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  1. Morts ou vifs
    contribution à une écologie pratique, théorique et sensible des arts vivants
    Author: Sermon, Julie
    Published: 2021
    Publisher:  éditions B42, Paris

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    91.294.92
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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9782490077540; 2490077546
    Other identifier:
    9782490077540
    Series: Culture ; 8
    Subjects: Darstellende Kunst; Theater; Ästhetik; Ecocriticism; Ökologie; Arts du spectacle; Théâtre; Art et écologie
    Scope: 159 Seiten, Illustrationen, 22 cm
    Notes:

    Literaturverzeichnis Seite [149]-153
  2. Arts du spectacle et histoire des idées
    recueil offert en hommage à Jean Jacquot
    Contributor: Jacquot, Jean
    Published: 1984

    Location:
    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Contributor: Jacquot, Jean
    Language: French
    Media type: Book
    ISBN: 2905073004
    RVK Categories: AP 61700 ; EC 1090
    Series: Publications de la Société des Amis du Centre d'Etudes Supérieures de la Renaissance
    Subjects: Arts du spectacle; Arts du spectacle - Europe - 17e siècle et 18e siècle - Recueils d'articles; Musique; Théâtre; Théâtre et société - Europe - 17e siècle et 18e siècle - Recueils d'articles; Toneel; Toneelstukken; Drama; Geschichte; Theater; Theater; Theater; Drama
    Other subjects: Jacquot, Jean <1909-1983>; Jacquot, Jean (1909-1983)
    Scope: 325 S., Ill.
    Notes:

    Bibloigraphie Jacquot S. 313-318
  3. Theaterwesen und dramatische Literatur
    Beiträge zur Geschichte des Theaters
    Published: 1987
    Publisher:  Francke, Tübingen

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Deutsches Theatermuseum, früher Clara-Ziegler-Stiftung, Theaterbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3772018009
    RVK Categories: AP 61800 ; AP 64300 ; EC 7500
    Series: Mainzer Forschungen zu Drama und Theater ; 1
    Subjects: Arts du spectacle; Théâtre (Genre littéraire) - Histoire et critique; Performing arts; Drama -- History and criticism; Geschichte; Theater; Drama; Dramentheorie
    Scope: 435 S., Ill.
  4. Theatrical presentation
    performer, audience and act
    Author: Beckerman, Bernard
    Published: 1990
    Publisher:  Routledge, New York u.a.

    Location:
    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Würzburg
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  5. Le théâtre
    Author: David, Martine
    Published: 1995
    Publisher:  Belin, Paris

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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  6. The intercultural performance reader
    Published: 1996
    Publisher:  Routledge, London [u.a.]

    Location:
    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Regensburg
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  7. Disability and contemporary performance
    bodies on edge
    Author: Küppers, Petra
    Published: 2004
    Publisher:  Routledge, New York

    Location:
    Bayerische Staatsbibliothek
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  8. Neo-Baroque aesthetics and contemporary entertainment
    Author: Ndalianis, Angela
    Published: 2004
    Publisher:  MIT Press, Cambridge, Mass. [u.a.]

    "The artists of the seventeenth-century baroque period used spectacle to delight and astonish; contemporary entertainment media, according to Angela Ndalianis, are imbued with a neo-baroque aesthetic that is similarly spectacular. In Neo-Baroque... more

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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    "The artists of the seventeenth-century baroque period used spectacle to delight and astonish; contemporary entertainment media, according to Angela Ndalianis, are imbued with a neo-baroque aesthetic that is similarly spectacular. In Neo-Baroque Aesthetics and Contemporary Entertainment she situates today's film, computer games, comic books, and theme park attractions within an aesthetic-historical context and uses the baroque as a framework to enrich our understanding of contemporary entertainment media."--BOOK JACKET.

     
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  9. La malscène
    Author: Beaussant, Philippe
    Published: 2005
    Publisher:  Fayard, [Paris]

    Location:
    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 2213627088
    Subjects: Arts du spectacle; Arts du spectacle - France; Philosophie; Performing arts; Ästhetik; Oper; Theatertheorie
    Scope: 171 S.
  10. W. B. Yeats and the idea of a theatre
    the early Abbey Theatre in theory and practice
    Author: Flannery, James W.
    Published: 1976
    Publisher:  Yale Univ. Press, New Haven [u.a.]

    Location:
    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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  11. Notes de travail
    1986 - 1996
    Author: Gabily, Didier-Georges
    Published: 2003
    Publisher:  Actes Sud, Arles (Bouches-du-Rhône)

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: French
    Media type: Book
    Series: Le temps du théâtre
    Subjects: Théâtre / France / 1970-2000; Art dramatique; Metteurs en scène de théâtre; Arts du spectacle; Mise en scène; Théâtre (Spectacle)
    Other subjects: Gabily, Didier-Georges / (1955-1996) / Notes, esquisses, etc
    Scope: 138 S., Ill.
  12. Arts du spectacle et histoire des idées
    recueil offert en hommage à Jean Jacquot
    Contributor: Jacquot, Jean
    Published: 1984

