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Displaying results 1 to 25 of 323.

  1. German art 1907 - 1937
    modernism and modernisation
    Author: Gaughan, Martin Ignatius
    Published: 2007
    Publisher:  Lang, Oxford

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783039109005; 3039109006
    Other identifier:
    9783039109005
    RVK Categories: LK 10350
    DDC Categories: 700
    Series: German linguistic and cultural studies ; 19
    Subjects: Art, German; Art and society; Art and technology; Art
    Scope: 350 S., Ill., 150 mm x 225 mm
    Notes:

    Literaturverz. S. 329 - 341
  2. <<The>> art of medieval technology
    images of Noah the shipbuilder
    Author: Unger, Richard W.
    Published: 1991
    Publisher:  Rutgers Univ. Pr., New Brunswick, NJ

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0813517273
    RVK Categories: LH 82700
    Subjects: Array; Noah's ark in art; Array; Art and technology
    Scope: XV, 168, [44] S., zahlr. Ill.
    Notes:

    Literaturverz. S. 147 - 160
  3. Machine art in the twentieth century
    Author: Broeckmann, Andreas
    Published: [2016]; © 2016
    Publisher:  The MIT Press, Cambridge, Massachusetts

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Universitätsbibliothek Ilmenau
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780262035064
    RVK Categories: LH 65020 ; LH 65820
    Series: Leonardo
    Subjects: Art and technology; Art, Modern
    Scope: x, 376 Seiten, 6 ungezählte Blätter, Illustrationen, 24 cm
    Notes:

    Literaturverzeichnis: Seiten 331-365
  4. The practice of light
    a genealogy of visual technologies from prints to pixels
    Author: Cubitt, Sean
    Published: [2014]; © 2014
    Publisher:  The MIT Press, Cambridge, Massachusetts

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780262027656
    RVK Categories: LH 61100
    Series: Leonardo
    Subjects: Art and technology; Visual perception
    Scope: xiv, 354 Seiten, 8 ungezählte Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seiten 281-303
  5. Immersion in the visual arts and media
    Contributor: Liptay, Fabienne (HerausgeberIn); Dogramaci, Burcu (HerausgeberIn)
    Published: [2016]; © 2016
    Publisher:  Brill, Leiden ; Rodopi, Boston

    pt. 1. Materials and sensations of immersion -- pt. 2. Archaeologies and technologies of immersion -- pt. 3. Landscapes and architectures of immersion more

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    pt. 1. Materials and sensations of immersion -- pt. 2. Archaeologies and technologies of immersion -- pt. 3. Landscapes and architectures of immersion

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Liptay, Fabienne (HerausgeberIn); Dogramaci, Burcu (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789004308190
    RVK Categories: EC 2440 ; AP 11800
    Series: Studies in intermediality ; volume 9
    Subjects: Art and technology; Interactive art
    Scope: vi, 395 Seiten, Illustrationen (schwarz-weiss)
    Notes:

    Literaturangaben
  6. Chromatic algorithms
    synthetic color, computer art, and aesthetics after code
    Author: Kane, Carolyn L.
    Published: 2014
    Publisher:  The University of Chicago Press, Chicago, Ill. [u.a.]

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226002736
    RVK Categories: EC 8795 ; LH 65829 ; LH 65880
    Subjects: Color; Computer art; Art and technology; Aesthetics, Modern; Aesthetics, Modern
    Scope: 343 pages, Ill.
    Notes:

    Includes bibliographical references and index

    How color became codeChromatic visions (400 B.C.-1969) -- Colors sacred and synthetic -- Classical and modern color: Plato through Goethe -- Industrial color: synthetics through day-glo psychedelics -- Synthetic color in video synthesis -- Disciplining color: encounters with number and code (1965-1984) -- Informatic color and aesthetic transformations in early computer art -- Collaborative computer art and experimental color systems -- From chromakey to the alpha channel -- "Transparent" screens for opaque ontology (1984-2007) -- Digital infrared as algorithmic lifeworld -- The photoshop cinema -- Postscript: a new dark age.
  7. Transmedium
    conceptualism 2.0 and the new object art
    Author: Stewart, Garrett
    Published: 2017
    Publisher:  The University of Chicago Press, Chicago

