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  1. Writing and filming the painting
    ekphrasis in liturature and film
    Author: Eidt, Laura M. Sager
    Published: 2008
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- Toward a Definition of Ekphrasis in Literature and Film -- Methodology -- Goya’s Sleep of Reason in Poetry, Drama, and Film: Dramatizing the Artist’s Battle with his Creatures -- Goya’s Sleep of Reason in Lion Feuchtwanger’s... more

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    Universitätsbibliothek Leipzig
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    Südwestdeutscher Bibliotheksverbund (SWB)

     

    Preliminary Material -- Toward a Definition of Ekphrasis in Literature and Film -- Methodology -- Goya’s Sleep of Reason in Poetry, Drama, and Film: Dramatizing the Artist’s Battle with his Creatures -- Goya’s Sleep of Reason in Lion Feuchtwanger’s Novel and Konrad Wolf’s Film Adaptation: Private or Social Demons? -- From Screenplay to Film: Rembrandt’s Self-Portraits and Social Identity Construction through Ekphrasis -- Vermeer’s Women in Film and Fiction: Ekphrasis and Gendered Structures of Vision -- Conclusion: The Cerebral and the Affective Function of Ekphrasis -- Works Cited -- Filmography -- List of Illustrations/Image Credits. This innovative interdisciplinary study compares the uses of painting in literary texts and films. In developing a framework of four types of ekphrasis, the author argues for the expansion of the concept of ekphrasis by demonstrating its applicability as interpretive tool to films about the visual arts and artists. Analyzing selected works of art by Goya, Rembrandt, and Vermeer and their ekphrastic treatment in various texts and films, this book examines how the medium of ekphrasis affects the representation of the visual arts in order to show what the differences imply about issues such as gender roles and the function of art for the construction of a personal or social identity. Because of its highly cross-disciplinary nature, this book is of interest not only to scholars of literature and aesthetics, but also for scholars of film studies. By providing an innovative approach to discussing non-documentary films about artists, the author shows that ekphrasis is a useful tool for exploring both aesthetic concerns and ideological issues in film. This study also addresses art historians as it deals with the reception of major artists in European literature and film throughout the 20th century

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789401206273
    Other identifier:
    Series: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 117
    Subjects: Ekphrasis; Art in literature; Art in motion pictures; Painting and motion pictures; Art in literature; Art in motion pictures; Ekphrasis; Painting and motion pictures; Criticism, interpretation, etc
    Other subjects: Goya, Francisco (1746-1828); Rembrandt Harmenszoon van Rijn (1606-1669); Vermeer, Johannes (1632-1675); Goya, Francisco; Rembrandt Harmenszoon van Rijn; Vermeer, Johannes
    Scope: 1 Online-Ressource (243 pages), illustrations (some color)
    Notes:

    Includes bibliographical references (p. 221-234) and Filmography (p. 235)
  2. Real objects in unreal situations
    modern art in fiction films
    Author: Felleman, Susan
    Published: 2014
    Publisher:  Intellect, Bristol

    This book is a lucid account of a much neglected subject in art and cinema studies: the material significance of the art object incorporated into the fiction film. By examining the historical, political, and personal realities that situate the art... more

     

    This book is a lucid account of a much neglected subject in art and cinema studies: the material significance of the art object incorporated into the fiction film. By examining the historical, political, and personal realities that situate the art works, Susan Felleman offers an incisive account of how they operate not as objects but as powerful players within the films, thereby exceeding the narrative function of mere props, copies, pastiches, or reproductions. The book consists of a series of interconnected case studies of movies, including Pride & Prejudice, The Trouble with Harry, and The Player, ultimately showing that when real art works enter into fiction films, they embody themes and discourses in a way that other objects often cannot

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781783202508
    RVK Categories: AP 45100
    Subjects: Art in motion pictures; Motion pictures / Setting and scenery
    Scope: XI, 203, [16] S., Ill., 23 cm
    Notes:

    Literaturverz. S. [179] - 190
  3. Art and artists on screen
    Author: Walker, John Albert
    Published: 1993
    Publisher:  Manchester Univ. Press, Manchester [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0719037816; 0719037808
    RVK Categories: AP 47500 ; LH 61100
    Subjects: Art in motion pictures
    Scope: VIII, 226 S., Ill.
    Notes:

    Literaturverz. S. 204 - 211
  4. Art in the cinematic imagination
    Author: Felleman, Susan
    Published: 2006
    Publisher:  Univ. of Texas Press, Austin, Tex.

