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Displaying results 1 to 25 of 1063.

  1. Baroque visual rhetoric
    Author: Minor, Vernon Hyde
    Published: [2016]; © 2016
    Publisher:  University of Toronto Press, Toronto

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  2. Krishna Chaitanya
    a profile and selected papers
    Author: Chaitanya, Krishna
    Published: 1991
    Publisher:  Konark Publ., Delhi

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    Source: Union catalogues
    Contributor: Ramachandran, Suguna (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 8122002307
    Subjects: Literatur; Art criticism; Criticism; Literature
    Other subjects: Krishna Chaitanya <1918->
    Scope: IX, 284 S., Ill.
  3. Ford Madox Ford and visual culture
    Published: 2009
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- LIST OF ILLUSTRATIONS -- GENERAL EDITOR’S PREFACE /Max Saunders -- INTRODUCTION /Laura Colombino -- FROM PAINT TO PRINT – GRANDFATHER’S LEGACY /Angela Thirlwell -- FORD MADOX FORD’S ART CRITICISM AS A RESERVOIR FOR HIS... more

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    Universitätsbibliothek Leipzig
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    Preliminary Material -- LIST OF ILLUSTRATIONS -- GENERAL EDITOR’S PREFACE /Max Saunders -- INTRODUCTION /Laura Colombino -- FROM PAINT TO PRINT – GRANDFATHER’S LEGACY /Angela Thirlwell -- FORD MADOX FORD’S ART CRITICISM AS A RESERVOIR FOR HIS NARRATIVE POETICS /Vita Fortunati -- FROM PRE-RAPHAELISM TO IMPRESSIONISM /Max Saunders -- IMAGE-MUSIC-TEXT: FORD AND THE IMPRESSIONIST LYRIC /Ashley Chantler -- TO COOK, OR TO PAINT, IN PARIS?: FORD IN COLOUR /Sara Haslam -- VISUALITY VS. TEMPORALITY: PLOTTING AND DEPICTION IN THE FIFTH QUEEN AND LADIES WHOSE BRIGHT EYES /Rob Hawkes -- THE PORTRAIT: FORD’S CHEF-D’ɶUVRE INCONNU /Gene M. Moore -- FORD MADOX FORD’S LITERARY PORTRAITS /Anna Viola Sborgi -- FORDING HOLBEIN /Martin Stannard -- SKULL/BRAIN DRAIN STAIN (THE AMBASSADORS) /guy mannes-abbott -- ‘IF WE SHADOWS HAVE OFFENDED’: THE METAPHOR OF SHADOW IN THE MARSDEN CASE /Jenny Plastow -- A MAP OF TORY MISREADING IN PARADE’S END /Mark Conroy -- MODERNITY, SHOCK AND CINEMA: THE VISUAL AESTHETICS OF FORD MADOX FORD’S PARADE’S END /Alexandra Becquet -- FORD, BOWEN, AND ITALIAN ART /Joseph Wiesenfarth -- FORD + BIALA: A LONG AND PASSIONATE DIALOGUE /Jason Andrew -- FORD, MATISSE AND THE BOOK OF THE DEAD: THE (IN)VISIBLE OBJECTS OF THE RASH ACT AND HENRY FOR HUGH /Laura Colombino -- CONTRIBUTORS -- ABSTRACTS -- ABBREVIATIONS. The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; and relates aspects of Ford’s work, life, and contacts, to broader concerns of his time. This volume marks the seventieth anniversary of Ford’s death. Its focus is how his work engages with visual culture. He wrote criticism, biography, and reminiscences about the Pre-Raphaelite artists he’d been brought up amongst – Rossetti, Holman Hunt, and in particular his grandfather Ford Madox Brown. But his art-writing ranges much more widely, from Holbein to Cézanne and Matisse. Ford came to advocate Impressionism in literature. In London before the First World War he got to know avant-garde artists like Wyndham Lewis and Henri Gaudier-Brzeska, and wrote about modern visual art movements, such as Futurism, Vorticism and Cubism. This work is discussed, not just in terms of what it tells us about art, but for what it reveals about the development of Ford’s own practice as a writer, and of his critical ideas. After the War he lived in France with two painters, first the Australian Stella Bowen, then the American Janice Biala, and moved in the Modernist art circles of Picasso, Juan Gris, Gertrude Stein and Brancusi. This volume includes sixteen new essays by critics and art historians on Ford’s engagement with the rapidly transforming visual cultures of his era, which break new ground discussing his writing about visual arts, and how it affected his fiction, poetry and criticism. Among numerous illustrations are several portraits of Ford by Janice Biala reproduced for the first time. Also published here for the first time are generous extracts from Biala’s marvelous letters from the 1930s about Ford

