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Displaying results 1 to 25 of 26.

  1. Hokum! The Early Sound Slapstick Short and Depression-Era Mass Culture
    Author: King, Rob
    Published: 2017
    Publisher:  University of California Press, Oakland, California

    Hokum!, the first book to take a comprehensive view of short-subject slapstick comedy in the early sound era, challenges the received wisdom that sound destroyed the slapstick tradition. Author Rob King explores the slapstick short’s Depression-era... more

     

    Hokum!, the first book to take a comprehensive view of short-subject slapstick comedy in the early sound era, challenges the received wisdom that sound destroyed the slapstick tradition. Author Rob King explores the slapstick short’s Depression-era development against a backdrop of changes in film industry practice, comedic tastes, and moviegoing culture. Each chapter is grounded in case studies of comedians and comic teams, including the Three Stooges, Laurel and Hardy, and Robert Benchley. The book also examines how the past legacy of silent-era slapstick was subsequently reimagined as part of a nostalgic mythology of Hollywood’s youth.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520963160
    Other identifier:
    Subjects: The arts; Films, cinema; Popular culture
    Other subjects: slapstick; short subjects; sound; american studies; hokum; mass culture; depression-era culture; comedy; taste; film studies; Sound film
    Scope: 1 electronic resource (270 p.)
  2. Sound Souvenirs : Audio Technologies, Memory and Cultural Practices
    Contributor: Van Dijck, J. (Publisher); Bijsterveld, K. (Publisher)
    Published: 2009
    Publisher:  Amsterdam University Press

    In recent decades, the importance of sound for remembering the past and for creating a sense of belonging has been increasingly acknowledged. We keep "sound souvenirs" such as cassette tapes and long play albums in our attics because we want to be... more

     

    In recent decades, the importance of sound for remembering the past and for creating a sense of belonging has been increasingly acknowledged. We keep "sound souvenirs" such as cassette tapes and long play albums in our attics because we want to be able to recreate the music and everyday sounds we once cherished. Artists and ordinary listeners deploy the newest digital audio technologies to recycle past sounds into present tunes. Sound and memory are inextricably intertwined, not just through the commercially exploited nostalgia on oldies radio stations, but through the exchange of valued songs by means of pristine recordings and cultural practices such as collecting, archiving and listing. This book explores several types of cultural practices involving the remembrance and restoration of past sounds. At the same time, it theorizes the cultural meaning of collecting, recycling, reciting, and remembering sound and music. Herinneringen halen we niet alleen op aan de hand van beelden, maar ook met behulp van geluid. We koesteren onze versleten bandrecorderspoelen, cassettebandjes en langspeelplaten - onze "sound souvenirs" - om de muziek van vroeger nog eens te horen. Radioprogramma's als de Top2000 houden oude nummers eindeloos in de lucht. In geluidsarchieven bewaren we de redes van beroemde politici. In de auto nemen we voortdurend onze persoonlijke muziekbestanden met ons mee. En een enkele keer worden we herinnerd aan geluiden die we liever vergeten, zoals die van bombardementen. Dit boek verkent de verschillende culturele praktijken waarin we het geluid van het verleden gewenst en ongewenst terughalen en probeert de culturele betekenis van het verzamelen, citeren en herinneren van geluid en muziek te begrijpen. Met bijdragen van Ruth Benschop, Carolyn Birdsall, Hans-Joachim Braun, Michael Bull, Karin Bijsterveld & Annelies Jacobs, José van Dijck, Andreas Fickers, Bas Jansen, Trevor Pinch & David Reinecke, Jonathan Sterne, Tim Taylor en Heike Weber.

