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  1. Proust Cinématographe : Wie Raoul Ruiz Proust las
    Author: Jaritz, Joanna
    Published: 2017
    Publisher:  Heidelberg University Publishing (heiUP), Heidelberg

    "Proust Cinematographe – Ruiz reading In Search of Lost Time" takes a new look at the metapoetic program of Proust’s A la Recherche du Temps perdu. Selected text passages and film excerpts are analyzed, focusing on the fundamental questions of the... more

     

    "Proust Cinematographe – Ruiz reading In Search of Lost Time" takes a new look at the metapoetic program of Proust’s A la Recherche du Temps perdu. Selected text passages and film excerpts are analyzed, focusing on the fundamental questions of the novel about the perception and description of time, subject, and identity. It turns out that the novel of the nineteenth century anticipated the concepts of modern cinema on a surprisingly broad scale.

     
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    Source: OAPEN
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783946054474; 9783946054467
    Other identifier:
    Subjects: Film theory & criticism; Literary studies: fiction, novelists & prose writers
    Other subjects: literary film adaptation; intermediality; Ruiz; Proust; visuality; Erzähler; Erzählung; Gilles Deleuze; Le Temps (Frankreich); Mais; Marcel Proust; Recherche; Wahrnehmung
    Scope: 1 electronic resource (330 p.)
  2. Racial Immanence
    Chicanx Bodies beyond Representation
    Author: López, Marissa K.
    Published: [2019]; © 2019
    Publisher:  New York University Press, New York, NY

    Explores the how, why, and what of contemporary Chicanx culture, including punk rock, literary fiction, photography, mass graves, and digital and experimental installation artRacial Immanence attempts to unravel a Gordian knot at the center of the... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Explores the how, why, and what of contemporary Chicanx culture, including punk rock, literary fiction, photography, mass graves, and digital and experimental installation artRacial Immanence attempts to unravel a Gordian knot at the center of the study of race and discourse: it seeks to loosen the constraints that the politics of racial representation put on interpretive methods and on our understanding of race itself. Marissa K. López argues that reading Chicanx literary and cultural texts primarily for the ways they represent Chicanxness only reinscribes the very racial logic that such texts ostensibly set out to undo.Racial Immanence proposes to read differently; instead of focusing on representation, it asks what Chicanx texts do, what they produce in the world, and specifically how they produce access to the ineffable but material experience of race. Intrigued by the attention to disease, disability, abjection, and sense experience that she sees increasing in Chicanx visual, literary, and performing arts in the late-twentieth century, López explores how and why artists use the body in contemporary Chicanx cultural production. Racial Immanence takes up works by writers like Dagoberto Gilb, Cecile Pineda, and Gil Cuadros, the photographers Ken Gonzales Day and Stefan Ruiz, and the band Piñata Protest to argue that the body offers a unique site for pushing back against identity politics. In so doing, the book challenges theoretical conversations around affect and the post-human and asks what it means to truly consider people of color as writersand artists. Moving beyond abjection, López models Chicanx cultural production as a way of fostering networks of connection that deepen our attachments to the material world

     
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  3. Gaze, Vision, and Visuality in Ancient Greek Literature
    Contributor: Kampakoglou, Alexandros (Herausgeber); Novokhatko, Anna A. (Herausgeber)
    Published: [2018]; © 2018
    Publisher:  De Gruyter, Berlin

    Location:
    Universität Bonn, Institut für Klassische und Romanische Philologie, Abteilung für Griechische und Lateinische Philologie, Bibliothek
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    C 12/227 12/8
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    44A5397
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    Source: Union catalogues
    Contributor: Kampakoglou, Alexandros (Herausgeber); Novokhatko, Anna A. (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9783110568998; 3110568993
    Other identifier:
    9783110568998
    DDC Categories: 930
    Series: Trends in Classics - Supplementary Volumes ; Volume 54
    Subjects: Griechisch; Visuelle Wahrnehmung <Motiv>; Blick <Motiv>; Literatur; Sehen <Motiv>
    Other subjects: (Produktform)Hardback; (Zielgruppe)Fachpublikum/ Wissenschaft; (BISAC Subject Heading)LIT004190; Ancient Greek gaze; performance; vision; visuality; Visualität; Performance; Vision; (Produktrabattgruppe)PR: rabattbeschränkt/Bibliothekswerke; (BISAC Subject Heading)LIT004190; (VLB-WN)1553: Hardcover, Softcover / Geschichte/Altertum
    Scope: xxvi, 509 Seiten, Illustrationen, 23 cm x 15.5 cm
  4. Gaze, vision, and visuality in ancient Greek literature
    Contributor: Kampakoglou, Alexandros (Herausgeber); Novokhatko, Anna A. (Herausgeber)
    Published: [2018]
    Publisher:  De Gruyter, Berlin ; Boston