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789042026360
    Other identifier:
    Series: International Ford Madox Ford studies ; v. 8
    Subjects: Art criticism; Art and literature; Influence (Literary, artistic, etc.); Art; Art and literature; Art criticism; Influence (Literary, artistic, etc.); Art; Criticism, interpretation, etc; History
    Other subjects: Ford, Ford Madox (1873-1939); Ford, Ford Madox (1873-1939); Ford, Ford Madox
    Scope: 1 Online-Ressource (269 pages, [32] pages of plates), illustrations (some color)
    Notes:

    Includes bibliographical references
  4. <<The>> trickster shift
    humour and irony in contemporary native art
    Contributor: Ryan, Allan J. (Publisher)
    Published: 1999
    Publisher:  UBC Press [u.a.], Vancouver [u.a.]

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    Source: Union catalogues
    Contributor: Ryan, Allan J. (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0774807040; 0295978163
    RVK Categories: HD 370 ; LO 92980
    Subjects: Array; Array; Tricksters in art; Array; Array; Irony in art
    Other subjects: CAN
    Scope: XV, 303 S., überw. Ill.
    Notes:

    Literaturverz. S. 285 - 291
  5. Theory Rules
    Art as Theory / Theory as art
    Published: [2016]; © 1996
    Publisher:  University of Toronto Press, Toronto

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442664647
    Other identifier:
    Subjects: Philosophie; Art criticism; Arts; Neue Medien; Kunst; Ästhetik
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    :
  6. Chaos and Cosmos
    On the Image in Aesthetics and Art History
    Author: Lang, Karen
    Published: [2018]; © 2006
    Publisher:  Cornell University Press, Ithaca, NY

    Writing in 1940, the prominent German art historian Erwin Panofsky asked, "How, then, is it possible to build up art history as a respectable scholarly discipline, if its objects come into being by an irrational and subjective process?" In Chaos and... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Writing in 1940, the prominent German art historian Erwin Panofsky asked, "How, then, is it possible to build up art history as a respectable scholarly discipline, if its objects come into being by an irrational and subjective process?" In Chaos and Cosmos, Karen Lang addresses the power of art to resist the pressures of the transcendental vantage point-history. Uncovering the intellectual and cultural richness of the early years of academic art history in Germany—the period from the 1880s to 1940—she explores various attempts within art history to transform aesthetic phenomena—chaos—into the cosmos of a systematic, unified field of inquiry.Lang starts by examining Panofsky's approach to aesthetic phenomena in his early theoretical essays alongside Ernst Cassirer's contemporaneous publications on the substance and function of scientific concepts (and on Einstein's theory of relativity). She then turns to the subject of aesthetic judgment through a rereading of Kantian subjectivity and Kant's uneasy legacy in art history. From here, Lang considers the different organizing theories of symbolic form proposed by Aby Warburg and Cassirer, as well as Goethe's inspiration for both; Alois Riegl's notion of age value and Walter Benjamin's conceptions of the aura; concluding with an extended examination of objectivity and the figure of the art connoisseur.Extensively illustrated with works of art from the Enlightenment to the present day, this venturesome book illuminates an intellectual legacy that has profoundly shaped the study of the history of art in ways that have, until now, been largely unacknowledged. Addressing the interplay of chaos and cosmos in terms of history, art history, philosophy, and epistemology, Lang traces shifts in point of view in art history and the way these shifts change aesthetic objects into historical objects, and even objects of knowledge

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501731129
    Other identifier:
    Subjects: ART / History / Modern (late 19th Century to 1945); Aesthetics, German; Aesthetics, German; Art criticism; Art criticism; Kunstwissenschaft; Kunstkritik; Ästhetik
    Other subjects: Kant, Immanuel (1724-1804); Goethe, Johann Wolfgang von (1749-1832); Warburg, Aby Moritz (1866-1929); Panofsky, Erwin (1892-1968); Riegl, Alois (1858-1905); Benjamin, Walter (1892-1940); Cassirer, Ernst (1874-1945)
    Scope: 1 online resource, 1 table, 50 halftones
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Apr 2019)
  7. The Practice of Theory
    Poststructuralism, Cultural Politics, and Art History
    Author: Moxey, Keith
    Published: [2018]; © 1994
    Publisher:  Cornell University Press, Ithaca, NY

