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Displaying results 1 to 25 of 716.

  1. <<The>> art of philosophy
    visual thinking in Europe from the late Renaissance to the early Enlightenment
    Author: Berger, Susanna
    Published: [2017]; © 2017
    Publisher:  Princeton University Press, Princeton

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780691172279
    RVK Categories: CC 6700
    Subjects: Art and Philosophy; Aesthetics, Modern; Aesthetics, Modern; Visual communication in art; Art, Renaissance; Art, Modern
    Scope: XIV, 317 Seiten, 2 Faltblätter, Illustrationen, 29 cm
    Notes:

    Literaturverzeichnis: Seite 293-302
  2. Animals as disguised symbols in Renaissance art
    Author: Cohen, Simona
    Published: 2008
    Publisher:  Brill, Leiden [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9004171010; 9789004171015
    RVK Categories: LH 65720 ; LH 84550 ; LN 81450
    Series: Brill's studies in intellectual history ; 169
    Brill's studies on art, art history, and intellectual history ; 2
    Subjects: Animals in art; Animals; Art, Renaissance
    Scope: XXXIX, 316 S., Ill.
  3. Imago triumphalis
    the function and significance of triumphal imagery for Italian Renaissance rulers
    Author: Zaho, Margaret Ann
    Published: 2004
    Publisher:  Lang, New York, NY

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0820462357
    RVK Categories: NN 1595 ; LN 10250 ; LH 84060
    DDC Categories: 700
    Series: Renaissance and Baroque ; 31
    Subjects: Array; Array; Triumph in art; Array; Processions in art
    Scope: X, 143 S., Ill., 24 cm
    Notes:

    Literaturverz. S. [125] - 134
  4. <<The>> revival of the Olympian gods in Renaissance art
    Author: Freedman, Luba
    Published: 2003
    Publisher:  Cambridge Univ. Press, Cambridge

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521815762
    RVK Categories: LN 10250 ; LG 9100 ; LG 9300
    Edition: 1. publ.
    Subjects: Art, Renaissance; Art; Gods, Greek, in art
    Scope: XV, 301 S., Ill., 26 cm
    Notes:

    Literaturverz. S. 281 - 283
  5. Dürers Kunsttheorie
    vornehmlich in ihrem Verhältnis zur Kunsttheorie der Italiener
    Author: Panofsky, Erwin
    Published: 1915
    Publisher:  De Gruyter, Berlin

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783111502960
    Other identifier:
    RVK Categories: LI 27501
    Subjects: Ästhetik; Aesthetics; Art, Renaissance; Ästhetik
    Other subjects: Dürer, Albrecht <1471-1528>; Dürer, Albrecht (1471-1528)
    Scope: 1 Online-Ressource (XI, 209 S.), Ill.
    Notes:

    Online erschienen 2011
  6. Jacob Burckhardts »Cicerone«
    Eine Aufgabe zum Genießen
    Author: Tauber, Christine
    Published: 2000
    Publisher:  De Gruyter, Berlin

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

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    Universität Potsdam, Universitätsbibliothek
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    Gemeinsamer Bibliotheksverbund (GBV)
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783484670136; 9783110929096; 9783111798172
    RVK Categories: NB 6128 ; LH 63190
    Series: Reihe der Villa Vigoni ; 13
    Subjects: Art, Italian; Art, Renaissance; Typologie; Ästhetik; Schönheit; Rezeption; Reiseliteratur; Kunst
    Other subjects: Burckhardt, Jacob (1818-1897): Cicerone; Burckhardt, Jacob (1818-1897): Der Cicerone; Goethe, Johann Wolfgang von (1749-1832): Italienische Reise; Electronic books
    Scope: 1 Online-Ressource (VII, 314 S.)
    Notes:

    Includes bibliographical references (pages [263]-285) and index

    Main description: Central to this study is the inception and reception of an aesthetic concept in the context of 19th century Bildungsbürgertum. It reconstructs the birth of Burckhardt's aesthetic judgment from his 'Italian experience'. His »Cicerone« is discussed as a conservatively oriented appraisal of the art forms of classical Italy and thus as a thesaurus of things worthy of preservation in an age of political and aesthetic upheaval. What Burckhardt (1818-1897) calls 'Kunst nach Aufgaben' (art as a function of its purpose) is drawn on as a polemic defense against the modern artist allowing free rein to the products of an overheated artistic imagination. Burckhardt's work thus stands both as a guide to the true appreciation of art and an exhortation to contemporary architects not to lose sight of their ›genuine‹ calling

