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  1. Destructive Sublime
    World War II in American Film and Media
    Author: Allison, Tanine
    Published: [2018]; © 2018
    Publisher:  Rutgers University Press, New Brunswick, NJ

    The American popular imagination has long portrayed World War II as the "good war," fought by the "greatest generation" for the sake of freedom and democracy. Yet, combat films and other war media complicate this conventional view by indulging in... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    The American popular imagination has long portrayed World War II as the "good war," fought by the "greatest generation" for the sake of freedom and democracy. Yet, combat films and other war media complicate this conventional view by indulging in explosive displays of spectacular violence. Combat sequences, Tanine Allison argues, construct a counter-narrative of World War II by reminding viewers of the war’s harsh brutality. Destructive Sublime traces a new aesthetic history of the World War II combat genre by looking back at it through the lens of contemporary video games like Call of Duty. Allison locates some of video games’ glorification of violence, disruptive audiovisual style, and bodily sensation in even the most canonical and seemingly conservative films of the genre. In a series of case studies spanning more than seventy years—from wartime documentaries like The Battle of San Pietro to fictional reenactments like The Longest Day and Saving Private Ryan to combat video games like Medal of Honor—this book reveals how the genre’s aesthetic forms reflect (and influence) how American culture conceives of war, nation, and representation itself

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813597522
    Other identifier:
    Series: War Culture
    Subjects: American; Call of Duty; Medal of Honor; Saving Private Ryan; The Battle of San Pietro; The Longest Day; WWII.; World War II.; combat; destructive; film; media; sublime; video games; war film; war; PERFORMING ARTS / General; Computer war games; War films; World War, 1939-1945; World War, 1939-1945; Computerspiel; Film; Weltkrieg <1939-1945, Motiv>
    Scope: 1 online resource, 11 color, 30 b-w
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)
  2. War in film
    semiotics and conflict related sign constructions on the screen
    Contributor: Jacob, Frank (Herausgeber, Verfasser)
    Published: 2022
    Publisher:  Büchner-Verlag, Marburg

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    Universitätsbibliothek Paderborn
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  3. Destructive Sublime
    World War II in American Film and Media
    Author: Allison, Tanine
    Published: [2018]; © 2018
    Publisher:  Rutgers University Press, New Brunswick, NJ

    The American popular imagination has long portrayed World War II as the "good war," fought by the "greatest generation" for the sake of freedom and democracy. Yet, combat films and other war media complicate this conventional view by indulging in... more

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    The American popular imagination has long portrayed World War II as the "good war," fought by the "greatest generation" for the sake of freedom and democracy. Yet, combat films and other war media complicate this conventional view by indulging in explosive displays of spectacular violence. Combat sequences, Tanine Allison argues, construct a counter-narrative of World War II by reminding viewers of the war’s harsh brutality. Destructive Sublime traces a new aesthetic history of the World War II combat genre by looking back at it through the lens of contemporary video games like Call of Duty. Allison locates some of video games’ glorification of violence, disruptive audiovisual style, and bodily sensation in even the most canonical and seemingly conservative films of the genre. In a series of case studies spanning more than seventy years—from wartime documentaries like The Battle of San Pietro to fictional reenactments like The Longest Day and Saving Private Ryan to combat video games like Medal of Honor—this book reveals how the genre’s aesthetic forms reflect (and influence) how American culture conceives of war, nation, and representation itself

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813597522
    Other identifier:
    Series: War Culture
    Subjects: American; Call of Duty; Medal of Honor; Saving Private Ryan; The Battle of San Pietro; The Longest Day; WWII.; World War II.; combat; destructive; film; media; sublime; video games; war film; war; PERFORMING ARTS / General; Computer war games; War films; World War, 1939-1945; World War, 1939-1945; Zweiter Weltkrieg <Motiv>; Computerspiel; Film
    Scope: 1 online resource, 11 color, 30 b-w
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)
  4. War in film
    semiotics and conflict related sign constructions on the screen
    Contributor: Jacob, Frank (Publisher)
    Published: 2022
    Publisher:  Büchner-Verlag, Marburg

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  5. War in Film: Semiotics and Conflict Related Sign Constructions on the Screen
    Contributor: Jacob, Frank (Herausgeber)
    Published: 2022
    Publisher:  SSOAR, GESIS – Leibniz-Institut für Sozialwissenschaften e.V., Mannheim ; Büchner-Verlag, Marburg

    Abstract: The human experience of war is not only remembered by societies through memorials, but also through the depiction of wars and important battles of respective national histories on screen. Very often, the image presented is related to... more

     

    Abstract: The human experience of war is not only remembered by societies through memorials, but also through the depiction of wars and important battles of respective national histories on screen. Very often, the image presented is related to existent semiotics, and the respective sign systems determine the image of heroic actions and violence on the screen. The present volume provides a deeper insight into the forces at play when war films are presented on the big screen and intends to show why and how violent conflicts often have an afterlife as visual media as well