    Many art historians regard poststructuralist theory with suspicion; some even see its focus on the political dimension of language as hostile to an authentic study of the past. Keith Moxey bridges the gap between historical and theoretical approaches... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Many art historians regard poststructuralist theory with suspicion; some even see its focus on the political dimension of language as hostile to an authentic study of the past. Keith Moxey bridges the gap between historical and theoretical approaches with the provocative argument that we cannot have one without the other. "If art history is to take part in the processes of cultural transformation that characterize our society," he writes, "then its historical narratives must come to terms with the most powerful and influential theories that currently determine the way in which we conceive of ourselves."After exploring how the insights offered by deconstruction and semiotics change our understanding of representation, ideology, and authorship, Moxey himself puts theory into practice. In a series of engaging essays accompanied by twenty-eight illustrations, he first examines the impact of cultural values on Erwin Panofsky's writings. Taking a fresh look at work by artists from Albrecht Dürer and Erhard Schön to Barbara Kruger and Julian Schnabel, he then examines the process by which he generic boundaries between "high" and "low" art have helped to sustain class and gender differences. Making particular reference to the literature on Martin Schongauer, Moxey also considers the value of art history when it is reduced to artist's biography. Moxey's interpretation of the work of Hieronymus Bosch not only reassesses its intelligence and imagination, but also brings to light its pragmatic conformity to elite definitions of artistic "genius." With his compelling analysis of the politics of interpretation, Moxey draws attention to a vital aspect of the cultural importance of history

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501729027
    Other identifier:
    Subjects: ART / Criticism; Art criticism; Art; Poststructuralism; Poststrukturalismus; Kunstbetrachtung; Kunstgeschichtsschreibung
    Other subjects: Panofsky, Erwin (1892-1968)
    Scope: 1 online resource, 27 halftones, 1 drawing
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2019)
  8. Beschädigte Schönheit
    eine Ästhetik des Handicaps
    Author: Jäger, Lorenz
    Published: 2014
    Publisher:  zu Klampen, Springe

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 979274
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    Staats- und Universitätsbibliothek Bremen
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    7.01 JAE
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    2015/751
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    15-13137
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    Landesbibliothek Oldenburg
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    14-8820
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    Universitätsbibliothek Vechta
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    BLNjäg = 448386
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
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    255920 - A
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    UB Weimar
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    Mag Br 3082
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783866742321
    Other identifier:
    9783866742321
    RVK Categories: EC 5410 ; DT 9000
    Series: zu Klampen Essay
    Subjects: Art appreciation; Art criticism; Art; Disability studies
    Scope: 127 Seiten, 185 mm x 115 mm
  9. Making race
    modernism and "racial art" in America
    Author: Francis, Jacqueline
    Published: c2012
    Publisher:  University of Washington Press, Seattle, Wash. [u.a.]

    "A comparative history of New York expressionist painters Malvin Gray Johnson (1896-1934), Yasuo Kuniyoshi (1893-1953), and Max Weber (1881-1961)"--Provided by publisher "Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Ethnologisches Museum, Bibliothek
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    NA 7/Fra
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    "A comparative history of New York expressionist painters Malvin Gray Johnson (1896-1934), Yasuo Kuniyoshi (1893-1953), and Max Weber (1881-1961)"--Provided by publisher "Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City artists whose work was popularly assigned to the category of "racial art" in the interwar years of the twentieth century. The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a Japanese-born American), and ethnicized non-Christians (such as Weber, a Russian-born Jewish American). The discourse on racial art is a troubling chapter in the history of early American modernism that has not, until now, been sufficiently documented. Jacqueline Francis juxtaposes the work of these three artists in order to consider their understanding of the category and their stylistic responses to the expectations created by it, in the process revealing much about the nature of modernist art practices. Most American audiences in the interwar period disapproved of figural abstraction and held modernist painting in contempt, yet the critics who first expressed appreciation for Johnson, Kuniyoshi, and Weber praised their bright palettes and energetic pictures--and expected to find the residue of the minority artist's heritage in the work itself. Francis explores the flowering of racial art rhetoric in criticism and history published in the 1920s and 1930s, and analyzes its underlying presence in contemporary discussions of artists of color. Making Race is a history of a past phenomenon which has ramifications for the present. Jacqueline Francis is a senior lecturer at the California College of the Arts"--Provided by publisher