    Main description: Entstehung und Rezeption eines ästhetischen Konzepts im bildungsbürgerlichen Kontext des 19. Jahrhunderts stehen im Mittelpunkt. Rekonstruiert wird die Geburt von Burckhardts Kunsturteil aus dem Geiste seiner Italienerfahrung. Der »Cicerone« wird untersucht als konservierende Neuordnung des italienischen Formenbestandes und somit als Thesaurus des Bewahrenswerten in einer Zeit politischer und ästhetischer Umbrüche; die sogenannte 'Kunst nach Aufgaben' als polemische Abwehr gegen den modernen Künstler und seine überschießende Einbildungskraft; Burckhardts Führer als Guide zur genußvollen Kunsterkenntnis und als Anleitung zur richtigen Bautätigkeit für zeitgenössische Architekten
  7. Hollow Men
    Writing, Objects, and Public Image in Renaissance Italy
    Author: Gaylard, Susan
    Published: [2013]; © 2013
    Publisher:  Fordham University Press, New York, NY

    This book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century frescoes, statues, coins, letters, dialogues, epic poems, personal emblems, and... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    This book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century frescoes, statues, coins, letters, dialogues, epic poems, personal emblems, and printed collections of portraits. Its interdisciplinary analyses show that Renaissance theories of emulating classical heroes generated a deep skepticism about self-presentation, ultimately contributing to a new awareness of representation as representation.Hollow Men shows that the Renaissance questioning of "interiority" derived from a visual ideal, the monument that was the basis of teachings about imitation. In fact, the decline of exemplary pedagogy and the emergence of modern masculine subjectivity were well underway in the mid–fifteenth century, and these changes were hastened by the rapid development of the printed image

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823252183
    Other identifier:
    Subjects: Aretino; Bembo; Castiglione; Ghirlandaio; Pontano; Tasso; exemplar; impresa; monument; portrait; LITERARY CRITICISM / Renaissance; Art, Renaissance; Italian language; Italian literature; Italian literature; Masculinity in art; Masculinity in literature; Renaissance
    Scope: 1 online resource (372 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  8. Jacob Burckhardts "Cicerone"
    eine Aufgabe zum Geniessen
    Author: Tauber, Christine
    Published: 2000
    Publisher:  Niemeyer, Tübingen

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3484670134
    RVK Categories: CG 2103 ; LH 63190 ; NB 6128
    Series: Reihe der Villa Vigoni ; Bd. 13
    Subjects: Art, Italian; Art, Renaissance
    Other subjects: Burckhardt, Jacob
    Scope: vii, 314 p, maps, 24 cm
    Notes:

    Includes bibliographical references (p. [263]-285) and index
  9. Il volto e gli affetti
    fisiognomica ed espressione nelle arti del Rinascimento ; atti del convegno di studi, Torino, 28 - 29 novembre 2001 ; [... atti del convegno internazionale organizzato dal Centro di Studi l'Italia del Rinascimento e l'Europa, fondato all'interno della Facoltà di Scienze della Formazione dell Università degli Studi di Torino]
    Published: 2003
    Publisher:  Olschki, Firenze

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2004:871:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 510297
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    2003 A 23283
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    Hochschule für Musik Franz Liszt, Hochschulbibliothek
    Signature:
    T 37.753
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    Source: Staatsbibliothek zu Berlin
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 882225256X
    RVK Categories: LH 84123
    Series: Array ; 311
    Centro di Studi l'Italia del Rinascimento e l'Europa, Università degli Studi di Torino, Facoltà di Scienze della Formazione ; 2
    Subjects: Face in art; Physiognomy in art; Expression in art; Art, Renaissance
    Scope: 314 S., [3] leaves of plates, ill, 24 cm
    Notes:

    Contains bibliographical references, notes and name index

    Proceedings
  10. The delight of art
    Giorgio Vasari and the traditions of humanist discourse
    Author: Cast, David
    Published: c 2009
    Publisher:  Pennsylvania State Univ. Press, University Park, Pa.