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226500874; 9780226500904
    RVK Categories: LH 65829
    Subjects: Multimedia (Art); Multimedia installations (Art); Conceptual art; Art and technology
    Scope: 296 Seiten, 8 ungezählte Seiten, ILlustrationen, 24 cm
    Notes:

    Includes index

    Overture: Coming to terms -- Prelim: Conceptualism 2.0 -- Scene one: Image frames -- Hyperreal -- Hyporealm -- Derealized -- Entr'action -- Scene two: Motion captures -- Pictureplaning -- Lightshown -- Filmedivison -- Endscapes.
  8. Changing the subject
    art and attention in the Internet age
    Author: Birkerts, Sven
    Published: 2015
    Publisher:  Graywolf Press, Minneapolis, Minn.

    "In 1994, Sven Birkerts published The Gutenberg elegies, his celebrated rallying cry to resist the oncoming digital advances, especially those that might affect the way we read literature and experience art. Over the next two decades of rampant... more

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    "In 1994, Sven Birkerts published The Gutenberg elegies, his celebrated rallying cry to resist the oncoming digital advances, especially those that might affect the way we read literature and experience art. Over the next two decades of rampant change, Birkerts has reluctantly allowed a degree of everyday digital technology into his life... In Changing the subject, he examines the changes that he has observed in himself and others--the distraction induced by reading on the screen; the loss of personal agency through reliance on GPS and one-stop information resources; an increasing acceptance of "hive" behaviors. 'An unprecedented shift is underway," he argues, and "this transformation is dramatically accelerated and more psychologically formative than any previous technological innovation.' He finds solace in engagement with art, particularly literature, and contemplates the countering energies available to us through acts of sustained attention, even as he worries that our increasingly mediated existences are a threat to creativity."--Page 4 of cover "In 1994, Sven Birkerts published The Gutenberg elegies, his celebrated rallying cry to resist the oncoming digital advances, especially those that might affect the way we read literature and experience art. Over the next two decades of rampant change, Birkerts has reluctantly allowed a degree of everyday digital technology into his life... In Changing the subject, he examines the changes that he has observed in himself and others-- the distraction induced by reading on the screen; the loss of personal agency through reliance on GPS and one-stop information resources; an increasing acceptance of "hive" behaviors. 'An unprecedented shift is underway," he argues, and "this transformation is dramatically accelerated and more psychologically formative than any previous technological innovation.' He finds solace in engagement with art, particularly literature, and contemplates the countering energies available to us through acts of sustained attention, even as he worries that our increasingly mediated existences are a threat to creativity."--Page 4 of cover

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1555977219; 9781555977214
    Subjects: Internet; Art and technology; Literature and technology; Technological innovations; Digital media; Thought and thinking
    Scope: 256 S, Ill, 22 cm
    Notes:

    On or aboutThe lint of the material -- Serendipity -- The room and the elephant -- You are what you click -- The hive life -- "I'll take Hell in a handbasket for five hundred, Alex" -- "It's not because I'm a cranky Luddite, I swear" -- André Kertész on reading -- Notebook : reading in a digital age -- Bolaño summer : a reading journal -- It wants to find you -- The Salieri syndrome : envy and attachment -- Idleness -- Emerson's "The poet" : a circling -- The still point -- Attending the dragonfly.
  9. Screen ecologies
    art, media, and the environment in the Asia-Pacific region
    Author: Hjorth, Larissa; Pink, Sarah; Sharp, Kristen; Williams, Linda
    Published: [2016]; © 2016
    Publisher:  The MIT Press, Cambridge, MA

    Media, art, climate, publics -- Connections and disconnections -- Screen cultures in the Asia-Pacific -- Platforms for public engagements -- Art, critique, and climate change -- Emergent paradigms for collaboration -- Greening intimate publics --... more