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0295991453; 9780295991450
    Subjects: Modernism (Art); Art criticism; Art and race; Painting, American
    Other subjects: Johnson, Malvin Gray (1896-1934); Kuniyoshi, Yasuo (1889-1953); Weber, Max (1881-1961)
    Scope: XIV, 250 S., [4] Bl, Ill, 23 cm
    Notes:

    "A McLellan book"--T.p

    Includes bibliographical references (p. 155-236) and index

    Introduction -- The meanings of modernism -- Making race in American religious painting -- Type/face/mask: racial portraiture -- The race of landscape -- Conclusion.
  10. Le génie dans l'art
    anthologie des écrits esthétiques et critiques de Gabriel Séailles
    Author: Séailles, Gabriel
    Published: 2011
    Publisher:  Éditions Kimé, Paris

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2011:6508:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 817085
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    Source: Staatsbibliothek zu Berlin
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2841745619; 9782841745616
    Series: Collection Esthétiques
    Subjects: Art criticism
    Scope: 296 S., Ill., 21 cm
  11. Creative composites
    modernism, race, and the Stieglitz circle
    Author: Kroiz, Lauren
    Published: 2012
    Publisher:  Univ. of California Press, Berkeley, Calif. [u.a.] ; Phillips Collection, Washington, DC

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2012:6747:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780520272491
    RVK Categories: LO 94030
    Edition: 1. ed.
    Series: The Phillips book prize series ; 4
    Subjects: Arts, American; Art criticism; Art and race; Modernism (Art)
    Other subjects: Stieglitz, Alfred (1864-1946)
    Scope: 267 S., [4] Bl., zahlr. Ill., 27 cm
    Notes:

    Includes bibliographical references (pages 243-246) and index
  12. La rhétorique des arts
    actes du colloque tenu au collège de France
    Published: c2011
    Publisher:  Presses Universitaires de France, Paris

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 835713
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    Source: Staatsbibliothek zu Berlin
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2130584977; 9782130584971
    RVK Categories: CC 6900
    Edition: 1. éd.
    Subjects: Aesthetics; Art; Art criticism; Rhetoric
    Scope: ix, 224 p, ill, 22 cm
  13. Crescent moon over the rational
    philosophical interpretations of Paul Klee
    Author: Watson, Stephen H.
    Published: [2009]; © 2009
    Publisher:  Stanford University Press, Stanford, California

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2010:2365:
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    UB Weimar
    Signature:
    Mag Iv KleePau
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780804761253
    RVK Categories: CC 6900
    Subjects: Aesthetics, Modern; Art criticism; Philosophy, Modern; Art and philosophy
    Other subjects: Klee, Paul (1879-1940); Klee, Paul (1879-1940)
    Scope: XXII, 231 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index

    Interpreting Klee: fusing the architectonic and the poetic -- On the withdrawal of the beautiful: Adorno's and Merleau-Ponty's readings of Klee -- Gadamer, Benjamin, aesthetic modernism, and the rehabilitation of allegory: the relevance of Klee -- Of Sartre, Klee, surrealism, and philosophy: toward a nonprosaic conception of consciousness -- Heidegger, Klee's turn, and the origin of the work of art -- Fiscourse/digure: of nomadism, the specter of Oedipus, and the remnants of the sublime -- The rapture of sensuousness: color possesses me-- I am a painter.
  14. La crítica discrepante
    entrevistas sobre arte y pensamiento actual (2000 - 2011)
    Author: Guasch, Anna Maria
    Published: 2012
    Publisher:  Cátedra, Madrid

    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    A/604741
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    Source: Union catalogues
    Language: Spanish
    Media type: Book
    Format: Print
    ISBN: 9788437630663
    RVK Categories: LH 63000 ; LH 65880
    Edition: 1. ed.
    Series: Ensayos arte Cátedra
    Subjects: Art criticism; Art critics; Art, Modern
    Scope: 229 p, 21 cm
    Notes:

    Interviews
  15. Officine del nuovo
    sodalizi fra letterati, artisti ed editori nella cultura italiana fra Riforma e Controriforma ; atti del simposio internazionale, Utrecht 8 - 10 novembre 2007
    Published: 2008
    Publisher:  Vecchiarelli, Manziana (Roma)