     
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    Source: OAPEN
    Contributor: Van Dijck, J. (Publisher); Bijsterveld, K. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789089641328
    Other identifier:
    Subjects: History of art / art & design styles; Music; Science: general issues
    Other subjects: muziek; ipod; digital sound; popular science; philips; basf; wetenschap algemeen; music; kunst en kunstgeschiedenis; historical treatment of fine and decorative arts; sound
    Scope: 1 electronic resource (218 p.)
  3. Phänomen Hörbuch -- Interdisziplinäre Perspektiven und medialer Wandel
    Contributor: Bung, Stephanie (Publisher); Schrödl, Jenny (Publisher)
    Published: 2016
    Publisher:  transcript Verlag, Bielefeld

    In recent years in the German-speaking world, the audiobook has gained in popularity and significance. One can scarcely imagine libraries and bookstores without them – and academic research is also showing a growing interest. At the same time, it is... more

     

    In recent years in the German-speaking world, the audiobook has gained in popularity and significance. One can scarcely imagine libraries and bookstores without them – and academic research is also showing a growing interest. At the same time, it is a phenomenon which needs to be outlined in more detail. As the word audiobook already implies, it is a multifaceted object, which not only addresses various senses at the same time, but also changes form depending on our vantage point. The essays in this volume focus on this polymorphic quality, at the interface of various disciplines. Das Hörbuch hat in den letzten Jahren an Beliebtheit und Bedeutung gewonnen. Es ist kaum mehr aus Bibliotheken und Buchhandlungen wegzudenken – und zunehmend zeigt sich auch die Forschung interessiert. Gleichzeitig herrscht noch erheblicher Konturierungsbedarf: Wie die Wortbildung »Hör-Buch« bereits andeutet, handelt es sich um einen vielschichtigen Gegenstand, der nicht nur verschiedene Sinne zugleich anspricht, sondern auch in Abhängigkeit von der Perspektive, aus der man ihn betrachtet, seine Gestalt verändert. Die Beiträge des Bandes widmen sich dieser Vielgestaltigkeit an der Schnittstelle verschiedener Disziplinen.

     
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    Source: OAPEN; transcript Open Access
    Contributor: Bung, Stephanie (Publisher); Schrödl, Jenny (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839434383; 9783837634389
    Other identifier:
    Subjects: Literary studies: general
    Other subjects: literature; media aesthetics; literatur; media; medien; sound; hörspiel; literary studies; radio play; klang; hören; literaturwissenschaft; oral language; audio book; hörbuch; hearing; general literature studies; allgemeine literaturwissenschaft; medienästhetik; mündlichkeit; Lyrik
    Scope: 1 electronic resource (228 p.)
  4. Sonic ethnography : Identity, heritage and creative research practice in Basilicata, southern Italy
    Author: Ferrarini, Lorenzo; Scaldaferri, Nicola
    Published: 2020
    Publisher:  Manchester University Press, Manchester

    Sonic ethnography explores the role of sound-making and listening practices in the formation of local identities in the southern Italian region of Basilicata. The book uses a combination of text, photography and sound recording to investigate... more

     

    Sonic ethnography explores the role of sound-making and listening practices in the formation of local identities in the southern Italian region of Basilicata. The book uses a combination of text, photography and sound recording to investigate soundful cultural performances such as tree rituals, carnivals, pilgrimages, events promoting cultural heritage and more informal musical performances. Its approach demonstrates how in the acoustic domain tradition is made and disrupted, power struggles take place and acoustic communities are momentarily brought together in shared temporality and space. This book underlines how an attention to sound-making, recording and listening practices can bring innovative contributions to the ethnography of an area that has been studied by Italian and foreign scholars since the 1950s. The approaches of the classic anthropological scholarship on the region have become one of the forces at play in a complex field where discourses on a traditional past, politics of heritage and transnational diasporic communities interact. The book’s argument is carried forward not just by textual means, but also through the inclusion of six ‘sound-chapters’, that is, compositions of sound recordings themed so as to interact with the topic of the corresponding textual chapter, and through a large number of colour photographs. Two methodological chapters, respectively about doing research in sound and on photo-ethnography, explain the authors’ approach to field research and to the making of the book.