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    Burg Giebichenstein Kunsthochschule Halle, Hochschulbibliothek
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    Max-Planck-Institut für ethnologische Forschung, Bibliothek
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    Media, art, climate, publics -- Connections and disconnections -- Screen cultures in the Asia-Pacific -- Platforms for public engagements -- Art, critique, and climate change -- Emergent paradigms for collaboration -- Greening intimate publics -- Refiguring art, media, and environment

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780262034562
    Series: Leonardo
    Subjects: Art and society; Art and technology; Art; Climatic changes
    Scope: viii, 210 Seiten, Illustrationen, 23 cm
    Notes:

    Includes bibliographical references (pages [185]-202) and index

    Media, art, climate, publicsConnections and disconnections -- Screen cultures in the Asia-Pacific -- Platforms for public engagements -- Art, critique, and climate change -- Emergent paradigms for collaboration -- Greening intimate publics -- Refiguring art, media, and environment.
  10. Nanoculture
    implications of the new technoscience
    Published: 2004
    Publisher:  Intellect Books, Bristol, UK

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1841509000; 9781841509006; 1841501131; 9781841501130
    Subjects: SCIENCE / Philosophy & Social Aspects; TECHNOLOGY & ENGINEERING / Social Aspects; Nanotechnologie; Culturele aspecten; Gesellschaft; Kultur; Art and science; Art and technology; Nanoscience; Kultursoziologie; Science-Fiction-Literatur; Kultur; Gesellschaft; Nanotechnologie
    Scope: 1 Online-Ressource (255 pages)
    Notes:

    "Complement to the nano exhibit mounted at the Los Angeles County Museum of Art from Dec. 14, 2003 to Sept. 1, 2004"--Page [7]

    Includes bibliographical references (pages 212-253)

    Acknowledgements; Preface; Connecting the Quantum Dots: Nanotechscience and Culture; The Invisible Imaginar y: Museum Spaces, Hybrid Reality and Nanotechnology; Working Boundaries on the nano Exhibition; Nanotechnology in the Age of Posthuman Engineering: Science Fiction as Science; Less is More: Much Less is Much More: The Insistent Allure of Nanotechnology Narratives in Science Fiction Literature; Future Present: Nanotechnology and the scene of risk; Dust, Lust and Other Messages from the Quantum Wonderland

    Nano denotes a billionth; a nanometer is a billionth of a meter. New instrumentation and techniques have for the first time made possible materials research and engineering at this level, the scale of individual molecules and atoms. Extraordinary visions of material abundance, unprecedented materials, and powerful engineering capabilities have marked the arrival of nanotechnology, as well as dystopian scenarios of self-replicating devices running amok and causing global catastrophe. Largely a future possibility rather than present actuality, nanotechnology has become a potent cultural signifie
  11. Technology and desire
    the transgressive art of moving images
    Contributor: Gaafar, Rania (Herausgeber); Schulz, Martin (Herausgeber)
    Published: 2014
    Publisher:  Intellect, Bristol, UK ; Chicago, USA

    Cover -- Half Title -- Title -- Copyright -- Table of Contents -- Acknowledgements -- Introduction: Post-medial Technologies of Desire: Performances of Images -- Prelude: Much Trouble in the Transportation of Souls, or the Sudden Disorganization of... more

