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  1. Kwame Brathwaite - black is beautiful
    Author: Ford, Tanisha C.
    Published: 2019
    Publisher:  Aperture, New York, NY

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    Source: Union catalogues
    Contributor: Brathwaite, Kwame; Willis, Deborah
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781597114431
    RVK Categories: AP 94100
    Edition: First edition
    Subjects: Photograhy, Artistic; African American photographers; Photographers; African Americans; African Americans; African American arts; Harlem Renaissance
    Other subjects: Brathwaite, Kwame (1938-)
    Scope: 143 Seiten
    Notes:

    Coincides with a touring exhibition of Brathwaite's work May 2019

    Includes bibliographical references
  2. Through a lens darkly
    black photographers and the emergence of a people
    Contributor: Harris, Thomas Allen
    Published: [2015]; © 2015
    Publisher:  First Run Features, [New York]

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    Source: Union catalogues
    Contributor: Harris, Thomas Allen
    Language: English
    Media type: Data medium; Multimedia
    Other identifier:
    720229916387
    RVK Categories: AP 99083 ; HD 575
    Subjects: Photography; Photography; Photography; African American photographers
    Scope: 1 DVD-Video (92 min), Ton, farbig, 12 cm
    Notes:

    Original: USA 2014. Optional english & spanish subtitles.

    Special features: 14 short videos ; biographies

    Breitbild (1,78:1)
  3. Committed to the image
    contemporary black photographers ; [... on the occasion of the exhibition ... at the Brooklyn Museum of Art, New York, February 16 - April 29, 2001]
    Published: 2001
    Publisher:  Brooklyn Museum of Art [u.a.], Brooklyn, NY

    Location:
    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 1858941237
    RVK Categories: QP 95700
    Edition: 1. publ.
    Subjects: Foto's; Fotografen; Negers; Schwarze; African American photographers; Blacks; Photography, Artistic; Portrait photography; Schwarze; Fotografie; Schwarze <Motiv>
    Scope: 240 S., überw. Ill.
  4. Reflections in black
    a history of black photographers 1840 to the present
    Published: 2000
    Publisher:  Norton, New York [u.a.]

    Shows that the history of black photographers intertwines with the story of African American life, as seen through photographs ranging from antebellum weddings and 1960s protest marches, to portraits of contemporary black celebrities. more

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    Universitätsbibliothek Bayreuth
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    Shows that the history of black photographers intertwines with the story of African American life, as seen through photographs ranging from antebellum weddings and 1960s protest marches, to portraits of contemporary black celebrities.

     
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  5. Black women, identity, and cultural theory
    (un)becoming the subject
    Author: Quashie, Kevin Everod
    Published: ©2004
    Publisher:  Rutgers University Press, New Brunswick

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0813533678; 0813535360; 9780813533674; 9780813535364
    RVK Categories: HU 1728
    Subjects: LITERARY CRITICISM / American / General; Weibliche Schwarze. Amerika; American literature; American literature; African American women; Women and literature; African American women in literature; Identity (Psychology) in literature; Women, Black; African American photographers; Group identity in literature; African American aesthetics; Women, Black, in literature; Women photographers; Schwarze; Frauenliteratur
    Scope: 1 Online-Ressource (1 volume)
    Notes:

    Includes bibliographical references (pages 207-219) and index

    Introduction : what becomes -- The other dancer as self : notes on girlfriend selfhood -- Self(full)ness and the politics of community -- Liminality and selfhood : toward being enough -- An indisputable memory of blackness -- The practice of a memory body -- Toward a language aesthetic -- My own, language -- Conclusion : what is undone
  6. Through a lens darkly
    black photographers and the emergence of a people
    Published: 2015
    Publisher:  First Run Features, [New York]

    Location:
    Universitätsbibliothek Bamberg
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    Source: Union catalogues
    Language: English
    Media type: Book
    RVK Categories: AP 99083 ; HD 575
    Subjects: Ethik; Geschichte; Gesellschaft; Photography; Photography; Photography; African American photographers; Person of Color; Schwarze <Motiv>; Fotografie
    Scope: 1 DVD, NTSC, Ländercode 1, 92 Min., farb., Dolby digital 5.1, 12 cm
    Notes:

    Orig.: USA 2014. Optional english & spanish subtitles. Special features: 14 short videos, biographies.
  7. Black women, identity, and cultural theory
    (un)becoming the subject
    Author: Quashie, Kevin Everod
    Published: c2004
    Publisher:  Rutgers University Press, New Brunswick

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 081353366X; 0813533678
    RVK Categories: HU 1728
    Subjects: Weibliche Schwarze. Amerika; American literature; American literature; African American women; Women and literature; African American women in literature; Identity (Psychology) in literature; Women, Black; African American photographers; Group identity in literature; African American aesthetics; Women, Black, in literature; Women photographers; Frauenliteratur; Schwarze
    Scope: x, 228 p.
    Notes:

    Includes bibliographical references (p. 207-219) and index

    Introduction : what becomes -- The other dancer as self : notes on girlfriend selfhood -- Self(full)ness and the politics of community -- Liminality and selfhood : toward being enough -- An indisputable memory of blackness -- The practice of a memory body -- Toward a language aesthetic -- My own, language -- Conclusion : what is undone
  8. The self in black and white
    race and subjectivity in postwar American photography
    Author: Duganne, Erina
    Published: 2009
    Publisher:  Dartmouth College Press, Hanover, N.H. [u.a.]

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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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  9. Reflections in black
    a history of black photographers 1840 to the present
    Author: Willis, Deborah
    Published: 2002
    Publisher:  Norton, New York [u.a.]

    Location:
    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0393322807
    RVK Categories: AP 99083
    Edition: 1. publ. as a Norton paperback
    Subjects: Geschichte; Schwarze. USA; African American photographers; African Americans; Schwarze; Geschichte; Fotografie; Schwarze <Motiv>; Fotograf; Person of Color
    Scope: 323 S., überw. Ill.
  10. Black women, identity, and cultural theory
    (un)becoming the subject
    Author: Quashie, Kevin Everod
    Published: 2004
    Publisher:  Rutgers Univ. Press, New Brunswick, NJ [u.a.]

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    Universitätsbibliothek Bayreuth
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  11. Black women, identity, and cultural theory
    (un)becoming the subject
    Published: c2004
    Publisher:  Rutgers University Press, New Brunswick

    Introduction : what becomes -- The other dancer as self : notes on girlfriend selfhood -- Self(full)ness and the politics of community -- Liminality and selfhood : toward being enough -- An indisputable memory of blackness -- The practice of a memory... more

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Introduction : what becomes -- The other dancer as self : notes on girlfriend selfhood -- Self(full)ness and the politics of community -- Liminality and selfhood : toward being enough -- An indisputable memory of blackness -- The practice of a memory body -- Toward a language aesthetic -- My own, language -- Conclusion : what is undone. Kevin Everod Quashie explores the metaphor of the "girlfriend" as a new way of understanding three central concepts of cultural studies: self, memory, and language. He considers how the works of writers such as Toni Morrison, Ama Ata Aidoo, Dionne Brand, photographer Lorna Simpson, and many others, inform debates over the concept of identity. Quashie argues that these artists replace the notion of a stable, singular identity with the concept of the self developing in a process both communal and perpetually fluid, a relationship that functions in much the same way that an adult woman negotiates with her girlfriend(s). He suggests that memory itself is corporeal, a literal body that is crucial to the process of becoming. Quashie also explores the problem that language poses for the black woman artist and her commitment to a mastery that neither colonizes nor excludes. The analysis throughout this book interacts with schools of thought such as psychoanalysis, postmodernism, and postcolonialism, but Ultimately moves beyond these to propose a new cultural aesthetic that aims to center black women and their philosophies. Book jacket

     
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  12. Black women, identity, and cultural theory
    (un)becoming the subject
    Author: Quashie, Kevin Everod
    Published: 2004
    Publisher:  Rutgers Univ. Press, New Brunswick, NJ [u.a.]

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    Universitätsbibliothek der RWTH Aachen
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  13. Black women, identity, and cultural theory
    (un)becoming the subject
    Author: Quashie, Kevin Everod
    Published: 2004
    Publisher:  Rutgers Univ. Press, New Brunswick, NJ [u.a.]