     
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  5. Keep on Rolling Under the Stars
    Green Readings on the Beat Generation
    Contributor: Weidner, Chad (Herausgeber)
    Published: 2022
    Publisher:  MDPI - Multidisciplinary Digital Publishing Institute, Basel

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  6. Filmontologie der phonosphärischen Präsenz. Auditive Differenzierungen zwischen Zeichenpotenzialen und Leibaffektion
    Author: Grabbe, Lars C.
    Published: 2014
    Publisher:  Philipps-Universität Marburg, Marburg ; Schüren

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    Source: Union catalogues
    Language: German
    Media type: E-Journal
    Format: Online
    ISSN: 1869-7178
    Other identifier:
    Subjects: Film; Semiotik; Klang; Multimodalität; Medientheorie
    Other subjects: Grabbe, Christian Dietrich (1801-1836); Ton; Sound; Semiotik; Multimodalität; sound; soundscape; multimodality
    Scope: Online-Ressource
    Notes:

    In: Jahrbuch immersiver Medien 6, S. 33–45.
  7. Vocal Tracks
    Performance and Sound Media
    Author: Smith, Jacob
    Published: [2008]; ©2008
    Publisher:  University of California Press, Berkeley, CA

    This entertaining and innovative book focuses on vocal performance styles that developed in tandem with the sound technologies of the phonograph, radio, and sound film. Writing in a clear and lively style, Jacob Smith looks at these media... more

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    This entertaining and innovative book focuses on vocal performance styles that developed in tandem with the sound technologies of the phonograph, radio, and sound film. Writing in a clear and lively style, Jacob Smith looks at these media technologies and industries through the lens of performance, bringing to light a fascinating nexus of performer, technology, and audience. Combining theories of film sound, cultural histories of sound technologies and industries, and theories of performance, Smith convincingly connects disparate and largely neglected performance niches to explore the development of a modern vocal performance. Vocal Tracks: Performance and Sound Media demonstrates the voice to be a vehicle of performance, identity, and culture and illustrates both the interconnection of all these categories and their relation to the media technologies of the past century

     
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  8. Keep on Rolling Under the Stars
    Contributor: Weidner, Chad (Herausgeber)
    Published: 2022
    Publisher:  MDPI - Multidisciplinary Digital Publishing Institute, Basel ; OAPEN FOUNDATION, The Hague

    Beat Studies represent a vibrant field of intellectual inquiry, and this collection examines Beat culture as deeply infused with ecological themes. Allen Ginsberg invented the term "Flower Power" and Beat texts uncover the sources of our current... more

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    Beat Studies represent a vibrant field of intellectual inquiry, and this collection examines Beat culture as deeply infused with ecological themes. Allen Ginsberg invented the term "Flower Power" and Beat texts uncover the sources of our current existential climate predicament. This is the first edited collection to place the Beat Generation in conversation with the environment. A diverse number of contributors from Asia, Europe, and North America addresses essential environmental subjects and the deep ecological vision of the Beats.

     
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  9. Der Klang der Lyrik
    Zur Konzeptualisierung von Sprecher und Stimme, auch für die computationelle Analyse
    Author: Richter, Sandra; Bernhart, Toni; Dieterle, Felix; Viehhauser-Mery, Gabriel; Eschenbach, Gunilla; Kuhn, Jonas; Schauffler, Nadja; Blessing, André; Gärtner, Markus; Jung, Kerstin; Ketschik, Nora; Kinder, Anna; Koch, Julia; Vu, Ngoc Thang; Kozlik, Andreas
    Published: 2023
    Publisher:  Universitätsbibliothek Kiel, Kiel

  10. Impending Crises
    Contemporary Fantastic Narratives between Language, Image and Sound
    Author: Brühne, Julia; Wilson, Pádraic; Valenzuela Celis, Joaquín Orlando
    Published: 2024
    Publisher:  Rombach Wissenschaft, Baden-Baden