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    Universitäts- und Landesbibliothek Münster
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    Source: Union catalogues
    Contributor: Kampakoglou, Alexandros (Herausgeber); Novokhatko, Anna A. (Herausgeber)
    Language: English
    Media type: Conference proceedings
    Format: Online
    ISBN: 9783110571288; 9783110569063
    Other identifier:
    DDC Categories: 930
    Corporations / Congresses: Conference "Gaze, Vision, and Visuality in Greek literature: Concepts, Contexts, and Reception" (2014, Freiburg im Breisgau)
    Series: Trends in Classics. Supplementary olumes ; volume 54
    Subjects: Griechisch; Sehen <Motiv>; Literatur
    Other subjects: (Zielgruppe)Fachpublikum/ Wissenschaft; (BISAC Subject Heading)LIT004190; Ancient Greek gaze; performance; vision; visuality; Visualität; Performance; Vision; (Produktrabattgruppe)PR: rabattbeschränkt/Bibliothekswerke; (BISAC Subject Heading)LIT004190
    Scope: 1 Online-Ressource (xxvi, 509 Seiten)
    Notes:

    "The present volume brings together papers that were originally presented at the conference 'Gaze, Vision, and Visuality in Greek literature: Concepts, Con- texts, and Reception' held in Freiburg on December 4–6, 2014." - Foreword
  5. Wissenspoetik und koloniale Naturgeschichte
    G. E. Rumphius’ D’Amboinsche Rariteitkamer (1705)
    Author: Kießling, Charlotte
    Published: 2022
    Publisher:  Olms, Georg, Hildesheim

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  6. Wissenspoetik und koloniale Naturgeschichte
    G.E. Rumphius' D'Amboinsche Rariteitkamer (1705)
    Author: Kießling, Charlotte
    Published: [2021]
    Publisher:  Verlag readbox unipress in der readbox publishing GmbH, Dortmund

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  7. Gaze, vision, and visuality in ancient Greek literature
    Contributor: Kampakoglou, Alexandros (Publisher); Novokhatko, Anna A. (Publisher)
    Published: [2018]
    Publisher:  De Gruyter, Berlin ; Boston

    Visual culture, performance and spectacle lay at the heart of all aspects of ancient Greek daily routine, such as court and assembly, cult and ritual, and art and culture. Seeing was considered the most secure means of obtaining knowledge, with many... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    Visual culture, performance and spectacle lay at the heart of all aspects of ancient Greek daily routine, such as court and assembly, cult and ritual, and art and culture. Seeing was considered the most secure means of obtaining knowledge, with many citing the etymological connection between ‘seeing’ and ‘knowing’ in ancient Greek as evidence for this. Seeing was also however often associated with mere appearances, false perception and deception. Gazing and visuality in the ancient Greek world have had a central place in the scholarship for some time now, enjoying an abundance of pertinent discussions and bibliography. If this book differs from the previous publications, it is in its emphasis on diverse genres: the concepts ‘gaze’, ‘vision’ and ‘visuality’ are considered across different Greek genres and media. The recipients of ancient Greek literature (both oral and written) were encouraged to perceive the narrated scenes as spectacles and to ‘follow the gaze’ of the characters in the narrative. By setting a broad time span, the evolution of visual culture in Greece is tracked, while also addressing broader topics such as theories of vision, the prominence of visuality in specific time periods, and the position of visuality in a hierarchisation of the senses