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    Universitätsbibliothek der RWTH Aachen
    Signature:
    NM5574
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  14. Reflections in black
    a history of black photographers 1840 to the present
    Published: 2000
    Publisher:  Norton, New York [u.a.]

    Shows that the history of black photographers intertwines with the story of African American life, as seen through photographs ranging from antebellum weddings and 1960s protest marches, to portraits of contemporary black celebrities. more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Shows that the history of black photographers intertwines with the story of African American life, as seen through photographs ranging from antebellum weddings and 1960s protest marches, to portraits of contemporary black celebrities.

     
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  15. Black women, identity, and cultural theory
    (un)becoming the subject
    Author: Quashie, Kevin Everod
    Published: 2004
    Publisher:  Rutgers Univ. Press, New Brunswick, NJ [u.a.]

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    Freie Universität Berlin, Universitätsbibliothek
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  16. Through a lens darkly
    black photographers and the emergence of a people
    Published: 2015
    Publisher:  First Run Features, [New York]

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    RVK Categories: AP 99083 ; HD 575
    Subjects: Ethik; Geschichte; Gesellschaft; Photography; Photography; Photography; African American photographers; Person of Color; Schwarze <Motiv>; Fotografie
    Scope: 1 DVD, NTSC, Ländercode 1, 92 Min., farb., Dolby digital 5.1, 12 cm
    Notes:

    Orig.: USA 2014. Optional english & spanish subtitles. Special features: 14 short videos, biographies.
  17. Reflections in black
    a history of black photographers 1840 to the present
    Author: Willis, Deborah
    Published: 2002
    Publisher:  Norton, New York [u.a.]

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 0393322807
    RVK Categories: AP 99083
    Edition: 1. publ. as a Norton paperback
    Subjects: Geschichte; Schwarze. USA; African American photographers; African Americans; Schwarze; Geschichte; Fotografie; Schwarze <Motiv>; Fotograf; Person of Color
    Scope: 323 S., überw. Ill.
  18. The self in black and white
    race and subjectivity in postwar American photography
    Author: Duganne, Erina
    Published: 2009
    Publisher:  Dartmouth College Press, Hanover, N.H. [u.a.]

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    Freie Universität Berlin, Universitätsbibliothek
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  19. Kwame Brathwaite - black is beautiful
    Author: Ford, Tanisha C.
    Published: 2019
    Publisher:  Aperture, New York, NY

    Foreword / by Kwame Brathwaite -- Kwame Brathwaite : black is beautiful / by Tanisha C. Ford -- African Jazz-Art Society -- Think black, buy black -- The Grandassa models -- Afterword, Kwame Brathwaite : black is beautiful, then and now / by Deborah... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2019:2969:
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    Staats- und Universitätsbibliothek Bremen
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    Foreword / by Kwame Brathwaite -- Kwame Brathwaite : black is beautiful / by Tanisha C. Ford -- African Jazz-Art Society -- Think black, buy black -- The Grandassa models -- Afterword, Kwame Brathwaite : black is beautiful, then and now / by Deborah Willis.

     
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    Source: Union catalogues
    Contributor: Brathwaite, Kwame (FotografIn); Willis, Deborah (KommentarverfasserIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781597114431
    RVK Categories: AP 94100
    Edition: First edition
    Subjects: Photograhy, Artistic; African American photographers; Photographers; African Americans; African Americans; African American arts; Harlem Renaissance
    Other subjects: Brathwaite, Kwame (1938-)
    Scope: 143 Seiten
    Notes:

    Coincides with a touring exhibition of Brathwaite's work May 2019

    Includes bibliographical references
  20. Black Women, Identity, and Cultural Theory
    (Un)Becoming the Subject
    Author: Quashie, Kevin Everod
    Published: 2004; ©2004.
    Publisher:  Rutgers University Press, New Brunswick

    Intro -- Contents -- Acknowledgments -- Introduction -- Chapter 1: The Other Dancer as Self: Notes on Girlfriend Selfhood -- Chapter 2: Self(full)ness and the Politics of Community -- Chapter 3: Liminality and Selfhood: Toward Being Enough -- Chapter... more

