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  1. Seeing Things: literature and the visual
    Papers from the Fifth International British Council Symposium, September 2001
    Author: Catsiapis, Hélène
    Published: 2017
    Publisher:  Presses universitaires François-Rabelais, Tours ; OpenEdition, Marseille

    The Papers collected here are representative of the four seminars of the symposium, and, in their various ways, explore many of the concerns of the conference in dealing with literature and various aspects of the visual: painting, cinema, television,... more

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Bibliothek der Frankfurt University of Applied Sciences
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    The Papers collected here are representative of the four seminars of the symposium, and, in their various ways, explore many of the concerns of the conference in dealing with literature and various aspects of the visual: painting, cinema, television, theatre, travel writing and photography.

     
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  2. Visuelle Wahrnehmung bei Platon und Aristoteles
    Eine Kritik an Repräsentationstheorien des Sehens
    Author: Hobuß, Steffi
    Published: 2024
    Publisher:  Academia, Baden-Baden

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  3. Review: Thomas S. Eberle (Ed.) (2017). Fotografie und Gesellschaft: Phänomenologische und wissenssoziologische Perspektiven
    Author: Lehn, Dirk vom
    Published: 2018

    Abstract: "Photography and Society," edited by Thomas S. EBERLE contributes to the burgeoning debates about visuality and visual perception. The 25 chapters of the volume draw on Alfred SCHÜTZ's phenomenology to consider photography as a social... more

     

    Abstract: "Photography and Society," edited by Thomas S. EBERLE contributes to the burgeoning debates about visuality and visual perception. The 25 chapters of the volume draw on Alfred SCHÜTZ's phenomenology to consider photography as a social phenomenon. They are concerned with the practice of taking and producing photographs as well as with the viewing and interpretation of photographs. Thus they deal with production and reception aesthetics. The analyses are also used to reflect on the status of photographs and their relationship to the Wirkwelt [world of working]. The book is notable for encompassing a wide range of theoretical and empirical analyses and including a large number of high-quality photographs. The inclusion of these photographs does not serve illustrative purposes but is critical to the analyses presented in the volume. I recommend "Photography and Society" to sociologists with an interest in debates about visuality and the analysis of visual perception. Some knowledge of

     
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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/59646
    DDC Categories: 300; 301
    Other subjects: Phänomenologie; Produktions­ästhetik; Rezep­tionsästhetik; Visualität; Wissenssoziologie; phenomenology; production aesthetics; reception aesthetics; sociology of knowledge; visual perception; visuality; visuelle Wahrnehmung
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: Forum Qualitative Sozialforschung / Forum: Qualitative Social Research ; 19 (2018) 3 ; 20
  4. Compelling visuality
    the work of art in and out of history
    Published: 2003
    Publisher:  University of Minnesota Press, Minneapolis [u.a.]

    Takes up the commonly unexplored question of what is actually present in art--what aspects have survived the vicissitudes of time. International and interdisciplinary, this volume conducts readers into a discussion of the significance of personal... more

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    Staats- und Universitätsbibliothek Bremen
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    Takes up the commonly unexplored question of what is actually present in art--what aspects have survived the vicissitudes of time. International and interdisciplinary, this volume conducts readers into a discussion of the significance of personal response to works of art

     
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    Volltext (lizenzpflichtig)