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2008:6831:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 713726
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    A/503174
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    Herzog August Bibliothek Wolfenbüttel
    Signature:
    60.226
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    Source: Staatsbibliothek zu Berlin
    Language: Italian; English
    Media type: Book
    Format: Print
    ISBN: 9788882472313
    RVK Categories: NN 1595
    Series: Array ; 28
    Subjects: Art criticism; Art and literature; Printing; Renaissance
    Scope: 606 S., [24] Bl., Ill., 24 cm
    Notes:

    Cont. bibl., bibl. refs., notes, indices
  16. How to write about contemporary art
    Author: Williams, Gilda
    Published: [2014]; © 2014
    Publisher:  Thames & Hudson, London

    How to Write About Contemporary Art is the definitive guide to writing engagingly about the art of our time. Invaluable for students, arts professionals and other aspiring writers, the book first navigates readers through the key elements of style... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staats- und Universitätsbibliothek Bremen
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    ALL
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    Burg Giebichenstein Kunsthochschule Halle, Hochschulbibliothek
    Signature:
    A 37905
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    18-13379
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    kun 050 DG 6324
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    UB Weimar
    Signature:
    Mag If 1082
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    How to Write About Contemporary Art is the definitive guide to writing engagingly about the art of our time. Invaluable for students, arts professionals and other aspiring writers, the book first navigates readers through the key elements of style and content, from the aims and structure of a piece to its tone and language. Brimming with practical tips that range across the complete spectrum of art-writing, the second part of the book is organized around its specific forms, including academic essays; press releases and news articles; texts for auction and exhibition catalogues, gallery guides and wall labels; op-ed journalism and exhibition reviews; and writing for websites and blogs. In counselling the reader against common pitfalls such as jargon and poor structure, Gilda Williams points instead to the power of close looking and research, showing how to deploy language effectively; how to develop new ideas; and how to construct compelling texts. More than 30 illustrations throughout support closely analysed case studies of the best writing, in Source Texts by 64 authors, including Claire Bishop, Thomas Crow, T.J. Demos, Okwui Enwezor, Dave Hickey, John Kelsey, Chris Kraus, Rosalind Krauss, Stuart Morgan, Hito Steyerl, and Adam Szymczyk. Supplemented by a general bibliography, advice on the use and misuse of grammar, and tips on how to construct your own contemporary art library, How to Write About Contemporary Art is the essential handbook for all those interested in communicating about the art of today.--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780500291573; 0500291578
    RVK Categories: LH 61060 ; LH 65827 ; LH 65880 ; LH 61040
    Subjects: Art criticism
    Scope: 264 Seiten, 34 Illustrationen, 21 cm
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke

    "With 34 illustrations and 64 sources texts" - Titelblatt

    Literaturverzeichnis: Seiten 250-260

    Introduction. There is no single 'best' way to write about art ; 'International Art English' ; Anyone can learn to write competently about artThe Job: Why Write About Contemporary Art?. Explaining v. evaluating ; Art-words and artworks ; Artist/dealer/curator/critic/blogger/'Kunstworker'/journalist/historian ; Out of the blue: where art-criticism came from ; Art-writing sans frontières -- The Practice: How to Write About Contemporary Art. 'Fear is the root of bad writing' ; How to substantiate your ideas ; The audience: grounding specialists and non-specialists ; Practical 'how-to's -- The Ropes: How to Write Contemporary Art Formats. How to write an academic essay ; 'Explaining' texts ; 'Evaluating' texts ; How to write an artist's statement ; Writing formats compared: one artist, many writers -- Conclusion: How to read about contemporary art ; Notes.
  17. Radical coherency
    selected essays on art and literature, 1966 to 2005
    Author: Antin, David
    Published: 2011
    Publisher:  University of Chicago Press, Chicago, Ill. [u.a.]

