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Displaying results 1 to 13 of 13.

  1. Noise Thinks the Anthropocene: An Experiment in Noise Poetics
    Author: Zwintscher, Aaron
    Published: 2019
    Publisher:  punctum books, Earth, Milky Way

    In an increasingly technologized and connected world, it seems as if noise must be increasing. Noise, however, is a complicated term with a complicated history. Noise can be traced through structures of power, theories of knowledge, communication,... more

     

    In an increasingly technologized and connected world, it seems as if noise must be increasing. Noise, however, is a complicated term with a complicated history. Noise can be traced through structures of power, theories of knowledge, communication, and scientific practice, as well as through questions of art, sound, and music. Thus, rather than assume that it must be increasing, this work has focused on better understanding the various ways that noise is defined, what that noise can do, and how we can use noise as a strategically political tactic. Noise Thinks the Anthropocene is a textual experiment in noise poetics that uses the growing body of research into noise as source material. It is an experiment in that it results from indeterminate means, alternative grammar, and experimental thinking. The outcome was not predetermined. It uses noise to explain, elucidate, and evoke (akin to other poetic forms) within the textual milieu in a manner that seeks to be less determinate and more improvisational than conventional writing. Noise Thinks the Anthropocene argues that noise poetics is a necessary form for addressing political inequality, coexistence with the (nonhuman) other, the ecological crisis, and sustainability because it approaches these issues as a system of interconnected fragments and excesses and thus has the potential to reach or envision solutions in novel ways.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781950192069
    Other identifier:
    Subjects: Theory of music & musicology
    Other subjects: anthropocene; noise; ecological studies; sound studies; poetics; sustainability studies
    Scope: 1 electronic resource (162 p.)
  2. Listening to the Lomax Archive : The Sonic Rhetorics of African American Folksong in the 1930s
    Author: Stone, Jonathan
    Published: 2021
    Publisher:  University of Michigan Press

    In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the “American Negro” in several southern African American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African... more

     

    In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the “American Negro” in several southern African American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes’ field recordings—including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton—contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element—a sonic rhetoric—for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power of folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes’ archive and other repositories of historicized sound. Throughout Listening to the Lomax Archive, there are a number of audio resources for readers to listen to, including songs, oral histories, and radio program excerpts. Each resource is marked with a ? in the text. Visit doi.org/10.3998/mpub.9871097 to access this audio content.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780472902446; 9780472038558
    Other identifier:
    Subjects: Music; Theory of music & musicology
    Other subjects: rhetoric; sonic rhetoric; sonic rhetorics; folksong; Lead Belly; Jelly Roll Morton; sound studies; historio
    Scope: 1 electronic resource (259 p.)
  3. Sounding Islam : Voice, Media, and Sonic Atmospheres in an Indian Ocean World
    Author: Eisenlohr, Patrick
    Published: 2018
    Publisher:  University of California Press, Oakland

    Sounding Islam provides a provocative account of the sonic dimensions of religion, combining perspectives from the anthropology of media and sound studies, as well as drawing on neo-phenomenological approaches to atmospheres. Using long-term... more

     

    Sounding Islam provides a provocative account of the sonic dimensions of religion, combining perspectives from the anthropology of media and sound studies, as well as drawing on neo-phenomenological approaches to atmospheres. Using long-term ethnographic research on devotional Islam in Mauritius, Patrick Eisenlohr explores how the voice, as a site of divine manifestation, becomes refracted in media practices that have become integral parts of religious traditions. At the core of Eisenlohr’s concern is the interplay of voice, media, affect, and listeners’ religious experiences. Sounding Islam sheds new light on a key dimension of religion, the sonic incitement of sensations that are often difficult to translate into language.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520298712; 9780520970762
    Other identifier:
    Subjects: Religion: general; Media studies; Anthropology
    Other subjects: voice; anthropology of media; sound studies; atmospheres; Islam; Mauritius; India; Indian Ocean; media; sound reproduction; Muslims
    Scope: 1 electronic resource (188 p.)
  4. Music and the environment in dystopian narrative
    sounding the disaster
    Author: Hart, Heidi
    Published: [2018]
    Publisher:  Palgrave Macmillan, Cham ; Palgrave Pivot

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9783030018146; 3030018148
    Other identifier:
    9783030018146
    DDC Categories: 800
    Series: Palgrave studies in music and literature
    Subjects: Literatur; Anti-Utopie; Anthropozän; Musik; Klimaänderung <Motiv>; Film
    Other subjects: anthropocene; dystopian literature; environmental humanities; environmental literature; music studies; musicology; narrative; post-apocalyptic; sound studies; DS; AV
    Scope: XII, 100 Seitenl, 21 cm x 14.8 cm, 291 g
  5. Being-Moved
    Rhetoric as the Art of Listening
    Author: Gross, Daniel M
    Published: [2020]
    Publisher:  University of California Press, Berkeley, CA