    "A study based on the text, the Lives of the Artists, by Giorgio Vasari. Discusses how the visual arts in the Renaissance were an occasion for delight or pleasure. Argues that such an attention was encouraged by certain social and intellectual... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2010:375:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 B 134974
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    Thüringer Universitäts- und Landesbibliothek
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    KUN:YV:1830:::2009
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    Herzog August Bibliothek Wolfenbüttel
    Signature:
    67.4° 531
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    "A study based on the text, the Lives of the Artists, by Giorgio Vasari. Discusses how the visual arts in the Renaissance were an occasion for delight or pleasure. Argues that such an attention was encouraged by certain social and intellectual practices"--Provided by publisher

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780271034423; 0271034424
    RVK Categories: LH 63595
    Subjects: Art appreciation; Art and society; Art, Renaissance; Humanism in art; Art and society; Art appreciation; Art, Renaissance; Humanism in art
    Other subjects: Vasari, Giorgio (1511-1574): Vite de' più eccellenti pittori, scultori et architettori; Vasari, Giorgio; Vasari, Giorgio <1511-1574>
    Scope: XX, 230 S., [8] Bl., Ill., 27 cm
    Notes:

    Includes bibliographical references and index
  11. Florenz und Bagdad
    eine westöstliche Geschichte des Blicks
    Author: Belting, Hans
    Published: 2012
    Publisher:  Verlag C.H. Beck, München

    Wie und was wir sehen, ist in hohem Grade von der Kultur geprägt, in der wir leben. Hans Belting vergleicht in seinem Buch den Blick der westlichen Welt, der im Florenz der Renaissance geboren wurde und völlig neuartige Bilder hervorbrachte, mit dem... more

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    Orient-Institut Beirut
    Signature:
    014 1975
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    Bibliothek des Konservatismus
    Signature:
    Ku1-98
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    Institute for Cultural Inquiry- Kulturlabor, Bibliothek
    Signature:
    NC748 B45 2012
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    Kunsthalle Bremen
    Signature:
    Gs. Un. Belting 2012
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    Landeskirchliche Bibliothek Bremen
    Signature:
    Q 1070
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    Staats- und Universitätsbibliothek Bremen
    Signature:
    02.h.2889
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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Forschungsbibliothek Gotha
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    Otto-von-Guericke-Universität, Universitätsbibliothek
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    2013.05558:1
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    Hochschulbibliothek Friedensau
    Signature:
    Gesch 197 /003
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    Universitätsbibliothek Rostock
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    NK 5052 B453 F6
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    UB Weimar
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    Mag Id 3060
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    Wie und was wir sehen, ist in hohem Grade von der Kultur geprägt, in der wir leben. Hans Belting vergleicht in seinem Buch den Blick der westlichen Welt, der im Florenz der Renaissance geboren wurde und völlig neuartige Bilder hervorbrachte, mit dem der islamischen Welt, der sich in ihrer Kunst und ihrem Verhältnis zu Bildern ausdrückt. Zugleich erklärt das Buch, das schon heute ein Klassiker genannt werden kann, wie das westliche Bild der Neuzeit erst durch einen intensiven Austausch mit der Wissenschaft und Kultur der arabischen Welt entstehen konnte.

     
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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783406632730; 3406632734
    RVK Categories: NK 5052 ; LH 61342 ; LH 61055 ; LN 95140 ; LH 61020 ; LH 65960 ; LH 65000
    Edition: 1. Auflage in der Beck'schen Reihe
    Series: Beck'sche Reihe ; 6019
    Subjects: Perspective; Art, Renaissance; Aesthetics, Comparative; Optics; Islamische Kunst; Kulturkontakt; Kunst; Perspektive; Renaissance
    Scope: 318 S., 109 Abb., 21,5 cm
    Notes:

    Literaturverz. S. 307 - 313
  12. Hollow men
    writing, objects, and public image in Renaissance Italy
    Author: Gaylard, Susan
    Published: [2013]
    Publisher:  Fordham University Press, New York

    "Analyzes texts and art objects from the 15th to the late 16th centuries to show that Renaissance theories of emulating classical heroes generated a deep skepticism about representation, as these theories forced men to construct a public image that... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 890746
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    A/769637
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    Herzog August Bibliothek Wolfenbüttel
    Signature:
    66.3893
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    "Analyzes texts and art objects from the 15th to the late 16th centuries to show that Renaissance theories of emulating classical heroes generated a deep skepticism about representation, as these theories forced men to construct a public image that seemed fixed but could adapt to changing circumstances"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780823251742; 9780823251919
    RVK Categories: IU 2200
    Edition: 1. edition
    Subjects: Italian literature; Italian literature; Italian language; Art, Renaissance; Masculinity in literature; Masculinity in art; Renaissance
    Scope: ix, 372 Seiten, Illustrationen
    Notes:

    Includes bibliographical references ([p. 295]-358) and index
  13. Raphael's ostrich
    Author: D'Elia, Una Roman
    Published: [2015]
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    "Explores artistic depictions of the ostrich from ancient Egypt to the Renaissance works of Raphael. Traces the history of shifting interpretations given to the ostrich in scientific texts, literature, and religious writings"--Provided by publisher... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2016:4878:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    "Explores artistic depictions of the ostrich from ancient Egypt to the Renaissance works of Raphael. Traces the history of shifting interpretations given to the ostrich in scientific texts, literature, and religious writings"--Provided by publisher Introduction : Raphael's disputed legacy -- A brief history of the ostrich : antiquity and the Middle Ages -- The eagle and the ostrich : the court of Urbino -- Pope Leo X and Raphael's ostriches -- Raphael's heirs -- Farnese ostriches and Vasari's Raphael -- Fortune is an ostrich : discontent in the 1550s and 1560s -- Curiosity and the ostrich in the Counter-Reformation -- Taming the ostrich : Ripa and Aldrovandi

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780271066400
    RVK Categories: LI 70109
    Subjects: Art, Renaissance; Painting, Renaissance; Ostriches in art
    Other subjects: Raphael (1483-1520)
    Scope: xvi, 251 Seiten, Illustrationen, 27 cm
    Notes:

    Includes bibliographical references (pages 229-232) and index

    Introduction : Raphael's disputed legacyA brief history of the ostrich : antiquity and the Middle Ages -- The eagle and the ostrich : the court of Urbino -- Pope Leo X and Raphael's ostriches -- Raphael's heirs -- Farnese ostriches and Vasari's Raphael -- Fortune is an ostrich : discontent in the 1550s and 1560s -- Curiosity and the ostrich in the Counter-Reformation -- Taming the ostrich : Ripa and Aldrovandi.
  14. Immagini del bambino e dell'adolescente nel Rinascimento
    percorsi evolutivi nell'arte toscana
    Published: 2010
    Publisher:  Nicomp, Firenze

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2010:4874:
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    KGS-Iko 5146,75
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 9788887814934
    Subjects: Children in art; Youth in art; Art, Renaissance; Art, Italian
    Scope: 160, XXX Seiten, Ill., 21 cm
    Notes:

    Collected essays

    Includes bibliographical references
  15. Des admirables secrets de l'Ararat
    Vinci, Dürer, Michel-Ange sur les traces d'Er et Noé
    Author: Matossian, Chakè
    Published: 2009
    Publisher:  Part de l'oeil, Paris

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kupferstichkabinett - Sammlung der Zeichnungen und Druckgraphik, Bibliothek
    Signature:
    Iko Mato 2009
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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9782930174419
    Series: Collection Théorie ; 8
    Subjects: Christian art and symbolism; Art, Renaissance
    Scope: 123 p, ill, 26 cm
    Notes:

    Bound

    Leonardo, da Vinci (1452-1519); Albrecht Dürer (1471-1528); Michelangelo Buonarroti (1475-1564)
  16. The mirror, the window, and the telescope
    how Renaissance linear perspective changed our vision of the universe
    Author: Edgerton, Samuel Y.
    Published: 2009; © 2009
    Publisher:  Cornell University Press, Ithaca

    Introduction: picturing the mind's eye -- Crisis in Christendom -- And God said, "Let there be light!" perspectiva naturalis -- Fra Antonino -- When did perspectiva naturalis become perspectiva artificialis? -- Brunelleschi's mirror -- Brunelleschi's... more

    Location:
    Max-Planck-Institut für Wissenschaftsgeschichte, Bibliothek
    Signature:
    701.8 E23m
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    Introduction: picturing the mind's eye -- Crisis in Christendom -- And God said, "Let there be light!" perspectiva naturalis -- Fra Antonino -- When did perspectiva naturalis become perspectiva artificialis? -- Brunelleschi's mirror -- Brunelleschi's method -- Brunelleschi's second perspective panel -- Brunelleschi's heritage: Masaccio's Trinity -- "Oh, che dolce cosa è questa prospettiva!" Donatello and Masaccio -- More Masaccio, Masolino, and even Fra Angelico -- Alberti's method -- Alberti's window -- Alberti's legacy: Raphael's Stanza della Segnatura and beyond -- Galileo's "perspective tube" -- Postface: post perspectivam