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0292709420; 0292709412; 9780292709416
    RVK Categories: AP 47500 ; AP 50300
    Edition: 1. ed.
    Subjects: Art in motion pictures; Artists in motion pictures; Women in motion pictures; Art and motion pictures
    Scope: 199 S., Ill.
    Notes:

    Literaturverz. S. [179] - 187
  5. Extreme Cinema
    The Transgressive Rhetoric of Today's Art Film Culture
    Author: Frey, Mattias
    Published: [2016]; © 2016
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Received an Honorable Mention for the 2017 British Association of Film, Television and Screen Studies (BAFTSS) Best Monograph Award From Shortbus to Shame and from Oldboy to Irreversible, film festival premieres regularly make international headlines... more

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    Received an Honorable Mention for the 2017 British Association of Film, Television and Screen Studies (BAFTSS) Best Monograph Award From Shortbus to Shame and from Oldboy to Irreversible, film festival premieres regularly make international headlines for their shockingly graphic depictions of sex and violence. Film critics and scholars alike often regard these movies as the work of visionary auteurs, hailing directors like Michael Haneke and Lars von Trier as heirs to a tradition of transgressive art. In this provocative new book, Mattias Frey offers a very different perspective on these films, exposing how they are also calculated products, designed to achieve global notoriety in a competitive marketplace. Paying close attention to the discourses employed by film critics, distributors, and filmmakers themselves, Extreme Cinema examines the various tightropes that must be walked when selling transgressive art films to discerning audiences, distinguishing them from generic horror, pornography, and Hollywood product while simultaneously hyping their salacious content. Deftly tracing the links between the local and the global, Frey also shows how the directors and distributors of extreme art house fare from both Europe and East Asia have significant incentives to exaggerate the exotic elements that would differentiate them from Anglo-American product. Extreme Cinema also includes original interviews with the programmers of several leading international film festivals and with niche distributors and exhibitors, giving readers a revealing look at how these institutions enjoy a symbiotic relationship with the "taboo-breakers" of art house cinema. Frey also demonstrates how these apparently transgressive films actually operate within a strict set of codes and conventions, carefully calibrated to perpetuate a media industry that fuels itself on provocation

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813576527
    Other identifier:
    Subjects: PERFORMING ARTS / General; Art in motion pictures; Experimental films; Motion picture industry; Motion pictures; Marketing; Gewalt <Motiv>; Erotik <Motiv>; Film; Provokation
    Scope: 1 online resource, 25 photographs, 3 tables
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)
  6. Federico Fellini
    Painting in Film, Painting on Film
    Author: Aldouby, Hava
    Published: [2018]; © 2013
    Publisher:  University of Toronto Press, Toronto

    Federico Fellini professed a desire to create "an entire film made of immobile pictures." In this study, Hava Aldouby uses this "ation as a launching point to analyze Fellini’s films as sequences of "pictures" that draw extensively on art history,... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Federico Fellini professed a desire to create "an entire film made of immobile pictures." In this study, Hava Aldouby uses this "ation as a launching point to analyze Fellini’s films as sequences of "pictures" that draw extensively on art history, and particularly painting, as a reservoir of visual imagery. Aldouby employs an innovative pictorial approach that allows her to uncover a wealth of visual evocations overlooked by Fellini scholars over the years.Federico Fellini: Painting in Film, Painting on Film sheds light on the intertextual links between Fellini’s films and the works of various artists, from Velazquez to Francis Bacon, by identifying references to specific paintings in his films. Using new archival evidence from Fellini’s private library, brought to light for the first time here, Aldouby draws out Fellini’s in-depth knowledge of art history and his systematic employment of art-historical allusions

