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Displaying results 1 to 10 of 10.

  1. <<Les>> Tapisseries Tournaisiennes de la Guerre de Troie
    Avec un mise au point de Geneviéve Souchal: Charles VIII et la tenture de la guerre de Troie
    Author: Asselberghs, Jean-Paul
    Published: 1972
    Publisher:  Musées Royaux d'Art et d'Histoire, Bruxelles

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    Source: Union catalogues
    Contributor: Souchal, Geneviève (Publisher)
    Language: French
    Media type: Book
    Format: Print
    Series: Artes Belgicae
    Subjects: Brüssel; Museum; Musees Royaux d'art et d'histoire; Bildteppich; Trojanischer Krieg; ; Bildteppich; Trojanischer Krieg; Brüssel; Museum; Art et histoire;
    Scope: 40 S., 28 S. Abb., S. 69-99, Ill., 8°
    Notes:

    Aus: Revue belge d'archeologie et d'histoire de l'art. 29. 1970
  2. El espacio político del arte
    arte e historia en Heidegger
    Author: Molinuevo, José Luis
    Published: 1998
    Publisher:  Tecnos, Madrid

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der LMU München
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  3. Images malgré tout
    Author: Didi-Huberman, Georges
    Published: 2003
    Publisher:  Éd. de Minuit, Paris

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule für Fernsehen und Film, Bibliothek
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    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek der LMU München
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    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Location:
    Deutsches Forum für Kunstgeschichte, Bibliothek

    Location:
    Universitätsbibliothek Regensburg
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    Unlimited inter-library loan, copies and loan

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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  4. Face au réel
    éthique de la forme dans l'art contemporain ; un séminaire de recherche avec Pietro Montani, André Gunthert, Thomas Schütte, Luciano Fabro, Allan Sekula, Ernst van Alphen et Mieke Bal ... à l'École Nationale des Beaux-Arts de Lyon
    Published: 2008
    Publisher:  Archibooks+Sautereau [u.a.], Paris [u.a.]

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    No loan of volumes, only paper copies will be sent

    Location:
    Deutsches Forum für Kunstgeschichte, Bibliothek
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  5. Compelling visuality
    the work of art in and out of history
    Published: 2003
    Publisher:  Univ. of Minnesota Press, Minneapolis, Minn. [u.a.]

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Deutsches Forum für Kunstgeschichte, Bibliothek

    Location:
    Universitätsbibliothek Regensburg
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    Unlimited inter-library loan, copies and loan

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0816641153; 0816641161; 9780816641161
    RVK Categories: LH 61020
    Subjects: Art et histoire; Critique d'art; Filosofische aspecten; Kunstbeschouwing; Perception visuelle; Philosophie; Art and history; Art criticism; Visual perception; Kunstkritik; Ästhetik
    Scope: XVI, 239 S., Ill.
    Notes:

    Includes bibliographical references

    Hier auch später erschienene, unveränderte Nachdrucke
  6. Compelling visuality
    the work of art in and out of history
    Published: 2003
    Publisher:  Univ. of Minnesota Press, Minneapolis, Minn. [u.a.]

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0816641153; 0816641161; 9780816641161
    RVK Categories: LH 61020
    Subjects: Art et histoire; Critique d'art; Filosofische aspecten; Kunstbeschouwing; Perception visuelle; Philosophie; Art and history; Art criticism; Visual perception; Kunstkritik; Ästhetik
    Scope: XVI, 239 S., Ill.
    Notes:

    Includes bibliographical references

    Hier auch später erschienene, unveränderte Nachdrucke
  7. Face au réel
    éthique de la forme dans l'art contemporain ; un séminaire de recherche avec Pietro Montani, André Gunthert, Thomas Schütte, Luciano Fabro, Allan Sekula, Ernst van Alphen et Mieke Bal ... à l'École Nationale des Beaux-Arts de Lyon
    Published: 2008
    Publisher:  Archibooks+Sautereau [u.a.], Paris [u.a.]