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Jacquot, Jean
    Language: French
    Media type: Book
    ISBN: 2905073004
    RVK Categories: AP 61700 ; EC 1090
    Series: Publications de la Société des Amis du Centre d'Etudes Supérieures de la Renaissance
    Subjects: Arts du spectacle; Arts du spectacle - Europe - 17e siècle et 18e siècle - Recueils d'articles; Musique; Théâtre; Théâtre et société - Europe - 17e siècle et 18e siècle - Recueils d'articles; Toneel; Toneelstukken; Drama; Geschichte; Theater; Theater; Theater; Drama
    Other subjects: Jacquot, Jean <1909-1983>; Jacquot, Jean (1909-1983)
    Scope: 325 S., Ill.
    Notes:

    Bibloigraphie Jacquot S. 313-318
  13. Theaterwesen und dramatische Literatur
    Beiträge zur Geschichte des Theaters
    Published: 1987
    Publisher:  Francke, Tübingen

    Location:
    Archiv der Akademie der Künste, Bibliothek
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    Freie Universität Berlin, Universitätsbibliothek
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    TU Berlin, Universitätsbibliothek
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    Universität der Künste Berlin, Universitätsbibliothek
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    Europa-Universität Viadrina, Universitätsbibliothek
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    Content information
    Source: Philologische Bibliothek, FU Berlin
    Language: German
    Media type: Book
    ISBN: 3772018009
    Parent title:
    RVK Categories: AP 61800 ; AP 64300 ; EC 7500
    Series: Mainzer Forschungen zu Drama und Theater ; 1
    Subjects: Arts du spectacle; Théâtre (Genre littéraire) - Histoire et critique; Performing arts; Drama -- History and criticism; Geschichte; Theater; Drama; Dramentheorie
    Scope: 435 S., Ill.
  14. The intercultural performance reader
    Published: 1996
    Publisher:  Routledge, London [u.a.]

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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  15. Le corps dans le théâtre de Paul Valéry
    Author: Johansson, Franz
    Published: 2009
    Publisher:  [s.n.], [S.l.]

    Parmi toutes les écritures, celle du théâtre engage le corps d’une manière particulière : elle l’accueille non seulement comme une représentation mais aussi comme un instrument, un matériau, une présence. Le dramaturge se trouve confronté au corps de... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Parmi toutes les écritures, celle du théâtre engage le corps d’une manière particulière : elle l’accueille non seulement comme une représentation mais aussi comme un instrument, un matériau, une présence. Le dramaturge se trouve confronté au corps de la manière la plus étroite ; aux prises avec sa constitution, ses ressources, ses limites et, en définitive, avec son essence. C’est pourquoi nous abordons le rapport qui lie Paul Valéry au corps précisément à travers son expérience théâtrale : le drame est sans doute le domaine privilégié où cet auteur explore et approfondit sa relation au corps -une relation qui, pour être problématique et conflictuelle, n’en est pas moins riche. Valéry est un grand écrivain du corps. La première partie de notre étude se penche sur le rapport que l’auteur entretient vis-à-vis de l’incarnation scénique : son théâtre suppose-t-il, appelle-t-il ou, du moins, tolère-t-il le corps ? Nous sommes amenés, dans une deuxième partie, à analyser la manière dont le dramaturge se saisit de la présence vivante de l’interprète et l’incorpore dans son écriture scénique ; à définir donc la place que le corps occupe à l’intérieur de l’esthétique théâtrale de l’auteur. Dans la troisième partie, nous cherchons à préciser les représentations, les visions ou les conceptions du corps qui se dessinent au fil des drames et des ébauches tracés par l’écrivain ; en d’autres termes à déterminer quels sont les discours sur le corps que tient ce discours du corps qu’est l’oeuvre théâtrale de Valéry Among all the literary genres, theatre deals with the human body in a unique way: not only is the body figured in a play but it also becomes a substance, an instrument, a presence on the stage. A playwright will always, in some way or another, be confronted with the body in the meaning of its biological constitution, its shape and movement, its resources and limitations and, ultimately, its essence. Theatre is therefore one of the most interesting fields for studying Valéry’s approach to the human body : in no other part of his work does the writer embrace the body in such an immediate, complex, profound - and nonetheless problematic and ambiguous -way. Valéry is an immense artist of the body. The first part of this work explores how Valéry contemplates the experience of theatrical embodiment: do his dramatic works and projects need and call on the actor’s active matter ? Or do they, at least, tolerate it ? The second part analyses the different ways in which Valéry’s aesthetic principles incorporate the presence and movement of the body in dramatic writing: how are the expressive means of the actor seized and transformed by artistic conventions, processes or techniques ? The last part aims to specify the conceptions of the body that emerge from Valéry’s plays and drafts: what does this theatre, as a language of the body, tell us about the human body ?

