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  1. Painting and Publishing as Cultural Industries
    Author: Rasterhoff, Clara
    Published: 2016
    Publisher:  Amsterdam University Press

    The Dutch Republic was a cultural powerhouse in the modern era, producing lasting masterpieces in painting and publishing-and in the process transforming those fields from modest trades to booming industries. This book asks the question of how such a... more

     

    The Dutch Republic was a cultural powerhouse in the modern era, producing lasting masterpieces in painting and publishing-and in the process transforming those fields from modest trades to booming industries. This book asks the question of how such a small nation could become such a major player in those fields. Claartje Rasterhoff shows how industrial organisations played a role in shaping patterns of growth and innovations. As early modern Dutch cultural industries were concentrated geographically, highly networked, and institutionally embedded, they were able to reduce uncertainty in the marketplace and stimulate the commercial and creative potential of painters and publishers-though those successes eventually came up against the limits of a saturated domestic market and an aversion to risk on the part of producers that ultimately brought an end to the boom.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789089647023
    Other identifier:
    Subjects: History of art & design styles: c 1600 to c 1800
    Other subjects: economic history; economic geography; dutch golden age; art market; publishing; economic history; economic geography; dutch golden age; art market; publishing; Amsterdam; Haarlem; Leiden; Netherlands
    Scope: 1 electronic resource (352 p.)
  2. Screenwriting : Creative Labor and Professional Practice
    Author: Conor, Bridget
    Published: 2014
    Publisher:  Taylor & Francis

    Screenwriting: Creative Labor and Professional Practice analyses the histories, practices, identities and subject which form and shape the daily working lives of screenwriters. Author Bridget Conor considers the ways in which contemporary... more

     

    Screenwriting: Creative Labor and Professional Practice analyses the histories, practices, identities and subject which form and shape the daily working lives of screenwriters. Author Bridget Conor considers the ways in which contemporary screenwriters navigates and make sense of the labor markets in which they are immersed. Chapters explore areas including screenwriting as creative labor, screenwriters' working lives, the how-to genre, screenwriting inequalities, and myths of the profession.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    Subjects: Media studies
    Other subjects: guru; scene; appendix; authors; bibliography; conclusion; creative; five; genre; good; histories; indicative; information; labor; lives; myths; one; out?; practice; profession; professional; publishing; screenwriters; screenwriting; setting; texts; titles; two; working
    Scope: 1 electronic resource (164 p.)
  3. How and Why to Read and Create Children's Digital Books : A Guide for Primary Practitioners
    Contributor: Kucirkova, Natalia (Publisher)
    Published: 2018
    Publisher:  UCL Press, London

    How and Why to Read and Create Children's Digital Books outlines effective ways of using digital books in early years and primary classrooms, and specifies the educational potential of using digital books and apps in physical spaces and virtual... more

     

    How and Why to Read and Create Children's Digital Books outlines effective ways of using digital books in early years and primary classrooms, and specifies the educational potential of using digital books and apps in physical spaces and virtual communities. With a particular focus on apps and personalised reading, Natalia Kucirkova combines theory and practice to argue that personalised reading is only truly personalised when it is created or co-created by reading communities.

     

    Divided into two parts, Part I suggests criteria to evaluate the educational quality of digital books and practical strategies for their use in the classroom. Specific attention is paid to the ways in which digital books can support individual children’s strengths and difficulties, digital literacies, language and communication skills. Part II explores digital books created by children, their caregivers, teachers and librarians, and Kucirkova also offers insights into how smart toys, tangibles and augmented/virtual reality tools can enrich children’s reading for pleasure.

     
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    Source: OAPEN
    Contributor: Kucirkova, Natalia (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Book design; Education; Publishing industry & book trade; Children's, Teenage & educational
    Other subjects: reading; digital; book; publishing
    Scope: 1 electronic resource (200 p.)
  4. Georgette Heyer, History and Historical Fiction
    Contributor: Rayner, Samantha J. (Publisher); Wilkins, Kim (Publisher)
    Published: 2021
    Publisher:  UCL Press, London

    The Nonesuch is the name of one of Georgette Heyer’s most famous novels. It means a person or thing without equal, and Georgette Heyer is certainly that. Her historical works inspire a fiercely loyal, international readership and are championed by... more

