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Displaying results 1 to 25 of 4055.

  1. Zwischen Text und Bild
    Schreiben und Gestalten mit neuen Medien
    Published: 2012
    Publisher:  Fillibach-Verlag bei Klett Sprachen, Freiburg im Breisgau

    Location:
    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3931240282; 9783126880251
    RVK Categories: GB 2944 ; GB 2964 ; LH 65829
    Subjects: Art and literature; Arts; Multimedia systems; Picture interpretation; Medienpädagogik; Kunsterziehung; Deutschunterricht
    Scope: 224 Seiten, Illustrationen, Diagramme
    Notes:

    Literaturverz. S. 185 - 192

    CD-ROM-Beil. 2 u.d.T.: Torins Passage
  2. The language of comics
    word and image
    Contributor: Varnum, Robin (Herausgeber); Gibbons Christina T. (Herausgeber)
    Published: 2001
    Publisher:  Univ. Press of Mississippi, Jackson

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Varnum, Robin (Herausgeber); Gibbons Christina T. (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 1578064139; 1578064147
    RVK Categories: LC 66000 ; EC 7120
    Series: Studies in popular culture
    Subjects: Strips; Geschichte; Art and literature; Comic books, strips, etc.; Sprache; Bild; Comic
    Scope: XIX, 222 S., Ill.
  3. Ikono/Philo/Logie: Wechselspiele von Texten und Bildern
    Published: 2004
    Publisher:  trafo, Berlin

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
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    Universität Potsdam, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3896264001
    RVK Categories: EC 1830
    Edition: 1. Aufl.
    Series: Potsdamer Beiträge zur Kultur- und Sozialgeschichte ; 2
    Subjects: Art and literature
    Scope: 328 S., Ill., 210 mm x 148 mm, 510 gr.
  4. Auf der Suche nach einer neuen Kunst
    Konzepte der Moderne im 19. Jahrhundert ; Runge, Goethe - Grandville, Delord - Schwind, Mörike - Manet, Mallarme
    Author: Jacobs, Stephanie
    Published: 2000
    Publisher:  VDG, Weimar

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Union catalogues
    Media type: Dissertation
    Format: Print
    ISBN: 389739149X
    RVK Categories: CI 6900 ; LH 65810 ; LH 71670
    Subjects: Art and literature; Art, Modern -- 19th century; Literature, Modern -- 19th century; Modernism (Art); Modernism (Literature)
    Scope: 213 S, 36 Abb. u. Taf, 8[grad]
    Notes:

    Zugl.: Berlin, Freie Univ., Diss, 1998
  5. Beschreibung von Kunstwerken in der hellenistischen Dichtung
    ein Beitrag zur hellenistischen Poetik
    Author: Manakidou, Flora
    Published: 1993
    Publisher:  Teubner, Stuttgart

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 171362
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3519074850
    Series: Beiträge zur Altertumskunde ; 36
    Subjects: Greek poetry, Hellenistic; Art and literature; Art in literature
    Scope: XXVII, 298 S
    Notes:

    Zugl.: Köln, Univ., Diss., 1992
  6. Poetic illumination
    Réne Char and his artist allies
    Author: Lancaster, Rosemary
    Published: 2010
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- Acknowledgements -- Titles of Collections -- René Char: 1907–1988 -- Introduction -- Surrealism and Beyond: Kandinsky, Dali, Corot, Courbet -- Picasso Reviewed: from Fact to Myth -- New Horizons: “Presenting Georges Braque” --... more

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    Preliminary Material -- Acknowledgements -- Titles of Collections -- René Char: 1907–1988 -- Introduction -- Surrealism and Beyond: Kandinsky, Dali, Corot, Courbet -- Picasso Reviewed: from Fact to Myth -- New Horizons: “Presenting Georges Braque” -- The Fantastic Realism of Joan Miró -- Georges de La Tour: Artist of Light and Shade -- The Magic of Lascaux -- Nicolas de Staël: Seeker of Summits, Child of the Pole Star -- Vieira da Silva: A Web of Connections -- The Last Collections: Vincent Van Gogh and Alexandre Galperine -- The Illumination of the Poet -- Dramatis Personæ -- Selective Bibliography -- Index. In 1980 an exhibition of the Illuminated Manuscripts of René Char held in Paris took the artistic and literary worlds by surprise. It featured illustrations by twenty-eight artists of an array of Char’s hand-written poems. Char’s artistic associations, spanning seven decades, remain remarkable today. Not only was he amply illustrated by those he called his “substantial allies”; the dedicatory poems and prose pieces they inspired, written with revelatory flair, constitute a unique corpus in the history of art and poetic enterprise. This book brings together an exemplary number of the artists Char prized over time: Dali and Kandinsky in the early years; later, Picasso, Braque and Miró; yet later, Vieira da Silva, Nicolas de Staël and Alexandre Galperine. It also considers the poet’s fascination with Corot, Courbet, La Tour, Van Gogh and the cave art of Lascaux