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    Cover -- Half Title -- Title -- Copyright -- Table of Contents -- Acknowledgements -- Introduction: Post-medial Technologies of Desire: Performances of Images -- Prelude: Much Trouble in the Transportation of Souls, or the Sudden Disorganization of Boundaries -- PART I: Post-Medial Image Cultures and New Media Philosophies -- Chapter 1: Technical Repetition and Digital Art, or Why the 'Digital' in Digital Cinema is not the 'Digital' in Digital Technics -- Chapter 2: Arrest and Movement -- Chapter 3: The Aesthetics of Flow and the Aesthetics of Catharsis -- Chapter 4: Digital Images and Computer Simulations -- Chapter 5: Enfolding-Unfolding Aesthetics, or the Unthought at the Heart of Wood -- PART II: Fugitive Images and Transmediality -- Chapter 6: Animated and Animating Landscapes: Space Voyages and Time Travel in the Art of Pieter Bruegel the Elder -- Colour Plates -- Chapter 7: Copernicus and I: Revolutions in Perception and The Powers of Ten -- Chapter 8: Cinema Mise en abyme: Contingencies of the Moving Image -- Chapter 9: Still Life in the Crosshairs, or For an Iconic Turn in Game Studies -- Chapter 10: Out of Image -- PART III: Post-Cinematic Desires: Genealogies of Anthropomorphic Transgressions -- Chapter 11: Choreographing the Moving Image: Post-Cinematic Desire and the Politics of Aesthetics -- Chapter 12: Desire, Time and Transition in Anthropological Film-making -- Chapter 13: Longing in Film: Emotions in Images -- Chapter 14: The Fever Curve of the Gaze and the Body as (Image) Medium: Jacques Lacan's Media Theory of Unconscious Desire -- PART IV: Material Specters and the Lives of Images -- Chapter 15: The Sequence Image Between Motion and Stillness -- Chapter 16: Gaze and Withdrawal: On the 'Logic' of Iconic Structures -- Chapter 17: The Magical Image in Georges Méliès's Cinema Chapter 18: Liminal Spaces: Notes by Film-maker and Artist Malcolm Le Grice -- Chapter 19: Transgression: The Ethical Turn and the New Politics - Fatih Akin's Cinema and the Multicultural Dilemma -- Chapter 20: Radicant Spaces of Enunciation: Visual Art, 'Phenomenotechnique', and 'Criticality' - Towards a Postcolonial Media(l) Theory -- Biographies of Authors -- Back Cover

     
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    Source: Union catalogues
    Contributor: Gaafar, Rania (Herausgeber); Schulz, Martin (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781783201662; 9781783201679
    Other identifier:
    (EBC)EBC4307301
    (EBR)ebr11138066
    (RPAM)MIL884514
    (EBL)EBL4307301
    (EBP)034323546
    Subjects: Art and technology; Ästhetik; Realismus; Videokunst; Moderne
    Other subjects: Art and technology; Videokunst; Realismus; Moderne; Ästhetik; Video art; Digital video; Realism in art; Electronic books
    Scope: 1 Online-Ressource (x, 415 Seiten)
  12. The systemic image
    a new theory of interactive real-time simulations
    Author: Hinterwaldner, Inge
    Published: [2017]; © 2017
    Publisher:  The MIT Press, Cambridge, Massachusetts ; London, England

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    Universitätsbibliothek Bielefeld
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    HK650 H666
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    ISBN: 9780262035040; 0262035049
    RVK Categories: ST 340
    Subjects: Art; Science; Visualization; Interactive multimedia; Simulation methods; Art and technology; Ästhetik; Computersimulation; Ikon; Bild
    Scope: viii, 384 Seiten, Illustrationen
    Notes:

    Übersetzung von: Hinterwaldner, Inge: Das systemische Bild, © Wilhelm Fink Verlag, Paderborn 2010

    Dissertation, Universität Basel, 2009
  13. The art of medieval technology
    images of Noah the shipbuilder
    Author: Unger, Richard W.
    Published: c1991
    Publisher:  Rutgers Univ. Press, New Brunswick, N.J

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Thüringer Universitäts- und Landesbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0813517273
    Subjects: Noah's ark in art; Christian art and symbolism; Art and technology
    Other subjects: Noah (Biblical figure)
    Scope: XV, 168 S, ill, 23 cm
    Notes:

    Includes bibliographical references (p. 147-160) and index
  14. Wonderlands of the Avant-Garde
    technology and the arts in Russia of the 1920s
    Author: Vaingurt, Julia
    Published: 2013
    Publisher:  Northwestern Univ. Press, Evanston, Ill.

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    Ruhr-Universität Bochum, Universitätsbibliothek
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780810128941
    RVK Categories: KK 1070 ; KK 1400
    Series: Northwestern University Press studies in Russian literature and theory
    Subjects: Avant-garde (Aesthetics); Russian literature; Arts, Russian; Art and technology; Machinery in literature; Technologie <Motiv>; Kunst; Russisch; Literatur
    Scope: XII, 308 S., Ill.
  15. A philosophy of computer art
    Author: Lopes, Dominic
    Published: 2010
    Publisher:  Routledge, London [u.a.]

