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  1. Realist Ecstasy
    Religion, Race, and Performance in American Literature
    Published: [2020]; ©2020
    Publisher:  New York University Press, New York, NY ; Walter de Gruyter GmbH, Berlin

    Explores the intersection and history of American literary realism and the performance of spiritual and racial embodiment. Recovering a series of ecstatic performances in late nineteenth- and early twentieth-century American realism, Realist Ecstasy... more

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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    Explores the intersection and history of American literary realism and the performance of spiritual and racial embodiment. Recovering a series of ecstatic performances in late nineteenth- and early twentieth-century American realism, Realist Ecstasy travels from camp meetings to Native American ghost dances to storefront church revivals to explore realism’s relationship to spiritual experience. In her approach to realism as both an unruly archive of performance and a wide-ranging repertoire of media practices—including literature, photography, audio recording, and early film—Lindsay V. Reckson argues that the real was repetitively enacted and reenacted through bodily practice. Realist Ecstasy demonstrates how the realist imagining of possessed bodies helped construct and naturalize racial difference, while excavating the complex, shifting, and dynamic possibilities embedded in ecstatic performance: its production of new and immanent forms of being beside. Across her readings of Stephen Crane, James Weldon Johnson, and Nella Larsen, among others, Reckson triangulates secularism, realism, and racial formation in the post-Reconstruction moment. Realist Ecstasy shows how post-Reconstruction realist texts mobilized gestures—especially the gestures associated with religious ecstasy—to racialize secularism itself. Reckson offers us a distinctly new vision of American realism as a performative practice, a sustained account of how performance lives in and through literary archives, and a rich sense of how closely secularization and racialization were linked in Jim Crow America.

     

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  2. Feministische Aufrufe des Dekolonialen: Widerstand und Wiederaufleben in den Arbeiten von María Lugones und Leanne Betasamosake Simpson
    Published: 2020
    Publisher:  SSOAR, GESIS – Leibniz-Institut für Sozialwissenschaften e.V., Mannheim

    Abstract: In diesem Artikel vergleiche und kontrastiere ich die dekolonialen Forschungsstrategien von María Lugones und Leanne Betasamosake Simpson, um zu zeigen, welche Ähnlichkeiten und Unterschiede beide Ansätze aufweisen. Meine Arbeit bezieht... more

     

    Abstract: In diesem Artikel vergleiche und kontrastiere ich die dekolonialen Forschungsstrategien von María Lugones und Leanne Betasamosake Simpson, um zu zeigen, welche Ähnlichkeiten und Unterschiede beide Ansätze aufweisen. Meine Arbeit bezieht sich auf das Feld der dekolonialen Feminismen und diskutiert, inwieweit Simpsons "kwe als Methode des Wiederauflebens" mit Lugones' Konzept des dekolonialen feministischen Widerstands als einer verkörperten, vorpolitischen [infrapolitical] Strategie korrespondiert. Diese dekoloniale Strategie priorisiert Koalitionen und bezieht sich auf Subjekte, die koloniale Divergenzen verkörpern. Indem ich die Divergenzen der beiden Ansätze von Simpson und Lugones skizziere, beziehe ich mich auf das Feld dekolonialer feministischer Literatur, insbesondere auch auf Debatten jenseits des amerikanischen Kontinents

     

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    DDC Categories: 300
    Subjects: Postkolonialismus; Feminismus; Antirassismus; Entkolonialisierung; Indigenes Volk
    Other subjects: (thesoz)indigene Völker; (thesoz)Frau; (thesoz)Widerstand; (thesoz)Feminismus; (thesoz)Solidarität; (thesoz)Geschlecht; (thesoz)Norm; decolonial feminisms; indigenous feminisms; modernity/coloniality; indigenous resistance/resurgence; settler colonialism; Leanne B. Simpson; María Lugones; dekoloniale Feminismen; indigene Feminismen; Modernität/ Kolonialität; Siedlerkolonialismus
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: PERIPHERIE - Politik, Ökonomie, Kultur ; 40 (2020) 1-2 ; 34-67