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2011:2989:
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226020969; 9780226020976; 0226020967; 0226020975
    RVK Categories: LO 94000
    Subjects: Art criticism; Art, American; American poetry; Experimental poetry
    Scope: [IX], 369 S
    Notes:

    Includes index

    Art essays. Warhol: the silver tenement -- Alex Katz and the tactics of representation -- Jean Tinguely's new machine -- Lead kindly blight -- "It reaches a desert in which nothing can be perceived but feeling" -- Art and the corporations -- Video, the distinctive features of the medium -- Have mind, will travel -- The existential allegory of the Rothko Chapel -- Duchamp: the meal and the remainder -- Allan at work -- Literary essays. Modernism and postmodernism: approaching the present in modern American poetry -- Some questions about Modernism -- Radical coherency -- The stranger at the door -- The beggar and the king -- "The death of the hired man" -- Fine furs -- Wittgenstein among the poets -- John Cage uncaged is still cagey.
  18. Winckelmann's 'philosophy of art'
    a prelude to German classicism
    Author: North, John Harry
    Published: 2012
    Publisher:  Cambridge Scholars Publishing, Newcastle, UK

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2014:5606:
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    Thüringer Universitäts- und Landesbibliothek
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    ARC:AE:200:w761::2012
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
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    LH 61040 N864
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    Herzog August Bibliothek Wolfenbüttel
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    62.4450
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1443840041; 9781443840040
    RVK Categories: NN 4817
    Subjects: Art criticism; Art
    Other subjects: Winckelmann, Johann Joachim (1717-1768); Winckelmann, Johann Joachim (1717-1768)
    Scope: vii, 195 Seiten, Illustrationen, 21 cm
    Notes:

    Literaturverzeichnis: Seite [183]-195
  19. Begrifflichkeit, Konzepte, Definitionen
    Schreiben über Kunst und ihre Medien in Giovan Pietro Belloris "Viten" und in der Kunstliteratur der Frühen Neuzeit
    Contributor: Oy-Marra, Elisabeth (HerausgeberIn); Bernstorff, Marieke von (HerausgeberIn); Keazor, Henry (HerausgeberIn); Schramek, Xenia (MitwirkendeR)
    Published: 2014
    Publisher:  Harrassowitz Verlag, Wiesbaden

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2014:6999:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 919667
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    E-G 126/220
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    A 2015/5239
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    2018/4494
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    Thüringer Universitäts- und Landesbibliothek
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    KUN:BH:5100:::2014
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    Universitätsbibliothek Osnabrück
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    6171-560 6
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
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    LH 63699 B447
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    Herzog August Bibliothek Wolfenbüttel
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    66.2176
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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Oy-Marra, Elisabeth (HerausgeberIn); Bernstorff, Marieke von (HerausgeberIn); Keazor, Henry (HerausgeberIn); Schramek, Xenia (MitwirkendeR)
    Language: German; Italian; English
    Media type: Conference proceedings
    Format: Print
    ISBN: 9783447068574
    Other identifier:
    9783447068574
    RVK Categories: LH 63699 ; IU 3910
    Corporations / Congresses: Begrifflichkeit, Konzepte, Definitionen: Schreiben über Kunst und ihre Medien in Giovan Pietro Belloris "Viten" und der Kunstliteratur der Frühen Neuzeit (2010, Rom)
    Series: Culturae ; 8
    Subjects: Art criticism; Art and literature; Art, European
    Other subjects: Bellori, Giovanni Pietro (1613-1696): Vite de' pittori, scultori et architetti moderni
    Scope: VIII, 366 Seiten, Illustrationen, Notenbeispiele
    Notes:

    "Beiträge einer internationalen und interdisziplinären Tagung, die unter dem gleichnamigen Titel vom 15.-16. Januar 2010 an der Bibliotheca Hertziana in Rom stattgefunden hat" (Vorwort)

    Literaturangaben
  20. Avant-garde art and criticism in Francoist Spain
    Author: Barreiro López, Paula
    Published: [2017]
    Publisher:  Liverpool University Press, Liverpool

    This groundbreaking book surveys the shifts in the aesthetic discourse and artistic practises that decisively influenced the shaping of the avant-garde during Franco's dictatorship (1939-1975). On the basis of extensive, so far unpublished, archival... more

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    This groundbreaking book surveys the shifts in the aesthetic discourse and artistic practises that decisively influenced the shaping of the avant-garde during Franco's dictatorship (1939-1975). On the basis of extensive, so far unpublished, archival material, it discusses the intellectual and cultural field as an important battlefield for fighting the regime from within. The study opens with a comprehensive historical overview on the cultural world from the end of the Spanish Civil War throughout Francoism and reveals for the first time the broader intellectual and cultural context of vanguard art considering the special relations and negotiation processes between artist, critics and institutions during a major gap in the historiography of post-war Spanish culture: the late Franco dictatorship (1959-1975). It then analyses in depth the important role that a group of art critics played as theoreticians and peers in key artistic movements from the 1950s onwards. Using their extensive international networks in the midst of the Cold War period, they decisively influenced the aesthetic and cultural debates of their time and very concretely helped shaping a completely new discourse for the avant-garde in Spain. This book discusses the creation of this new discourse that linked culture and ethics/politics and analyses its impact on the intellectual and artistic landscape (visual, print and exhibition culture) during the last decades of Franco's regime