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442669581
    Other identifier:
    Subjects: Art in motion pictures; Motion pictures; Malerei <Motiv>; Film
    Other subjects: Fellini, Federico (1920-1993)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Dez 2018)
  7. Bildende Kunst im Spielfilm
    zur Präsentation von Kunst in einem Massenmedium des 20. Jahrhunderts
    Author: Schönenbach, Richard
    Published: 2000
    Publisher:  Scaneg, München

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3892350787
    RVK Categories: LH 61100 ; LH 70190 ; AP 47500
    Series: Beiträge zur Kunstwissenschaft ; 78
    Subjects: Kunst <Motiv>; Film; Künstler <Motiv>; Film; Art in motion pictures
    Scope: II, 260, [124] S., zahlr. Ill., 21 cm
    Notes:

    Zugl.: Aachen, Techn. Hochsch., Diss, 1998
  8. Art in the cinematic imagination
    Author: Felleman, Susan
    Published: 2006
    Publisher:  Univ. of Texas Press, Austin

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    Universitätsbibliothek Bielefeld
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    ON465 F318
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  9. Genie und Leidenschaft
    Künstlerleben im Film
    Published: [2000]; © 2000
    Publisher:  Gardez! Verlag, St. Augustin

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    Universitätsbibliothek Bamberg
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    Hochschule für Fernsehen und Film, Bibliothek
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    Universitätsbibliothek der LMU München
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3928624520
    RVK Categories: AP 52600 ; LH 61100
    Series: Filmstudien ; Band 6
    Subjects: Art in motion pictures; Künstler <Motiv>; Film
    Scope: 259 Seiten
  10. Bildende Kunst im Spielfilm
    zur Präsentation von Kunst in einem Massenmedium des 20. Jahrhunderts
    Author: Schönenbach, Richard
    Published: 2000
    Publisher:  scaneg, München

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    Universitätsbibliothek Augsburg
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 3892350787
    RVK Categories: AP 47500 ; LH 61100 ; LH 70190
    Series: Beiträge zur Kunstwissenschaft ; 78
    Subjects: Art in motion pictures; Film; Künstler <Motiv>; Kunst <Motiv>; Filmästhetik
    Scope: II, 260, [118] S., zahlr. Ill.
    Notes:

    Zugl.: Aachen, Techn. Hochsch., Diss., 1998
  11. Das Kunstwerk im Film
    zur Problematik filmischer Präsentationsformen von Malerei und Grafik
    Author: Thiele, Jens
    Published: 1974

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    Universitätsbibliothek Augsburg
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    RVK Categories: AP 47500
    Subjects: Art in motion pictures; Malerei; Grafik <Motiv>; Malerei <Motiv>; Film; Kunst; Grafik; Kunstwerk
    Scope: 252 S., Ill.
    Notes:

    Auch als: Europäische Hochschulschriften : Reihe 3 ; 2

    Göttingen, Univ., Diss., 1975
  12. Cinema e pittura
    Author: Costa, Antonio
    Published: 1991
    Publisher:  Loescher, Torino

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    Series: Cinema e scuola
    Subjects: Peinture et cinéma; Film; Ästhetik; Art and motion pictures; Art in motion pictures; Motion pictures; Painting and motion pictures; Malerei; Film
    Scope: VIII, 193 S., Ill.
  13. Cinema and painting
    how art is used in film
    Author: Dalle Vacche, Angela
    Published: 1996
    Publisher:  Univ. of Texas Press, Austin, Tex.