  3. The Garden Politic
    Global Plants and Botanical Nationalism in Nineteenth-Century America
    Author: Kuhn, Mary
    Published: 2023; ©2023
    Publisher:  New York University Press, New York, NY

    How worldwide plant circulation and new botanical ideas enabled Americans to radically re-envision politics and societyThe Garden Politic argues that botanical practices and discourses helped nineteenth-century Americans engage pressing questions of... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    How worldwide plant circulation and new botanical ideas enabled Americans to radically re-envision politics and societyThe Garden Politic argues that botanical practices and discourses helped nineteenth-century Americans engage pressing questions of race, gender, settler colonialism, and liberal subjectivity. In the early republic, ideas of biotic distinctiveness helped fuel narratives of American exceptionalism. By the nineteenth century, however, these ideas and narratives were unsettled by the unprecedented scale at which the United States and European empires prospected for valuable plants and exchanged them across the globe. Drawing on ecocriticism, New Materialism, environmental history, and the history of science—and crossing disciplinary and national boundaries—The Garden Politic shows how new ideas about cultivation and plant life could be mobilized to divergent political and social ends. Reading the work of influential nineteenth-century authors from a botanical perspective, Mary Kuhn recovers how domestic political issues were entangled with the global circulation and science of plants. The diversity of Harriet Beecher Stowe’s own gardens contributed to the evolution of her racial politics and abolitionist strategies. Nathaniel Hawthorne’s struggles in his garden inspired him to write stories in which plants defy human efforts to impose order. Radical scientific ideas about plant intelligence and sociality prompted Emily Dickinson to imagine a human polity that embraces kinship with the natural world. Yet other writers, including Frederick Douglass, cautioned that the most prominent political context for plants remained plantation slavery. The Garden Politic reveals how the nineteenth century’s extractive political economy of plants contains both the roots of our contemporary environmental crisis and the seeds of alternative political visions

     

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  4. The Garden Politic
    Global Plants and Botanical Nationalism in Nineteenth-Century America
    Author: Kuhn, Mary
    Published: 2023; ©2023
    Publisher:  New York University Press, New York, NY

    How worldwide plant circulation and new botanical ideas enabled Americans to radically re-envision politics and societyThe Garden Politic argues that botanical practices and discourses helped nineteenth-century Americans engage pressing questions of... more

    Access:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)
    Verlag (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    How worldwide plant circulation and new botanical ideas enabled Americans to radically re-envision politics and societyThe Garden Politic argues that botanical practices and discourses helped nineteenth-century Americans engage pressing questions of race, gender, settler colonialism, and liberal subjectivity. In the early republic, ideas of biotic distinctiveness helped fuel narratives of American exceptionalism. By the nineteenth century, however, these ideas and narratives were unsettled by the unprecedented scale at which the United States and European empires prospected for valuable plants and exchanged them across the globe. Drawing on ecocriticism, New Materialism, environmental history, and the history of science—and crossing disciplinary and national boundaries—The Garden Politic shows how new ideas about cultivation and plant life could be mobilized to divergent political and social ends. Reading the work of influential nineteenth-century authors from a botanical perspective, Mary Kuhn recovers how domestic political issues were entangled with the global circulation and science of plants. The diversity of Harriet Beecher Stowe’s own gardens contributed to the evolution of her racial politics and abolitionist strategies. Nathaniel Hawthorne’s struggles in his garden inspired him to write stories in which plants defy human efforts to impose order. Radical scientific ideas about plant intelligence and sociality prompted Emily Dickinson to imagine a human polity that embraces kinship with the natural world. Yet other writers, including Frederick Douglass, cautioned that the most prominent political context for plants remained plantation slavery. The Garden Politic reveals how the nineteenth century’s extractive political economy of plants contains both the roots of our contemporary environmental crisis and the seeds of alternative political visions

     

    Export to reference management software   RIS file
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    Cover (lizenzpflichtig)