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Bibliothek LIV HN Sontheim
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    Bibliothek LIV HN Sontheim
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    Intro -- Contents -- Acknowledgments -- Introduction -- Chapter 1: The Other Dancer as Self: Notes on Girlfriend Selfhood -- Chapter 2: Self(full)ness and the Politics of Community -- Chapter 3: Liminality and Selfhood: Toward Being Enough -- Chapter 4: An Indisputable Memory of Blackness -- Chapter 5: The Practice of a Memory Body -- Chapter 6: Toward a Language Aesthetic -- Chapter 7: My Own, Language -- Conclusion: …What Is Undone -- Notes -- Works Cited -- Index -- About the Author.

     
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  21. Black women, identity, and cultural theory
    (un)becoming the subject
    Author: Quashie, Kevin Everod
    Published: c 2004
    Publisher:  Rutgers University Press, New Brunswick, NJ [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 531636
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Universitätsbibliothek Heidelberg
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 081353366X; 0813533678
    Other identifier:
    9780813533674
    2003007035
    RVK Categories: HU 1728
    Subjects: American literature; American literature; African American women; Women and literature; African American women in literature; Identity (Psychology) in literature; Women, Black; African American photographers; Group identity in literature; African American aesthetics; Women, Black, in literature; Women photographers; American literature; American literature; African American women; African American women in literature; Identity (Psychology) in literature; Women, Black; African American photographers; Group identity in literature
    Scope: X, 228 S, Ill, 24 cm
    Notes:

    Includes bibliographical references (p. 207-219) and index

    Introduction : what becomes -- The other dancer as self : notes on girlfriend selfhood -- Self(full)ness and the politics of community -- Liminality and selfhood : toward being enough -- An indisputable memory of blackness -- The practice of a memory body -- Toward a language aesthetic -- My own, language -- Conclusion : what is undone
  22. Todd Gray
    Euclidean gris gris
    Contributor: Gray, Todd (FotografIn); McGrew, Rebecca (HerausgeberIn); Adusei-Poku, Nana (VerfasserIn von ergänzendem Text); Jayawardane, Neelika (VerfasserIn von ergänzendem Text); Weems, Carrie Mae (VerfasserIn von ergänzendem Text)
    Published: [2019]
    Publisher:  Pomona College Museum of Art, Claremont, CA

    (from table of contents)Foreword /Kathleen Stewart Howe --Introduction:Time and space--the work of Todd Gray /Rebecca McGrew and Hannah Grossman --Todd Gray: composite stranger /Nana Adusei-Poku --Conversation with Todd Gray /Carrie Mae Weems... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    (from table of contents)Foreword /Kathleen Stewart Howe --Introduction:Time and space--the work of Todd Gray /Rebecca McGrew and Hannah Grossman --Todd Gray: composite stranger /Nana Adusei-Poku --Conversation with Todd Gray /Carrie Mae Weems --Relocating the fragments: the kaleidoscopic vision of Todd Gray /M. Neelika Jayawardane --Image plates --Artist's biography /Todd Gray --Longing on a large scale /Nana Adusei-Poku --Exhibition checklist --Contributors' biographies.

     
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    Source: Union catalogues
    Contributor: Gray, Todd (FotografIn); McGrew, Rebecca (HerausgeberIn); Adusei-Poku, Nana (VerfasserIn von ergänzendem Text); Jayawardane, Neelika (VerfasserIn von ergänzendem Text); Weems, Carrie Mae (VerfasserIn von ergänzendem Text)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780997930603; 0997930608
    RVK Categories: AP 94100
    Subjects: Photography, Artistic; African American photographers; African American photographers; Composition (Art); African diaspora in art; Multimedia (Art); Photography, Artistic; Exhibition catalogs
    Other subjects: Gray, Todd (1954-)
    Scope: 185 Seiten, 26 cm
    Notes:

    Published on the occasion of the exhibition "Todd Gray: Euclidean Gris Gris" presented at the Pomona College Museum of Art, September 3, 2019-May 17, 2020

