Wolfgang Herrndorf's blog-cum-book Arbeit und Struktur (2010-13). Schmidt shows that authors dealing with illness and disability do so with an awareness of their precarious subject position in the public eye, a position they negotiate creatively. Writing the liminal experience of serious illness along the borders of genre, moving between fictional and autobiographical modes, they carve out spaces from which they speak up and share their personal stories in the realm of literature, to political ends. Nina Schmidt is a postdoctoral researcher in the Friedrich Schlegel School of Literary Studies at the Freie Universität Berlin

     

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    Volltext (URL des Erstveröffentlichers)
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781787442870
    Other identifier:
    RVK Categories: GO 16011
    Series: Studies in German literature, linguistics, and culture
    Subjects: Diseases in literature; People with disabilities in literature; German fiction / 21st century / History and criticism; Autobiographical fiction, German / History and criticism; German prose literature / 21st century / History and criticism; Krankheit <Motiv>; Deutsch; Behinderung <Motiv>; Sterben <Motiv>; Literatur
    Other subjects: Roche, Charlotte (1978-); Herrndorf, Wolfgang (1965-2013); Schlingensief, Christoph (1960-2010); Stefan, Verena (1947-2017); Schmidt, Kathrin (1958-)
    Scope: 1 Online-Ressource (x, 235 Seiten)
    Notes:

    Introduction -- Autofiction, disgust, and trauma: negotiating vulnerable subject positions in Charlotte Roche's Schossgebete -- Looking beyond the self-reflecting the other: staring as a narrative device in Kathrin Schmidt's Du stirbst nicht -- Intertextuality and the transnational in Verena Stefan's Fremdschlafer: writing breast cancer from beyond the border -- Confronting cancer publicly: diary writing in extremis by Christoph Schlingensief and Wolfgang Herrndorf -- Conclusion: "und was dann": recent developments and research desiderata. - Title from publisher's bibliographic system (viewed on 02 Aug 2018)