     
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    Source: Union catalogues
    Contributor: Kampakoglou, Alexandros (Publisher); Novokhatko, Anna A. (Publisher)
    Language: English
    Media type: Conference proceedings
    Format: Online
    ISBN: 9783110571288
    Other identifier:
    RVK Categories: FE 3789
    Corporations / Congresses: Conference "Gaze, Vision, and Visuality in Greek literature: Concepts, Contexts, and Reception" (2014, Freiburg im Breisgau)
    Series: Trends in Classics - Supplementary Volumes ; 54
    Subjects: Ancient Greek gaze; performance; Performance; vision; Vision; Visualität; visuality; Sehen <Motiv>; Griechisch; Literatur
    Scope: 1 Online-Ressource (xxvi, 509 Seiten)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Mrz 2018)
  8. Image evolution
    technological transformations of visual media culture
    Contributor: Grabbe, Lars Christian (Publisher); Rupert-Kruse, Patrick (Publisher); Schmitz, Norbert M. (Publisher)
    Published: [2019]
    Publisher:  Büchner, Marburg

    Location:
    Universitätsbibliothek Bayreuth
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    Hochschule für Fernsehen und Film, Bibliothek
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    Universitätsbibliothek Regensburg
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    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Contributor: Grabbe, Lars Christian (Publisher); Rupert-Kruse, Patrick (Publisher); Schmitz, Norbert M. (Publisher)
    Language: English
    Media type: Book
    ISBN: 9783963171376; 3963171375
    Other identifier:
    9783963171376
    RVK Categories: AP 13950 ; LH 61090
    DDC Categories: 300
    Series: Yearbook of moving image studies ; 2018
    Subjects: Technischer Fortschritt; Visuelle Medien; Ästhetik; Neue Technologie; Auswirkung; Kultur
    Other subjects: Bildwissenschaft; aesthetics; image evolution; images; media technologies; mediality; moving image; multi-sensoric representations; pictoriality; technology; visual media; visuality
    Scope: 189 Seiten, Illustrationen, 20.5 cm x 13.3 cm
  9. Vision and blindness in film
    Author: Schelin, Dago
    Published: [2019]
    Publisher:  Büchner-Verlag, Marburg

    Location:
    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    ISBN: 9783963171444; 3963171448
    Other identifier:
    9783963171444
    RVK Categories: AP 50300
    DDC Categories: 300
    Subjects: Sehen <Motiv>; Sehen; Filmtheorie; Film; Blindheit <Motiv>
    Other subjects: Blick; Blickführung; Janela Da Alma; João Jardim; Nicht-Sehen; Rezeption; Sehen; Wahrnehmung; Walter Carvalho; audience; blindness; cinema; film; film theories; filmmaker; gaze; movies; observer; ontology of vision; perception; sight; theories of vision; vision; visual studies; visuality
    Scope: 153 Seiten, Illustrationen, 20.5 cm x 14.5 cm
    Notes:

    Dissertation, ,
  10. Gaze, vision, and visuality in ancient Greek literature
    Contributor: Kampakoglou, Alexandros (Publisher); Novokhatko, Anna A. (Publisher)
    Published: [2018]
    Publisher:  De Gruyter, Berlin ; Boston

    Location:
    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Contributor: Kampakoglou, Alexandros (Publisher); Novokhatko, Anna A. (Publisher)
    Language: English
    Media type: Conference proceedings
    ISBN: 9783110568998; 3110568993
    Other identifier:
    9783110568998
    RVK Categories: FE 3789
    DDC Categories: 930
    Corporations / Congresses: Conference "Gaze, Vision, and Visuality in Greek literature: Concepts, Contexts, and Reception" (2014, Freiburg im Breisgau)
    Series: Trends in classics. Supplementary volumes ; volume 54
    Subjects: Literatur; Sehen <Motiv>; Griechisch
    Other subjects: Ancient Greek gaze; performance; vision; visuality; Visualität; Performance; Vision
    Scope: xxvi, 509 Seiten, Illustrationen, 23 cm x 15.5 cm
  11. Gamer trouble
    feminist confrontations in digital culture
    Author: Phillips, Amanda
    Published: [2020]; © 2020
    Publisher:  New York University Press, New York, NY

    Complicating perspectives on diversity in video gamesGamers have been troublemakers as long as games have existed. As our popular understanding of "gamer" shifts beyond its historical construction as a white, straight, adolescent, cisgender male, the... more