    Pagination includes program booklet "Longing on a large scale / curated by Nana Adusei-Poku" (22 x 14 cm.) bound between pages 144/177. Includes campus map
  23. Joshua Rashaad McFadden
    I believe I'll run on
    Contributor: McFadden, Joshua Rashaad (FotografIn, InterviewteR); Ward, LaCharles (VerfasserIn von Zusatztexten); Harris, Lyle Ashton (InterviewerIn)
    Published: [2022]
    Publisher:  George Eastman Museum, Rochester, NY ; Yale University Press, [New Haven, Connecticut]

    Foreword / Bruce Barnes -- In the long shadow : Black photography, anti-Black violence, and the great beauty of Black life / LaCharles Ward -- A conversation / Lyle Ashton Harris and Joshua Rashaad McFadden. "American artist Joshua Rashaad McFadden... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Foreword / Bruce Barnes -- In the long shadow : Black photography, anti-Black violence, and the great beauty of Black life / LaCharles Ward -- A conversation / Lyle Ashton Harris and Joshua Rashaad McFadden. "American artist Joshua Rashaad McFadden (b. 1990) makes photographs that explore and celebrate Black life in the United States. Published in conjunction with his first solo museum exhibition, Joshua Rashaad McFadden: I Believe I'll Run On demonstrates his mastery of a wide range of photographic genres-social documentary, reportage, portraiture, and fine art-and his use of the medium to confront racism and anti-Black violence. Like Black photographers before him, such as Gordon Parks, Roy DeCarava, Carrie Mae Weems, Dawoud Bey, and LaToya Ruby Frazier, McFadden documents the beauty of Black life and illuminates the specificity of Black living in our historical present, including a series of impactful photographs devoted to the Black Lives Matter protests in 2020. Along with a candid conversation between McFadden and artist Lyle Ashton Harris and an essay that traces McFadden's meteoric career, this catalogue offers an overview of and insight into a poignant and deeply personal body of work, asserting McFadden's key role in shaping the art and visual culture of the United States"--

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: McFadden, Joshua Rashaad (FotografIn, InterviewteR); Ward, LaCharles (VerfasserIn von Zusatztexten); Harris, Lyle Ashton (InterviewerIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780300264265
    RVK Categories: AP 94100
    Subjects: African American photographers; Photography, Artistic; Documentary photography; African Americans in art
    Other subjects: McFadden, Joshua Rashaad
    Scope: 304 Seiten, Noten
    Notes:

    Impressum: This catalog is published in conjunction with the exhibition "Joshua Rashaad McFadden: I Believe I'll Run On", presented by the George Eastman Museum, November 5, 2021-June 19, 2022

    Includes bibliographical references
  24. A picture gallery of the soul
    Contributor: Milligan, Herman J. (VeranstalterIn); Oransky, Howard (VeranstalterIn); Finley, Cheryl (VerfasserIn von ergänzendem Text); Nelson, Chrystal Am (VerfasserIn von ergänzendem Text); Rodney, Seph (VerfasserIn von ergänzendem Text)
    Published: [2022]
    Publisher:  University of California Press, Oakland, CA

    Foreword / Deborah Willis -- Preface / Herman J. Milligan, Jr. -- Preface / Howard Oransky -- Mining the archive of black life and culture / Cheryl Finley -- A visual politics of black pleasure / crystal am nelson -- Why we wear a suit to do the work... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Foreword / Deborah Willis -- Preface / Herman J. Milligan, Jr. -- Preface / Howard Oransky -- Mining the archive of black life and culture / Cheryl Finley -- A visual politics of black pleasure / crystal am nelson -- Why we wear a suit to do the work / Seph Rodney. "A Picture Gallery of the Soul presents the work of more than one hundred Black American artists whose practice incorporates the photographic medium. Organized by the Katherine E. Nash Gallery at the University of Minnesota, this group exhibition samples a range of photographic expressions produced over three centuries, from traditional photography to mixed media and conceptual art. From the daguerreotypes made by Jules Lion in New Orleans in 1840 to the Instagram post of the Baltimore Uprising made by Devin Allen in 2015, photography has chronicled Black American life, and Black Americans have defined the possibilities of photography. Frederick Douglass recognized the quick, easy, and inexpensive reproducibility of photography and developed a theoretical framework for understanding its impact on public discourse, which he delivered as a series of four lectures during the Civil War. The subject of 160 photographic portraits and the most photographed American of the nineteenth century, Douglass anticipated that the history of American photography and the history of Black American culture and politics would be deeply intertwined. A Picture Gallery of the Soul honors the diverse visions of Blackness made manifest through the lens of photography. Published in association with the Katherine E. Nash Gallery. Exhibition dates: Katherine E. Nash Gallery: September 13-December 10, 2022"--