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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  14. Troubled everyday
    the aesthetics of violence and the everyday in European art cinema
    Author: Taylor, Alison
    Published: 2017
    Publisher:  Edinburgh University Press, Edinburgh

    <i>Troubled Everyday</i> offers the first detailed examination of the relationship between violence and the everyday in European art cinema. It calls for a re-evaluation of what gives these films such affective force, and such a prolonged grip on our... more

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    Troubled Everyday offers the first detailed examination of the relationship between violence and the everyday in European art cinema. It calls for a re-evaluation of what gives these films such affective force, and such a prolonged grip on our imagination

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474415231
    RVK Categories: AP 50300
    Subjects: Motion pictures; Art in motion pictures; Violence in motion pictures; Gewalt <Motiv>; Film; Alltag <Motiv>
    Scope: 1 online resource (v, 137 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Jan 2018)
  15. Federico Fellini
    Painting in Film, Painting on Film
    Author: Aldouby, Hava
    Published: [2018]; © 2013
    Publisher:  University of Toronto Press, Toronto

    Federico Fellini professed a desire to create "an entire film made of immobile pictures." In this study, Hava Aldouby uses this "ation as a launching point to analyze Fellini’s films as sequences of "pictures" that draw extensively on art history,... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    Federico Fellini professed a desire to create "an entire film made of immobile pictures." In this study, Hava Aldouby uses this "ation as a launching point to analyze Fellini’s films as sequences of "pictures" that draw extensively on art history, and particularly painting, as a reservoir of visual imagery. Aldouby employs an innovative pictorial approach that allows her to uncover a wealth of visual evocations overlooked by Fellini scholars over the years.Federico Fellini: Painting in Film, Painting on Film sheds light on the intertextual links between Fellini’s films and the works of various artists, from Velazquez to Francis Bacon, by identifying references to specific paintings in his films. Using new archival evidence from Fellini’s private library, brought to light for the first time here, Aldouby draws out Fellini’s in-depth knowledge of art history and his systematic employment of art-historical allusions

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442669581
    Other identifier:
    Subjects: Art in motion pictures; Motion pictures; Malerei <Motiv>; Film
    Other subjects: Fellini, Federico (1920-1993)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Dez 2018)
  16. Extreme Cinema
    The Transgressive Rhetoric of Today's Art Film Culture
    Author: Frey, Mattias
    Published: [2016]; © 2016
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Received an Honorable Mention for the 2017 British Association of Film, Television and Screen Studies (BAFTSS) Best Monograph Award From Shortbus to Shame and from Oldboy to Irreversible, film festival premieres regularly make international headlines... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Received an Honorable Mention for the 2017 British Association of Film, Television and Screen Studies (BAFTSS) Best Monograph Award From Shortbus to Shame and from Oldboy to Irreversible, film festival premieres regularly make international headlines for their shockingly graphic depictions of sex and violence. Film critics and scholars alike often regard these movies as the work of visionary auteurs, hailing directors like Michael Haneke and Lars von Trier as heirs to a tradition of transgressive art. In this provocative new book, Mattias Frey offers a very different perspective on these films, exposing how they are also calculated products, designed to achieve global notoriety in a competitive marketplace. Paying close attention to the discourses employed by film critics, distributors, and filmmakers themselves, Extreme Cinema examines the various tightropes that must be walked when selling transgressive art films to discerning audiences, distinguishing them from generic horror, pornography, and Hollywood product while simultaneously hyping their salacious content. Deftly tracing the links between the local and the global, Frey also shows how the directors and distributors of extreme art house fare from both Europe and East Asia have significant incentives to exaggerate the exotic elements that would differentiate them from Anglo-American product. Extreme Cinema also includes original interviews with the programmers of several leading international film festivals and with niche distributors and exhibitors, giving readers a revealing look at how these institutions enjoy a symbiotic relationship with the "taboo-breakers" of art house cinema. Frey also demonstrates how these apparently transgressive films actually operate within a strict set of codes and conventions, carefully calibrated to perpetuate a media industry that fuels itself on provocation

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813576527
    Other identifier:
    Subjects: PERFORMING ARTS / General; Art in motion pictures; Experimental films; Motion picture industry; Motion pictures; Marketing; Gewalt <Motiv>; Erotik <Motiv>; Film; Provokation
    Scope: 1 online resource, 25 photographs, 3 tables
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)
  17. Writing and filming the painting
    ekphrasis in liturature and film
    Author: Eidt, Laura M. Sager
    Published: ©2008
    Publisher:  Rodopi, Amsterdam