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Complicating perspectives on diversity in video gamesGamers have been troublemakers as long as games have existed. As our popular understanding of "gamer" shifts beyond its historical construction as a white, straight, adolescent, cisgender male, the troubles that emerge both confirm and challenge our understanding of identity politics. In Gamer Trouble, Amanda Phillips excavates the turbulent relationships between surface and depth in contemporary gaming culture, taking readers under the hood of the mechanisms of video games in order to understand the ways that difference gets baked into its technological, ludic, ideological, and social systems.By centering the insights of queer and women of color feminisms in readings of online harassment campaigns, industry animation practices, and popular video games like Portal and Mass Effect, Phillips adds essential analytical tools to our conversations about video games. She embraces the trouble that attends disciplinary crossroads, linking the violent hate speech of trolls and the representational practices marginalizing people of color, women, and queers in entertainment media to the dehumanizing logic undergirding computation and the optimization strategies of gameplay. From the microcosmic level of electricity and flicks of a thumb to the grand stages of identity politics and global capitalism, wherever gamers find themselves, gamer trouble follows. As reinvigorated forms of racism, sexism, and homophobia thrive in games and gaming communities, Phillips follows the lead of those who have been making good trouble all along, agitating for a better world

     
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  12. Racial Immanence
    Chicanx Bodies beyond Representation
    Author: López, Marissa K.
    Published: [2019]; © 2019
    Publisher:  New York University Press, New York, NY

    Explores the how, why, and what of contemporary Chicanx culture, including punk rock, literary fiction, photography, mass graves, and digital and experimental installation artRacial Immanence attempts to unravel a Gordian knot at the center of the... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    Explores the how, why, and what of contemporary Chicanx culture, including punk rock, literary fiction, photography, mass graves, and digital and experimental installation artRacial Immanence attempts to unravel a Gordian knot at the center of the study of race and discourse: it seeks to loosen the constraints that the politics of racial representation put on interpretive methods and on our understanding of race itself. Marissa K. López argues that reading Chicanx literary and cultural texts primarily for the ways they represent Chicanxness only reinscribes the very racial logic that such texts ostensibly set out to undo.Racial Immanence proposes to read differently; instead of focusing on representation, it asks what Chicanx texts do, what they produce in the world, and specifically how they produce access to the ineffable but material experience of race. Intrigued by the attention to disease, disability, abjection, and sense experience that she sees increasing in Chicanx visual, literary, and performing arts in the late-twentieth century, López explores how and why artists use the body in contemporary Chicanx cultural production. Racial Immanence takes up works by writers like Dagoberto Gilb, Cecile Pineda, and Gil Cuadros, the photographers Ken Gonzales Day and Stefan Ruiz, and the band Piñata Protest to argue that the body offers a unique site for pushing back against identity politics. In so doing, the book challenges theoretical conversations around affect and the post-human and asks what it means to truly consider people of color as writersand artists. Moving beyond abjection, López models Chicanx cultural production as a way of fostering networks of connection that deepen our attachments to the material world

     
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  13. Deadpan
    The Aesthetics of Black Inexpression
    Author: Post, Tina
    Published: 2023; ©2023
    Publisher:  New York University Press, New York, NY

    Explores expressionlessness, inscrutability, and emotional withholding in Black cultural productionArguing that inexpression as a gesture that acquires distinctive meanings in concert with blackness, Deadpan tracks instances and meanings of deadpan—a... more

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    Hochschule für Gesundheit, Hochschulbibliothek
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    Initiative E-Books.NRW
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    Universitätsbibliothek Braunschweig
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    Explores expressionlessness, inscrutability, and emotional withholding in Black cultural productionArguing that inexpression as a gesture that acquires distinctive meanings in concert with blackness, Deadpan tracks instances and meanings of deadpan—a vaudeville term meaning “dead face”—across literature, theater, visual and performance art, and the performance of self in everyday life.Tina Post reveals that the performance of purposeful withholding is a critical tool in the work of black culture makers, intervening in the persistent framing of African American aesthetics as colorful, loud, humorous, and excessive. Beginning with the expressionless faces of mid-twentieth-century documentary photography and proceeding to early twenty-first-century drama, this project examines performances of blackness’s deadpan aesthetic within and beyond black embodiments, including Young Jean Lee’s The Shipment and Branden Jacobs-Jenkins’s Neighbors, as well as Buster Keaton’s signature character and Steve McQueen’s restitution of the former’s legacy within the continuum of Black cultural production. Through this varied archive, Post reveals how deadpan aesthetics function in and between opacity and fugitivity, minimalism and saturation, excess and insensibility

