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Displaying results 1 to 25 of 35.

  1. Radical women: Latin American art, 1960-1985
    Contributor: Fajardo-Hill, Cecilia (Publisher); Giunta, Andrea (Publisher); Alonso, Rodrigo
    Published: 2017
    Publisher:  DelMonico-Prestel, Munich ; Hammer Museum, London

    "This stunning reappraisal offers long overdue recognition to the enormous contribution to the field of contemporary art of women artists in Latin America and those of Latino and Chicano heritage working during a pivotal time in history. Amidst the... more

     

    "This stunning reappraisal offers long overdue recognition to the enormous contribution to the field of contemporary art of women artists in Latin America and those of Latino and Chicano heritage working during a pivotal time in history. Amidst the tumult and revolution that characterized the latter half of the 20th century in Latin America and the US, women artists were staking their claim in nearly every field. This wide ranging volume examines the work of more than 100 female artists with nearly 300 works in the fields of painting, sculpture, photography, video, performance art, and other experimental media. A series of thematic essays, arranged by country, address the cultural and political contexts in which these radical artists worked, while other essays address key issues such as feminism, art history, and the political body. Drawing its design and feel from the radical underground pamphlets, catalogs, and posters of the era, this is the first examination of a highly influential period in 20th-century art history. "...

     

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    Source: Union catalogues
    Contributor: Fajardo-Hill, Cecilia (Publisher); Giunta, Andrea (Publisher); Alonso, Rodrigo
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783791356808
    RVK Categories: LO 96740
    Subjects: ART / Caribbean & Latin American / bisacsh; ART / History / Contemporary (1945-) / bisacsh; Arts; Arts; Arts, Latin American; Hispanic American arts; Women artists; Hispanic American women artists; ART / Caribbean & Latin American; ART / History / Contemporary (1945-)
    Scope: 376 Seiten
    Notes:

    Exhibition itinerary Hammer Museum, Los Angeles, September 15- December 31, 2017, Brooklyn Museum, April 13 - July 22, 2018

  2. Festivals & daily life in the arts of colonial Latin America
    1492 - 1850 ; papers from the 2012 Mayer Center Symposium at the Denver Art Museum
    Published: 2014
    Publisher:  Mayer Center for Pre-Columbian & Spanish Colonial Art at the Denver Art Museum, Denver, CO

    "Barbara Mundy (Fordham University) opens this volume with a thought-provoking discussion of pre-Columbian dance festivals and their associated costumes and accoutrements, their continuation and reinterpretation in colonial Mexico, and their... more

    Historisches Institut, Abteilung für Iberische und Lateinamerikanische Geschichte, Bibliothek
    423/Om3289
    No inter-library loan

     

    "Barbara Mundy (Fordham University) opens this volume with a thought-provoking discussion of pre-Columbian dance festivals and their associated costumes and accoutrements, their continuation and reinterpretation in colonial Mexico, and their remaining vestiges in modern times. Gustavo Curiel (Universidad Nacional Autonoma de Mexico) presents a moving discussion of the mourning activities performed in Mexico City in 1666 to commemorate the death of Philip IV; Curiel then reconstructs a vision of the ephemeral monument erected by the Inquisition by comparing documentary sources, such as the artist's contract, with surviving engravings of a similar monument. Frances Ramos (University of South Florida) brings the volume into the eighteenth century by examining celebrations and art in honor of Saint Joseph in the city of Puebla, Mexico.

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780914738985
    Corporations / Congresses:
    Mayer Center Symposium <12th, 2012, Denver Art Museum> (Verfasser)
    Series: Symposium series
    Subjects: Arts, Colonial; Arts, Latin American; Festivals; ART / Caribbean & Latin American; HISTORY / Latin America / General; Alltag <Motiv>; Kunst; Fest <Motiv>
    Scope: 170 p., ill., maps, 28 cm
    Notes:

    Includes bibliographical references

  3. Radical women: Latin American art, 1960-1985
    Contributor: Fajardo-Hill, Cecilia (Herausgeber, Verfasser von ergänzendem Text); Giunta, Andrea (Herausgeber, Verfasser von ergänzendem Text); Alonso, Rodrigo (Verfasser von Zusatztexten, Verfasser von ergänzendem Text)
    Published: 2017
    Publisher:  DelMonico-Prestel, Munich ; London ; New York ; Hammer Museum, Los Angeles

    "This stunning reappraisal offers long overdue recognition to the enormous contribution to the field of contemporary art of women artists in Latin America and those of Latino and Chicano heritage working during a pivotal time in history. Amidst the... more

    Ruhr-Universität Bochum, Universitätsbibliothek
    PEB6984
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    kunm620.f175
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    Kunst- und Museumsbibliothek der Stadt Köln
    KMB/YG LOS AN 46 2017/18
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    Universität Münster, Philosophisches Seminar, Bibliothek
    KA 287 / 9
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    "This stunning reappraisal offers long overdue recognition to the enormous contribution to the field of contemporary art of women artists in Latin America and those of Latino and Chicano heritage working during a pivotal time in history. Amidst the tumult and revolution that characterized the latter half of the 20th century in Latin America and the US, women artists were staking their claim in nearly every field. This wide ranging volume examines the work of more than 100 female artists with nearly 300 works in the fields of painting, sculpture, photography, video, performance art, and other experimental media. A series of thematic essays, arranged by country, address the cultural and political contexts in which these radical artists worked, while other essays address key issues such as feminism, art history, and the political body. Drawing its design and feel from the radical underground pamphlets, catalogs, and posters of the era, this is the first examination of a highly influential period in 20th-century art history. "...