     
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    Source: Union catalogues
    Contributor: Jacob, Frank (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783963178528
    Other identifier:
    DDC Categories: 070
    Other subjects: (thesoz)Film; (thesoz)Krieg; (thesoz)Semiotik; (thesoz)Ästhetik; (thesoz)Gedächtnis; (thesoz)Propaganda; Omer Fast; Steve McQueen; war film; Christopher Nolan; Roland Barthes; Kriegsfilm; Maya Schweizer; Alain Delon; Clemens von Wedemeyer; Fernando Frías; Mario Volpe; war images; film narratives; national narratives; Amat Escalante; Frank Herbert; popular culture; Alessandro Blasetti
    Scope: Online-Ressource, 229 S.
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)
  6. War in film
    semiotics and conflict related sign constructions on the screen
    Contributor: Jacob, Frank (Publisher)
    Published: 2022
    Publisher:  Büchner-Verlag, Marburg

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    Freie Universität Berlin, Universitätsbibliothek
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  7. War in film
    semiotics and conflict related sign constructions on the screen
    Contributor: Jacob, Frank (Verfasser, Herausgeber)
    Published: 2022
    Publisher:  Büchner-Verlag, Marburg

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    Universitäts- und Landesbibliothek Bonn
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  8. War in film
    semiotics and conflict related sign constructions on the screen
    Contributor: Jacob, Frank (Herausgeber)
    Published: 2022
    Publisher:  Büchner-Verlag, Wissenschaft und Kultur, Marburg/Germany

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  9. War in Film
    Semiotics and Conflict Related Sign Constructions on the Screen
    Contributor: Jacob, Frank (Herausgeber)
    Published: 2022
    Publisher:  Büchner-Verlag, Marburg

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  10. The Great War in Post-Memory Literature and Film
    Contributor: Löschnigg, Martin (Hrsg.)
    Published: 2014
    Publisher:  De Gruyter, Berlin [u.a.]

    The First World War has remained the subject of prose fiction, drama, and film across nations. This volume provides a comprehensive international survey of the cultural memory of the war as reflected in various media. It addresses the role of these... more

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    The First World War has remained the subject of prose fiction, drama, and film across nations. This volume provides a comprehensive international survey of the cultural memory of the war as reflected in various media. It addresses the role of these media in preserving and (re)shaping the memory of the war, emphasizing the historical, socio-political, gender-oriented and post-colonial contexts of its cultural representations. The First World War has remained the subject of prose fiction, drama, and film across nations. This volume provides a comprehensive international survey of the cultural memory of the war as reflected in various media. It addresses the role of these media in preserving and (re)shaping the memory of the war, emphasizing the historical, socio-political, gender-oriented and post-colonial contexts of its cultural representations Biographical note: Marzena Soko?owska-Pary?, University of Warsaw, Poland; Martin Löschnigg, University of Graz, Austria.. - The First World War has remained the subject of prose fiction, drama, and film across nations. This volume provides a comprehensive international survey of the cultural memory of the war as reflected in various media. It addresses the role of these media in preserving and (re)shaping the memory of the war, emphasizing the historical, socio-political, gender-oriented and post-colonial contexts of its cultural representations.. - The First World War has remained the subject of prose fiction, drama, and film across nations. This volume provides a comprehensive international survey of the cultural memory of the war as reflected in various media. It addresses the role of these media in preserving and (re)shaping the memory of the war, emphasizing the historical, socio-political, gender-oriented and post-colonial contexts of its cultural representations

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Löschnigg, Martin (Hrsg.)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110363029; 9783110391527
    Other identifier:
    RVK Categories: HM 1101
    Series: Media and Cultural Memory ; 18
    Media and cultural memory ; 18
    De Gruyter eBook-Paket Literaturwissenschaft
    Subjects: World War, 1914-1918; War films; Literature, Modern; World War, 1914-1918; Collective memory and literature; Collective memory and motion pictures; HISTORY / Modern / 20th Century
    Other subjects: World War I; cultural memory; war film; war literature
    Scope: Online-Ressource (VII, 459 S.)
  11. Migrations of media aesthetics: anachronisms and reflexivity in ILUMINADOS POR EL FUEGO
    Author: Greiner, Rasmus
    Published: January 28, 2021

    This essay explores how representations of war in news and documentary media have migrated into the war film genre, transcending the bounds of historical chronology and allowing the aesthetics of historical media to be transposed into filmic... more

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    This essay explores how representations of war in news and documentary media have migrated into the war film genre, transcending the bounds of historical chronology and allowing the aesthetics of historical media to be transposed into filmic representations of contemporary conflicts.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: Enthalten in: Research in film and history; Bremen : Universität Bremen, IKFK / ZeMKI, 2018; (2021), 3, Seite 1-27; Online-Ressource

    Subjects: Ästhetik; Geschichte; Kriegsfilm; anachronism; migration; war film; experience
    Scope: 1 Online-Ressource (27 Seiten), Illustrationen