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1435695305; 9042024577; 9401206279; 9781435695306; 9789042024571; 9789401206273
    Series: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 117
    Subjects: Literature; TRAVEL / Special Interest / Literary; LITERARY CRITICISM / General; Art in literature; Art in motion pictures; Ekphrasis; Painting and motion pictures; Literatur; Film; Ästhetik; Malerei; Motiv (Film); Motiv (Literatur); Malerei (Motiv); Literatur; Film; Vergleichende Literaturwissenschaft; Malerei; Literatur; Ekphrasis; Art in literature; Art in motion pictures; Painting and motion pictures; Film; Literatur; Ekphrasis
    Other subjects: Goya, Francisco / 1746-1828; Rembrandt Harmenszoon van Rijn / 1606-1669; Vermeer, Johannes / 1632-1675; Goya, Francisco (1746-1828); Rembrandt Harmenszoon van Rijn (1606-1669); Vermeer, Johannes (1632-1675)
    Scope: 1 Online-Ressource (243 pages)
    Notes:

    Works of art by Goya, Rembrandt and Vermeer are analyzed. - Originally presented as the author's thesis, University of Texas in Austin

    Includes bibliographical references (pages 221-234) and Filmography (p. 235)

    Toward a definition of ekphrasis in literature and film -- Methodology -- Goya's Sleep of reason in poetry, drama and film : dramatizing the artist's battle with his creatures -- Goya's Sleep of reason in Lion Feuchtwanger's novel and Konrad Wolf's film adaptation : private or social demons? -- From screenplay to film : Rembrandt's self-portraits and social identity construction through ekphrasis -- Vermeer's women in film and fiction : ekphrasis and gendered structures of vision -- Conclusion : the cerebral and the affective function of ekphrasis

    This innovative interdisciplinary study compares the uses of painting in literary texts and films. In developing a framework of four types of ekphrasis, the author argues for the expansion of the concept of ekphrasis by demonstrating its applicability as interpretive tool to films about the visual arts and artists. Analyzing selected works of art by Goya, Rembrandt, and Vermeer and their ekphrastic treatment in various texts and films, this book examines how the medium of ekphrasis affects the representation of the visual arts in order to show what the differences imply about issues such as ge
  18. Real objects in unreal situations
    modern art in fiction films
    Author: Felleman, Susan
    Published: 2014
    Publisher:  Intellect, Bristol ; Chicago, Ill.

    This book is a lucid account of a much neglected subject in art and cinema studies: the material significance of the art object incorporated into the fiction film. By examining the historical, political, and personal realities that situate the art... more

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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    This book is a lucid account of a much neglected subject in art and cinema studies: the material significance of the art object incorporated into the fiction film. By examining the historical, political, and personal realities that situate the art works, Susan Felleman offers an incisive account of how they operate not as objects but as powerful players within the films, thereby exceeding the narrative function of mere props, copies, pastiches, or reproductions. The book consists of a series of interconnected case studies of movies, including ‘Pride & Prejudice’, ‘The Trouble with Harry’, and ‘The Player’, ultimately showing that when real art works enter into fiction films, they embody themes and discourses in a way that other objects often cannot

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781783202508
    RVK Categories: AP 45100
    Subjects: Art in motion pictures; Motion pictures / Setting and scenery; Film; Film; Kunstwerk <Motiv>
    Scope: XI, 203, [16] S., Ill., 24 cm
    Notes:

    Literaturverz. S. 179 - 190
  19. Art in the cinematic imagination
    Author: Felleman, Susan
    Published: 2006
    Publisher:  University of Texas Press, Austin

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780292796652
    Edition: 1st ed
    Subjects: Art and motion pictures; Art in motion pictures; Artists in motion pictures; Women in motion pictures; Kunst <Motiv>; Film; Frau <Motiv>
    Scope: xi, 199 p.
    Notes:

    Includes bibliographical references (p. [179]-187) and index
  20. Writing and filming the painting
    ekphrasis in literature and film
    Author: Eidt, Laura M. Sager
    Published: 2008
    Publisher:  Rodopi, Amsterdam