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780801447587; 0801447585; 9780801474804; 0801474809
    Other identifier:
    9780801447587
    9780801474804
    RVK Categories: ZG 8640
    Subjects: Perspective; Visual perception; Art, Renaissance; Perspective; Visual perception; Art, Renaissance
    Scope: xvi, 199 Seiten, Illustrationen, 23 cm
    Notes:

    "In my earlier [book] 'Renaissance Rediscovery of Linear Perspective', first published in 1975, [...]." (Preface, Seite xiii)

    "My new book is thus both an update and a sequel." (Preface, Seite xiv)

    Literaturverzeichnis Seite 185-191

    Mit Register

    Hier auch später erschienene, unveränderte Nachdrucke

    "First published 2009 by Cornell University Press. First printing, Cornell paperbacks, 2009" (Seite [iv])
  17. Renaissance porticoes and painted pergolas
    nature and culture in early modern Italy
    Author: Nonaka, Natsumi
    Published: 2017
    Publisher:  Routledge, Taylor & Francis Group, London and New York

    This book is the first study of the portico and its decorative program as a cultural phenomenon in Renaissance Italy. Focusing on a largely neglected group of porticoes decorated with painted pergolas that appeared in Rome and environs in the... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2017:2375:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 B 178183
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    This book is the first study of the portico and its decorative program as a cultural phenomenon in Renaissance Italy. Focusing on a largely neglected group of porticoes decorated with painted pergolas that appeared in Rome and environs in the sixteenth and early seventeenth centuries, it tells the story of how an element of the garden--the pergola--became a pictorial topos in portico decoration, and evolved, hand in hand with its real cousin in the garden, into an object for cultural emulation among the educated patrons of early modern Rome. The liminality of both the portico and the pergola at the interface of architecture and garden is key to the interpretation of these architectural and painted forms, which rests on the intersecting frameworks of the classical tradition, natural history, and the cultural identity of the aristocracy. In the mediating space of the Renaissance portico, the illusionism pergola created an art gallery, a natural history museum, and a virtual garden where one could engage in leisurely strolls, learned conversations, appreciation of art, and scientific investigation, as well as extensive travel across time and space. The book proposes the interpretation that the illusionistic pergola was an artistic formula for the early modern perception of nature This book is the first study of the portico and its decorative program as a cultural phenomenon in Renaissance Italy. Focusing on a largely neglected group of porticoes decorated with painted pergolas that appeared in Rome and environs in the sixteenth and early seventeenth centuries, it tells the story of how an element of the garden-the pergola-became a pictorial topos in portico decoration, and evolved, hand in hand with its real cousin in the garden, into an object for cultural emulation among the educated patrons of early modern Rome. The liminality of both the portico and the pergola at the interface of architecture and garden is key to the interpretation of these architectural and painted forms, which rests on the intersecting frameworks of the classical tradition, natural history, and the cultural identity of the aristocracy. In the mediating space of the Renaissance portico, the illusionism pergola created an art gallery, a natural history museum, and a virtual garden where one could engage in leisurely strolls, learned conversations, appreciation of art, and scientific investigation, as well as extensive travel across time and space. The book proposes the interpretation that the illusionistic pergola was an artistic formula for the early modern perception of nature

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1472460537; 9781472460530
    RVK Categories: LN 83220
    Series: Visual Culture in Early Modernity
    Subjects: Buildings in art; Porticoes; Porticoes; Liminality; Architecture, Renaissance; Art, Renaissance; Pergolas in art; Architecture, Renaissance; Art, Renaissance; Pergolas in art; Porticoes; Porticoes; Porticoes
    Scope: xiii, 226 Seiten, 16 ungezählte Seiten, Illustrationen, Pläne, Karten
  18. The art of philosophy
    visual thinking in Europe from the late Renaissance to the early Enlightenment
    Author: Berger, Susanna
    Published: [2017]; © 2017
    Publisher:  Princeton University Press, Princeton