     
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  14. Gaze, Vision, and Visuality in Ancient Greek Literature
    Contributor: Kampakoglou, Alexandros (Herausgeber); Novokhatko, Anna A (Herausgeber)
    Published: [2018]; © 2018
    Publisher:  De Gruyter, Berlin

    Location:
    Universitäts- und Landesbibliothek Bonn
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Source: Union catalogues
    Contributor: Kampakoglou, Alexandros (Herausgeber); Novokhatko, Anna A (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783110568998; 3110568993
    Other identifier:
    9783110568998
    DDC Categories: 930
    Series: Trends in Classics - Supplementary Volumes ; Volume 54
    Subjects: Griechisch; Literatur; Sehen <Motiv>; Blick <Motiv>; Visuelle Wahrnehmung <Motiv>
    Other subjects: Ancient Greek gaze; performance; vision; visuality; Visualität; Performance; Vision
    Scope: xxvi, 509 Seiten, Illustrationen, 23 cm x 15.5 cm
  15. Gaze, vision, and visuality in ancient Greek literature
    Contributor: Kampakoglou, Alexandros (Herausgeber); Novokhatko, Anna A (Herausgeber)
    Published: [2018]
    Publisher:  De Gruyter, Berlin

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    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Source: Union catalogues
    Contributor: Kampakoglou, Alexandros (Herausgeber); Novokhatko, Anna A (Herausgeber)
    Language: English
    Media type: Conference proceedings
    Format: Online
    ISBN: 9783110571288; 9783110569063
    Other identifier:
    Corporations / Congresses: Conference "Gaze, Vision, and Visuality in Greek literature: Concepts, Contexts, and Reception" (2014, Freiburg im Breisgau)
    Series: Trends in Classics. Supplementary olumes ; volume 54
    Subjects: Griechisch; Literatur; Sehen <Motiv>
    Other subjects: Ancient Greek gaze; performance; vision; visuality; Visualität; Performance; Vision
    Scope: 1 Online-Ressource (xxvi, 509 Seiten)
    Notes:

    "The present volume brings together papers that were originally presented at the conference 'Gaze, Vision, and Visuality in Greek literature: Concepts, Con- texts, and Reception' held in Freiburg on December 4–6, 2014." - Foreword
  16. "Geschichte zerfällt in Bilder, nicht in Geschichten"
    Visualität in der literarischen Geschichtsdarstellung
    Author: Eick, Anna-Lena
    Published: 2024
    Publisher:  Brill | Fink, Paderborn

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783846768129
    Other identifier:
    Series: Inter/Media ; 22
    Other subjects: Historiographie; Postmoderne; historischer Roman; Visualität; Intermedialität; Fotografie; Film; neue visuelle Medien; Medialität; Claude Simon; historiography; postmodernism; historical novel; visuality; photography; film; intermediality
    Scope: 1 Online-Ressource
    Notes:

    Erscheint voraussichtlich August 2024
  17. „Geschichte zerfällt in Bilder, nicht in Geschichten“
    Visualität in der literarischen Geschichtsdarstellung
    Author: Eick, Anna-Lena
    Published: 2024
    Publisher:  Brill | Fink, Paderborn

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  18. <<The>> Doppelgänger in our time
    visions of alterity in literature, visual culture, and new media
    Author: Soliman, Alia
    Published: [2024]
    Publisher:  Peter Lang, Oxford [u.a.]

    "Alia Soliman's re-assessment of the motif of the doppelgänger moves it comprehensively into the twenty-first century and adds new dimensions to the figure. Here, through incisive readings, the double is brought to perspectives on ageing, the crisis... more

     