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    Lehrstuhl für Theoretische Philosophie und Philosophisches Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780415547611; 9780415547628; 041554761X; 0415547628
    RVK Categories: LH 65829 ; AP 15950
    Subjects: Computer art; Art and technology; Ästhetik; Computerkunst
    Scope: XVI, 143 S., Ill.
    Notes:

    Includes bibliographical references and index
  16. Kunst und Technik in den 20er Jahren
    Neue Sachlichkeit und Gegenständlicher Konstruktivismus ; 2. Juli - 10. August 1980, Städtische Galerie im Lenbachhaus, München
    Published: 1980

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Deutsches Forum für Kunstgeschichte, Bibliothek

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    Universitätsbibliothek Passau
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    Kunstforum Ostdeutsche Galerie Regensburg, Bibliothek
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    Universitätsbibliothek Regensburg
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    Technische Hochschule Würzburg-Schweinfurt Bibliothek
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  17. La machine de vision
    Author: Virilio, Paul
    Published: 1988
    Publisher:  Ed. Galilée, Paris

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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Passau
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  18. Cyber-Moderne
    Medienevolution, globale Netzwerke und die Künste der Kommunikation
    Author: Faßler, Manfred
    Published: 1999
    Publisher:  Springer, Wien [u.a.]

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Hochschule für Angewandte Wissenschaften Hof - Hochschule Hof, Bibliothek
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    Bayerische Staatsbibliothek
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    Hochschule München, Bibliothek
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    Universitätsbibliothek Passau
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  19. Games, fights, collaborations
    das Spiel von Grenze und Überschreitung ; Kunst und cultural studies in den 90er Jahren
    Published: 1996
    Publisher:  Cantz, Ostfildern-Ruit bei Stuttgart

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3893228470
    RVK Categories: LH 64900
    Subjects: Geschichte; Art and technology; Artists; Popular culture; Kulturwandel; Ästhetik; Kunst; Gesellschaft
    Scope: 243 S., zahlr. Ill.
    Notes:

    Text dt. und engl.
  20. Analyzing art and aesthetics
    Published: 2013
    Publisher:  Smithsonian Institution Scholarly Press, Washington, D.C

    Models as Aesthetic Objects. Aesthetics of Technology. Artists Interpret Science and Technology. Collaboration in Action: Three Perspectives on the Smithsonian's Artist Research Fellowship Program more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Models as Aesthetic Objects. Aesthetics of Technology. Artists Interpret Science and Technology. Collaboration in Action: Three Perspectives on the Smithsonian's Artist Research Fellowship Program

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781935623137
    RVK Categories: ZG 8640
    Series: Artefacts / studies in the history of science and technology ; 9
    Subjects: Art and science; Art and technology; Aesthetics
    Scope: xii, 297 S, Ill., 27 cm
    Notes:

    Includes bibliographical references and index

    Models as Aesthetic ObjectsAesthetics of Technology -- Artists Interpret Science and Technology -- Collaboration in Action: Three Perspectives on the Smithsonian's Artist Research Fellowship Program.
  21. Naukata i Umetnosta
    naučna konferencija ; Skopje, 23 april 2010 : wissenschaftliche Konferenz = Wissenschaft und Kunst
    Contributor: Polenakoviḱ, Momir H. (HerausgeberIn)
    Published: 2012

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    Berlin-Brandenburgische Akademie der Wissenschaften, Akademiebibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Verlag (Inhaltsverzeichnis)
    Source: Staatsbibliothek zu Berlin
    Contributor: Polenakoviḱ, Momir H. (HerausgeberIn)
    Language: Macedonian; German
    Media type: Book
    Format: Print
    ISBN: 608203077X; 9786082030777
    RVK Categories: LH 61100
    Series: Raspravi / Makedonska Akademija na Naukite i Umetnostite ; 2
    Subjects: Art and science; Art and technology; Literature and science; Science and civilization
    Scope: 298 S., Kt.
    Notes:

    Includes bibliographical references
  22. Grammalepsy
    essays on digital language art
    Author: Cayley, John
    Published: 2018
    Publisher:  Bloomsbury Academic, [London] ; Bloomsbury Publishing, London

    "Collecting and recontextualizing writings from the last twenty years of John Cayley's research-based practice of electronic literature, Grammalepsy introduces a theory of aesthetic linguistic practice developed specifically for the making and... more

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "Collecting and recontextualizing writings from the last twenty years of John Cayley's research-based practice of electronic literature, Grammalepsy introduces a theory of aesthetic linguistic practice developed specifically for the making and critical appreciation of language art in digital media. As he examines the cultural shift away from traditional print literature and the changes in our culture of reading, Cayley coins the term "grammalepsy" to inform those processes by which we make, understand, and appreciate language. Framing his previous writings within the overall context of this theory, Cayley eschews the tendency of literary critics and writers to reduce aesthetic linguistic making - even when it has multimedia affordances - to "writing." Instead, Cayley argues that electronic literature and digital language art allow aesthetic language makers to embrace a compositional practice inextricably involved with digital media, which cannot be reduced to print-dependent textuality." --Bloomsbury Publishing

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501335792; 9781501335785; 9781501335778
    Other identifier:
    Series: Electronic literature ; 1
    Subjects: Art and technology; Language arts; Language arts; Art and technology
    Scope: 1 Online-Ressource (xiv, 298 pages), Illustrationen
    Notes:

    Includes bibliographical references and index
  23. Analyzing art and aesthetics
    Published: 2013
    Publisher:  Smithsonian Institution Scholarly Press, Washington, D.C

    Models as Aesthetic Objects. Aesthetics of Technology. Artists Interpret Science and Technology. Collaboration in Action: Three Perspectives on the Smithsonian's Artist Research Fellowship Program more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Institut für Museumsforschung, Bibliothek
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    C.2.Obgoo
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    Staats- und Universitätsbibliothek Bremen
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    a kun 040.9/607
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    16-15035
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    Models as Aesthetic Objects. Aesthetics of Technology. Artists Interpret Science and Technology. Collaboration in Action: Three Perspectives on the Smithsonian's Artist Research Fellowship Program

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781935623137
    RVK Categories: ZG 8640
    Series: Artefacts / studies in the history of science and technology ; 9
    Subjects: Art and science; Art and technology; Aesthetics
    Scope: xii, 297 S, Ill., 27 cm
    Notes:

    Includes bibliographical references and index

    Models as Aesthetic ObjectsAesthetics of Technology -- Artists Interpret Science and Technology -- Collaboration in Action: Three Perspectives on the Smithsonian's Artist Research Fellowship Program.
  24. Naukata i Umetnosta
    naučna konferencija ; Skopje, 23 april 2010 : wissenschaftliche Konferenz = Wissenschaft und Kunst
    Contributor: Polenakoviḱ, Momir H. (HerausgeberIn)
    Published: 2012

    Location:
    Berlin-Brandenburgische Akademie der Wissenschaften, Akademiebibliothek
    Signature:
    2015 B 336
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    3 A 219888
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2015 A 2751
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2015 A 7526
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    LH 61100 108
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    Verlag (Inhaltsverzeichnis)
    Source: Staatsbibliothek zu Berlin
    Contributor: Polenakoviḱ, Momir H. (HerausgeberIn)
    Language: Macedonian; German
    Media type: Book
    Format: Print
    ISBN: 608203077X; 9786082030777
    RVK Categories: LH 61100
    Series: Raspravi / Makedonska Akademija na Naukite i Umetnostite ; 2
    Subjects: Art and science; Art and technology; Literature and science; Science and civilization
    Scope: 298 S., Kt.
    Notes:

    Includes bibliographical references
  25. Telematic embrace
    visionary theories of art, technology, and consciousness
    Author: Ascott, Roy
    Published: 2003
    Publisher:  University of California Press, Berkeley

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    Freie Universität Berlin, Universitätsbibliothek
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Universität der Künste Berlin, Universitätsbibliothek
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