     
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    Source: Union catalogues
    Language: English; French
    Media type: Ebook
    Format: Online
    ISBN: 9789042032088
    Other identifier:
    Series: Faux titre ; 357
    Subjects: Poets, French; Artists; Art and literature; Art and literature; Artists; Friendship; Poets, French; Biography
    Other subjects: Char, René (1907-1988); Char, René
    Scope: 1 Online-Ressource (252 pages), portrait
    Notes:

    Includes bibliographical references and index
  7. Ford Madox Ford and visual culture
    Published: 2009
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- LIST OF ILLUSTRATIONS -- GENERAL EDITOR’S PREFACE /Max Saunders -- INTRODUCTION /Laura Colombino -- FROM PAINT TO PRINT – GRANDFATHER’S LEGACY /Angela Thirlwell -- FORD MADOX FORD’S ART CRITICISM AS A RESERVOIR FOR HIS... more

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    Preliminary Material -- LIST OF ILLUSTRATIONS -- GENERAL EDITOR’S PREFACE /Max Saunders -- INTRODUCTION /Laura Colombino -- FROM PAINT TO PRINT – GRANDFATHER’S LEGACY /Angela Thirlwell -- FORD MADOX FORD’S ART CRITICISM AS A RESERVOIR FOR HIS NARRATIVE POETICS /Vita Fortunati -- FROM PRE-RAPHAELISM TO IMPRESSIONISM /Max Saunders -- IMAGE-MUSIC-TEXT: FORD AND THE IMPRESSIONIST LYRIC /Ashley Chantler -- TO COOK, OR TO PAINT, IN PARIS?: FORD IN COLOUR /Sara Haslam -- VISUALITY VS. TEMPORALITY: PLOTTING AND DEPICTION IN THE FIFTH QUEEN AND LADIES WHOSE BRIGHT EYES /Rob Hawkes -- THE PORTRAIT: FORD’S CHEF-D’ɶUVRE INCONNU /Gene M. Moore -- FORD MADOX FORD’S LITERARY PORTRAITS /Anna Viola Sborgi -- FORDING HOLBEIN /Martin Stannard -- SKULL/BRAIN DRAIN STAIN (THE AMBASSADORS) /guy mannes-abbott -- ‘IF WE SHADOWS HAVE OFFENDED’: THE METAPHOR OF SHADOW IN THE MARSDEN CASE /Jenny Plastow -- A MAP OF TORY MISREADING IN PARADE’S END /Mark Conroy -- MODERNITY, SHOCK AND CINEMA: THE VISUAL AESTHETICS OF FORD MADOX FORD’S PARADE’S END /Alexandra Becquet -- FORD, BOWEN, AND ITALIAN ART /Joseph Wiesenfarth -- FORD + BIALA: A LONG AND PASSIONATE DIALOGUE /Jason Andrew -- FORD, MATISSE AND THE BOOK OF THE DEAD: THE (IN)VISIBLE OBJECTS OF THE RASH ACT AND HENRY FOR HUGH /Laura Colombino -- CONTRIBUTORS -- ABSTRACTS -- ABBREVIATIONS. The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; and relates aspects of Ford’s work, life, and contacts, to broader concerns of his time. This volume marks the seventieth anniversary of Ford’s death. Its focus is how his work engages with visual culture. He wrote criticism, biography, and reminiscences about the Pre-Raphaelite artists he’d been brought up amongst – Rossetti, Holman Hunt, and in particular his grandfather Ford Madox Brown. But his art-writing ranges much more widely, from Holbein to Cézanne and Matisse. Ford came to advocate Impressionism in literature. In London before the First World War he got to know avant-garde artists like Wyndham Lewis and Henri Gaudier-Brzeska, and wrote about modern visual art movements, such as Futurism, Vorticism and Cubism. This work is discussed, not just in terms of what it tells us about art, but for what it reveals about the development of Ford’s own practice as a writer, and of his critical ideas. After the War he lived in France with two painters, first the Australian Stella Bowen, then the American Janice Biala, and moved in the Modernist art circles of Picasso, Juan Gris, Gertrude Stein and Brancusi. This volume includes sixteen new essays by critics and art historians on Ford’s engagement with the rapidly transforming visual cultures of his era, which break new ground discussing his writing about visual arts, and how it affected his fiction, poetry and criticism. Among numerous illustrations are several portraits of Ford by Janice Biala reproduced for the first time. Also published here for the first time are generous extracts from Biala’s marvelous letters from the 1930s about Ford