    Apin's cabinet of printed curiosities -- Thinking through plural images of logic -- The visible order of student lecture notebooks -- Visual thinking in logic notebooks and Alba amicorum -- The generation of art as the generation of philosophy more

    Location:
    Max-Planck-Institut für Wissenschaftsgeschichte, Bibliothek
    Signature:
    190 B496a
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    Max-Planck-Institut für Wissenschaftsgeschichte, Bibliothek
    Signature:
    190 B496a 2. Ex.
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    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2017:2353:
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 B 175005
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    Location:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Signature:
    Forschungsbibliothek Gotha
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    2017 B 325
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    Franckesche Stiftungen, Studienzentrum August Hermann Francke, Archiv und Bibliothek
    Signature:
    FBb 171
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Signature:
    2019/20228
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    Thüringer Universitäts- und Landesbibliothek
    Signature:
    KUN:BA:0100:d::2017
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    Universitätsbibliothek Osnabrück
    Signature:
    HMS 2528-973 8
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signature:
    CC 6700 B496
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    Herzog August Bibliothek Wolfenbüttel
    Signature:
    67.4° 84
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    Apin's cabinet of printed curiosities -- Thinking through plural images of logic -- The visible order of student lecture notebooks -- Visual thinking in logic notebooks and Alba amicorum -- The generation of art as the generation of philosophy

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780691172279; 0691172277
    RVK Categories: CC 6700 ; LH 61100
    Subjects: Art and Philosophy; Aesthetics, Modern; Aesthetics, Modern; Visual communication in art; Art, Renaissance; Art, Modern
    Scope: xiv, 317 Seiten, 2 gefaltete Blätter, Illustrationen, 29 cm
    Notes:

    Literaturverzeichnis: Seite 293-302
  19. Subject matter in Italian Renaissance art
    a study of early sources
    Author: Manca, Joseph
    Published: 2015
    Publisher:  ACMRS, Arizona Center for Medieval and Renaissance Studies, Tempe, Arizona

    Accounts by early viewers -- Vasari's lives and other early art histories -- Patrons, commissions, and contracts -- Subject matter and Renaissance art theory -- Words and pictures: poetry, inscriptions, and meaning more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 957539
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    Thüringer Universitäts- und Landesbibliothek
    Signature:
    KUN:LI:3024:::2015
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    Herzog August Bibliothek Wolfenbüttel
    Signature:
    69.1052
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    Accounts by early viewers -- Vasari's lives and other early art histories -- Patrons, commissions, and contracts -- Subject matter and Renaissance art theory -- Words and pictures: poetry, inscriptions, and meaning

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780866985116
    Series: Medieval and renaissance texts and studies ; volume 460
    Subjects: Art, Renaissance
    Scope: XI, 235 Seiten, Illustrationen
    Notes:

    Accounts by early viewersVasari's lives and other early art histories -- Patrons, commissions, and contracts -- Subject matter and Renaissance art theory -- Words and pictures: poetry, inscriptions, and meaning.
  20. In the courts of religious ladies
    art, vision, and pleasure in Italian Renaissance convents
    Author: Periti, Giancarla
    Published: [2016]; © 2016
    Publisher:  Yale University Press, New Haven

    "This fascinating study considers the poetic and mythological artworks made for elite female monastic communities in Renaissance Italy. Nuns from the patrician class, who often disregarded obligations of austerity and poverty, commissioned sensually... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2016:888:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 B 170630
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    Thüringer Universitäts- und Landesbibliothek
    Signature:
    KUN:LI:3024:a::2016
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    Herzog August Bibliothek Wolfenbüttel
    Signature:
    66.4° 277
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    "This fascinating study considers the poetic and mythological artworks made for elite female monastic communities in Renaissance Italy. Nuns from the patrician class, who often disregarded obligations of austerity and poverty, commissioned sensually appealing, richly made artifacts inspired by contemporary courtly culture. The works of art transformed monastic parlors, abbatial apartments, and nuns' cells into ornate settings, thereby enriching and complicating the opposition of religious and worldly spheres. This unconventional monastic and yet courtly decoration was a new form of art in the way it entangled the sacred and the profane. The artwork was intended to edify both intellectually and spiritually, as well as to delight and seduce the viewer. Based on extensive new research into primary sources, this generously illustrated book introduces a thriving female monastic visual culture that ecclesiastical authorities endeavored to suppress. It shows how this art taught its viewers to use their eyes to gain insights about the secular world beyond the convent walls. "-- Courts of Elite Virgins : Enclosure, Christian Manners, and the Fashion of Liminality -- Art for Nuns : Gaze, Touch, and Provocation -- Art, Contemplation, and Splendor -- Giovanna Piacenza's Abbatial Apartment : Space, Gender, and Power -- Monstrosities, Female Exemplarity, and the Ideal of Regeneration -- Correggio, Witticism, and the Enigmatic Image