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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  8. Compelling visuality
    the work of art in and out of history
    Published: 2003
    Publisher:  University of Minnesota Press, Minneapolis

    Art History after Aesthetics: A Provocative Introduction; ONE: Ecstatic Aesthetics: Metaphoring Bernini; TWO: Before the Image, Before Time: The Sovereignty of Anachronism; THREE: Aesthetics before Art: Leonardo through the Looking Glass; FOUR:... more

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    Verlag (lizenzpflichtig)

    Location:
    Universitätsbibliothek Freiburg
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    Location:
    Kompetenzzentrum für Lizenzierung
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    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    Art History after Aesthetics: A Provocative Introduction; ONE: Ecstatic Aesthetics: Metaphoring Bernini; TWO: Before the Image, Before Time: The Sovereignty of Anachronism; THREE: Aesthetics before Art: Leonardo through the Looking Glass; FOUR: Touching the Face: The Ethics of Visuality between Levinas and a Rembrandt Self-Portrait; FIVE: Presence and Absence: On Leonardo da Vinci's Saint John the Baptist; SIX: Rococo as the Dissipation of Boredom; SEVEN: Mourning and Method; EIGHT: A Guide to Interpretation: Art Historical Hermeneutics; NINE: Seeing Soane Seeing You; Contributors

     
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  9. Picturing Russia
    explorations in visual culture
    Contributor: Neuberger, Joan (HerausgeberIn)
    Published: 2008
    Publisher:  Yale University Press, New Haven, Conn

    List of illustrations -- Acknowledgments -- 1: Seeing into being: an introduction / Valerie A Kivelson and Joan Neuberger -- 2: Dirty old books / Simon Franklin -- 3: Visualizing and illustrating early Rus housing / David M Goldfrank -- 4: Crosier of... more

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    Verlag (lizenzpflichtig)