     

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    Source: Union catalogues
    Contributor: Fajardo-Hill, Cecilia (Herausgeber, Verfasser von ergänzendem Text); Giunta, Andrea (Herausgeber, Verfasser von ergänzendem Text); Alonso, Rodrigo (Verfasser von Zusatztexten, Verfasser von ergänzendem Text)
    Language: English
    Media type: Book
    ISBN: 9783791356808
    Subjects: Arts; Arts; Arts, Latin American; Hispanic American arts; Women artists; Hispanic American women artists; ART / Caribbean & Latin American; ART / History / Contemporary (1945-); Frau <Motiv>; Kunst; Künstlerin
    Scope: 376 Seiten
    Notes:

    Exhibition itinerary Hammer Museum, Los Angeles, September 15- December 31, 2017, Brooklyn Museum, April 13 - July 22, 2018

  4. After human rights
    literature, visual arts, and film in Latin America, 1990-2010
    Published: [2016]
    Publisher:  University of Pittsburgh Press, Pittsburgh

    "Rosenberg explores Latin American artistic production concerned with the possibility of justice after the establishment, rise, and ebb of the human rights narrative around the turn of the last century. He grounds his study in discussions of... more

    Universitätsbibliothek Bielefeld
    VQ156 R813
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    44A8347
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    "Rosenberg explores Latin American artistic production concerned with the possibility of justice after the establishment, rise, and ebb of the human rights narrative around the turn of the last century. He grounds his study in discussions of literature, film, and visual art (novels of political refoundations, fictions of truth and reconciliation, visual arts based on cases of disappearance, films about police violence, artistic collaborations with police forces, and judicial documentaries). In doing so, he provides a highly original examination of the paradoxical demands on current artistic works to produce both capital value and foster human dignity"...

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780822964162
    Series: Illuminations: cultural formations of the Americas
    Subjects: Human rights in art; Arts, Latin American; Arts, Latin American; LITERARY CRITICISM / Caribbean & Latin American; ART / Caribbean & Latin American; Kunst; Film; Menschenrecht; Literatur
    Scope: 296 Seiten, Illustrationen
  5. Strategien der Einverleibung
    die Rezeption der Antropofagia in der zeitgenössischen brasilianischen Kunst
    Published: [2020]
    Publisher:  transcript, Bielefeld ; Walter de Gruyter GmbH, Berlin

    Im Kontext aktueller Debatten um Nationalismus und Migration gewinnt das in der brasilianischen Moderne entwickelte Konzept der Antropofagia zunehmend an Bedeutung, da es ein hybrides Kunstverständnis theoretisiert, das hegemonial geprägte... more

    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Im Kontext aktueller Debatten um Nationalismus und Migration gewinnt das in der brasilianischen Moderne entwickelte Konzept der Antropofagia zunehmend an Bedeutung, da es ein hybrides Kunstverständnis theoretisiert, das hegemonial geprägte Dichotomien überwindet. Anhand ausgewählter Werkanalysen von Ricardo Basbaum, Anna Maria Maiolino, Cildo Meireles, Ernesto Neto und Adriana Varejao weist Irina Hiebert Grun die bedeutende Beeinflussung der kulturellen Antropofagia auf die zeitgenössische brasilianische Kunst erstmals systematisch nach. Damit liefert sie einen wichtigen Beitrag zum gegenwärtigen Diskurs in Wissenschaft und Museumspraxis, der ein Aufbrechen des westlichen Kanons und die Einnahme einer globalen Perspektive fordert.

     

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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783839450307
    Other identifier:
    RVK Categories: LH 84390 ; LO 97910 ; LO 97450
    DDC Categories: 700
    Series: Image ; Band 166
    Subjects: Postkolonialismus; Kannibalismus; Metapher; Kunst; Tropicalismo; Nationalbewusstsein; Antropofagia; Art; Contemporary Art; Gegenwartskunst; Kunst; Lateinamerika; Latin America; Moderne; Modernity; Museum Practice; Museumspraxis; Postcolonialism; Postkolonialismus; South American Art; Südamerikanische Kunst; ART / Caribbean & Latin American
    Scope: 1 Online-Ressource (332 Seiten), Illustrationen
    Notes:

    Literaturverzeichnis Seite [309]-329

    Dissertation, Fachbereich Humanwissenschaften, Technische Universität Darmstadt,

  6. Radical women: Latin American art, 1960-1985
    Contributor: Fajardo-Hill, Cecilia (Publisher); Giunta, Andrea (Publisher); Alonso, Rodrigo
    Published: 2017
    Publisher:  DelMonico-Prestel, Munich ; London ; New York ; Hammer Museum, Los Angeles