     
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    Source: Union catalogues
    Contributor: Milligan, Herman J. (VeranstalterIn); Oransky, Howard (VeranstalterIn); Finley, Cheryl (VerfasserIn von ergänzendem Text); Nelson, Chrystal Am (VerfasserIn von ergänzendem Text); Rodney, Seph (VerfasserIn von ergänzendem Text)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780520388062
    RVK Categories: AP 99083 ; AP 95740
    Edition: First edition
    Subjects: African American photographers
    Scope: 274 Seiten
    Notes:

    Titelblattrückseite: "This catalogue is published in conjunction with the exhibition "A Picture Gallery of the Soul", organized by Herman J. Milligan Jr. and Howard Oransky for the Katherine E. Nash Gallery at the University of Minnesota, Minneapolis, September 13-December 10, 2022"

    Includes bibliographical references and index
  25. Dawould Bay, Carrie Mae Weems in dialogue
    Contributor: Bey, Dawoud (FotografIn); Weems, Carrie Mae (FotografIn); Platt, Ron (VerfasserIn von Zusatztexten); Conwill, Kinshasha (VerfasserIn von Zusatztexten)
    Published: [2022]
    Publisher:  Grand Rapids Art Museum, Grand Rapids, MI ; DelMonico Books, New York

    Director's foreword /Dana Friis-Hansen --Curator's acknowledgments /Ron Platt --Sustaining connections /Ron Platt --Dreams undeferred: the vision of Dawoud Bey and Carrie Mae Weems /Kinshasha Holman Conwill --Early work --Expanding the scope... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Director's foreword /Dana Friis-Hansen --Curator's acknowledgments /Ron Platt --Sustaining connections /Ron Platt --Dreams undeferred: the vision of Dawoud Bey and Carrie Mae Weems /Kinshasha Holman Conwill --Early work --Expanding the scope --Resurrecting Black histories --Memorial and requiem --Revelations in the landscape --A reflection /Dawoud Bey --Dawoud Bey: connections /Carrie Mae Weems --Timeline. Dawoud Bey and Carrie Mae Weems met in New York in the late 1970s, and over the next 45 years, these close friends and colleagues have each produced bodies of work around shared interests and concerns. This publication brings together over 140 photographs and video art from the 1970s through the 2010s. Since first meeting at the Studio Museum in Harlem five decades ago, Bey and Weems have maintained mutual engagement while exploring and addressing similar themes: race, class, representation, and systems of power

     
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    Source: Union catalogues
    Contributor: Bey, Dawoud (FotografIn); Weems, Carrie Mae (FotografIn); Platt, Ron (VerfasserIn von Zusatztexten); Conwill, Kinshasha (VerfasserIn von Zusatztexten)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781636810454; 1636810454
    RVK Categories: AP 94100
    Subjects: African American photographers; African American women photographers; Portrait photography; Photography, Artistic; Photography, Artistic; African American photographers; African American women photographers; Portrait photography; Photography, Artistic; Exhibition catalogs
    Other subjects: Bey, Dawoud (1953-); Weems, Carrie Mae (1953-); Bey, Dawoud; Weems, Carrie Mae
    Scope: 176 Seiten
    Notes:

    Titelblattrückseite: Published on the occasion with the exhibition "Dawoud Bey & Carrie Mae Weems: In Dialogue", January 29-April 30, 2022, Grand Rapids Art Museum ... Exhibition tour: Tampa Museum of Art, July 1-October 23, 2022; Seattle Art Museum, November 15, 2022-January 23, 2023; J. Paul Getty Museum, April 4-July 9, 2023

    Includes bibliographical references