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    Source: Union catalogues
    Language: German
    Media type: Conference proceedings
    Format: Online
    ISBN: 9783988580122
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    9783988580122
    Edition: 1. Auflage
    Corporations / Congresses: Global crisis(es) between image, language and time: on the fantastic in contemporary films and series (2022, Bremen)
    Series: Calliphaea. Literatur – Theater – Film ; 1
    Subjects: Das Fantastische; Film; Literatur
    Other subjects: (Produktform)Electronic book text; (BISAC Subject Heading)SOC000000; (BISAC Subject Heading)LIT024000: LITERARY CRITICISM / Modern / General; (BISAC Subject Heading)PER004060: PERFORMING ARTS / Film / Genres / General; Literaturwissenschaft;USA;Language;Medienwissenschaft;Sprache;Sound;Filme;Bild;media studies;Literary Studies;Fantasy;Boom;Serien;series;Image;Romane;Ton;romanische Sprachen;novels;Romance languages;allegorical correspondences;allegorische Entsprechungen;contemporary productions;fantastic narratives;fantastische Narrative;films;gesellschaftliches Imaginären;impending crisis;ontologische Unsicherheit;phantastische Narrative;novel interpretation;Romaninterpretation;romanische Länder;ontological uncertainty;Romance countries;Textproduktion;societal imaginary;text production;zeitgenössische Produktionen; (VLB-WN)9729: Soziologie / Sonstiges; (BISAC Subject Heading)SOC000000: SOCIAL SCIENCE / General; allegorical correspondences; allegorische Entsprechungen; boom; Bild; contemporary productions; fantastic narratives; fantastische Narrative; Fantasy; films; Filme; gesellschaftliches Imaginären; image; Literaturwissenschaft; impending crisis; Medienwissenschaft; language; literary studies; ontologische Unsicherheit; phantastische Narrative; media studies; novel interpretation; Romane; Romaninterpretation; novels; romanische Länder; ontological uncertainty; romanische Sprachen; Romance countries; Romance languages; Serien; series; Sprache; Textproduktion; societal imaginary; Ton; sound; text production; USA; zeitgenössische Produktionen; (Produktrabattgruppe)N3: N3-Rabatt
    Scope: Online-Ressource, 254 Seiten
  11. Kaleidophonic Modernity
    Transatlantic Sound, Technology, and Literature
    Author: Brehm, Brett
    Published: 2023; ©2023
    Publisher:  Fordham University Press, New York, NY

    What stories remain hidden behind one of the most significant inventions of the nineteenth century? Kaleidophonic Modernity reexamines the development of mechanical sound recording technology by charting the orbits of writers, scientists, and artists... more

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    What stories remain hidden behind one of the most significant inventions of the nineteenth century? Kaleidophonic Modernity reexamines the development of mechanical sound recording technology by charting the orbits of writers, scientists, and artists in France and the United States. Working between comparative literature, the history of science, and urban studies, Brehm builds a bridge between visual culture and sound studies.Kaleidophonic Modernity places the poet and inventor Charles Cros and his lover, the celebrated concert pianist and salonnière Nina de Villard at the heart of modern aesthetic and scientific vanguards. Cros's scientific endeavors ranged from color photography, to telecommunications, to mechanical sound reproducibility. In his poetry the Surrealists found an ancestor and inspiration. His literary and scientific works prove startling and relevant to predicaments of technological media in his own time and ours. For nearly twenty years Nina de Villard presided over a supremely daring intellectual salon. There, she welcomed manifold literary, artistic, and musical luminaries into a veritable crucible of the artistic avant-garde and precursor to the famous Chat Noir cabaret. Together, these two forgotten but pivotal figures, Cros and Villard, help reframe our thinking on Edgar Allan Poe, Charles Baudelaire, and Walt Whitman, icons of urban modernity who can now be seen and heard in a kaleidophonic light, one that offers a compelling new perspective on modern mediascapes.In elaborating this transatlantic phenomenon, Kaleidophonic Modernity illuminates the prehistory of the phonograph as it intersects with the aesthetics of sound reproducibility, Franco-American literary exchange, Poe’s aesthetic and intellectual legacy, the sounds of modern cities and technologies, and the genealogy of audiovisual experimentation found in such movements as Dada, Futurism, and the sound art of today