     

    The Nonesuch is the name of one of Georgette Heyer’s most famous novels. It means a person or thing without equal, and Georgette Heyer is certainly that. Her historical works inspire a fiercely loyal, international readership and are championed by literary figures such as A. S. Byatt and Stephen Fry. Georgette Heyer, History, and Historical Fiction brings together an eclectic range of chapters from scholars all over the world to explore the contexts of Heyer’s career. Divided into four parts – gender; genre; sources; and circulation and reception – the volume draws on scholarship on Heyer and her contemporaries to show how her work sits in a chain of influence, and why it remains pertinent to current conversations on books and publishing in the twenty-first century. Heyer’s impact on science fiction is accounted for, as are the milieu she was writing in, the many subsequent works that owe Heyer’s writing a debt, and new methods for analysing these enduring books. From the gothic to data science, there is something for everyone in this volume; a celebration of Heyer’s ‘nonesuch’ status amongst historical novelists, proving that she and her contemporary women writers deserve to be read (and studied) as more than just guilty pleasures.

     
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  5. Gli uomini e i testi
    Un approccio sociologico alla lettura e alla scrittura
    Author: Cantale, Claudia
    Published: 2019
    Publisher:  Ledizioni, Milano

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    Source: Union catalogues
    Language: Undetermined
    Media type: Ebook
    Format: Online
    ISBN: 9788855260923
    Other identifier:
    10.4000/books.ledizioni.12389
    Series: Editoria: passato, presente e futuro
    Other subjects: social history of books; textual production in the digital age; sociology; Wattpad; social networks; social reading; audio books; semantic web; digital humanities; publishing; Media studies
    Scope: 1 electronic resource (123 pages)
  6. The Man Who Brought Brodsky into English
    Conversations with George L. Kline
    Author: Haven, Cynthia L.
    Published: [2020]; ©2020
    Publisher:  Academic Studies Press, Boston, MA ; Walter de Gruyter GmbH, Berlin

    Brodsky’s poetic career in the West was launched when Joseph Brodsky: Selected Poems was published in 1973. Its translator was a scholar and war hero, George L. Kline. This is the story of that friendship and collaboration, from its beginnings in... more

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    Brodsky’s poetic career in the West was launched when Joseph Brodsky: Selected Poems was published in 1973. Its translator was a scholar and war hero, George L. Kline. This is the story of that friendship and collaboration, from its beginnings in 1960s Leningrad and concluding with the Nobel poet's death in 1996.Kline translated more of Brodsky’s poems than any other single person, with the exception of Brodsky himself. The Bryn Mawr philosophy professor and Slavic scholar was a modest and retiring man, but on occasion he could be as forthright and adamant as Brodsky himself. “Akhmatova discovered Brodsky for Russia, but I discovered him for the West,” he claimed.Kline’s interviews with author Cynthia L. Haven before his death in 2015 include a description of his first encounter with Brodsky, the KGB interrogations triggered by their friendship, Brodsky's emigration, and the camaraderie and conflict over translation. When Kline called Brodsky in London to congratulate him for the Nobel, the grateful poet responded, “And congratulations to you, too, George!”...

     
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    Content information
    Source: Union catalogues
    Contributor: Polukhina, Valentina
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781644695159
    Other identifier:
    Series: Jews of Russia & Eastern Europe and Their Legacy
    Subjects: Russian poetry; Translators; BIOGRAPHY & AUTOBIOGRAPHY / Literary
    Other subjects: A Halt in the Desert; Bryn Mawr; Joseph Brodsky; KGB; Leningrad; Ostanovka v pustyne; Russian literature; Selected Poems; Slavic Languages; Soviet Union; World War II; artists; biography; censorship; collaboration; culture; emigration; history; interviews; meter; philosophy; poetry; publishing; rhyme; scholarship; translation; writing
    Scope: 1 Online-Ressource (216 p.)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mrz 2021)
  7. Johann Baptist Cramer und die Welt der Pianistes Compositeurs
    Rekonstruktionen einer versunkenen Kultur
    Contributor: Diergarten, Felix (Herausgeber)
    Published: 2023; ©2023
    Publisher:  Georg Olms Verlag, Baden-Baden ; Nomos Verlagsgesellschaft mbH & Co. KG

