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  1. Old Futures
    Speculative Fiction and Queer Possibility
    Published: [2018]; © 2018
    Publisher:  New York University Press, New York, NY

    Finalist, 2019 Locus Award for Nonfiction, presented by the Locus Science Fiction FoundationTraverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film,... more

     

    Finalist, 2019 Locus Award for Nonfiction, presented by the Locus Science Fiction FoundationTraverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film, and digital mediaOld Futures explores the social, political, and cultural forces feminists, queer people, and people of color invoke when they dream up alternative futures as a way to imagine transforming the present. Lothian shows how queer possibilities emerge when we practice the art of speculation: of imagining things otherwise than they are and creating stories from that impulse. Queer theory offers creative ways to think about time, breaking with straight and narrow paths toward the future laid out for the reproductive family, the law-abiding citizen, and the believer in markets. Yet so far it has rarely considered the possibility that, instead of a queer present reshaping the ways we relate to past and future, the futures imagined in the past can lead us to queer the present. Narratives of possible futures provide frameworks through which we understand our present, but the discourse of "the" future has never been a singular one. Imagined futures have often been central to the creation and maintenance of imperial domination and technological modernity; Old Futures offers a counterhistory of works that have sought-with varying degrees of success-to speculate otherwise. Examining speculative texts from the 1890s to the 2010s, from Samuel R. Delany to Sense8, Lothian considers the ways in which early feminist utopias and dystopias, Afrofuturist fiction, and queer science fiction media have insisted that the future can and must deviate from dominant narratives of global annihilation or highly restrictive hopes for redemption.Each chapter chronicles some of the means by which the production and destruction of futures both real and imagined takes place: through eugenics, utopia, empire, fascism, dystopia, race, capitalism, femininity, masculinity, and many kinds of queerness, reproduction, and sex. Gathering stories of and by populations who have been marked as futureless or left out by dominant imaginaries, Lothian offers new insights into what we can learn from efforts to imaginatively redistribute the future

     

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  2. Construire le monde du hardcore
    Published: 2019
    Publisher:  Seismo

    An invitation to an ethnographic journey in the world of hardcore punk and beyond, this study explores the plurality of practices underlying the existence of this “music-based subculture.” Based on a fine-grained, in-depth multi-sited and mobile... more

     

    An invitation to an ethnographic journey in the world of hardcore punk and beyond, this study explores the plurality of practices underlying the existence of this “music-based subculture.” Based on a fine-grained, in-depth multi-sited and mobile ethnographic study of more than ten years, this journey brings the reader to the most local galleries of this underground scene. From the umpteenth basement of a Yokohama club to a shack in the middle of the University of San Diego, via Gothenburg, Tokyo, Geneva or Lyon, a whole repertoire of aesthetic, ideological, discursive and bodily logics and conventions is uncovered and analyzed. Hardcore punk, a radical reinterpretation of punk, both from a musical and an ideological point of view, first appeared on the East Coast of the United States in the early 1980s. Although it has since spread on a (quasi-)global scale, it remains unknown to the general public and has attracted little interest from the social sciences or the press, with rare exceptions focusing on its most spectacular aspects: exacerbated aggression, electric music, ideological positions in strong opposition to the “dominant system.” This monograph intends to go beyond these caricatural representations and adopts an anthropological perspective on the daily lives of so-called hardcore-kids, but also on all the collective mediations deployed to build the world of hardcore punk.

     

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    Source: OAPEN
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 9782883510821
    Subjects: Social & cultural anthropology, ethnography
    Other subjects: punk; radicalization; anthropology; underground scene; hardcore; music; ethnography; subculture
    Scope: 1 electronic resource (257 p.)
  3. Racial Immanence
    Chicanx Bodies beyond Representation
    Published: [2019]; © 2019
    Publisher:  New York University Press, New York, NY

    Explores the how, why, and what of contemporary Chicanx culture, including punk rock, literary fiction, photography, mass graves, and digital and experimental installation artRacial Immanence attempts to unravel a Gordian knot at the center of the... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Explores the how, why, and what of contemporary Chicanx culture, including punk rock, literary fiction, photography, mass graves, and digital and experimental installation artRacial Immanence attempts to unravel a Gordian knot at the center of the study of race and discourse: it seeks to loosen the constraints that the politics of racial representation put on interpretive methods and on our understanding of race itself. Marissa K. López argues that reading Chicanx literary and cultural texts primarily for the ways they represent Chicanxness only reinscribes the very racial logic that such texts ostensibly set out to undo.Racial Immanence proposes to read differently; instead of focusing on representation, it asks what Chicanx texts do, what they produce in the world, and specifically how they produce access to the ineffable but material experience of race. Intrigued by the attention to disease, disability, abjection, and sense experience that she sees increasing in Chicanx visual, literary, and performing arts in the late-twentieth century, López explores how and why artists use the body in contemporary Chicanx cultural production. Racial Immanence takes up works by writers like Dagoberto Gilb, Cecile Pineda, and Gil Cuadros, the photographers Ken Gonzales Day and Stefan Ruiz, and the band Piñata Protest to argue that the body offers a unique site for pushing back against identity politics. In so doing, the book challenges theoretical conversations around affect and the post-human and asks what it means to truly consider people of color as writersand artists. Moving beyond abjection, López models Chicanx cultural production as a way of fostering networks of connection that deepen our attachments to the material world

