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Displaying results 1 to 15 of 15.

  1. Something of my very own to say
    American women writers of Polish descent
    Published: 1997
    Publisher:  Columbia Univ. Press, [New York]

    Bayerische Staatsbibliothek
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    Universitätsbibliothek Regensburg
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  2. Perspectives of four women writers on the Second World War
    Gertrude Stein, Janet Flanner, Kay Boyle, and Rebecca West
    Published: 2002
    Publisher:  Lang, New York [u.a.]

    "In their writings composed during the Second World War and the political turmoil of the 1930s in Europe, Gertrude Stein, Janet Flanner, Kay Boyle, and Rebecca West interrogated the limitations of political history with its exclusionary emphasis on... more

    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    "In their writings composed during the Second World War and the political turmoil of the 1930s in Europe, Gertrude Stein, Janet Flanner, Kay Boyle, and Rebecca West interrogated the limitations of political history with its exclusionary emphasis on diplomacy and military campaigns. All four women writers underscored the indivisibility of social, cultural, and political histories. In addition, prompted by their empathy with people in occupied countries, they narrated history from the standpoint of the non-victorious, a perspective that has rarely been articulated by American and British authors. The challenges that these authors posed to traditional notions of history anticipated insights expressed several decades after the war by social, feminist, and postcolonial historians."--BOOK JACKET.

     

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  3. American women writers and the Nazis
    ethics and politics in Boyle, Porter, Stafford, and Hellman
    Published: 2001
    Publisher:  Univ. Press of Virginia, Charlottesville [u.a.]

    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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  4. The Cambridge companion to nineteenth-century American women's writing
    Published: 2001
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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  5. Sucking Salt
    Caribbean Women Writers, Migration, and Survival
    Published: 2006; © 2006
    Publisher:  University of Missouri Press, Columbia

  6. Betrayal and other acts of subversion
    feminism, sexual politics, Asian American women's literature
    Published: c2001
    Publisher:  Princeton University Press, Princeton, N.J

    Asian American women have long dealt with charges of betrayal within and beyond their communities. Images of their "disloyalty" pervade American culture, from the daughter who is branded a traitor to family for adopting American ways, to the war... more

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    Hochschule Aalen, Bibliothek
    E-Book EBSCO
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    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Asian American women have long dealt with charges of betrayal within and beyond their communities. Images of their "disloyalty" pervade American culture, from the daughter who is branded a traitor to family for adopting American ways, to the war bride who immigrates in defiance of her countrymen, to a figure such as Yoko Ono, accused of breaking up the Beatles with her "seduction" of John Lennon. Leslie Bow here explores how representations of females transgressing the social order play out in literature by Asian American women. Questions of ethnic belonging, sexuality, identification, and pol

     

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  7. The Cambridge companion to nineteenth-century American women's writing
    Published: 2001
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Europa-Universität Viadrina, Universitätsbibliothek
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  8. Something of my very own to say
    American women writers of Polish descent
    Published: 1997
    Publisher:  Columbia Univ. Press, [New York]

    Europa-Universität Viadrina, Universitätsbibliothek
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  9. The use of spatial imagery by three nineteenth-century New England authors -- Mary E. Wilkins Freeman, Sarah Orne Jewett, and Rose Terry Cooke
    a method for analyzing regional texts
    Published: [2014]
    Publisher:  The Edwin Mellen Press, Lewiston

    ""...A noteworthy contribution to scholarship on late nineteenth-century American women writers...Hausmann describes how female characters in literary environments operate literally and symbolically to reveal conceptual complexities that challenge... more

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    Hochschule Aalen, Bibliothek
    E-Book EBSCO
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    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    ""...A noteworthy contribution to scholarship on late nineteenth-century American women writers...Hausmann describes how female characters in literary environments operate literally and symbolically to reveal conceptual complexities that challenge traditional notions about women and space.""-Dr. Geraldine Smith-Wright,Drew University

     

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  10. Writing a Progressive Past
    Women Teaching and Writing in the Progressive Era
    Published: 2012; ©2012
    Publisher:  Parlor Press, LLC, Anderson

    Writing a Progressive Past: Women Teaching and Writing in the Progressive Era traces the lineage of writing instruction during the Progressive Era, from the influences of John Dewey, to the graduate program designed and run by Fred Newton Scott.... more