    Johann Baptist Cramer (1771-1858), descendant of a family of musicians from the German Kurpfalz, is known today at most for his piano etudes; during his lifetime he was a public figure in the European musical world, not only as a pianist, composer,... more

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    Johann Baptist Cramer (1771-1858), descendant of a family of musicians from the German Kurpfalz, is known today at most for his piano etudes; during his lifetime he was a public figure in the European musical world, not only as a pianist, composer, and teacher, but also as an entrepreneur in piano manufacturing and publishing. Through this multiple function, as many 'pianistes compositeurs' of his time fulfilled, interactions occurred between different areas of musical life, between instrumental technology, human dexterity, and musical aesthetics, between entrepreneurship, canon formation, and popular culture. In this volume, Cramer's life, work, and environment are examined from a variety of perspectives with suggestions for performance and improvisational practices today. With contributions by Sanne Behrends Lorenzen | Gigliola di Grazia | Michael Fischer | Christa Jost | Janina Klassen | Leonardo Miucci | Laurens Patzlaff | Claudia Schweitzer | Philipp Teriete | Rüdiger Thomsen-Fürst | Edoardo Torbianelli Johann Baptist Cramer (1771–1858), Spross einer kurpfälzischen Musikerfamilie, ist heute höchstens noch durch seine Klavieretüden bekannt; zu Lebzeiten war er eine öffentliche Gestalt der europäischen Musikwelt, und zwar nicht nur als Pianist, Komponist und Lehrer, sondern auch als Unternehmer im Klavierbau und Verlagswesen. Durch diese Mehrfachfunktion, wie sie viele ›Pianistes Compositeurs‹ seiner Zeit ausfüllten, kam es zu Wechselwirkungen zwischen verschiedenen Bereichen des Musiklebens, zwischen instrumentaler Technologie, menschlicher Fingertechnik und musikalischer Ästhetik, zwischen Unternehmertum, Kanonbildung und Populärkultur. Im vorliegenden Band werden Cramers Leben, Werk und Umfeld aus verschiedenen Perspektiven untersucht mit Anregungen für Aufführungs- und Improvisationpraktiken heute. Mit Beiträgen von Sanne Behrends Lorenzen | Gigliola di Grazia | Michael Fischer | Christa Jost | Janina Klassen | Leonardo Miucci | Laurens Patzlaff | Claudia Schweitzer | Philipp Teriete | Rüdiger Thomsen-Fürst | Edoardo Torbianelli

     
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  8. Seeking Impact and Visibility
    Author: Trotter, Henry; Kell, Catherine; Willmers, Michelle; Gray, Eve; King, Thomas
    Published: 2014
    Publisher:  African Minds, Cape Town ; OAPEN FOUNDATION, The Hague

    African scholarly research is relatively invisible globally because even though research production on the continent is growing in absolute terms, it is falling in comparative terms. In addition, traditional metrics of visibility, such as the Impact... more

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    African scholarly research is relatively invisible globally because even though research production on the continent is growing in absolute terms, it is falling in comparative terms. In addition, traditional metrics of visibility, such as the Impact Factor, fail to make legible all African scholarly production. Many African universities also do not take a strategic approach to scholarly communication to broaden the reach of their scholars'work. To address this challenge, the Scholarly Communication in Africa Programme (SCAP) was established to help raise the visibility of African scholarship by mapping current research and communication practices in Southern African universities and by recommending and piloting technical and administrative innovations based on open access dissemination principles. To do this, SCAP conducted extensive research in four faculties at the Universities of Botswana, Cape Town, Mauritius and Namibia.To address this challenge, the Scholarly Communication in Africa Programme (SCAP) was established to help raise the visibility of African scholarship by mapping current research and communication practices in Southern African universities and by recommending and piloting technical and administrative innovations based on open access dissemination principles. To do this, SCAP conducted extensive research in four faculties at the Universities of Botswana, Cape Town, Mauritius and Namibia.