    "This stunning reappraisal offers long overdue recognition to the enormous contribution to the field of contemporary art of women artists in Latin America and those of Latino and Chicano heritage working during a pivotal time in history. Amidst the... more

    Städtische Galerie im Lenbachhaus und Kunstbau München, Bibliothek
    No inter-library loan
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    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    "This stunning reappraisal offers long overdue recognition to the enormous contribution to the field of contemporary art of women artists in Latin America and those of Latino and Chicano heritage working during a pivotal time in history. Amidst the tumult and revolution that characterized the latter half of the 20th century in Latin America and the US, women artists were staking their claim in nearly every field. This wide ranging volume examines the work of more than 100 female artists with nearly 300 works in the fields of painting, sculpture, photography, video, performance art, and other experimental media. A series of thematic essays, arranged by country, address the cultural and political contexts in which these radical artists worked, while other essays address key issues such as feminism, art history, and the political body. Drawing its design and feel from the radical underground pamphlets, catalogs, and posters of the era, this is the first examination of a highly influential period in 20th-century art history. "...

     

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    Source: Union catalogues
    Contributor: Fajardo-Hill, Cecilia (Publisher); Giunta, Andrea (Publisher); Alonso, Rodrigo
    Language: English
    Media type: Book
    ISBN: 9783791356808
    RVK Categories: LH 60250 ; LO 96740
    Subjects: ART / Caribbean & Latin American / bisacsh; ART / History / Contemporary (1945-) / bisacsh; Geschichte; Politik; Arts; Arts; Arts, Latin American; Hispanic American arts; Women artists; Hispanic American women artists; ART / Caribbean & Latin American; ART / History / Contemporary (1945-); Kunst; Künstlerin; Frau <Motiv>
    Scope: 376 Seiten
    Notes:

    Exhibition itinerary Hammer Museum, Los Angeles, September 15- December 31, 2017, Brooklyn Museum, April 13 - July 22, 2018

  7. Festivals & daily life in the arts of colonial Latin America
    1492 - 1850 ; papers from the 2012 Mayer Center Symposium at the Denver Art Museum
    Published: 2014
    Publisher:  Mayer Center for Pre-Columbian & Spanish Colonial Art at the Denver Art Museum, Denver, CO

    "Barbara Mundy (Fordham University) opens this volume with a thought-provoking discussion of pre-Columbian dance festivals and their associated costumes and accoutrements, their continuation and reinterpretation in colonial Mexico, and their... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "Barbara Mundy (Fordham University) opens this volume with a thought-provoking discussion of pre-Columbian dance festivals and their associated costumes and accoutrements, their continuation and reinterpretation in colonial Mexico, and their remaining vestiges in modern times. Gustavo Curiel (Universidad Nacional Autonoma de Mexico) presents a moving discussion of the mourning activities performed in Mexico City in 1666 to commemorate the death of Philip IV; Curiel then reconstructs a vision of the ephemeral monument erected by the Inquisition by comparing documentary sources, such as the artist's contract, with surviving engravings of a similar monument. Frances Ramos (University of South Florida) brings the volume into the eighteenth century by examining celebrations and art in honor of Saint Joseph in the city of Puebla, Mexico.

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780914738985
    Corporations / Congresses:
    Mayer Center Symposium <12th, 2012, Denver Art Museum> (Verfasser)
    Series: Symposium series
    Subjects: ART / Caribbean & Latin American; HISTORY / Latin America / General; Arts, Colonial; Arts, Latin American; Festivals; ART / Caribbean & Latin American; HISTORY / Latin America / General; Fest <Motiv>; Alltag <Motiv>; Kunst
    Scope: 170 p., ill., maps, 28 cm
    Notes:

    Includes bibliographical references

  8. Another aesthetics is possible
    arts of rebellion in the fourth world war
    Published: 2021
    Publisher:  Duke University Press, Durham ; London

    In Another Aesthetics Is Possible Jennifer Ponce de León examines the roles that art can play in the collective labor of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    In Another Aesthetics Is Possible Jennifer Ponce de León examines the roles that art can play in the collective labor of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Whether enacting solidarity with Zapatista communities through an alternate reality game or using surrealist street theater to amplify the more radical strands of Argentina's human rights movement, these artists fuse their praxis with forms of political mobilization from direct-action tactics to economic resistance. Advancing an innovative transnational and transdisciplinary framework of analysis, Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478012788
    Other identifier:
    Series: Dissident acts
    Subjects: ART / Caribbean & Latin American; Aesthetics; Aesthetics; Art and society; Art and society; Art and society; Art; Social movements in art; Soziale Bewegung; Politische Bewegung; Kunst; Ästhetik
    Scope: 1 Online-Ressource (xii Seiten, 8 ungezählte Seiten Tafeln, 315 Seiten), Illustrationen
  9. Constructing power and place in Mesoamerica
    pre-Hispanic paintings from three regions
    Contributor: Paxton, Merideth (Publisher); Staines Cicero, Leticia (Publisher)
    Published: [2017]
    Publisher:  University of New Mexico Press, Albuquerque

    "Identities of power and place, as expressed in paintings from the periods before and after the Spanish conquest of Mesoamerica, are the subject of this book of case studies from Central Mexico, Oaxaca, and the Maya area. These sophisticated,... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "Identities of power and place, as expressed in paintings from the periods before and after the Spanish conquest of Mesoamerica, are the subject of this book of case studies from Central Mexico, Oaxaca, and the Maya area. These sophisticated, skillfully rendered images occur with architecture, in manuscripts, on large pieces of cloth, and on ceramics."...

