In addition to being a medical, political, and social crisis, the AIDS epidemic in the United States also led to a crisis of artistic representation. This book reveals the important political and moral role of American photographers in the social...
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In addition to being a medical, political, and social crisis, the AIDS epidemic in the United States also led to a crisis of artistic representation. This book reveals the important political and moral role of American photographers in the social discourse on AIDS based on the 1989 New York exhibition, "Witnesses: Against Our Vanishing" curated by photographer Nan Goldin
Electronic reproduction; Mode of access: World Wide Web
Dissertation, Universität Zürich, 2013
FrontmatterInhaltsverzeichnisRaum 1. Witnesses: Against Our VanishingRaum 2. Witnesses: Against Our VanishingKapitel 1. Einführung Kunst über AidsKapitel 2. Die Ausstellung Witnesses: Against Our Vanishing: Konzept und KontextKapitel 3. Fotografien Als Künstlerische Selbstrepräsentation In Witnesses Und Der PresseKapitel 4. Nan Goldins Künstlercommunity zwischen Aus- und AbgrenzungZusammenfassung und AusblickAnhangBildnachweisDankImpressum.