     
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  9. Fare Open Access
    La libera diffusione del sapere scientifico nell'era digitale
    Author: Aliprandi, Simone
    Published: 2019
    Publisher:  Ledizioni, Milano ; OpenEdition, Marseille

    "Fare Open Access" affronta con approccio positivo e operativo il tema strategico della diffusione del sapere scientifico in ottica open. L'Open Access è diventato uno degli obiettivi chiave delle politiche dell'innovazione dell'Unione Europea e dei... more

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    "Fare Open Access" affronta con approccio positivo e operativo il tema strategico della diffusione del sapere scientifico in ottica open. L'Open Access è diventato uno degli obiettivi chiave delle politiche dell'innovazione dell'Unione Europea e dei princi­pali paesi industrializzati; ed è fondamentale conoscerne i lineamenti teorici e le concrete potenzialità. Gli autori sono tutti professionisti attivi da molti anni in questo campo e hanno quindi il polso delle questioni emergenti e delle maggiori criticità non solo da un punto vista teorico-dottrinale. Ognuno di loro affronta da diverse prospettive il tema più generale della comunicazione scientifica e quello pratico di come fare Open Access nell'attuale panorama ormai fortemente volto al digitale. Il testo è completato da un'utile appendice con i documenti di riferimento, come i principali testi-manifesto e le norme attualmente in vigore a livello nazionale e internazionale.

     
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  10. The Copyeditor's Handbook
    A Guide for Book Publishing and Corporate Communications
    Author: Einsohn, Amy; Schwartz, Marilyn
    Published: [2019]; © 2019
    Publisher:  University of California Press, Berkeley, CA

    Unstuffy, hip, and often funny, The Copyeditor's Handbook has become an indispensable resource both for new editors and for experienced hands who want to refresh their skills and broaden their understanding of the craft of copyediting. This fourth... more

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    Unstuffy, hip, and often funny, The Copyeditor's Handbook has become an indispensable resource both for new editors and for experienced hands who want to refresh their skills and broaden their understanding of the craft of copyediting. This fourth edition incorporates the latest advice from language authorities, usage guides, and new editions of major style manuals, including The Chicago Manual of Style. It registers the tectonic shifts in twenty-first-century copyediting: preparing text for digital formats, using new technologies, addressing global audiences, complying with plain language mandates, ensuring accessibility, and serving self-publishing authors and authors writing in English as a second language. The new edition also adds an extensive annotated list of editorial tools and references and includes a bit of light entertainment for language lovers, such as a brief history of punctuation marks that didn't make the grade, the strange case of razbliuto, and a few Easter eggs awaiting discovery by keen-eyed readers.The fourth edition features updates onthe transformation of editorial roles in today's publishing environmentnew applications, processes, and protocols for on-screen editingmajor changes in editorial resources, such as online dictionaries and language corpora, new grammar and usage authorities, online editorial communities, and web-based research toolsWhen you're ready to test your mettle, pick up The Copyeditor's Workbook: Exercises and Tips for Honing Your Editorial Judgment, the essential new companion to the handbook

     
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  11. Street Players
    Black Pulp Fiction and the Making of a Literary Underground
    Author: Nishikawa, Kinohi
    Published: [2019]; © 2018
    Publisher:  University of Chicago Press, Chicago

    The uncontested center of the black pulp fiction universe for more than four decades was the Los Angeles publisher Holloway House. From the late 1960s until it closed in 2008, Holloway House specialized in cheap paperbacks with page-turning... more

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    The uncontested center of the black pulp fiction universe for more than four decades was the Los Angeles publisher Holloway House. From the late 1960s until it closed in 2008, Holloway House specialized in cheap paperbacks with page-turning narratives featuring black protagonists in crime stories, conspiracy thrillers, prison novels, and Westerns. From Iceberg Slim's Pimp to Donald Goines's Never Die Alone, the thread that tied all of these books together-and made them distinct from the majority of American pulp-was an unfailing veneration of black masculinity. Zeroing in on Holloway House, Street Players explores how this world of black pulp fiction was produced, received, and recreated over time and across different communities of readers. Kinohi Nishikawa contends that black pulp fiction was built on white readers' fears of the feminization of society-and the appeal of black masculinity as a way to counter it. In essence, it was the original form of blaxploitation: a strategy of mass-marketing race to suit the reactionary fantasies of a white audience. But while chauvinism and misogyny remained troubling yet constitutive aspects of this literature, from 1973 onward, Holloway House moved away from publishing sleaze for a white audience to publishing solely for black readers. The standard account of this literary phenomenon is based almost entirely on where this literature ended up: in the hands of black, male, working-class readers. When it closed, Holloway House was synonymous with genre fiction written by black authors for black readers-a field of cultural production that Nishikawa terms the black literary underground. But as Street Players demonstrates, this cultural authenticity had to be created, promoted, and in some cases made up, and there is a story of exploitation at the heart of black pulp fiction's origins that cannot be ignored