     

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  10. Strategien der Einverleibung
    die Rezeption der Antropofagia in der zeitgenössischen brasilianischen Kunst
    Published: [2020]; © 2020
    Publisher:  transcript, Bielefeld

    Im Kontext aktueller Debatten um Nationalismus und Migration gewinnt das in der brasilianischen Moderne entwickelte Konzept der Antropofagia zunehmend an Bedeutung, da es ein hybrides Kunstverständnis theoretisiert, das hegemonial geprägte... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Technische Hochschulbibliothek Rosenheim
    No loan of volumes, only paper copies will be sent

     

    Im Kontext aktueller Debatten um Nationalismus und Migration gewinnt das in der brasilianischen Moderne entwickelte Konzept der Antropofagia zunehmend an Bedeutung, da es ein hybrides Kunstverständnis theoretisiert, das hegemonial geprägte Dichotomien überwindet. Anhand ausgewählter Werkanalysen von Ricardo Basbaum, Anna Maria Maiolino, Cildo Meireles, Ernesto Neto und Adriana Varejao weist Irina Hiebert Grun die bedeutende Beeinflussung der kulturellen Antropofagia auf die zeitgenössische brasilianische Kunst erstmals systematisch nach. Damit liefert sie einen wichtigen Beitrag zum gegenwärtigen Diskurs in Wissenschaft und Museumspraxis, der ein Aufbrechen des westlichen Kanons und die Einnahme einer globalen Perspektive fordert

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783839450307
    Other identifier:
    RVK Categories: LO 97910 ; LH 84390
    Series: Image ; Band 166
    Subjects: Antropofagia; Art; Contemporary Art; Gegenwartskunst; Kunst; Lateinamerika; Latin America; Moderne; Modernity; Museum Practice; Museumspraxis; Postcolonialism; Postkolonialismus; South American Art; Südamerikanische Kunst; ART / Caribbean & Latin American; Postkolonialismus; Tropicalismo; Kannibalismus <Motiv>; Kannibalismus; Kolonialismus; Metapher; Nationalbewusstsein; Kunst
    Scope: 1 Online-Ressource (332 Seiten), Illustrationen
    Notes:

    Dissertation, Technische Universität Darmstadt, 2017

  11. El techo de la ballena
    retro-modernity in Venezuela
    Published: [2019]
    Publisher:  University of Florida Press, Gainesville

    Introduction -- The site of paradise -- The liminal space of Venezuelan informalism -- The contingency of the whale -- The authority of kitsch -- Dead matter for an enlivened practice -- Coda In this volume, María C. Gaztambide presents an account of... more

    Hochschule Aalen, Bibliothek
    E-Book EBSCO
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    Introduction -- The site of paradise -- The liminal space of Venezuelan informalism -- The contingency of the whale -- The authority of kitsch -- Dead matter for an enlivened practice -- Coda In this volume, María C. Gaztambide presents an account of the visual arts production of the Caracas-based collective El Techo de la Ballena (active 1961-69)

     

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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1683400763; 9781683400769; 9781683400851
    Series: Florida scholarship online
    Subjects: Art; Art, Venezuelan; LITERARY CRITICISM ; European ; Spanish & Portuguese; Art; Art, Venezuelan; ART / Caribbean & Latin American; Exhibition catalogs
    Scope: 1 Online-Ressource (xviii, 213 pages, 24 unnumbered pages of plates)
    Notes:

    Includes bibliographical references and index

  12. Arte argentino - Ästhetik und Identitätsnarrative in der argentinischen Kunst
    Ausgewählte Arbeiten von Marta Minujín und Luis Felipe Noé
    Author: Geuer, Lena
    Published: [2022]; ©2022
    Publisher:  transcript Verlag, Bielefeld

    Die künstlerischen Arbeiten von Marta Minujín und Luis Felipe Noé nehmen eine zentrale Position in der argentinischen Kunst von den 1960er Jahren bis heute ein. Lena Geuer widmet sich mit der Frage nach der ¿Arte argentino? kritisch dem Verhältnis... more