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9042024577; 9789042024571
    Series: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 117
    Subjects: Art in literature; Art in motion pictures; Ekphrasis; Painting and motion pictures; Ekphrasis; Film; Literatur
    Other subjects: Rembrandt Harmenszoon van Rijn (1606-1669); Goya, Francisco (1746-1828); Vermeer, Johannes (1632-1675)
    Scope: 243 p.
    Notes:

    Originally written as author's dissertation, University of Texas in Austin. - Works of art by Goya, Rembrandt and Vermeer are analyzed

    Filmography (p. [235])

    Includes bibliographical references (p. [221]-234)
  21. Das Bild des Künstlers und seiner Frauen
    Beziehungen zwischen Kunstgeschichte und Populärkultur in Spielfilmen des Nationalsozialismus und der Nachkriegszeit
    Author: Schrödl, Barbara; Schrödl, Barbara
    Published: 2004
    Publisher:  Jonas, Marburg

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Hochschule für Fernsehen und Film, Bibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 3894453362
    RVK Categories: AP 59710 ; AP 59706 ; AP 52100
    DDC Categories: 791
    Series: Studien zur visuellen Kultur ; 3
    Subjects: Films; Kunstenaars; Kunstgeschiedenis (wetenschap); Populaire cultuur; Vrouwen; Film; Frau; Art in motion pictures; Artists in motion pictures; Motion pictures; National socialism and motion pictures; Sex role in motion pictures; Women in motion pictures; Männlichkeit <Motiv>; Film; Künstler <Motiv>
    Scope: 316 S., Ill.
    Notes:

    Vollst. zugl.: Bremen, Univ., Diss., 2001 u.d.T.: Schrödl, Barbara: Das Bild des Künstlers und seiner Frauen in faschistischen und nachfaschistischen Spielfilmen
  22. Writing and filming the painting
    ekphrasis in literature and film
    Author: Sager Eidt, Laura M.
    Published: 2008
    Publisher:  Rodopi, Amsterdam [u.a.]

    Location:
    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    ISBN: 9789042024571
    RVK Categories: AP 14800 ; EC 2440 ; EC 5810
    Series: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 117
    Subjects: Art in literature; Art in motion pictures; Ekphrasis; Painting and motion pictures; Ekphrasis; Literatur; Film
    Other subjects: Goya, Francisco <1746-1828>; Rembrandt Harmenszoon van Rijn <1606-1669>; Vermeer, Johannes <1632-1675>
    Scope: 243 S., Ill.
    Notes:

    Zugl.: Austin, Univ. of Texas, Diss.
  23. Cinema and painting
    how art is used in film
    Author: Dalle Vacche, Angela
    Published: 1997
    Publisher:  Univ. of Texas Press, Austin, Tex.

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0292715838
    RVK Categories: AP 47500
    Edition: 2. ed.
    Subjects: Film; Ästhetik; Art and motion pictures; Art in motion pictures; Motion pictures; Painting and motion pictures; Malerei; Film
    Scope: XI, 303 S., Ill.
  24. Art in the cinematic imagination
    Author: Felleman, Susan
    Published: 2006
    Publisher:  Univ. of Texas Press, Austin

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Hochschule für Fernsehen und Film, Bibliothek
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    Location:
    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0292709420; 0292709412
    Subjects: Art in motion pictures; Artists in motion pictures; Women in motion pictures; Art and motion pictures; Frau <Motiv>; Film; Kunst <Motiv>
    Scope: XI, 199 S., Ill.
    Notes:

    Includes bibliographical references and index
  25. Art in the cinematic imagination
    Author: Felleman, Susan
    Published: 2006
    Publisher:  Univ. of Texas Press, Austin

    Location:
    Universitätsbibliothek Bielefeld
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0292709420; 0292709412; 9780292709416
    Subjects: Art in motion pictures; Artists in motion pictures; Women in motion pictures; Art and motion pictures
    Scope: XI, 199 S. : Ill.