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Displaying results 1 to 5 of 5.

  1. Humor and violence
    seeing Europeans in Central African art
    Published: [2016]
    Publisher:  Indiana University Press, Bloomington

    "Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 994878
    Unlimited inter-library loan, copies and loan

     

    "Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor and violence reveals deep insights into the psychology of power and resistance that continues to operate in the region today. Her argument is built on a set of works of art and demonstrates the important role that patronage and political and social history played in their creation. Strother conveys Central African ideas about how the therapeutic power of humor can initiate social change and upset power relations between oppressors and oppressed. This analysis plunges seemingly benign figures into a maelstrom of violence and crime -- rape, murder, torture, and forced labor on a massive scale. By restoring the dialectic of humor, this study reveals the complicated psychological codependency of Africans and Europeans over a long period of history and maintains that art plays a mediating function in the mechanics and ethics of power."--Front cover flap

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780253022677
    RVK Categories: LC 91534 ; LC 91535
    Series: African expressive cultures
    Subjects: Art; Art; Europeans in African art; Wit and humor in art; Violence in art; Art; Art, Congolese (Democratic Republic); Art, African; Art; Art; Art; Art, African; Art, Congolese (Democratic Republic); Europeans in African art; Violence in art; Wit and humor in art
    Scope: xv, 344 pages, illustrations, 23 cm
  2. Humor and violence
    seeing Europeans in Central African art
    Published: [2016]
    Publisher:  Indiana University Press, Bloomington

    "Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor... more

    Haus der Kulturen der Welt, HKW.Bibliothek
    KA 300 AF-03 Str
    No loan of volumes, only paper copies will be sent
    Haus der Kulturen der Welt, HKW.Bibliothek
    KA 300 AF-03 Str (a)
    No loan of volumes, only paper copies will be sent
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 994878
    Unlimited inter-library loan, copies and loan
    Weltkulturen Museum, Bibliothek
    Af III 549
    No inter-library loan
    Niedersächsisches Landesmuseum Hannover, Bibliothek
    AL 1.4.6,STR
    No inter-library loan
    Universitätsbibliothek Heidelberg
    2020 C 243
    Unlimited inter-library loan, copies and loan
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Leipzig
    Unlimited inter-library loan, copies and loan
    Germanisches Nationalmuseum, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    "Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor and violence reveals deep insights into the psychology of power and resistance that continues to operate in the region today. Her argument is built on a set of works of art and demonstrates the important role that patronage and political and social history played in their creation. Strother conveys Central African ideas about how the therapeutic power of humor can initiate social change and upset power relations between oppressors and oppressed. This analysis plunges seemingly benign figures into a maelstrom of violence and crime -- rape, murder, torture, and forced labor on a massive scale. By restoring the dialectic of humor, this study reveals the complicated psychological codependency of Africans and Europeans over a long period of history and maintains that art plays a mediating function in the mechanics and ethics of power."--Front cover flap

     

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  3. CATPC
    = Cercle dart des travailleurs de plantation congolaise ; Congolese Plantation Workers Art League
    Contributor: Roelandt, Els (HerausgeberIn); Barois De Caevel, Eva (HerausgeberIn)
    Published: 2017
    Publisher:  Sternberg Press, Berlin

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Contributor: Roelandt, Els (HerausgeberIn); Barois De Caevel, Eva (HerausgeberIn)
    Language: English; French
    Media type: Book
    Format: Print
    ISBN: 9783956793103
    RVK Categories: LO 91700 ; LC 90534
    Corporations / Congresses:
    Cercle d'art des travailleurs de plantation congolaise (KünstlerIn)
    Subjects: Art, Congolese (Democratic Republic); Plantation workers
    Scope: 456 Seiten
  4. Humor and violence
    seeing Europeans in Central African art
    Published: [2016]
    Publisher:  Indiana University Press, Bloomington

    "Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    "Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor and violence reveals deep insights into the psychology of power and resistance that continues to operate in the region today. Her argument is built on a set of works of art and demonstrates the important role that patronage and political and social history played in their creation. Strother conveys Central African ideas about how the therapeutic power of humor can initiate social change and upset power relations between oppressors and oppressed. This analysis plunges seemingly benign figures into a maelstrom of violence and crime -- rape, murder, torture, and forced labor on a massive scale. By restoring the dialectic of humor, this study reveals the complicated psychological codependency of Africans and Europeans over a long period of history and maintains that art plays a mediating function in the mechanics and ethics of power."--Front cover flap

     

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  5. CATPC
    = Cercle dart des travailleurs de plantation congolaise ; Congolese Plantation Workers Art League
    Contributor: Roelandt, Els (HerausgeberIn); Barois De Caevel, Eva (HerausgeberIn)
    Published: 2017
    Publisher:  Sternberg Press, Berlin

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Ethnologisches Museum, Bibliothek
    LO 91700 2017 001
    No inter-library loan
    Staatliche Hochschule für Bildende Künste, Städelschule, Bibliothek
    Magazin 04.85.02.04 2017
    No loan of volumes, only paper copies will be sent
    Zentrum für Kunst und Medien Karlsruhe / Staatliche Hochschule für Gestaltung, Bibliothek
    C New5 2124
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Contributor: Roelandt, Els (HerausgeberIn); Barois De Caevel, Eva (HerausgeberIn)
    Language: English; French
    Media type: Book
    Format: Print
    ISBN: 9783956793103
    RVK Categories: LO 91700 ; LC 90534
    Corporations / Congresses:
    Cercle d'art des travailleurs de plantation congolaise (KünstlerIn)
    Subjects: Art, Congolese (Democratic Republic); Plantation workers
    Scope: 456 Seiten