     

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  4. Old Futures
    Speculative Fiction and Queer Possibility
    Published: [2018]; © 2018
    Publisher:  New York University Press, New York, NY

    Finalist, 2019 Locus Award for Nonfiction, presented by the Locus Science Fiction FoundationTraverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film,... more

     

    Finalist, 2019 Locus Award for Nonfiction, presented by the Locus Science Fiction FoundationTraverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film, and digital mediaOld Futures explores the social, political, and cultural forces feminists, queer people, and people of color invoke when they dream up alternative futures as a way to imagine transforming the present. Lothian shows how queer possibilities emerge when we practice the art of speculation: of imagining things otherwise than they are and creating stories from that impulse. Queer theory offers creative ways to think about time, breaking with straight and narrow paths toward the future laid out for the reproductive family, the law-abiding citizen, and the believer in markets. Yet so far it has rarely considered the possibility that, instead of a queer present reshaping the ways we relate to past and future, the futures imagined in the past can lead us to queer the present. Narratives of possible futures provide frameworks through which we understand our present, but the discourse of "the" future has never been a singular one. Imagined futures have often been central to the creation and maintenance of imperial domination and technological modernity; Old Futures offers a counterhistory of works that have sought-with varying degrees of success-to speculate otherwise. Examining speculative texts from the 1890s to the 2010s, from Samuel R. Delany to Sense8, Lothian considers the ways in which early feminist utopias and dystopias, Afrofuturist fiction, and queer science fiction media have insisted that the future can and must deviate from dominant narratives of global annihilation or highly restrictive hopes for redemption.Each chapter chronicles some of the means by which the production and destruction of futures both real and imagined takes place: through eugenics, utopia, empire, fascism, dystopia, race, capitalism, femininity, masculinity, and many kinds of queerness, reproduction, and sex. Gathering stories of and by populations who have been marked as futureless or left out by dominant imaginaries, Lothian offers new insights into what we can learn from efforts to imaginatively redistribute the future

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
  5. Racial Immanence
    Chicanx Bodies beyond Representation
    Published: [2019]; © 2019
    Publisher:  New York University Press, New York, NY

    Explores the how, why, and what of contemporary Chicanx culture, including punk rock, literary fiction, photography, mass graves, and digital and experimental installation artRacial Immanence attempts to unravel a Gordian knot at the center of the... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Technische Hochschule Augsburg
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Hochschule Coburg, Zentralbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Kempten, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Passau
    Unlimited inter-library loan, copies and loan

     

    Explores the how, why, and what of contemporary Chicanx culture, including punk rock, literary fiction, photography, mass graves, and digital and experimental installation artRacial Immanence attempts to unravel a Gordian knot at the center of the study of race and discourse: it seeks to loosen the constraints that the politics of racial representation put on interpretive methods and on our understanding of race itself. Marissa K. López argues that reading Chicanx literary and cultural texts primarily for the ways they represent Chicanxness only reinscribes the very racial logic that such texts ostensibly set out to undo.Racial Immanence proposes to read differently; instead of focusing on representation, it asks what Chicanx texts do, what they produce in the world, and specifically how they produce access to the ineffable but material experience of race. Intrigued by the attention to disease, disability, abjection, and sense experience that she sees increasing in Chicanx visual, literary, and performing arts in the late-twentieth century, López explores how and why artists use the body in contemporary Chicanx cultural production. Racial Immanence takes up works by writers like Dagoberto Gilb, Cecile Pineda, and Gil Cuadros, the photographers Ken Gonzales Day and Stefan Ruiz, and the band Piñata Protest to argue that the body offers a unique site for pushing back against identity politics. In so doing, the book challenges theoretical conversations around affect and the post-human and asks what it means to truly consider people of color as writersand artists. Moving beyond abjection, López models Chicanx cultural production as a way of fostering networks of connection that deepen our attachments to the material world

     

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  6. Land ohne Eigenschaften
    Eine Reise durch Dunkeldeutschland
    Published: 2016
    Publisher:  BookRix, München

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783739637419
    Other identifier:
    Other subjects: (Produktform)Electronic book text; (VLB-WN)9110; deutschland; satire; reiseführer; anti; punk; berlin; köln; münchen; (VLB-WN)9180
    Scope: Online-Ressource
    Notes:

    Lizenzpflichtig

  7. Rage
    affect and resistance in French and Francophone culture and thought, 1968–2020