    "Alia Soliman's re-assessment of the motif of the doppelgänger moves it comprehensively into the twenty-first century and adds new dimensions to the figure. Here, through incisive readings, the double is brought to perspectives on ageing, the crisis of masculinity and, crucially, our digital condition. Soliman's book prompts vital questions about the literary, cultural and social work the double can do." (Patrick ffrench, Professor of French, King's College London) "Alia Soliman's book focuses on aspects of the female double, the doppelgänger in Latin American literature, contemporary photography and in social media, making relevant contributions to scholarship. Considering the growing importance of the digital double and the implications of public image and self-perception, this publication presents an interesting link from the motif's literary past to its multi-mediated present." (Gerald Bär, Professor of Literature and Cultural Studies, Universidade Aberta, Lisbon) "From the female double to digital doppelgänger trends, this book offers a topical investigation into issues pertaining to identity formation through the lens of the double. Emanating from the literary realm and into photography, film, and new media, the study reveals new and exciting engagements with the doppelgänger that span feminist, visual, and digital studies." (Prof. Umberto Mondini, President, International Centre for Studies of Arts and Humanities, Rome) The book examines the doppelgänger persona's gradual shift to representations of the self as simulacrum and responds to changing conceptions of identity that celebrate the potentiality of alterity. Varied literary, visual, and digital narratives of the self showcase the doppelgänger as an increasingly image-based construction. The increasing visuality of the doppelgänger corpus engages with notions of exteriorisation, fragmentation, and the materialisation of unfulfilled possibilities, reflecting a sense of self that indulges in multiple realities and alternative lives. The literature of Jorge Luis Borges and Carlos Fuentes reveal the birth of multiple selfhoods that are rooted in temporality; Willem Hermans, José Saramago, and Denis Villeneuve put forth under-represented experiences of alienation and the remedial powers of the alter; contemporary photographic campaigns by Cornelia Hediger and François Brunelle and digital doppelgänger series such as "twin strangers" lead trends in visual culture and new media where the encounter between self and double is constructive, performative, and interactive. Delineating a structural change, the book proposes a paradigm shift that celebrates the female double, multiplicity, and visual and digital engagement and furnishes the reader with an expanded conception of the doppelgänger figure

     
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    Cover (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781800793613
    Series: Art and thought: histories of the Avant-Garde ; [5]
    Subjects: Gender Studies: Gruppen
    Other subjects: Alia Soliman; Female double; The Doppelgänger in our Time; digital media; visuality
    Scope: xiv, 308 Seiten, Illustrationen
    Notes:

    Enthält Literaturverzeichnis auf Seite [291]-301
  19. Visualität und Visualitätskritik im Werk von John Fowles
    Author: Horlacher, Stefan
    Published: 2020
    Publisher:  Technische Universität Dresden, Dresden

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    Source: Union catalogues
    Language: German
    Media type: E-Journal
    Format: Online
    ISSN: 0175-3169
    Other identifier:
    RVK Categories: HN 3405
    Series: Mannheimer Beiträge zur Sprach- und Literaturwissenschaft ; 38
    Subjects: Kritik
    Other subjects: Fowles, John (1926-2005); John Fowles; Malerei; Visualität; Frauenbild; John Fowles; painting; visuality; image of women
    Scope: Online-Ressource
    Notes:

    In: Tübingen : Gunter Narr Verlag
  20. Gamer trouble
    feminist confrontations in digital culture
    Author: Phillips, Amanda
    Published: [2020]; © 2020
    Publisher:  New York University Press, New York, NY

    Complicating perspectives on diversity in video gamesGamers have been troublemakers as long as games have existed. As our popular understanding of "gamer" shifts beyond its historical construction as a white, straight, adolescent, cisgender male, the... more

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    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    Complicating perspectives on diversity in video gamesGamers have been troublemakers as long as games have existed. As our popular understanding of "gamer" shifts beyond its historical construction as a white, straight, adolescent, cisgender male, the troubles that emerge both confirm and challenge our understanding of identity politics. In Gamer Trouble, Amanda Phillips excavates the turbulent relationships between surface and depth in contemporary gaming culture, taking readers under the hood of the mechanisms of video games in order to understand the ways that difference gets baked into its technological, ludic, ideological, and social systems.By centering the insights of queer and women of color feminisms in readings of online harassment campaigns, industry animation practices, and popular video games like Portal and Mass Effect, Phillips adds essential analytical tools to our conversations about video games. She embraces the trouble that attends disciplinary crossroads, linking the violent hate speech of trolls and the representational practices marginalizing people of color, women, and queers in entertainment media to the dehumanizing logic undergirding computation and the optimization strategies of gameplay. From the microcosmic level of electricity and flicks of a thumb to the grand stages of identity politics and global capitalism, wherever gamers find themselves, gamer trouble follows. As reinvigorated forms of racism, sexism, and homophobia thrive in games and gaming communities, Phillips follows the lead of those who have been making good trouble all along, agitating for a better world