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    Hochschulbibliothek Friedensau
    Online-Ressource
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    Writing a Progressive Past: Women Teaching and Writing in the Progressive Era traces the lineage of writing instruction during the Progressive Era, from the influences of John Dewey, to the graduate program designed and run by Fred Newton Scott. Finally, it explores two sites of writing instruction run by Scott's graduates: one at Wellesley College and one at Mount Holyoke College. Front cover -- Series page -- Title page -- Copyright page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1 John Dewey and Progressivism -- 2 Fred Newton Scott and the Legacy of Deweyian Progressive Writing Instruction -- 3 Clara Stevens and the Mount Holyoke College English Department -- 4 Sophie Chantal Hart and Wellesley College -- 5 Learning from the Past, Looking to the Future -- Notes -- Works Cited -- Index -- About the Author -- Back cover.

     

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  11. Unbought and unbossed
    transgressive black women, sexuality, and representation
    Published: 2014
    Publisher:  Temple University Press, Philadelphia

    Contents; Acknowledgments; Introduction: Disrupting Dissemblance; 1. "New World Black and New World Woman": Or, Beyond the Classical Black Female Script; 2. Toward an Aesthetic of Transgression: Ann Allen Shockley's Loving Her and the Politics of... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 937623
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    Universitätsbibliothek Leipzig
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    Contents; Acknowledgments; Introduction: Disrupting Dissemblance; 1. "New World Black and New World Woman": Or, Beyond the Classical Black Female Script; 2. Toward an Aesthetic of Transgression: Ann Allen Shockley's Loving Her and the Politics of Same-Gender Loving; 3. Negotiating Cultural Politics; 4. "That Way Lies Madness": Sexuality, Violent Excess, and Perverse Desire; 5. "Between a Rock and a Hard Place": Gloria Naylor's The Women of Brewster Place; Conclusion: "Without Fear of Reprisals": Representation in the Age of Michelle Obama; Notes; Bibliography; Index Unbought and Unbossed critically examines the ways black women writers in the 1970s and early 1980s deploy black female characters that transgress racial, gender, and especially sexual boundaries. Trimiko Melancon analyzes literary and cultural texts, including Toni Morrison's Sula and Gloria Naylor's The Women of Brewster Place, in the socio-cultural and historical moments of their production. She shows how representations of black women in the American literary and cultural imagination diverge from stereotypes and constructions of "whiteness," as well as constructions of female identity impo

     

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  12. Perspectives of four women writers on the Second World War
    Gertrude Stein, Janet Flanner, Kay Boyle, and Rebecca West
    Published: 2002
    Publisher:  Lang, New York [u.a.]

    "In their writings composed during the Second World War and the political turmoil of the 1930s in Europe, Gertrude Stein, Janet Flanner, Kay Boyle, and Rebecca West interrogated the limitations of political history with its exclusionary emphasis on... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Europa-Universität Viadrina, Universitätsbibliothek
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    "In their writings composed during the Second World War and the political turmoil of the 1930s in Europe, Gertrude Stein, Janet Flanner, Kay Boyle, and Rebecca West interrogated the limitations of political history with its exclusionary emphasis on diplomacy and military campaigns. All four women writers underscored the indivisibility of social, cultural, and political histories. In addition, prompted by their empathy with people in occupied countries, they narrated history from the standpoint of the non-victorious, a perspective that has rarely been articulated by American and British authors. The challenges that these authors posed to traditional notions of history anticipated insights expressed several decades after the war by social, feminist, and postcolonial historians."--BOOK JACKET.

     

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  13. American women writers and the Nazis
    ethics and politics in Boyle, Porter, Stafford, and Hellman
    Published: 2001
    Publisher:  Univ. Press of Virginia, Charlottesville [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Stiftung Topographie des Terrors, Bibliothek
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    Europa-Universität Viadrina, Universitätsbibliothek
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  14. Kissing the mango tree
    Puerto Rican women rewriting American literature
    Published: 2010
    Publisher:  Arte Público Press, Houston, Tex

    Kissing the Mango Tree is the first and only book to examine the works of the most popular Puerto Rican women writers from the perspective of feminist literary criticism. Rivera reconstructs the ethno-feminist aesthetic of Judith Ortiz Cofer, Sandra... more