    Location:
    Universitätsbibliothek Freiburg
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    Kompetenzzentrum für Lizenzierung
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    List of illustrations -- Acknowledgments -- 1: Seeing into being: an introduction / Valerie A Kivelson and Joan Neuberger -- 2: Dirty old books / Simon Franklin -- 3: Visualizing and illustrating early Rus housing / David M Goldfrank -- 4: Crosier of St Stefan of Perm / A V Chernetsov -- 5: Sixteenth-century Muscovite cavalrymen / Donald Ostrowski -- 6: Blessed is the Host of the Heavenly Tsar: an icon from the Dormition Cathedral of the Moscow Kremlin / Daniel Rowland -- 7: Cap of Monomakh / Nancy Shields Kollmann -- 8: Church of the Intercession on the Moat / St Basil's Cathedral / Michael S Flier -- 9: Mapping serfdom: peasant dwellings on seventeenth-century litigation maps / Valerie A Kivelson -- 10: From tsar to emperor: portraits of Aleksei and Peter I / Lindsey Hughes -- 11: Russian Round Table: Aleksei Zubov's depiction of the marriage of his Royal Highness, Peter the First, autocrat of all the Russias / Ernest A Zitser -- 12: Icon of female authority: the St Catherine image of 1721 / Gary Marker -- 13: Conspicuous consumption at the Court of Catherine the Great: Count Zakhar Chernyshev's snuffbox / Douglas Smith -- 14: Moving pictures: the optics of serfdom on the Russian estate / Thomas Newlin -- 15: Neither nobles nor peasants: plain painting and the emergence of the merchant estate / David L Ransel -- 16: Circles on a Square: the heart of St Petersburg culture in the early nineteenth century / Richard Stites -- 17: Alexander Ivanov's appearance of Christ to the people / Laura Engelstein -- 18: Lubki of emancipation / Richard Wortman -- 19: Folk art and social ritual / Alison Hilton -- 20: Personal and imperial: Fyodor Vasiliev's in the Crimean Mountains / Christopher Ely -- 21: Shop signs, monuments, souvenirs: views of the empire in everyday life / Willard Sunderland -- 22: Storming of Kars / Stephen M Norris -- 23: A O Karelin and provincial Bourgeois photography / Catherine Evtuhov -- 24: European fashion in Russia / Christine Ruane -- 25: Savior on the Waters church war memorial in St Petersburg / Nadieszda Kizenko -- 26: Workers in suits: performing the self / Mark D Steinberg -- 27: Visualizing masculinity: the male sex that was not one in Fin-de-Siecle Russia / Louise McReynolds -- 28: Pictographs of power: the 500-ruble note of 1912 / James Cracraft -- 29: Visualizing 1917 / William G Rosenberg -- 30: Looking at Tatlin's stove / Christina Kiaer -- 31: Soviet images of Jehovah in the 1920s / Robert Weinberg -- 32: National types / Francine Hirsch -- 33: Envisioning empire: veils and visual revolution in Soviet Central Asia / Douglas Northrop -- 34: Visual economy of forced labor: Alexander Rodchenko and the White Sea-Baltic Canal / Erika Wolf -- 35: Cinematic pastoral of the 1930s / Emma Widdis -- 36: Portrait of Lenin: carpets and national culture in Soviet Turkmenistan / Adrienne Edgar -- 37: Moscow metro / Mike O'Mahony -- 38: Soviet spectacle: the All-Union Agricultural Exhibition / Evgeny Dobrenko -- 39: Motherland calling? national symbols and the mobilization for war / Karen Petrone -- 40: Visual dialectics: murderous laughter in Eisenstein's Ivan the Terrible / Joan Neuberger -- 41: Soviet Jewish photographers confront World War II and the Holocaust / David Shneer -- 42: Morning of Our Motherland: Fyodor Shurpin's portrait of Stalin / Mark Bassin -- 43: Pioneer Palace in the Lenin Hills / Susan E Reid -- 44: Mikhail Romm's Ordinary Fascism / Josephine Woll -- 45: Solaris and the white, white screen / Lilya Kaganovsky -- 46: After Malevich-variations on the return to the Black Square / Jane A Sharp -- 47: Imagining Soviet rock: Akvarium's Triangle / Polly McMichael -- 48: Keeping the ancient piety: Old Believers and contemporary society / Roy R Robson and Elena B Smilianskaia -- 49: Viktor Vasnetsov's bogatyrs: mythic heroes and Sacrosanct borders go to market / Helena Goscilo -- 50: Landscape and vision at the White Sea-Baltic Canal / Michael Kunichika -- Chronology of Russian history -- Selected bibliography -- List of contributors -- Illustration credits -- Index

     
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    Source: Union catalogues
    Contributor: Neuberger, Joan (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780300119619; 0300145179; 0300164211; 0300119615; 9780300164213; 9780300145175
    Other identifier:
    RVK Categories: NK 5066
    Subjects: Art, Russian; Visual communication; Art and history; Art, Russian; Visual communication; Art and history; Bild; Bild; Kunst; Russland (Motiv); Russlandbild; Russlandbild; Russland; Russland; Art and history; Art, Russian; HISTORY / Europe / Russia & the Former Soviet Union; Visual communication; Russia; Art; Communication visuelle; Art russe; Art et histoire
    Scope: 1 Online-Ressource (xv, 284 pages, [32] pages of plates)
    Notes:

    Includes bibliographical references (pages 263-269) and index
  10. Compelling visuality
    the work of art in and out of history
    Published: 2003
    Publisher:  University of Minnesota Press, Minneapolis [u.a.]

    Takes up the commonly unexplored question of what is actually present in art--what aspects have survived the vicissitudes of time. International and interdisciplinary, this volume conducts readers into a discussion of the significance of personal... more

    Location:
    Staats- und Universitätsbibliothek Bremen
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    Takes up the commonly unexplored question of what is actually present in art--what aspects have survived the vicissitudes of time. International and interdisciplinary, this volume conducts readers into a discussion of the significance of personal response to works of art

     
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    Volltext (lizenzpflichtig)