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  1. Körper als Archiv in Bewegung : Choreografie als historiografische Praxis
    Published: 2016
    Publisher:  transcript Verlag, Bielefeld

    The history of dance as the history of the body: how choreographies sketch out new modes of writing the history of dance, and how they expand the archive of dance in the process. Wer schreibt die Tanzgeschichte und aufgrund von welchen Annahmen und... more

     

    The history of dance as the history of the body: how choreographies sketch out new modes of writing the history of dance, and how they expand the archive of dance in the process. Wer schreibt die Tanzgeschichte und aufgrund von welchen Annahmen und Interessen? Wie findet Erinnerung Eingang in historiografische Prozesse und welche Rolle spielt dabei der Körper? Diese Fragen prägen seit den 1990er-Jahren die europäische Tanzszene und bilden Anlass für eine grundlegende Revision der Tanzgeschichtsschreibung. Ausgehend von Arbeiten u.a. von Boris Charmatz, Olga de Soto, Foofwa d'Imobilité und Thomas Lebrun, entwirft Julia Wehren das Konzept der »choreografischen Historiografien«. Sie hält der Flüchtigkeit des Tanzes seine Geschichtlichkeit entgegen und plädiert für eine Erweiterung des Archivs um den Körper in Bewegung.

     

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    Source: OAPEN; transcript Open Access
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839430002; 9783837630008
    Other identifier:
    Subjects: Dance
    Other subjects: reenactment; choreography; theatre studies; tanz; historiography; dance; choreografie; körper; body; historiografie; theaterwissenschaft; archive; archiv; Geschichtsschreibung; Performance (Kunst)
    Scope: 1 electronic resource (274 p.)
  2. Feel the Body
    die historische Pose: ein Blick auf zeitgenössische Künstlerinnen : 50 Portäts und 8 literarische Positionen = the Historical Pose: a look at contemporary female artists : 50 portraits and 8 literary approaches
  3. Realist Ecstasy
    Religion, Race, and Performance in American Literature
    Published: [2020]; ©2020
    Publisher:  New York University Press, New York, NY ; Walter de Gruyter GmbH, Berlin

    Explores the intersection and history of American literary realism and the performance of spiritual and racial embodiment. Recovering a series of ecstatic performances in late nineteenth- and early twentieth-century American realism, Realist Ecstasy... more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    Explores the intersection and history of American literary realism and the performance of spiritual and racial embodiment. Recovering a series of ecstatic performances in late nineteenth- and early twentieth-century American realism, Realist Ecstasy travels from camp meetings to Native American ghost dances to storefront church revivals to explore realism’s relationship to spiritual experience. In her approach to realism as both an unruly archive of performance and a wide-ranging repertoire of media practices—including literature, photography, audio recording, and early film—Lindsay V. Reckson argues that the real was repetitively enacted and reenacted through bodily practice. Realist Ecstasy demonstrates how the realist imagining of possessed bodies helped construct and naturalize racial difference, while excavating the complex, shifting, and dynamic possibilities embedded in ecstatic performance: its production of new and immanent forms of being beside. Across her readings of Stephen Crane, James Weldon Johnson, and Nella Larsen, among others, Reckson triangulates secularism, realism, and racial formation in the post-Reconstruction moment. Realist Ecstasy shows how post-Reconstruction realist texts mobilized gestures—especially the gestures associated with religious ecstasy—to racialize secularism itself. Reckson offers us a distinctly new vision of American realism as a performative practice, a sustained account of how performance lives in and through literary archives, and a rich sense of how closely secularization and racialization were linked in Jim Crow America.

     

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  4. Feel the Body
    die historische Pose: ein Blick auf zeitgenössische Künstlerinnen : 50 Portäts und 8 literarische Positionen = the Historical Pose: a look at contemporary female artists : 50 portraits and 8 literary approaches
  5. Yesterday
    a new history of nostalgia
    Published: 2023
    Publisher:  Harvard University Press, Cambridge, Massachusetts

    Nostalgia, supposedly, is the sphere of the sentimentalist. But also, and most definitely, it is a force in the creation of the present and future and thus worth careful thought. Yesterday argues that nostalgia s critics defend an idea of progress as... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    ebook
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Nostalgia, supposedly, is the sphere of the sentimentalist. But also, and most definitely, it is a force in the creation of the present and future and thus worth careful thought. Yesterday argues that nostalgia s critics defend an idea of progress as naïve as the longing they denounce, while conflating nostalgia itself with historical whitewashing

     

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