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    Die künstlerischen Arbeiten von Marta Minujín und Luis Felipe Noé nehmen eine zentrale Position in der argentinischen Kunst von den 1960er Jahren bis heute ein. Lena Geuer widmet sich mit der Frage nach der ¿Arte argentino? kritisch dem Verhältnis von Kunst und Nation und lotet aus einer postkolonialen und sinnlich-materiellen Perspektive das Spannungsfeld zwischen Ästhetik, Identität und Politik aus. Zugleich wird ¡Arte argentino! auch als Feststellung verhandelt, wodurch Genealogie und Kanon einer eurozentrischen Kunstgeschichtsschreibung ins Wanken und die Bildende Kunst in Bewegung geraten

     

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  13. After human rights
    literature, visual arts, and film in Latin America, 1990-2010
    Published: [2016]
    Publisher:  University of Pittsburgh Press, Pittsburgh

    "Rosenberg explores Latin American artistic production concerned with the possibility of justice after the establishment, rise, and ebb of the human rights narrative around the turn of the last century. He grounds his study in discussions of... more

    Universitätsbibliothek Bielefeld
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    "Rosenberg explores Latin American artistic production concerned with the possibility of justice after the establishment, rise, and ebb of the human rights narrative around the turn of the last century. He grounds his study in discussions of literature, film, and visual art (novels of political refoundations, fictions of truth and reconciliation, visual arts based on cases of disappearance, films about police violence, artistic collaborations with police forces, and judicial documentaries). In doing so, he provides a highly original examination of the paradoxical demands on current artistic works to produce both capital value and foster human dignity"..

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780822964162
    Series: Illuminations: cultural formations of the Americas
    Subjects: Human rights in art; Arts, Latin American; Arts, Latin American; LITERARY CRITICISM / Caribbean & Latin American; ART / Caribbean & Latin American
    Scope: 296 Seiten, Illustrationen
  14. Radical women: Latin American art, 1960-1985
    Contributor: Fajardo-Hill, Cecilia (Herausgeber, Verfasser von ergänzendem Text); Giunta, Andrea (Herausgeber, Verfasser von ergänzendem Text); Alonso, Rodrigo (Verfasser von Zusatztexten, Verfasser von ergänzendem Text)
    Published: 2017
    Publisher:  DelMonico-Prestel, Munich ; London ; New York

    "This stunning reappraisal offers long overdue recognition to the enormous contribution to the field of contemporary art of women artists in Latin America and those of Latino and Chicano heritage working during a pivotal time in history. Amidst the... more

    Ruhr-Universität Bochum, Universitätsbibliothek
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    "This stunning reappraisal offers long overdue recognition to the enormous contribution to the field of contemporary art of women artists in Latin America and those of Latino and Chicano heritage working during a pivotal time in history. Amidst the tumult and revolution that characterized the latter half of the 20th century in Latin America and the US, women artists were staking their claim in nearly every field. This wide ranging volume examines the work of more than 100 female artists with nearly 300 works in the fields of painting, sculpture, photography, video, performance art, and other experimental media. A series of thematic essays, arranged by country, address the cultural and political contexts in which these radical artists worked, while other essays address key issues such as feminism, art history, and the political body. Drawing its design and feel from the radical underground pamphlets, catalogs, and posters of the era, this is the first examination of a highly influential period in 20th-century art history. "..

     

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    Source: Union catalogues
    Contributor: Fajardo-Hill, Cecilia (Herausgeber, Verfasser von ergänzendem Text); Giunta, Andrea (Herausgeber, Verfasser von ergänzendem Text); Alonso, Rodrigo (Verfasser von Zusatztexten, Verfasser von ergänzendem Text)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783791356808
    Subjects: Arts; Arts; Arts, Latin American; Hispanic American arts; Women artists; Hispanic American women artists; ART / Caribbean & Latin American; ART / History / Contemporary (1945-)
    Scope: 376 Seiten
    Notes:

    Exhibition itinerary Hammer Museum, Los Angeles, September 15- December 31, 2017, Brooklyn Museum, April 13 - July 22, 2018

  15. Strategien der Einverleibung
    Die Rezeption der Antropofagia in der zeitgenössischen brasilianischen Kunst
    Published: [2020]; ©2020
    Publisher:  transcript Verlag, Bielefeld

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  16. Mexico's revolutionary avant-gardes
    from Estridentismo to ¡30-30!
    Published: 2013
    Publisher:  Yale Univ. Press, New Haven [u.a.]

    The Manifesto -- The Murals-- Dialogues with Artists -- A Literary Interlude -- The Paradox of the Primitive and the Modern -- A Provincial Avant-Garde? -- The Lessons of ¡30-30! "In December 1921, the poet Manuel Maples Arce (1898-1981) papered the... more