    Frontmatter -- Contents -- Acknowledgments -- Introduction to the Art of Listening -- 1. Martin Heidegger on Listening c. 1924 -- 2. Being-Moved: A Disciplinary Prehistory -- 3. Face-to-Face Communication, Disfigured -- 4. Passive Voices, Active... more

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    Frontmatter -- Contents -- Acknowledgments -- Introduction to the Art of Listening -- 1. Martin Heidegger on Listening c. 1924 -- 2. Being-Moved: A Disciplinary Prehistory -- 3. Face-to-Face Communication, Disfigured -- 4. Passive Voices, Active Listening: A Case Study in Rhetoric and Composition -- Appendix: The Art of Listening in Select English Manuals and Sermons, 1582–1665 -- Notes -- Works Cited with Additional Suggested Readings -- Index

     
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  6. Being-Moved
    Rhetoric as the Art of Listening
    Author: Gross, Daniel M
    Published: [2020]
    Publisher:  University of California Press, Berkeley, CA

    Frontmatter -- Contents -- Acknowledgments -- Introduction to the Art of Listening -- 1. Martin Heidegger on Listening c. 1924 -- 2. Being-Moved: A Disciplinary Prehistory -- 3. Face-to-Face Communication, Disfigured -- 4. Passive Voices, Active... more

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    Frontmatter -- Contents -- Acknowledgments -- Introduction to the Art of Listening -- 1. Martin Heidegger on Listening c. 1924 -- 2. Being-Moved: A Disciplinary Prehistory -- 3. Face-to-Face Communication, Disfigured -- 4. Passive Voices, Active Listening: A Case Study in Rhetoric and Composition -- Appendix: The Art of Listening in Select English Manuals and Sermons, 1582–1665 -- Notes -- Works Cited with Additional Suggested Readings -- Index

     
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  7. Sounding Islam
    Voice, Media, and Sonic Atmospheres in an Indian Ocean World
    Author: Eisenlohr, Patrick
    Published: [2018]
    Publisher:  University of California Press, Berkeley, CA

    A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Sounding Islam provides a provocative account of the sonic dimensions of religion,... more

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    A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Sounding Islam provides a provocative account of the sonic dimensions of religion, combining perspectives from the anthropology of media and sound studies, as well as drawing on neo-phenomenological approaches to atmospheres. Using long-term ethnographic research on devotional Islam in Mauritius, Patrick Eisenlohr explores how the voice, as a site of divine manifestation, becomes refracted in media practices that have become integral parts of religious traditions. At the core of Eisenlohr's concern is the interplay of voice, media, affect, and listeners' religious experiences. Sounding Islam sheds new light on a key dimension of religion, the sonic incitement of sensations that are often difficult to translate into language Frontmatter -- Contents -- Illustrations -- Audio Clips -- Acknowledgments -- 1. Sounding Islam -- 2. Devotional Islam and Sound Reproduction -- 3. Aspirations in Transnational Religious Networks -- 4. The Materiality of Media and the Vanishing Medium -- 5. The Work of Transduction: Voice as Atmosphere -- 6. Sound as Affect? Encorporation and Movement in Vocal Performance -- Conclusion -- Notes -- References -- Index

     
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  8. Sounding Islam
    Voice, Media, and Sonic Atmospheres in an Indian Ocean World
    Author: Eisenlohr, Patrick
    Published: [2018]
    Publisher:  University of California Press, Berkeley, CA

    A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Sounding Islam provides a provocative account of the sonic dimensions of religion,... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Sounding Islam provides a provocative account of the sonic dimensions of religion, combining perspectives from the anthropology of media and sound studies, as well as drawing on neo-phenomenological approaches to atmospheres. Using long-term ethnographic research on devotional Islam in Mauritius, Patrick Eisenlohr explores how the voice, as a site of divine manifestation, becomes refracted in media practices that have become integral parts of religious traditions. At the core of Eisenlohr's concern is the interplay of voice, media, affect, and listeners' religious experiences. Sounding Islam sheds new light on a key dimension of religion, the sonic incitement of sensations that are often difficult to translate into language Frontmatter -- Contents -- Illustrations -- Audio Clips -- Acknowledgments -- 1. Sounding Islam -- 2. Devotional Islam and Sound Reproduction -- 3. Aspirations in Transnational Religious Networks -- 4. The Materiality of Media and the Vanishing Medium -- 5. The Work of Transduction: Voice as Atmosphere -- 6. Sound as Affect? Encorporation and Movement in Vocal Performance -- Conclusion -- Notes -- References -- Index