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781531501518
    Other identifier:
    Subjects: Literature and technology; Sound recordings and the arts; LITERARY CRITICISM / Comparative Literature
    Other subjects: Charles Baudelaire; Charles Cros; Edgar Allan Poe; New York; Nina de Villard; Paris; Walt Whitman; modernity; phonograph; sound
    Scope: 1 Online-Ressource (288 p.), 16 color and 14 b/w illustrations
  12. Sound and Ritualistic Language in Charles Williams’ War in Heaven
    Author: Grant, Gwen
    Published: 2023

    This study uncovers a link between sound patterns and ritualistic language in Charles Williams’ novels through an analysis of the relationship between type of sound and content. The study focuses on War in Heaven with a view to conducting a... more

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    This study uncovers a link between sound patterns and ritualistic language in Charles Williams’ novels through an analysis of the relationship between type of sound and content. The study focuses on War in Heaven with a view to conducting a preliminary exploration into this link, and establishing possibilities for future research. Like Williams’ other novels, War in Heaven is saturated with the symbolism and ritual practices he learned in The Fellowship of the Rosy Cross and, potentially, the Hermetic Order of the Golden Dawn. Williams’ experimentation with sound to convey his experience of ritual is explored through the framework of Roman Jakobson’s “Poetic Function”, to establish how Williams may have intended sound to contribute to the experience of the reader. Using a data driven approach, the study explores how sound patterns work with ritualistic content across War in Heaven, discovering a link between fricative sounds and ritualistic events.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: Enthalten in: Aries; Leiden : Brill, 2001; 23(2023), 2, Seite 169-205; Online-Ressource

    Subjects: Golden Dawn; sound; occult; Charles Williams; poetics; ritual
  13. Mit den Ohren lesen
    Zur akustischen Dimension schriftfixierter Lyrik und zu drei Stationen einer Sprachklanggeschichte der deutschsprachigen Lyrik (Klaj – Klopstock – Tieck)
    Author: Hillebrandt, Claudia
    Published: [2022]; © 2022
    Publisher:  Klostermann, Frankfurt am Main

    Bis in die Gegenwart hinein wird Lyrik in der Gattungspoetik immer wieder als Klangkunst charakterisiert. Zugleich liegt ein Großteil der historisch überlieferten Lyrikproduktion nur in Schriftform vor. In dieser Studie werden Vorschläge erarbeitet,... more

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    Bis in die Gegenwart hinein wird Lyrik in der Gattungspoetik immer wieder als Klangkunst charakterisiert. Zugleich liegt ein Großteil der historisch überlieferten Lyrikproduktion nur in Schriftform vor. In dieser Studie werden Vorschläge erarbeitet, wie die akustische bzw. auditive Dimension schriftlich überlieferter lyrischer Gebilde rekonstruiert werden kann. Sie lässt sich damit den Forschungsfeldern der Lyrikologie wie auch der historischen Klangwissenschaft zuordnen. Das vorgestellte Verfahren wird im Anschluss in drei literarhistorischen Modellstudien zu Johann Klaj, Friedrich Gottlieb Klopstock und Ludwig Tieck erprobt. Die Kapitel des historischen Teils können als Beiträge zu einer Sprachklanggeschichte der deutschsprachigen Lyrik gelesen werden, die bisher nicht vorliegt. In poetics up to the present day, poetry has repeatedly been characterized as a form of sound art. Yet a large part of the surviving lyrical production handed down from tradition is only available in written form. In this study, suggestions are made as to how the acoustic or auditory dimension of these lyrical formations can be reconstructed. It thus contributes to the research fields of both lyricology and historical sound science. The method presented here is subsequently tested in three literary-historical model studies on Johann Klaj, Friedrich Gottlieb Klopstock and Ludwig Tieck. The chapters of the historical part can be read as contributions to a linguistic sound history of German-language poetry which has yet to be written.