    Freie Universität Berlin, Universitätsbibliothek
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    The Manifesto -- The Murals-- Dialogues with Artists -- A Literary Interlude -- The Paradox of the Primitive and the Modern -- A Provincial Avant-Garde? -- The Lessons of ¡30-30! "In December 1921, the poet Manuel Maples Arce (1898-1981) papered the walls of Mexico City with his manifesto Actual No. 1, sparking the movement Estridentismo (Stridentism). Inspired by Mexico's rapid modernization following the Mexican Revolution, the Estridentistas attempted to overturn the status quo in Mexican culture, taking inspiration from contemporary European movements and methods of expression. Mexico's Revolutionary Avant-Gardes provides a nuanced account of the early-20th-century moment that came to be known as the Mexican Renaissance, featuring an impressive range of artists and writers. Relying on extensive documentary research and previously unpublished archival materials, author Tatiana Flores expands the conventional history of Estridentismo by including its offshoot movement ¡30-30! and underscoring Mexico's role in the broader development of modernism worldwide. Focusing on the interrelationship between art and literature, she illuminates the complexities of post-revolutionary Mexican art at a time when it was torn between formal innovation and social relevance"-- "A groundbreaking look at avant-garde art and literature in the wake of the Mexican Revolution, illustrating Mexico City's importance as a major center for the development of modernism"--

     

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  17. After human rights
    literature, visual arts, and film in Latin America, 1990-2010
    Published: [2016]
    Publisher:  University of Pittsburgh Press, Pittsburgh

    "Rosenberg explores Latin American artistic production concerned with the possibility of justice after the establishment, rise, and ebb of the human rights narrative around the turn of the last century. He grounds his study in discussions of... more

     

    "Rosenberg explores Latin American artistic production concerned with the possibility of justice after the establishment, rise, and ebb of the human rights narrative around the turn of the last century. He grounds his study in discussions of literature, film, and visual art (novels of political refoundations, fictions of truth and reconciliation, visual arts based on cases of disappearance, films about police violence, artistic collaborations with police forces, and judicial documentaries). In doing so, he provides a highly original examination of the paradoxical demands on current artistic works to produce both capital value and foster human dignity"...

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780822964162
    Series: Illuminations: cultural formations of the Americas series
    Subjects: LITERARY CRITICISM / Caribbean & Latin American; ART / Caribbean & Latin American; Human rights in art; Arts, Latin American; Arts, Latin American; LITERARY CRITICISM / Caribbean & Latin American; ART / Caribbean & Latin American
    Scope: 296 Seiten, Illustrationen
    Notes:

    Enthält Literaturverzeichnis auf Seite 261-281

  18. Another aesthetics is possible
    arts of rebellion in the fourth world war
    Published: 2021
    Publisher:  Duke University Press, Durham ; London

    In Another Aesthetics Is Possible Jennifer Ponce de León examines the roles that art can play in the collective labor of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United... more

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    In Another Aesthetics Is Possible Jennifer Ponce de León examines the roles that art can play in the collective labor of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Whether enacting solidarity with Zapatista communities through an alternate reality game or using surrealist street theater to amplify the more radical strands of Argentina's human rights movement, these artists fuse their praxis with forms of political mobilization from direct-action tactics to economic resistance. Advancing an innovative transnational and transdisciplinary framework of analysis, Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478012788
    Other identifier:
    RVK Categories: CC 6900
    Series: Dissident acts
    Subjects: ART / Caribbean & Latin American; Aesthetics; Aesthetics; Art and society; Art and society; Art and society; Art; Social movements in art; Soziale Bewegung; Politische Bewegung; Kunst; Ästhetik
    Scope: 1 Online-Ressource (xii Seiten, 8 ungezählte Seiten Tafeln, 315 Seiten), Illustrationen
  19. Strategien der Einverleibung
    die Rezeption der Antropofagia in der zeitgenössischen brasilianischen Kunst
    Published: [2020]; © 2020
    Publisher:  transcript, Bielefeld

    Im Kontext aktueller Debatten um Nationalismus und Migration gewinnt das in der brasilianischen Moderne entwickelte Konzept der Antropofagia zunehmend an Bedeutung, da es ein hybrides Kunstverständnis theoretisiert, das hegemonial geprägte... more

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    Im Kontext aktueller Debatten um Nationalismus und Migration gewinnt das in der brasilianischen Moderne entwickelte Konzept der Antropofagia zunehmend an Bedeutung, da es ein hybrides Kunstverständnis theoretisiert, das hegemonial geprägte Dichotomien überwindet. Anhand ausgewählter Werkanalysen von Ricardo Basbaum, Anna Maria Maiolino, Cildo Meireles, Ernesto Neto und Adriana Varejao weist Irina Hiebert Grun die bedeutende Beeinflussung der kulturellen Antropofagia auf die zeitgenössische brasilianische Kunst erstmals systematisch nach. Damit liefert sie einen wichtigen Beitrag zum gegenwärtigen Diskurs in Wissenschaft und Museumspraxis, der ein Aufbrechen des westlichen Kanons und die Einnahme einer globalen Perspektive fordert

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783839450307
    Other identifier:
    RVK Categories: LO 97910 ; LH 84390
    Series: Image ; Band 166
    Subjects: Antropofagia; Art; Contemporary Art; Gegenwartskunst; Kunst; Lateinamerika; Latin America; Moderne; Modernity; Museum Practice; Museumspraxis; Postcolonialism; Postkolonialismus; South American Art; Südamerikanische Kunst; ART / Caribbean & Latin American; Postkolonialismus; Tropicalismo; Kannibalismus <Motiv>; Kannibalismus; Kolonialismus; Metapher; Nationalbewusstsein; Kunst
    Scope: 1 Online-Ressource (332 Seiten), Illustrationen
    Notes:

    Dissertation, Technische Universität Darmstadt, 2017

  20. Strategien der Einverleibung
    die Rezeption der Antropofagia in der zeitgenössischen brasilianischen Kunst
    Published: [2020]
    Publisher:  transcript, Bielefeld

    Frontmatter -- Inhalt -- Einführung -- Die Anthropophagie-Metapher in Europa und im Zuge der Entdeckung der ‚Neuen Welt‘ -- Das Movimento Antropófago im brasilianischen Modernismus -- Die Bewegung des Tropicalismo -- Die Rezeption der Antropofagia in... more

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    Frontmatter -- Inhalt -- Einführung -- Die Anthropophagie-Metapher in Europa und im Zuge der Entdeckung der ‚Neuen Welt‘ -- Das Movimento Antropófago im brasilianischen Modernismus -- Die Bewegung des Tropicalismo -- Die Rezeption der Antropofagia in der zeitgenössischen brasilianischen Kunst -- Dekolonisierungsstrategien -- Anthropophagie und postkoloniale Kritik -- Adriana Varejão: Dekonstruktion kolonialer Repräsentationsweisen -- Cildo Meireles: Konstruktionen eines hybriden dritten Raumes -- Über den Postkolonialismus hinaus: Die Antropofagia im Spannungsfeld von Migration, Ethnizität und Geschlecht -- Anna Maria Maiolino: Die Antropofagia als Konzept mit universalistischer Offenheit -- Ernesto Neto: Fluide Manifestationen des Körperlichen -- Ricardo Basbaum: neue Formen des kollektiven Körpers -- Die Antropofagia als globale Kulturtechnik -- Resümee -- Anhang -- Abbildungsverzeichnis -- Literaturverzeichnis -- Danksagung Im Kontext aktueller Debatten um Nationalismus und Migration gewinnt das in der brasilianischen Moderne entwickelte Konzept der Antropofagia zunehmend an Bedeutung, da es ein hybrides Kunstverständnis theoretisiert, das hegemonial geprägte Dichotomien überwindet. Anhand ausgewählter Werkanalysen von Ricardo Basbaum, Anna Maria Maiolino, Cildo Meireles, Ernesto Neto und Adriana Varejao weist Irina Hiebert Grun die bedeutende Beeinflussung der kulturellen Antropofagia auf die zeitgenössische brasilianische Kunst erstmals systematisch nach. Damit liefert sie einen wichtigen Beitrag zum gegenwärtigen Diskurs in Wissenschaft und Museumspraxis, der ein Aufbrechen des westlichen Kanons und die Einnahme einer globalen Perspektive fordert

     

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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783839450307
    Other identifier:
    RVK Categories: LO 97910 ; LH 84390
    Series: Image ; Band 166
    Subjects: ART / Caribbean & Latin American
    Scope: 1 Online-Ressource (332 Seiten)
    Notes:

    Dissertation, Technische Universität Darmstadt,

  21. Performance, trauma and Puerto Rico in musical theatre
    Author: Rua, Colleen
    Published: 2023
    Publisher:  Routledge, Abingdon, Oxon

    "This study positions four musicals and their associated artists as mobilizers of defiant joy in relation to trauma and healing in Puerto Rico. The book argues that the historical trajectory of these musicals has formed a canon of works that have... more

     

    "This study positions four musicals and their associated artists as mobilizers of defiant joy in relation to trauma and healing in Puerto Rico. The book argues that the historical trajectory of these musicals has formed a canon of works that have reiterated, resisted or transformed experiences of trauma through linguistic, ritual, and geographic interventions. These traumas may be disaster-related, migrant-related, colonial or patriarchal. Bilingualism and translation, ritual action, and geographic space engage moments of trauma (natural disaster, incarceration, death) and healing (community celebration, grieving, emancipation) in these works. The musicals considered are West Side Story (1957, 2009, 2019); The Capeman (1998); In the Heights (2008); and Hamilton (2015). Central to this argument is that each of the musicals discussed is tied to Puerto Rico, either through the representation of Puerto Rican characters and stories, or through the Puerto Rican positionality of its creators. The author moves beyond the musicals to consider Lin-Manuel Miranda as an embodied site of healing, that has been met with controversy, as well as posthurricane Maria relief efforts led by Miranda on the island and from a distance. In each of the works discussed, acts of belonging shape notions of survivorship and witness. This book also opens a dialogue between these musicals and the work of island-based artists Y no había luz, that has served as sites of first response to disaster. This book will be of interest to students and scholars in Latinx Theatre, Musical Theatre and Translation studies"--

     

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  22. Race, anthropology, and politics in the work of Wifredo Lam
    Published: 2019
    Publisher:  Routledge, New York

    Picasso -- Surrealism -- Abstract expressionism -- The Lévy-Bruhl/Lévi-Strauss debate -- Detotalization, retotalization, and atemporality -- Négritude -- Cuba. more