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789042026360
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    Series: International Ford Madox Ford studies ; v. 8
    Subjects: Art criticism; Art and literature; Influence (Literary, artistic, etc.); Art; Art and literature; Art criticism; Influence (Literary, artistic, etc.); Art; Criticism, interpretation, etc; History
    Other subjects: Ford, Ford Madox (1873-1939); Ford, Ford Madox (1873-1939); Ford, Ford Madox
    Scope: 1 Online-Ressource (269 pages, [32] pages of plates), illustrations (some color)
    Notes:

    Includes bibliographical references
  8. Elective affinities
    testing word and image relationships
    Published: 2009
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- Introduction /Catriona MacLeod -- Summaries -- Consulting the Manual: Word and Image in Marcel Duchamp’s Étant donnés /Michael R. Taylor -- Living and Dying in the Limelight: Performing the Self in Frida Kahlo’s Diary and... more

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    Preliminary Material -- Introduction /Catriona MacLeod -- Summaries -- Consulting the Manual: Word and Image in Marcel Duchamp’s Étant donnés /Michael R. Taylor -- Living and Dying in the Limelight: Performing the Self in Frida Kahlo’s Diary and Paintings /Adriana Dragomir -- Imbrication de l’image, du texte et de la musique dans un corpus de prières énigmatiques à la Vierge /Laurence Wuidar -- The Künstlerroman as Romantic Arabesque: Parody, Collaboration, and the Making of The Modern Vasari (1854) /Cordula Grewe -- The “Inscapes” of Louis le Brocquy /Karen E. Brown -- American Scenery/Canadian Scenery: Conflicting Views of Indigenes in Mid-Nineteenth-Century British Portrayals of the American Continent /Robert Grant -- Cartoonists as Matchmakers: The Vibrant Relationship of Text and Image in the Work of Lynda Barry /Miriam Harris -- The Truth of the Word, the Falsity of the Image: Transmetropolitan’s Critique of the Society of the Spectacle /Steen Christiansen -- Le magazine français Vu (1928–40): Naissance de l’information visuelle et utopie de la substitution de l’image photographique au texte écrit /Danielle Leenaerts -- From Ekphrasis to History: Verbal Transformations of the Display of Picture Galleries—Wilhelm Heinse and Friedrich Schlegel /Hubert Locher -- Modernizing History and Historicizing Modernity: Baudelaire and Baudelairean Representations of Contemporaneity /Lauren S. Weingarden -- Serial Künstler: Portrait of the Artist as a Malefactor /Valentin Nussbaum -- Hypnotic Performance and the Falsity of Appearances: The Aesthetics of Medical Spectatorship and Axel Munthe’s Critique of Jean-Martin Charcot /Jonathan Marshall -- New Light and Old Shadows: Industrial Illumination and its Imaginaire /Susana Oliveira -- Illustrating the Shadow of Doubt: Henry James, Blindness, and “The Real Thing” /Jennifer A. Greenhill -- Picturing Paradise: Baudelaire’s “L’Invitation au voyage” /Eric T. Haskell -- The Writing-Drawing Continuum of Alexei Remizov /Julia Friedman -- Aby Warburg as Reader of Gottfried Semper: Reflections on the Cosmic Character of Ornament /Spyros Papapetros -- John Heartfield’s Insects and the “Idea” of Natural History /Cristina Cuevas-Wolf -- The Photographic Thought of Latina/o Literature and Cultural Critique /María DeGuzmán -- Diderot, Brecht, Eisenstein, Fassbinder: Découpage Aesthetics on the Divide /Susan Nurmi-Schomers -- (Ideo-)Logical Alliances between Image and Script: Calligraphic Reconfigurations in Contemporary Chinese Art /Birgit Mersmann -- Contributors -- Index. This volume presents the impressive range of scholarly affinities, approaches, and subjects that characterize today’s word and image studies. The essays, a selection of papers first presented in 2005 at the seventh international conference of the International Association of Word and Image Studies/Association Internationale pour l’Étude des Rapports entre Texte et Image that took place in Philadelphia, are case studies of the diverse configurations of the textual and the iconic. “Elective affinities” — a notion originally borrowed by Goethe for his 1809 novel of the same title from eighteenth-century chemistry — here refers to the active role of the two partners in the relationship of the pictorial and the verbal. Following the experimental modalities opened up by Goethe, the present volume is divided into three sections, which explore, respectively, how words and images can merge in harmony, engage in conflicts and contestations, and, finally, interact in an experimental way that self-consciously tests the boundaries and relations among verbal and visual arts. New perspectives on word and image relationships emerge, in periods, national traditions, works, and materials as different as (among many others) an installation by Marcel Duchamp and the manual accompanying it; the impact of artificial light sources on literature and art; nineteenth-century British illustrations of Native Americans; the contemporary comic book; a seventeenth-century Italian devotional manuscript uniting text, image, and music; Chinese body and performance art