     
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  9. Music and the Environment in Dystopian Narrative
    Sounding the Disaster
    Author: Hart, Heidi
    Published: 2018
    Publisher:  Springer International Publishing, Cham ; Palgrave Pivot

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  10. Echo and meaning on early modern English stages
    Susan L. Anderson
    Author: Anderson, Susan
    Published: [2018]
    Publisher:  Palgrave Macmillan, Cham ; ProQuest, [Ann Arbor]

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  11. Hörgeräte
    Technisierung der Wahrnehmung durch Rock- und Popmusik
    Author: Papenburg, Jens Gerrit
    Published: 2012
    Publisher:  Humboldt Universität zu Berlin, Philosophische Fakultät III, Berlin

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    Source: Union catalogues
    Contributor: Wicke, Peter (Akademischer Betreuer); Erlmann, Veit (Akademischer Betreuer)
    Language: German
    Media type: Dissertation
    Format: Online
    Other identifier:
    Other subjects: Kulturwissenschaft; Geschichte des (Musik-)Hörens; Geschichte des Nicht-Hörens; auditive Wahrnehmung; Technisierung des Hörens; Bewirtschaftung des Hörens; Hörgerät; Materialität der Wahrnehmung; Materialitäten der Musikkultur; technisierte Organe; Organ gewordene Technik; eskalierte Organe; Körperlichkeit des Hörens; Hörpraxis; Mastering; Veröffentlichung von Musik; technisierter Klang; das Vorgehörte; das Unhörbare; das Ungehörte; Mittler vs. Zwischenglieder; Musikbegriff; Klangkonzept; Rock- und Popmusik als Erkenntnisinstrument; Jukebox; Soundsystem; Single-Schallplatte; Maxisingle; Technologieentwicklung; Rock’n’Roll; Disco; House; Techno; Musikwissenschaft; Medientheorie; Sound Studies; Historische Anthropologie der Sinne; Musikalische Vermittlungstheorie; History of listening; history of non-listening; auditory perception; technization of listening; cultivation of listening; listening device; materiality of perception; materialities of music culture; organs and technology; corporality of listening; listening practice; mastering; practices of releasing music; sound and technology; mediator vs. intermediary; concept of music; concept of sound; rock and pop music as instrument of knowledge; juke box; sound system; 7-inch single; 12-inch single; development of technology; rock’n’roll; disco; house; techno; musicology; media theory; cultural studies; sound studies; anthropology of the senses; theories of mediation
    Scope: Online-Ressource
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    Berlin, Humboldt Universität zu Berlin, Diss., 2011
  12. Dubbing, film and performance
    uncanny encounters
    Author: Bosseaux, Charlotte
    Published: 2015
    Publisher:  Lang, Oxford

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  13. Hörgeräte
    Technisierung der Wahrnehmung durch Rock- und Popmusik
    Author: Papenburg, Jens Gerrit

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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    Other subjects: Kulturwissenschaft; Geschichte des (Musik-)Hörens; Geschichte des Nicht-Hörens; auditive Wahrnehmung; Technisierung des Hörens; Bewirtschaftung des Hörens; Hörgerät; Materialität der Wahrnehmung; Materialitäten der Musikkultur; technisierte Organe; Organ gewordene Technik; eskalierte Organe; Körperlichkeit des Hörens; Hörpraxis; Mastering; Veröffentlichung von Musik; technisierter Klang; das Vorgehörte; das Unhörbare; das Ungehörte; Mittler vs. Zwischenglieder; Musikbegriff; Klangkonzept; Rock- und Popmusik als Erkenntnisinstrument; Jukebox; Soundsystem; Single-Schallplatte; Maxisingle; Technologieentwicklung; Rock’n’Roll; Disco; House; Techno; Musikwissenschaft; Medientheorie; Sound Studies; Historische Anthropologie der Sinne; Musikalische Vermittlungstheorie; History of listening; history of non-listening; auditory perception; technization of listening; cultivation of listening; listening device; materiality of perception; materialities of music culture; organs and technology; corporality of listening; listening practice; mastering; practices of releasing music; sound and technology; mediator vs. intermediary; concept of music; concept of sound; rock and pop music as instrument of knowledge; juke box; sound system; 7-inch single; 12-inch single; development of technology; rock’n’roll; disco; house; techno; musicology; media theory; cultural studies; sound studies; anthropology of the senses; theories of mediation
    Scope: 402 S., 30 cm
    Notes:

    Berlin, Humboldt-Univ., Diss., 2011 (Nicht für den Austausch)