     
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  14. Keep on Rolling Under the Stars
    Green Readings on the Beat Generation
    Contributor: Weidner, Chad (Herausgeber)
    Published: 2022
    Publisher:  MDPI - Multidisciplinary Digital Publishing Institute, Basel

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  15. Impending crises
    contemporary fantastic narratives between language, image and sound
    Author: Wilson, Pádraic; Valenzuela Celis, Joaquín Orlando
    Published: 2024
    Publisher:  Rombach Wissenschaft, Baden-Baden

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    Content information
    Source: Union catalogues
    Contributor: Brühne, Julia (Herausgeber)
    Language: English; German; Spanish
    Media type: Conference proceedings
    Format: Print
    ISBN: 9783988580115; 3988580112
    Other identifier:
    9783988580115
    Edition: 1st edition
    Corporations / Congresses: Global crisis(es) between image, language and time: on the fantastic in contemporary films and series (2022, Bremen)
    Series: Rombach Wissenschaft : [...], Calliphaea ; volume 1
    Subjects: Das Fantastische; Film; Literatur
    Other subjects: (Produktform)Book; allegorical correspondences; allegorische Entsprechungen; boom; Bild; contemporary productions; Boom; fantastic narratives; fantastische Narrative; Fantasy; fantasy; films; Filme; gesellschaftliches Imaginären; image; Literaturwissenschaft; impending crisis; Medienwissenschaft; language; literary studies; ontologische Unsicherheit; phantastische Narrative; media studies; novel interpretation; Romane; Romaninterpretation; novels; romanische Länder; ontological uncertainty; romanische Sprachen; Romance countries; Romance languages; Serien; series; Sprache; Textproduktion; societal imaginary; Ton; sound; text production; USA; zeitgenössische Produktionen; (Produktrabattgruppe)N3: N3-Rabatt; (VLB-WN)1729: Hardcover, Softcover / Soziologie/Sonstiges; (BISAC Subject Heading)SOC000000; (BISAC Subject Heading)LIT024000: LITERARY CRITICISM / Modern / General; (BISAC Subject Heading)PER004060: PERFORMING ARTS / Film / Genres / General; Literaturwissenschaft;USA;Language;Medienwissenschaft;Sprache;Sound;Filme;Bild;media studies;Literary Studies;Fantasy;Boom;Serien;series;Image;Romane;Ton;romanische Sprachen;novels;Romance languages;allegorical correspondences;allegorische Entsprechungen;contemporary productions;fantastic narratives;fantastische Narrative;films;gesellschaftliches Imaginären;impending crisis;ontologische Unsicherheit;phantastische Narrative;novel interpretation;Romaninterpretation;romanische Länder;ontological uncertainty;Romance countries;Textproduktion;societal imaginary;text production;zeitgenössische Produktionen; (BISAC Subject Heading)SOC000000: SOCIAL SCIENCE / General
    Scope: 254 Seiten, Illustrationen, 23 cm, 367 g
    Notes:

    "The articles of this volume came to life during the conference "Global crisis(es) between image, language and time: on the fantastic in contemporary films and series" that was held in March 2022 in Bremen" (Acknowledgements)
  16. Laut, Ton, Stärke
    Author: Schreiner, Florian
    Published: 2010
    Publisher:  Humboldt-Universität zu Berlin, Berlin

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  17. Borderlines: Essays on Mapping and The Logic of Place
    Contributor: Abeliovich, Ruthie (Herausgeber); Seroussi, Edwin (Herausgeber)
    Published: 2019
    Publisher:  SSOAR, GESIS – Leibniz-Institut für Sozialwissenschaften e.V., Mannheim ; De Gruyter, Warsaw

    Abstract: Borderlines innovatively explores the ways artistic interventions construct social, cultural, and mental spaces. The fifteen essays bring a broad multidisciplinary approach to the concept of borderlines and its markings through artistic... more

     