     
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    Volltext (URL des Erstveröffentlichers)
  21. Image Evolution
    technological transformations of visual media culture
    Contributor: Grabbe, Lars Christian (Publisher); Rupert-Kruse, Patrick (Publisher); Schmitz, Norbert M. (Publisher)
    Published: [2019]
    Publisher:  Büchner, Marburg

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    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Grabbe, Lars Christian (Publisher); Rupert-Kruse, Patrick (Publisher); Schmitz, Norbert M. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783963176708
    Other identifier:
    9783963171376
    RVK Categories: LH 61090
    DDC Categories: 300
    Series: Yearbook of Moving Image Studies (YoMIS) ; 2018
    Subjects: Visuelle Medien; Neue Technologie; Auswirkung; Ästhetik; Kultur; Technischer Fortschritt
    Other subjects: Bildwissenschaft; aesthetics; image evolution; images; media technologies; mediality; moving image; multi-sensoric representations; pictoriality; technology; visual media; visuality
    Scope: 1 Online-Ressource (189 Seiten)
  22. Vision and blindness in film
    Author: Schelin, Dago
    Published: [2019]
    Publisher:  Büchner-Verlag, Marburg

    Location:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    ISBN: 9783963171444; 3963171448
    Other identifier:
    9783963171444
    RVK Categories: AP 50300
    DDC Categories: 300
    Subjects: Sehen <Motiv>; Sehen; Filmtheorie; Film; Blindheit <Motiv>
    Other subjects: Blick; Blickführung; Janela Da Alma; João Jardim; Nicht-Sehen; Rezeption; Sehen; Wahrnehmung; Walter Carvalho; audience; blindness; cinema; film; film theories; filmmaker; gaze; movies; observer; ontology of vision; perception; sight; theories of vision; vision; visual studies; visuality
    Scope: 153 Seiten, Illustrationen, 20.5 cm x 14.5 cm
    Notes:

    Dissertation, ,
  23. Visualisierung und Rhetorisierung von Geschlecht
    Strategien zur Inszenierung weiblicher Sexualität im Märe
    Author: Heiland, Satu
    Published: [2015]; ©2015
    Publisher:  De Gruyter, Berlin ; Boston

    In den letzten Jahren lässt sich innerhalb der Mediävistik ein starker Zuwachs von Forschungsarbeiten auf dem Gebiet der Visualität verzeichnen, die sich bisher weitestgehend auf Heldenepik, geistliche Literatur und höfischen Roman beschränken. Doch... more

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    In den letzten Jahren lässt sich innerhalb der Mediävistik ein starker Zuwachs von Forschungsarbeiten auf dem Gebiet der Visualität verzeichnen, die sich bisher weitestgehend auf Heldenepik, geistliche Literatur und höfischen Roman beschränken. Doch es zeigt sich, dass gerade in der schwankhaften Märenliteratur dem Moment der Sichtbarkeit eine enorme Relevanz zukommt, insbesondere in Bezug auf die Sexualität der Frau. Vor diesem Hintergrund wird die Darstellung weiblicher Geschlechtlichkeit im Märe eingehend betrachtet: Zentraler Aspekt sind die Lust und das Genitale der Frau. Es wird demonstriert, wie verschiedene narrative und rhetorische Strategien bewusst dazu eingesetzt werden, um weibliche Libido sichtbar zu machen - dem Rezipienten buchstäblich 'vor Augen' zu führen - und auf diese Weise Geschlechtlichkeit zu inszenieren. Denn die Leidenschaft der Frau wird nicht einfach nur sichtbar gemacht, wie sie ist, sondern wie man(n) sie sehen soll. Die vorliegende Arbeit widmet sich dabei insbesondere der Frage nach Funktionsweisen und Bedeutung einer 'Poetik der Visualisierung' und bietet nicht zuletzt eine systematische Aufarbeitung der Sexualmetaphorik, die für das Verständnis vieler Mären unerlässlich ist