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    Hochschule Aalen, Bibliothek
    E-Book EBSCO
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    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Kissing the Mango Tree is the first and only book to examine the works of the most popular Puerto Rican women writers from the perspective of feminist literary criticism. Rivera reconstructs the ethno-feminist aesthetic of Judith Ortiz Cofer, Sandra Maria Esteves, Nicholasa Mohr, Aurora Levins Morales, Esmeralda Santiago and Luz Maria Umpierre-Herrera

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781611921915; 1611921910; 9781611926583; 1611926580
    Subjects: American literature; Puerto Rican literature; Feminism and literature; Women and literature; American literature; Puerto Rican women; Puerto Ricans in literature; Feminism and literature; Women and literature; American literature; Puerto Rican women; Puerto Rican literature; American literature; American literature -- Puerto Rican authors -- History and criticism; American literature -- Women authors -- History and criticism; Feminism and literature -- United States -- History -- 20th century; Puerto Rican literature -- Women authors -- History and criticism; Puerto Rican women -- United States -- Intellectual life; Women and literature -- United States -- History -- 20th century; American literature; Feminism and literature; Puerto Rican literature; Puerto Rican women; American literature; Women and literature; Puerto Ricans in literature; Feminism and literature; Puerto Rican literature ; Women authors; Women and literature; Literatur; Schriftstellerin; Frauenliteratur; LITERARY CRITICISM ; American ; General; American literature ; Puerto Rican authors; American literature ; Women authors; Criticism, interpretation, etc; History
    Scope: Online Ressource (xx, 188 pages)
    Notes:

    Includes bibliographical references (pages 177-188). - Print version record

    Print version record

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Online-Ausg. [S.l.] : HathiTrust Digital Library

  15. Race, Gender, and Comparative Black Modernism
    Suzanne Lacascade, Marita Bonner, Suzanne Césaire, Dorothy West
    Published: 2008; ©2008
    Publisher:  LSU Press, Baton Rouge

    Race, Gender, and Comparative Black Modernism revives and critiques four African American and Francophone Caribbean women writers sometimes overlooked in discussions of early-twentieth-century literature: Guadeloupean Suzanne Lacascade (dates... more

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    Race, Gender, and Comparative Black Modernism revives and critiques four African American and Francophone Caribbean women writers sometimes overlooked in discussions of early-twentieth-century literature: Guadeloupean Suzanne Lacascade (dates unknown), African American Marita Bonner (1899-1971), Martinican Suzanne Césaire (1913-1966), and African American Dorothy West (1907-1998). Reexamining their most significant work, Jennifer M. Wilks demonstrates how their writing challenges prevailing racial archetypes-such as the New Negro and the Negritude hero-of the period from the 1920s to the 1940s, and explores how these writers tapped into modernist currents from expressionism to surrealism to produce progressive treatments of race, gender, and nation that differed from those of currently canonized black writers of the era, the great majority of whom are men. Wilks begins with Lacascade, whom she deems "best known for being unknown," reading Lacascade's novel Claire-Solange, âme africaine (1924) as a protofeminist, proto-Negritude articulation of Caribbean identity. She then examines the fissures left unexplored in New Negro visions of African American community by showing the ways in which Bonner's essays, plays, and short stories highlight issues of economic class. Césaire applied the ideas and techniques of surrealism to the French language, and Wilks reveals how her writings in the journal Tropiques (1941-45) directly and insightfully engage the intellectual influences that informed the work of canonical Negritude. Wilks' close reading of West's The Living Is Easy (1948) provides a retrospective critique of the forces that continued to circumscribe women's lives in the midst of the social and cultural awakening presumably embodied in the New Negro. To show how the black literary tradition has continued to confront the conflation of gender roles Cover -- Contents -- Acknowledgments -- Introduction: Model Modernity -- 1. A Dying Exoticism: The Enigmatic Fiction of Suzanne Lacascade -- 2. The Limits of Exemplarity: Marita Bonner's Alternative Modernist Landscapes -- 3. Surrealist Dreams, Martinican Realities: The Negritude of Suzanne Césaire -- 4. Black Modernism in Retrospect: Dorothy West's New (Negro) Women -- Conclusion: Atypical Women Revisited -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- W -- Y -- Z.

     

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