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    Picasso -- Surrealism -- Abstract expressionism -- The Lévy-Bruhl/Lévi-Strauss debate -- Detotalization, retotalization, and atemporality -- Négritude -- Cuba.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781351187879
    Series: Routledge research in art and race
    Subjects: Race in art; Lam, Wifredo ; Criticism and interpretation; Race in art; Electronic books; ART / History / General; ART / Caribbean & Latin American; ART / History / Modern (late 19th Century to 1945); SOCIAL SCIENCE / Anthropology / General
    Other subjects: Lam, Wifredo
    Scope: 1 Online-Ressource (xii, 228 Seiten), Illustrationen
  23. Arte argentino - Ästhetik und Identitätsnarrative in der argentinischen Kunst
    ausgewählte Arbeiten von Marta Minujín und Luis Felipe Noé
    Author: Geuer, Lena
    Published: [2022]; © 2022
    Publisher:  transcript, Bielefeld

    Die künstlerischen Arbeiten von Marta Minujín und Luis Felipe Noé nehmen eine zentrale Position in der argentinischen Kunst von den 1960er Jahren bis heute ein. Lena Geuer widmet sich mit der Frage nach der ¿Arte argentino? kritisch dem Verhältnis... more

    Alice Salomon Hochschule Berlin, Bibliothek
    Unlimited inter-library loan, copies and loan

     

    Die künstlerischen Arbeiten von Marta Minujín und Luis Felipe Noé nehmen eine zentrale Position in der argentinischen Kunst von den 1960er Jahren bis heute ein. Lena Geuer widmet sich mit der Frage nach der ¿Arte argentino? kritisch dem Verhältnis von Kunst und Nation und lotet aus einer postkolonialen und sinnlich-materiellen Perspektive das Spannungsfeld zwischen Ästhetik, Identität und Politik aus. Zugleich wird ¡Arte argentino! auch als Feststellung verhandelt, wodurch Genealogie und Kanon einer eurozentrischen Kunstgeschichtsschreibung ins Wanken und die Bildende Kunst in Bewegung geraten

     

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  24. Radical women: Latin American art, 1960-1985
    Contributor: Fajardo-Hill, Cecilia (Publisher); Giunta, Andrea (Publisher); Alonso, Rodrigo
    Published: 2017
    Publisher:  DelMonico-Prestel, Munich ; London ; New York ; Hammer Museum, Los Angeles

    "This stunning reappraisal offers long overdue recognition to the enormous contribution to the field of contemporary art of women artists in Latin America and those of Latino and Chicano heritage working during a pivotal time in history. Amidst the... more

    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    "This stunning reappraisal offers long overdue recognition to the enormous contribution to the field of contemporary art of women artists in Latin America and those of Latino and Chicano heritage working during a pivotal time in history. Amidst the tumult and revolution that characterized the latter half of the 20th century in Latin America and the US, women artists were staking their claim in nearly every field. This wide ranging volume examines the work of more than 100 female artists with nearly 300 works in the fields of painting, sculpture, photography, video, performance art, and other experimental media. A series of thematic essays, arranged by country, address the cultural and political contexts in which these radical artists worked, while other essays address key issues such as feminism, art history, and the political body. Drawing its design and feel from the radical underground pamphlets, catalogs, and posters of the era, this is the first examination of a highly influential period in 20th-century art history. "...

     

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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Fajardo-Hill, Cecilia (Publisher); Giunta, Andrea (Publisher); Alonso, Rodrigo
    Language: English
    Media type: Book
    ISBN: 9783791356808
    RVK Categories: LH 60250 ; LO 96740
    Subjects: ART / Caribbean & Latin American / bisacsh; ART / History / Contemporary (1945-) / bisacsh; Geschichte; Politik; Arts; Arts; Arts, Latin American; Hispanic American arts; Women artists; Hispanic American women artists; ART / Caribbean & Latin American; ART / History / Contemporary (1945-); Kunst; Künstlerin; Frau <Motiv>
    Scope: 376 Seiten
    Notes:

    Exhibition itinerary Hammer Museum, Los Angeles, September 15- December 31, 2017, Brooklyn Museum, April 13 - July 22, 2018

  25. After human rights
    literature, visual arts, and film in Latin America, 1990-2010
    Published: [2016]
    Publisher:  University of Pittsburgh Press, Pittsburgh

    "Rosenberg explores Latin American artistic production concerned with the possibility of justice after the establishment, rise, and ebb of the human rights narrative around the turn of the last century. He grounds his study in discussions of... more

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "Rosenberg explores Latin American artistic production concerned with the possibility of justice after the establishment, rise, and ebb of the human rights narrative around the turn of the last century. He grounds his study in discussions of literature, film, and visual art (novels of political refoundations, fictions of truth and reconciliation, visual arts based on cases of disappearance, films about police violence, artistic collaborations with police forces, and judicial documentaries). In doing so, he provides a highly original examination of the paradoxical demands on current artistic works to produce both capital value and foster human dignity"...

     

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