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780300214239
    Subjects: Art, Renaissance; Art, Italian; Women art patrons; Monastic and religious life of women; Art and society
    Scope: IX, 294 Seiten, Illustrationen, Pläne, 29 cm
    Notes:

    Literaturverzeinchnis: Seite 259-281 und Index

    Courts of Elite Virgins : Enclosure, Christian Manners, and the Fashion of LiminalityArt for Nuns : Gaze, Touch, and Provocation -- Art, Contemplation, and Splendor -- Giovanna Piacenza's Abbatial Apartment : Space, Gender, and Power -- Monstrosities, Female Exemplarity, and the Ideal of Regeneration -- Correggio, Witticism, and the Enigmatic Image.
  21. Il dolce potere delle corde
    Orfeo, Apollo, Arione e Davide nella grafica tra Quattro e Cinquecento
    Published: 2012
    Publisher:  L.S. Olschki, Firenze

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: Italian
    Media type: Ebook
    Format: Online
    ISBN: 9788822261830
    Subjects: Kunst; Art, Renaissance; Art, European; Art, European; Orpheus (Greek mythology); Apollo (Greek mythology); Stringed instruments in art; Musicians in art; Lyra <Motiv>; Harfe <Motiv>; Druckgrafik
    Scope: 1 Online-Ressource
    Notes:

    Catalog of an exhibition held at the Gabinetto disegni e stampe degli Uffizi, Florence, Italy, June 21-Sept. 23, 2012

    Includes bibliographical references (p. [163]-177)
  22. Il dolce potere delle corde
    Orfeo, Apollo, Arione e Davide nella grafica tra Quattro e Cinquecento
    Published: 2012
    Publisher:  L.S. Olschki, Firenze

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: Italian
    Media type: Ebook
    Format: Online
    ISBN: 9788822261830
    Subjects: Kunst; Art, Renaissance; Art, European; Art, European; Orpheus (Greek mythology); Apollo (Greek mythology); Stringed instruments in art; Musicians in art; Harfe <Motiv>; Druckgrafik; Lyra <Motiv>
    Scope: 1 Online-Ressource (177 p.)
    Notes:

    Catalog of an exhibition held at the Gabinetto disegni e stampe degli Uffizi, Florence, Italy, June 21-Sept. 23, 2012

    Includes bibliographical references (p. [163]-177)
  23. Wings
    Author: Kuzmin, Michail Alekseevič
    Published: 2007
    Publisher:  Hesperus, London

    Location:
    Universitätsbibliothek Passau
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781843914310
    Series: Modern voices
    Subjects: Gay men; Art, Renaissance
    Scope: xvii, 106 p., 20 cm
  24. The marvel of maps
    art, cartography and politics in Renaissance Italy
    Author: Fiorani, Francesca
    Published: 2005
    Publisher:  Yale Univ. Press, New Haven [u.a.]

    Location:
    Internationales Kolleg Morphomata, Bibliothek
    Signature:
    467/W/Fi70
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  25. Veiled presence
    body and drapery from Giotto to Titian
    Author: Hills, Paul
    Published: 2018
    Publisher:  Yale University Press, New Haven, CT

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Gemäldegalerie, Bibliothek
    Signature:
    It A 581/42
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    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2019:1370:
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 B 184869
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    Location:
    Thüringer Universitäts- und Landesbibliothek
    Signature:
    KUN:EP:5700:::2018
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    Location:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signature:
    Rc 6118
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    Location:
    Herzog August Bibliothek Wolfenbüttel
    Signature:
    69.4° 327
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780300236750; 0300236751
    Subjects: Drapery in art; Veils in art; Art, Italian; Art, Italian; Art, Italian; Art, Renaissance; Clothing and dress; Textile fabrics
    Scope: 223 Seiten, 1 ungezählte Seite, 28 cm
    Notes:

    Literaturverzeichnis: Seite 199-210 und Index