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226587073
    Other identifier:
    Subjects: Holloway House; blackness; cultural appropriation; literary underground; popular culture; publishing; pulp fiction; race; reading; whiteness; LITERARY CRITICISM / General; African Americans in literature; American fiction; American fiction; Race in literature; Urban fiction, American; Schundliteratur; Schwarze <Motiv>; Literaturproduktion
    Scope: 1 online resource (288 pages), 30 halftones
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Apr 2020)
  12. Successful scientific writing
    a step-by-step guide for the biological and medical sciences
    Author: Matthews, Janice R.; Matthews, Robert W.
    Published: 2014
    Publisher:  Cambridge Univ. Press, Cambridge

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781107691933
    RVK Categories: WB 1024
    Edition: 4. ed.
    Subjects: writing; publications; publishing; citations; Methode; Wissenschaftliches Manuskript
    Scope: X, 294 S., Ill., graph. Darst.
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    Hier auch später erschienene, unveränderte Nachdrucke
  13. Věda minulosti dnes
    statě k edičnímu zpřístupňování starších nepublikovaných odborných textů
    Contributor: Roháček, Jiří (Publisher); Uhlíková, Kristina (Publisher)
    Published: 2017
    Publisher:  Artefactum, Praha

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  14. Rechtliche Rahmenbedingungen von Open Access-Publikationen
    Author: Spindler, Gerald
    Published: 2006
    Publisher:  Universitätsverlag Göttingen, Göttingen

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  15. Text and Genre in Reconstruction: Effects of Digitalization on Ideas, Behaviours, Products and Institutions
    Author: McCarty, Willard
    Published: 2010
    Publisher:  Open Book Publishers, [s.l.]

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  16. The Copyeditor's Handbook
    A Guide for Book Publishing and Corporate Communications
    Author: Einsohn, Amy; Schwartz, Marilyn
    Published: [2019]
    Publisher:  University of California Press, Berkeley, CA

    Frontmatter -- Contents -- Preface to the Fourth Edition -- Preface to the Third Edition -- Abbreviations and Conventions -- PART 1. THE ABCs OF COPYEDITING -- 1. WHAT COPYEDITORS DO -- 2. BASIC PROCEDURES -- 3. REFERENCE BOOKS AND RESOURCES -- PART... more

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    Frontmatter -- Contents -- Preface to the Fourth Edition -- Preface to the Third Edition -- Abbreviations and Conventions -- PART 1. THE ABCs OF COPYEDITING -- 1. WHAT COPYEDITORS DO -- 2. BASIC PROCEDURES -- 3. REFERENCE BOOKS AND RESOURCES -- PART 2. EDITORIAL STYLE -- 4. PUNCTUATION -- 5. SPELLING AND HYPHENATION -- 6. CAPITALIZATION AND THE TREATMENT OF NAMES -- 7. NUMBERS AND NUMERALS -- 8. QUOTATIONS -- 9. ABBREVIATIONS AND SYMBOLS -- 10. TABLES, GRAPHS, AND ART -- 11. REFERENCES -- 12. FRONT MATTER, BACK MATTER, AND RUNNING HEADS -- 13. MARKUP -- PART 3. LANGUAGE EDITING -- 14. GRAMMAR AND USAGE: PRINCIPLES AND PITFALLS -- 15. BEYOND GRAMMAR -- Checklist of Editorial Preferences -- Glossary of Copyediting Terms -- Glossary of Grammar Terms -- Selected Bibliography -- Index Unstuffy, hip, and often funny, The Copyeditor's Handbook has become an indispensable resource both for new editors and for experienced hands who want to refresh their skills and broaden their understanding of the craft of copyediting. This fourth edition incorporates the latest advice from language authorities, usage guides, and new editions of major style manuals, including The Chicago Manual of Style. It registers the tectonic shifts in twenty-first-century copyediting: preparing text for digital formats, using new technologies, addressing global audiences, complying with plain language mandates, ensuring accessibility, and serving self-publishing authors and authors writing in English as a second language. The new edition also adds an extensive annotated list of editorial tools and references and includes a bit of light entertainment for language lovers, such as a brief history of punctuation marks that didn't make the grade, the strange case of razbliuto, and a few Easter eggs awaiting discovery by keen-eyed readers.The fourth edition features updates onthe transformation of editorial roles in today's publishing environmentnew applications, processes, and protocols for on-screen editingmajor changes in editorial resources, such as online dictionaries and language corpora, new grammar and usage authorities, online editorial communities, and web-based research toolsWhen you're ready to test your mettle, pick up The Copyeditor's Workbook: Exercises and Tips for Honing Your Editorial Judgment, the essential new companion to the handbook