     
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    Source: Union catalogues
    Language: English; French
    Media type: Ebook
    Format: Online
    ISBN: 9789042026193
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    Series: Word & image interactions ; 6
    Subjects: Art and literature; Art and literature; Conference papers and proceedings
    Scope: 1 Online-Ressource (421 pages)
    Notes:

    Includes bibliographical references and index
  9. Making strange
    beauty, sublimity, and the (post)modern 'third aesthetic'
    Author: Grabes, Herbert
    Published: 2008
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- The Aesthetic of the Strange -- The Strange Art and Literature of Modernism -- The Strange Art and Literature of Postmodernism -- The Aesthetic of the Strange as the Aesthetic of Modernism and Postmodernism -- Theoretical... more

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    Preliminary Material -- The Aesthetic of the Strange -- The Strange Art and Literature of Modernism -- The Strange Art and Literature of Postmodernism -- The Aesthetic of the Strange as the Aesthetic of Modernism and Postmodernism -- Theoretical Foundations of the Aesthetic of the Strange -- Works Cited. This compact, indispensable overview answers a vexed question: Why do so many works of modern and postmodern literature and art seem designed to appear ‘strange’, and how can they still cause pleasure in the beholder? To help overcome the initial barrier caused by this ‘strangeness’, the general reader is given an initial, non-technical description of the ‘aesthetic of the strange’ as it is experienced in the reading or viewing process. There follows a broad survey of modern and postmodern trends, illustrating their staggering variety and making plain the manifold methods and strategies adopted by writers and artists to ‘make it strange’. The book closes with a systematic summary of the theoretical underpinnings of the ‘aesthetic of the strange’, focussing on the ways in which it differs from both the earlier ‘aesthetic of the beautiful’ and the ‘aesthetic of the sublime’. It is made amply clear that the strangeness characteristic of modern and postmodern art has ushered in an entirely new, ‘third’ kind of aesthetic – one that has undergone further transformation over the past two decades. Beyond its usefulness as a practical introduction to the ‘aesthetic of the strange’, the present study also takes up the most recent, cutting-edge aspects of scholarly debate, while initiates are offered an original approach to the theoretical implications of this seminal phenomenon

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789042029118
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    Series: Postmodern studies ; 42
    Subjects: Postmodernism; Art, Modern; Avant-garde (Aesthetics); Art and literature; Art and literature; Art, Modern; Avant-garde (Aesthetics); Postmodernism; History
    Scope: 1 Online-Ressource (xiii, 172 pages, 16 pages of plates), illustrations (chiefly color)
    Notes:

    "English translation by Marc Colavincenzo from Einführung in die Literatur und Kunst der Moderne und Postmoderne : die Ästhetik des Fremden (Tübingen & Basel: Francke, 2004), with further editing by Gordon Collier"--Title page verso

    Includes bibliographical references (p. 165-172)
  10. Multimedia archaeologies
    Gabriele D'Annunzio, Belle époque Paris, and the total artwork
    Author: Mirabile, Andrea
    Published: 2014
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- Acknowledgments -- The Decadence of Decadence -- The Verbal: Saint Sebastian, Adonis, and Christ -- The Visual: Aesthetic/Ecstatic -- The Musical: Music for the Eyes -- Multimedia Archaeologies: Gabriele D’Annunzio, Belle... more