     
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110428575
    Other identifier:
    RVK Categories: GF 6514
    Series: Literatur - Theorie - Geschichte ; 11
    Other subjects: Märe; Sexualität; Short narrative; Versnovelle; Visualität; gest; sexuality; visuality; Märe; Frau / Motiv; Erotik / Motiv; Mittelhochdeutsch; LITERARY CRITICISM / European / German
    Scope: 1 online resource (390 p.)
    Notes:

    Dissertation
  24. Visualisierung und Rhetorisierung von Geschlecht
    Strategien zur Inszenierung weiblicher Sexualität im Märe
    Author: Heiland, Satu
    Published: [2015]; ©2015
    Publisher:  De Gruyter, Berlin ; Boston

    In den letzten Jahren lässt sich innerhalb der Mediävistik ein starker Zuwachs von Forschungsarbeiten auf dem Gebiet der Visualität verzeichnen, die sich bisher weitestgehend auf Heldenepik, geistliche Literatur und höfischen Roman beschränken. Doch... more

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    Universitätsbibliothek der Fernuniversität
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    In den letzten Jahren lässt sich innerhalb der Mediävistik ein starker Zuwachs von Forschungsarbeiten auf dem Gebiet der Visualität verzeichnen, die sich bisher weitestgehend auf Heldenepik, geistliche Literatur und höfischen Roman beschränken. Doch es zeigt sich, dass gerade in der schwankhaften Märenliteratur dem Moment der Sichtbarkeit eine enorme Relevanz zukommt, insbesondere in Bezug auf die Sexualität der Frau. Vor diesem Hintergrund wird die Darstellung weiblicher Geschlechtlichkeit im Märe eingehend betrachtet: Zentraler Aspekt sind die Lust und das Genitale der Frau. Es wird demonstriert, wie verschiedene narrative und rhetorische Strategien bewusst dazu eingesetzt werden, um weibliche Libido sichtbar zu machen - dem Rezipienten buchstäblich 'vor Augen' zu führen - und auf diese Weise Geschlechtlichkeit zu inszenieren. Denn die Leidenschaft der Frau wird nicht einfach nur sichtbar gemacht, wie sie ist, sondern wie man(n) sie sehen soll. Die vorliegende Arbeit widmet sich dabei insbesondere der Frage nach Funktionsweisen und Bedeutung einer 'Poetik der Visualisierung' und bietet nicht zuletzt eine systematische Aufarbeitung der Sexualmetaphorik, die für das Verständnis vieler Mären unerlässlich ist

     
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110428575
    Other identifier:
    RVK Categories: GF 6514
    Series: Literatur - Theorie - Geschichte ; 11
    Other subjects: Märe; Sexualität; Short narrative; Versnovelle; Visualität; gest; sexuality; visuality; Märe; Frau / Motiv; Erotik / Motiv; Mittelhochdeutsch; LITERARY CRITICISM / European / German
    Scope: 1 online resource (390 p.)
    Notes:

    Dissertation
  25. Seeing the other in cinema
    interreligious connections through the senses
    Author: Plate, S. Brent
    Published: [2017]

    This article asks about the processes of "seeing the other" using the medium of cinema. Films discussed include Baraka, West Bank Story, Eve and the Fire Horse, and Babette's Feast. Each demonstrates unique perspectives on distinct religious... more

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    Index theologicus der Universitätsbibliothek Tübingen
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    This article asks about the processes of "seeing the other" using the medium of cinema. Films discussed include Baraka, West Bank Story, Eve and the Fire Horse, and Babette's Feast. Each demonstrates unique perspectives on distinct religious traditions, exploring differences as well as resemblances. Two consequences emerge. First, films are not merely "escape" that people watch and then forget about. Instead, what we see "on screen" changes our relationships with other people "off screen". Watching movies becomes part of the social construction of reality, constructing our understandings of race, religion, gender, nationality, and ethnicity. Thus, films that demonstrate strong interreligious connections may affect our perceptions of seeing each other. Second, comparing these films allows us to see how interreligious connections are not merely about "dialogue", but about shared food, smells, sights, and spatial locations. The sensate body stands at the heart of religious life, as well as the heart of interreligious connections.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: Enthalten in: Journal of beliefs and values; Abingdon : Routledge, 1980; 38(2017), 3, Seite 296-304; Online-Ressource

    Subjects: interreligious dialogue; material religion; Religion and film; senses; visual culture; visuality; world cinema