    Abstract: Borderlines innovatively explores the ways artistic interventions construct social, cultural, and mental spaces. The fifteen essays bring a broad multidisciplinary approach to the concept of borderlines and its markings through artistic manifestations. Rejecting older "normative"! understandings of the word border lines as signifying semantic irreversibility, this work gives prominence to the plasticity of the combined single word "borderlines." Borderlines is a collection of essays that address the cultural, artistic, conceptual, and performative mapping of places. The essays in this collection "write" borderlines from a wide variety of perspectives, representing diverse disciplines, cultural backgrounds, countries, and generations. It presents the pervasiveness of borderlines as an intellectual, artistic and political concept, across media, theories, and places. Borderlines is intended for academic specialists and students in cultural studies, theatre and performance, media and s

     
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  18. Shifting Aesthetics of Image-Sound Relations in the Interaction between Art, Technology, and Perception
    Author: Daniels, Dieter; Naumann, Sandra
    Published: 2013
    Publisher:  Philipps-Universität Marburg, Marburg ; Peter Lang, Berlin

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    Source: Union catalogues
    Contributor: Hausken, Liv (Herausgeber)
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Other subjects: Intermedialität; Musik; Wahrnehmung; Technologie; sound; media aesthetics; real time; recording
    Scope: Online-Ressource
    Notes:
  19. Splitting the Atom: Post-Cinematic Articulations of Sound and Vision
    Author: Shaviro, Steven
    Published: 2016
    Publisher:  Philipps-Universität Marburg, Marburg ; REFRAME Books, Falmer

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    Source: Union catalogues
    Contributor: Denson, Shane (Herausgeber); Leyda, Julia (Herausgeber)
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Other subjects: Musikvideo; Medientheorie; video clip; media history; film history; sound; audiovisual contract; digitization; time; space; Post-Cinema
    Scope: Online-Ressource
    Notes:
  20. Medium-Specific Noise
    Author: Fetveit, Arild
    Published: 2013
    Publisher:  Philipps-Universität Marburg, Marburg ; Peter Lang, Berlin

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    Source: Union catalogues
    Contributor: Hausken, Liv (Herausgeber)
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Other subjects: Medientheorie; Geräusch; Lärm; Musik; Musiktheorie; sound; musicology
    Scope: Online-Ressource
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  21. Sounds Familiar. Intermediality and Remediation in the Written, Sonic and Audiovisual Narratives of BERLIN ALEXANDERPLATZ
    Author: Fickers, Andreas; Aalbers, Jasper; Jacobs, Annelies; Bijsterveld, Karin
    Published: 2013
    Publisher:  Philipps-Universität Marburg, Marburg ; transcript, Bielefeld

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    Source: Union catalogues
    Contributor: Bijsterveld, Karin (Herausgeber)
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Other subjects: Intermedialität; intermediality; film; literature; film; sound; remediation; modernity; Radio
    Scope: Online-Ressource
    Notes:
  22. Transgression als Passion. Akustische (Selbst-)Überschreitungen in Kunst- und Popkultur seit 1960
    Author: Müller-Helle, Katja
    Published: 2018
    Publisher:  Philipps-Universität Marburg, Marburg ; transcript, Bielefeld

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    Source: Union catalogues
    Contributor: Moser, Jeannie (Herausgeber); Vagt, Christina (Herausgeber)
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    Subjects: Klang; Kunst; Musik; Lautstärke; Rezeptionsästhetik; Klangkunst; Rezeptionsästhetik; Klavier <Motiv>; Sound Studies; Windows Sound System; Sound Blaster; Zerstörung <Motiv>; Zerstörung; Sound; Künste; Klavier
    Other subjects: Akustik; Musik; Geräusch; Affekt; Affektion; 1960er Jahre; 1970er Jahre; Lärm; acoustics; music; sound; noise; affect; affection; 1960s; 1970s
    Scope: Online-Ressource
    Notes:

    In: Katja Müller-Helle: Transgression als Passion. Akustische (Selbst-)Überschreitungen in Kunst- und Popkultur seit 1960. In: Jeannie Moser und Christina Vagt (Hg.): Verhaltensdesign. Technologische und ästhetische Programme der 1960er und 1970er Jahre. Bielefeld: transcript (2018) (Edition Kulturwissenschaft 167), S. 25–39. DOI: 10.14361/9783839442067-002.
  23. Laut - Ton - Stärke
    Author: Schreiner, Florian

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  24. Mit den Ohren lesen
    Zur akustischen Dimension schriftfixierter Lyrik und zu drei Stationen einer Sprachklanggeschichte der deutschsprachigen Lyrik (Klaj – Klopstock – Tieck)
    Author: Hillebrandt, Claudia
    Published: [2022]; © 2022
    Publisher:  Klostermann, Frankfurt am Main

    Bis in die Gegenwart hinein wird Lyrik in der Gattungspoetik immer wieder als Klangkunst charakterisiert. Zugleich liegt ein Großteil der historisch überlieferten Lyrikproduktion nur in Schriftform vor. In dieser Studie werden Vorschläge erarbeitet,... more

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    Bis in die Gegenwart hinein wird Lyrik in der Gattungspoetik immer wieder als Klangkunst charakterisiert. Zugleich liegt ein Großteil der historisch überlieferten Lyrikproduktion nur in Schriftform vor. In dieser Studie werden Vorschläge erarbeitet, wie die akustische bzw. auditive Dimension schriftlich überlieferter lyrischer Gebilde rekonstruiert werden kann. Sie lässt sich damit den Forschungsfeldern der Lyrikologie wie auch der historischen Klangwissenschaft zuordnen. Das vorgestellte Verfahren wird im Anschluss in drei literarhistorischen Modellstudien zu Johann Klaj, Friedrich Gottlieb Klopstock und Ludwig Tieck erprobt. Die Kapitel des historischen Teils können als Beiträge zu einer Sprachklanggeschichte der deutschsprachigen Lyrik gelesen werden, die bisher nicht vorliegt. In poetics up to the present day, poetry has repeatedly been characterized as a form of sound art. Yet a large part of the surviving lyrical production handed down from tradition is only available in written form. In this study, suggestions are made as to how the acoustic or auditory dimension of these lyrical formations can be reconstructed. It thus contributes to the research fields of both lyricology and historical sound science. The method presented here is subsequently tested in three literary-historical model studies on Johann Klaj, Friedrich Gottlieb Klopstock and Ludwig Tieck. The chapters of the historical part can be read as contributions to a linguistic sound history of German-language poetry which has yet to be written.

     
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  25. Negotiating the sounds of born-again christianity: aesthetic provocations in western Ethiopia
    Author: Gidron, Yotam
    Published: 2021

    This paper discusses the role of hymns and musical practices in the articulation of Christian subjectivities among Nuer communities in western Ethiopia. It examines how the members of two fundamentalist born-again groups responded to the... more

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    This paper discusses the role of hymns and musical practices in the articulation of Christian subjectivities among Nuer communities in western Ethiopia. It examines how the members of two fundamentalist born-again groups responded to the Pentecostalization of the local Christian soundscape over the past two decades, focusing on the distinct approaches they adopted for the production and performance of hymns and the authorization of Christian music. Born-again musical practices, it is argued, take shape through a constant process of public argumentation, fuelled by a ceaseless quest for divine authenticity. Believers from different churches are therefore engaged not in destructive conflicts over the domination of public spaces, as some accounts of tensions over religious sound from elsewhere in Africa may suggest, but in constant provocations and debates that are both of a productive nature and inherent to the endless political project of born-again subjectivation.

     
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    Content information
    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: Enthalten in: Material religion; Abingdon : Taylor & Francis, 2005; 17(2021), 4, Seite 490-516; Online-Ressource

    Subjects: sound; Messianic Judaism; Seventh-day Adventism; Pentecostalism; Nuer; Ethiopia