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    Preliminary Material -- Acknowledgments -- The Decadence of Decadence -- The Verbal: Saint Sebastian, Adonis, and Christ -- The Visual: Aesthetic/Ecstatic -- The Musical: Music for the Eyes -- Multimedia Archaeologies: Gabriele D’Annunzio, Belle Époque Paris, and the Total Artwork -- Works Cited. Paris, 1910-1915. Artists, intellectuals, and international celebrities crowd the city as never before. Decadent dreams and avant-garde manifestos celebrate the marriage between art and life. Creative experiments and vital joy dance hand in hand—on the edge of the abyss of WWI. Gabriele D’Annunzio is one of the highly influential yet semi-forgotten protagonists of this season and an emblem of its contradictions. A child of the Decadence, but also a forerunner of Modernism, the Italian poet defies the barriers between art forms, languages, and aesthetic practices. Tellingly, some of the period’s major figures across the arts are involved in D’Annunzio’s projects, including Canudo, Bakst, Brooks, Debussy, Montesquiou, and Rubinstein. In particular, in his sacred drama Le Martyre de Saint Sébastien , the poet combines French, Italian, literature, theater, mime, dance, music, painting, and cinema in a way that fuses old and new. D’Annunzio’s hybrid experiments challenge Wagner’s ‘total artwork’ theories, search for a synthesis between pictorial stillness and filmic movement, and anticipate contemporary multimedia experiences. These artistic collaborations end suddenly at the outbreak of the Great War, when Dannunzian total artworks migrate from the stage to the battlefield, generating a controversial legacy that calls for renewed critical investigations

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789401210515
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    Series: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft ; 172
    Subjects: Art and literature; Art and literature; Decadence (Literary movement); Intellectual life; Modernism (Literature); Music and literature; Criticism, interpretation, etc; History
    Other subjects: D'Annunzio, Gabriele (1863-1938); D'Annunzio, Gabriele
    Scope: 1 Online-Ressource (215 pages), illustrations (some color)
    Notes:

    Includes bibliographical references (p. 199-215)
  11. The body as medium and metaphor
    Author: Westley, Hannah
    Published: 2008
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- Introduction -- Imaging the Absent Subject: Marcel Duchamp’s Le Grand Verre -- The Autoportrait: Michel Leiris’ L’Âge d’Homme -- Mimicking Mimesis: Francis Bacon’s Portraits -- Textual Imagery: Visualizing the Self in the... more

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    Preliminary Material -- Introduction -- Imaging the Absent Subject: Marcel Duchamp’s Le Grand Verre -- The Autoportrait: Michel Leiris’ L’Âge d’Homme -- Mimicking Mimesis: Francis Bacon’s Portraits -- Textual Imagery: Visualizing the Self in the Writing of Bernard Noël and Gisèle Prassinos -- From the informe to the abject: shifting morphologies in the art of Louise Bourgeois and Orlan -- Conclusion -- Bibliography. Reconsidering the relationship between autobiography and self-portraiture, The Body as Medium and Metaphor explores the intertextuality of self-representation in twentieth-century French art. Situating the body as the nexus of intersections between the written word and the visual image, this book rethinks the problematic status of the self. Starting at the twentieth-century’s departure from figurative and mimetic representation, this study discusses the work of seminal artists and writers – including Marcel Duchamp, Michel Leiris, Francis Bacon, Bernard Noël, Gisèle Prassinos, Louise Bourgeois and Orlan – to articulate the twentieth century’s radical revisions of subjectivity that originated from and returned to representations of the word, the image, and the body. This volume will be of interest to students of both French Literature and Art History, particularly those who are interested in the interdisciplinary exchanges between visual arts and literature

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789401205856
    Other identifier:
    Series: Faux Titre, 312 ; v. v. 312
    Subjects: Autobiography; Art and literature; French literature; Self-portraits; Art and literature; Autobiography; French literature; Self-portraits; Criticism, interpretation, etc; History
    Scope: 1 Online-Ressource (213 pages)
    Notes:

    Includes bibliographical references (p. 205-212)
  12. Diagramming devotion
    Berthold of Nuremberg's transformation of Hrabanus Maurus's poems in praise of the Cross
    Author: Hamburger, Jeffrey F.
    Published: 2020
    Publisher:  The University of Chicago Press, Chicago ; London

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226642819
    Series: The Louise Smith Bross lecture series
    Subjects: Early history: c 500 to c 1450/1500; Church history; HISTORY / Europe / Medieval; RELIGION / Christianity / History; Art and literature; Illumination of books and manuscripts, Medieval; Berthold; Forschungsbibliothek Gotha; Rabanus Maurus - Influence; Visual poetry, Latin (Medieval and modern) - History and criticism
    Scope: xi, 418 Seiten, 218 Illustrationen
    Notes:

    Literaturverzeichnis Seite 349 - 391
  13. Cooper's landscapes
    an essay on the picturesque vision
    Author: Nevius, Blake
    Published: 1976
    Publisher:  Univ. of California Press, Berkeley, Calif. [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0520027515
    RVK Categories: HT 4795
    Series: Quantum books
    Subjects: Art and literature; Historical fiction, American; Picturesque, The, in literature; Landscapes in literature; Landscapes in art
    Scope: XII, 127 S., Ill., 21 cm
  14. Narrative Interludes
    Musical Tableaux in Eighteenth-Century French Texts
    Author: Cuillé, Tili Boon
    Published: [2016]; © 2005
    Publisher:  University of Toronto Press, Toronto

    French authors in the eighteenth century traditionally used music to enhance literary love scenes. Jean-Jacques Rousseau considerably expanded contemporary notions of music?s expressive power, yet distinguished between the capacity of different... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    French authors in the eighteenth century traditionally used music to enhance literary love scenes. Jean-Jacques Rousseau considerably expanded contemporary notions of music?s expressive power, yet distinguished between the capacity of different nations and sexes to wield it. Rousseau?s controversial statements led his readers to interrogate the relationship between music, meaning, and morality. They depicted their resistance to his claims in musical tableaux, or musical performances staged for a beholder inscribed within the text. Tili Boon Cuillé?s Narrative Interludes chronicles the emergence of the musical tableau in French literature.Spanning the latter half of the eighteenth century, Cuillé brings the cultural discourse on music and musicians to bear on the works of Diderot, Cazotte, Beaumarchais, Charrière, Cottin, Krüdener, and Staël. She turns attention from the representation of music to its moral repercussions, from aesthetic innovation to social resistance, and from national to gender politics. Juxtaposing pre-eminent and popular writers, Cuillé reads their fictional works in light of their treatises on art and society, exploring the significance of musical tableaux that have previously fallen outside the scope of literary analysis but that revolutionized the form and function of music in the text

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442677524
    Other identifier:
    Series: University of Toronto Romance Series
    Subjects: Geschichte; Aesthetics, French; Art and literature; French literature; Opera; Oper; Französisch; Musik; Buffonistenstreit; Kunst; Ästhetik; Literatur
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)
  15. Earthquakes and Explorations
    Language and Painting from Cubism to Concrete Poetry
    Author: Scobie, Stephen
    Published: [2016]; © 1997
    Publisher:  University of Toronto Press, Toronto

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442664869
    Other identifier:
    Subjects: Art and literature; Concrete poetry; Cubism and literature; Painting, Modern; Kubismus; Konkrete Poesie; Literatur; Malerei; Sprache; Kunst
    Other subjects: Stein, Gertrude (1874-1946); Finlay, Ian Hamilton (1925-2006); Braque, Georges (1882-1963); Apollinaire, Guillaume (1880-1918)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    :
  16. On the Aesthetics of Beowulf and Other Old English Poems
    Author: Hill, John M.
    Published: [2016]; © 2010
    Publisher:  University of Toronto Press, Toronto

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442698758
    Other identifier:
    Subjects: Geschichte; Literatur; Ästhetik; Art and literature; English poetry; English poetry; Literature
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    :
  17. Private Interests
    Women, Portraiture, and the Visual Culture of the English Novel, 1709-1791
    Author: Conway, Alison
    Published: [2016]; © 2001
    Publisher:  University of Toronto Press, Toronto

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442678767
    Other identifier:
    Subjects: Geschichte; Art and literature; English fiction; Visual perception in literature; Women and literature; Englisch; Bildnis; Frau; Roman
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    :
  18. Renaissance Perspectives in Literature and the Visual Arts
    Author: Roston, Murray
    Published: [1990]
    Publisher:  Princeton University Press, Princeton, N.J.

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400858460
    Other identifier:
    Subjects: Englische Literatur; English literature / Early modern, 1500-1700 / History and criticism; English literature / Middle English, 1100-1500 / History and criticism; Creation (Literary, artistic, etc.); Visual perception in literature; Art and literature / Europe; Renaissance; Perspective; ART / History / General; Art and literature; English literature / Early modern; English literature / Middle English; Geschichte; Darstellende Kunst; Literatur; Mittelenglisch; Renaissance; Englisch; Kunst; Ikonographie
    Scope: 1 Online-Ressource (400p.)
    Notes:

    Roston demonstrates that what emerges is not a fixed or monolithic pattern for each generation but a dynamic series of responses to shared challenges. The book relates leading English writers and literary modes to contemporary developments in architecture, painting, and sculpture, exploring by a close reading of the texts and the artistic works the insights such comparison offers.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  19. Changing Perspectives in Literature and the Visual Arts, 1650-1820
    Author: Roston, Murray
    Published: [1992]
    Publisher:  Princeton University Press, Princeton, N.J.