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1781383227; 9781781383223
    RVK Categories: LO 37095 ; LO 37097 ; NQ 8180
    Series: Value : Art : Politics
    Subjects: Art, Spanish; Avant-garde (Aesthetics); Art criticism
    Scope: viii, 353 Seiten, Illustrationen
    Notes:

    Rückseite der Titelseite: "This book is result of the research project "Modernidad(es) Descentralizsda(s): Arte, política y contracultura en el eje trasatlántico durante la Guerra Fría" (ref. HAR2014-53834-P) of the University of Barcelona ... "
  21. Corps et Interprétation (XVIe-XVIIIe siècles)
    Author: Thouret, Clotilde
    Published: 2012
    Publisher:  Editions Rodopi, Amsterdam

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 9789401208000; 940120800X
    Series: Faux titre
    Subjects: Aesthetic movement (Art) / Exhibitions; Art criticism; ART / General; Art appreciation; Art appreciation; Künste; Interpretation; Körper <Motiv>; Ästhetik
    Scope: 1 Online-Ressource (280 pages)
    Notes:

    L'interprétation n'aurait-elle pas besoin des émotions? Ce livre répond à cette question par une série d'études sur l'articulation entre l'expérience esthétique et l'activité herméneutique dans des œuvres des XVIe, XVIIe et XVIIIe siècles. Si le corps et l'interprétation ont longtemps été placés dans un rapport d'exclusion, une partie de la pensée philosophique et critique a récemment proposé de repenser une continuité entre la réception sensible et l'élaboration du sens. La période qui s'étend de la Renaissance aux Lumières nous aide à le faire, parce qu'avant l'autonomisation de la sphère e
  22. The art criticism of Paul Claudel
    Author: Killiam, Marie-Thérèse
    Published: 1990
    Publisher:  Lang, New York [u.a.]

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    :A:775:t:kl:
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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    IH 28361 K48
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    90/4961
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    92/1314
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    Universitätsbibliothek Kiel, Zentralbibliothek
    Signature:
    Pa 1298-11
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0820409022
    Series: Array ; 11
    Subjects: Art and literature; Art criticism
    Other subjects: Claudel, Paul (1868-1955)
    Scope: VIII, 411 S, 23 cm
    Notes:

    Literaturverz. S. 387 - 396
  23. Artistic responses to travel in the western tradition
    Contributor: Lippert, Sarah J. (Herausgeber)
    Published: 2018
    Publisher:  Routledge, London

    Location:
    Universitäts- und Landesbibliothek Bonn
    Signature:
    4' 2018/244
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    Source: Union catalogues
    Contributor: Lippert, Sarah J. (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9781472481245
    Series: Routledge research in art history
    Subjects: Travel in art; Art; Art criticism; Reisender <Motiv>; Kunst; Reise <Motiv>
    Scope: xiv, 258 Seiten, Illustrationen (schwarz-weiß)
  24. Apollinaire, visual poetry, and art criticism
    Author: Bohn, Willard
    Published: c1993
    Publisher:  Bucknell Univ. Press [u.a.], Lewisburg

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    Universitätsbibliothek Greifswald
    Signature:
    310/IH 11961 B677
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    A 1995/13670
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0838752268
    Subjects: Visual poetry, French; Art criticism
    Other subjects: Apollinaire, Guillaume (1880-1918); Apollinaire, Guillaume (1880-1918)
    Scope: 269 p, ill, 24 cm
    Notes:

    Includes bibliographical references (p. 263-266) and index
  25. The aesthetic point of view
    selected essays
    Author: Beardsley, Monroe C.
    Published: 1982
    Publisher:  Cornell Univ. Press, Ithaca, NY [u.a.]

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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2017 A 5969
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    K 752
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    93-12579

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    Universitätsbibliothek Osnabrück
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    HMT 4410-961 1
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    Source: Union catalogues
    Contributor: Wreen, Michael J. (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0801412501; 0801498805
    Series: Academic paperback editions
    Subjects: Aesthetics; Art criticism
    Scope: 385 S., 24 cm