     
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  16. Nineteenth century theatre and film.
    Published: ©2002-
    Publisher:  Manchester University Press with the support of the Dept. of Drama,, Manchester :

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    Source: Union catalogues
    Media type: E-Journal
    Format: Online
    ISSN: 2048-2906
    Parent title: World History In Context.; Gale Group.
    Student Resources In Context.; Gale Group.
    Literature Resource Center.; Gale Group.
    Academic OneFile.; Gale Group.
    Expanded Academic ASAP.; Gale Group.
    Subjects: Drama; Performing arts; Silent films; Theater; Théâtre (Genre littéraire); Arts du spectacle; Films muets; Théâtre; Drama.; Performing arts.; Silent films.; Theater.; Theaterwetenschap.
    Other subjects: Theaterwetenschap.; Arts (General); Kunst (algemeen)
    Scope: volumes :, illustrations ;, 24 cm
  17. W. B. Yeats and the idea of a theatre
    the early Abbey Theatre in theory and practice
    Author: Flannery, James W.
    Published: 1976
    Publisher:  Yale Univ. Press, New Haven [u.a.]

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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  18. Theatrical presentation
    performer, audience and act
    Author: Beckerman, Bernard
    Published: 1990
    Publisher:  Routledge, New York u.a.

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 0415902800; 0415902819
    RVK Categories: AP 66000 ; EC 4720 ; HG 625
    Edition: 1. publ.
    Subjects: Art dramatique; Art dramatique; Arts du spectacle - Philosophie; Arts du spectacle; Théâtre; Théâtre; Philosophie; Acting; Performing arts; Theater; Schauspieler; Publikum; Theater; Theorie; Aufführung
    Scope: XI, 212 S.
  19. Neo-Baroque aesthetics and contemporary entertainment
    Author: Ndalianis, Angela
    Published: 2004
    Publisher:  MIT Press, Cambridge, Mass. [u.a.]

    "The artists of the seventeenth-century baroque period used spectacle to delight and astonish; contemporary entertainment media, according to Angela Ndalianis, are imbued with a neo-baroque aesthetic that is similarly spectacular. In Neo-Baroque... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "The artists of the seventeenth-century baroque period used spectacle to delight and astonish; contemporary entertainment media, according to Angela Ndalianis, are imbued with a neo-baroque aesthetic that is similarly spectacular. In Neo-Baroque Aesthetics and Contemporary Entertainment she situates today's film, computer games, comic books, and theme park attractions within an aesthetic-historical context and uses the baroque as a framework to enrich our understanding of contemporary entertainment media."--BOOK JACKET.

     
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  20. Le corps dans le théâtre de Paul Valéry
    Author: Johansson, Franz
    Published: 2009
    Publisher:  [s.n.], [S.l.]

    Parmi toutes les écritures, celle du théâtre engage le corps d’une manière particulière : elle l’accueille non seulement comme une représentation mais aussi comme un instrument, un matériau, une présence. Le dramaturge se trouve confronté au corps de... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 F 42930
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    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signature:
    SFi 1161 P
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    Parmi toutes les écritures, celle du théâtre engage le corps d’une manière particulière : elle l’accueille non seulement comme une représentation mais aussi comme un instrument, un matériau, une présence. Le dramaturge se trouve confronté au corps de la manière la plus étroite ; aux prises avec sa constitution, ses ressources, ses limites et, en définitive, avec son essence. C’est pourquoi nous abordons le rapport qui lie Paul Valéry au corps précisément à travers son expérience théâtrale : le drame est sans doute le domaine privilégié où cet auteur explore et approfondit sa relation au corps -une relation qui, pour être problématique et conflictuelle, n’en est pas moins riche. Valéry est un grand écrivain du corps. La première partie de notre étude se penche sur le rapport que l’auteur entretient vis-à-vis de l’incarnation scénique : son théâtre suppose-t-il, appelle-t-il ou, du moins, tolère-t-il le corps ? Nous sommes amenés, dans une deuxième partie, à analyser la manière dont le dramaturge se saisit de la présence vivante de l’interprète et l’incorpore dans son écriture scénique ; à définir donc la place que le corps occupe à l’intérieur de l’esthétique théâtrale de l’auteur. Dans la troisième partie, nous cherchons à préciser les représentations, les visions ou les conceptions du corps qui se dessinent au fil des drames et des ébauches tracés par l’écrivain ; en d’autres termes à déterminer quels sont les discours sur le corps que tient ce discours du corps qu’est l’oeuvre théâtrale de Valéry Among all the literary genres, theatre deals with the human body in a unique way: not only is the body figured in a play but it also becomes a substance, an instrument, a presence on the stage. A playwright will always, in some way or another, be confronted with the body in the meaning of its biological constitution, its shape and movement, its resources and limitations and, ultimately, its essence. Theatre is therefore one of the most interesting fields for studying Valéry’s approach to the human body : in no other part of his work does the writer embrace the body in such an immediate, complex, profound - and nonetheless problematic and ambiguous -way. Valéry is an immense artist of the body. The first part of this work explores how Valéry contemplates the experience of theatrical embodiment: do his dramatic works and projects need and call on the actor’s active matter ? Or do they, at least, tolerate it ? The second part analyses the different ways in which Valéry’s aesthetic principles incorporate the presence and movement of the body in dramatic writing: how are the expressive means of the actor seized and transformed by artistic conventions, processes or techniques ? The last part aims to specify the conceptions of the body that emerge from Valéry’s plays and drafts: what does this theatre, as a language of the body, tell us about the human body ?

     
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