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400860913
    Other identifier:
    Subjects: Englische Literatur; English literature / Early modern, 1500-1700 / History and criticism; English literature / 18th century / History and criticism; Visual perception in literature; Art and literature / Europe; Renaissance; Perspective; ART / History / General; Art and literature; English literature; English literature / Early modern; Geschichte; Darstellende Kunst; Perspektive; Literatur; Kunstbetrachtung; Englisch; Kunst
    Scope: 1 Online-Ressource (472p.)
    Notes:

    Continuing with the theme of his work Renaissance Perspectives in Literature and the Visual Arts, Murray Roston applies to a later period the same critical principle: that for each generation there exists a central complex of inherited ideas and urgent contemporary concerns to which each creative artist and writer responds in his or her own way. Roston demonstrates that what emerges is not a fixed or monolithic pattern for each generation but a dynamic series of responses to shared challenges. The book relates leading English writers and literary modes to contemporary developments in architecture, painting, and sculpture. "A sumptuous book. . . . Clearly and gracefully written and cogently argued, Roston's admirable achievement is of paramount significance to literary studies, to cultural and art history, and to aesthetics. . . . Outstanding."--ChoiceOriginally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  20. Sehen schreiben - Schreiben sehen
    Literatur und visuelle Wahrnehmung im Zusammenspiel
    Author: Mergenthaler, Volker
    Published: 2002
    Publisher:  De Gruyter, Berlin

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Location:
    Universität Potsdam, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783484150966; 9783110946178; 9783111859002
    RVK Categories: EC 3870
    Series: Hermaea. Neue Folge ; 96
    Subjects: Art and literature; German literature; Visual perception in literature; Rezeption; Visuelle Wahrnehmung; Visuelle Wahrnehmung <Motiv>; Literatur; Deutsch
    Other subjects: Electronic books
    Scope: 1 Online-Ressource (VI, 438 S.)
    Notes:

    Includes bibliographical references (pages 407-432) and index

    Main description: Die Studie versucht zwei von ihren methodologischen Voraussetzungen her unvereinbare Interessen produktiv zu verbinden. Sie untersucht Wechselwirkungen zwischen literarischen Sinnbildungsverfahren und dem Wahrnehmungsdiskurs, Bewegungen in der Landschaft des Visualitätsdiskurses auf der einen und in diesen Diskurs eingelassene, an ihm teilhabende literarische Texte auf der anderen Seite: Schillers »Geisterseher«, Büchners »Leonce und Lena«, Raabes »Chronik der Sperlingsgasse«, Przybyszewskis »Totenmesse«, Musils »Verwirrungen des Zöglings Törleß« und Kafkas »Proceß«

    Main description: The study is an attempt to establish a productive connection between two methodologically incompatible approaches, discourse analysis and hermeneutics. It examines the reciprocal impact of processes operative in the formation of literary meaning on the one hand, and scientific and scholarly discourse(s) on visual perception on the other. Developments in the discourse on visuality are placed over and against literary texts drawing upon and forming a part of that discourse: Schiller's »Geisterseher«, Büchner's »Leonce und Lena«, Raabe's »Chronik der Sperlingsgasse«, Przybyszewski's »Requiem«, Musil's »Verwirrungen des Zöglings Törleß«, and Kafka's »Trial«
  21. Um 1800
    Konfigurationen der Literatur, Kunstliteratur und Ästhetik
    Author: Pfotenhauer, Helmut
    Published: 1991
    Publisher:  Niemeyer, Tübingen

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 3484320591; 9783484320598; 9783110942101
    Other identifier:
    Series: Untersuchungen zur deutschen Literaturgeschichte ; Bd. 59
    Subjects: Aesthetics, German; Aesthetics, German; Art and literature; German literature; German literature; Schriftsteller; Menschenbild; Poetik; Ästhetik; Literatur; Deutsch; Anthropologie
    Scope: 1 Online-Ressource (v, 286 p)
    Notes:

    Includes bibliographical references

    Main description: Das Buch vereint zwei Gegenstandsbereiche der Literatur und Ästhetik um 1800: die anthropologische Frage nach dem neuen, ganzen Menschen und dem Zusammenhalt von Leib und Seele, nach den Sinnen und ihrer ästhetischen Produktivität; es ist dies auch die Frage nach den literarischen Formen, in welchen dieser ganze Mensch sich exemplarisch zu konstituieren vermag.(u.a. im Drama, Aphorismus). Zum anderen geht es um die Vorbilder der Kunst, insbesondere der antiken Plastik, welche seit Winckelmann entfaltet wurden. Sie fungieren als Evidenzverheißungen für die Vergöttlichung der Menschennatur. Kunstliteratur ist das Medium, in dem sich solche ästhetischen Versprechen artikulieren. Literarische Anthropologie, ästhetische Theorie und die neu aufbereiteten Sinn-Bilder schließen sich hier also zusammen. Das Buch geht dem nach in Beiträgen zu Lichtenberg, Heinse, Moritz, Hölderlin, Schiller, Goethe und Jean Paul
  22. The Ritual of Interpretation
    The Fine Arts as Literature in Ruskin, Rossetti, and Pater
    Author: Stein, Richard L.
    Published: [1975]
    Publisher:  Harvard University Press, Cambridge, Mass.

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674592674; 9780674592629
    Other identifier:
    Subjects: Kunst; Literatur; Englische Literatur; Art and literature; Art et littérature; Letterkunde; Beeldende kunsten; Künste; Kunst; Künste; Kunst
    Other subjects: Ruskin, John (1819-1900); Pater, Walter (1839-1894); Rossetti, Dante Gabriel (1828-1882)
    Scope: 1 Online-Ressource (xii,314p.)
    Notes:

    24 schw.-w. Abb
  23. Allen, B. Sprague, Volume 1
    Tides in English Taste (1619–1800)
    Published: [1937]
    Publisher:  Harvard University Press, Cambridge, Mass.

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674729865; 9780674729858
    Other identifier:
    Series: Allen, B. Sprague: Tides in English Taste (1619–1800) ; Volume 1
    Subjects: Aesthetics / History; English literature / Early modern, 1500-1700 / History and criticism; English literature / 18th century / History and criticism; English literature / Early modern; Geschichte; Ästhetik; Künste, Bildende Kunst allgemein; Art and literature; Aesthetics; Civilization; English literature
    Scope: 1 Online-Ressource (xvii,269p.)
    Notes:

    51 schw.-w. Abb
  24. Allen, B. Sprague, Volume 2
    Tides in English Taste (1619–1800)
    Published: [1937]
    Publisher:  Harvard University Press, Cambridge, Mass.

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674729896; 9780674729889
    Other identifier:
    Series: Allen, B. Sprague: Tides in English Taste (1619–1800) ; Volume 2
    Subjects: Aesthetics / History; English literature / Early modern, 1500-1700 / History and criticism; English literature / 18th century / History and criticism; English literature / Early modern; Geschichte; Ästhetik; Künste, Bildende Kunst allgemein; Art and literature; Aesthetics; Civilization; English literature
    Scope: 1 Online-Ressource (viii,282p.)
    Notes:

    28 schw.-w. Abb
  25. Kunstliteratur als Italienerfahrung
    Published: 1991
    Publisher:  Niemeyer, Tübingen

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 3484670053; 9783484670051; 9783110938180
    Other identifier:
    Series: Reihe der Villa Vigoni ; Bd. 5
    Subjects: Art and literature; German literature; Bildungsreise; Kunsterlebnis; Deutsche; Kunstgeschichtsschreibung; Italienbild
    Scope: 1 Online-Ressource (vi, 327 p)
    Notes:

    Includes bibliographical references. - Papers from conference sponsored by the Villa Vigoni

    Main description: Kunst will sprechend sein, Literatur anschaulich. Seit dem 18. Jahrhundert, mit der Entfaltung eines emphatischen Begriffs autonomer Kunst, wird das schwieriger und doch auch dringlicher. Kunstliteratur wird zu einem privilegierten ästhetischen Genus. Die Bilder brauchen, wiewohl eigengesetzlich, Worte als neue Hermeneutik, anstelle der schwindenden ikonographischen Selbstverständlichkeiten; die Worte brauchen Bildwerke zur Beglaubigung des Neuen und zur Evidenz- und Gestaltfindung im Unerhörten. Italien wird wird mehr denn je das Land einschlägiger ästhetischer Erfahrungen. Deshalb widmen sich die Beiträge dieses Bandes der Kunstliteratur als und aus Italienerfahrung - von Herder bis Goethe, von Heinse und Moritz bis Carus, von der Landschaftsästhetik bis zu den Mäzenen, Sammlern und Kunsthistorikern in der ersten Hälfte unseres Jahrhunderts