     
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  17. The Adventures of Tom Sawyer, Tom Sawyer Abroad, and Tom Sawyer, Detective
    Author: Twain, Mark
    Published: [1980]; ©1980
    Publisher:  University of California Press, Berkeley, CA

    This is a small sampling of Mark Twain's life-long fulminations against the editors, printers, and proofreaders who, subtly or grossly, altered his work and shrouded his intentions as they transmitted his writing from manuscript to type. Through... more

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    This is a small sampling of Mark Twain's life-long fulminations against the editors, printers, and proofreaders who, subtly or grossly, altered his work and shrouded his intentions as they transmitted his writing from manuscript to type. Through unauthorized changes and inadvertent errors, Mark Twain's first publishers brought out texts full of thousands of errors in form and content. Later publishers then based their reprints on these corrupt editions and added errors of their own. It is the aim of the Iowa-California edition to strip away this accretion of error and present texts faithful to the author's intention. By comparing all the life-time version of Mark Twain's works, the editors are able to isolate the author's revisions from the printers and publishers' changes. The record of this comparison supplies not only the evidence for editorial decisions, but also the history of the author's efforts to shape his work. In addition, these volumes include previously uncollected work, work that has long been out of print, and such unpublished writing as related drafts, working notes, and marginalia. The texts are established at the Center for Textual Studies at the University of Iowa or at the Mark Twain Papers in The Bancroft Library at the University of California, Berkeley. The costs for editorial work have been met by generous support from the Editing Program of the National Endowment for the Humanities, an independent federal agency, and other institutional and private donors. The edition is published by the University of California Press with financial assistance from the Graduate College at the University of Iowa. All volumes are submitted to the Center for Editions of american Authors, or to its successor, the Committee for Scholarly Editions, for examination and approval

     
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  18. Mark Twain's Correspondence with Henry Huttleston Rogers, 1893-1909
    Author: Twain, Mark
    Published: [1969]; ©1969
    Publisher:  University of California Press, Berkeley, CA

    This collection of correspondence between Clemens and Rogers may be thought of as a continuation of Mark Twain's Letters to His Publishers, 1867-1894, edited by Hamlin Hill. It completes the story begun there of Samuel Clemens's business affairs,... more

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    This collection of correspondence between Clemens and Rogers may be thought of as a continuation of Mark Twain's Letters to His Publishers, 1867-1894, edited by Hamlin Hill. It completes the story begun there of Samuel Clemens's business affairs, especially insofar as they concern dealings with publishers; and it documents Clemens's progress from financial disaster, with the Paige typesetter and Webster & Company, to renewed prosperity under the steady, skillful hand of H. H. Rogers. But Clemens’s correspondence with Rogers reveals more than a business relationship. It illuminates a friendship which Clemens came to value above all others, and it suggests a profound change in his patterns of living. He who during the Hartford years had been a devoted family man, content with a discrete circle of intimates, now became again (as he had been during the Nevada and California years) a man among sporting men, enjoying prizefights and professional billiard matches in public, and—in private—long days of poker, gruff jest, and good Scotch whisky aboard Rogers’s magnificent yacht

     
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  19. Johann Baptist Cramer und die Welt der pianistes compositeurs
    Rekonstruktionen einer versunkenen Kultur
    Contributor: Diergarten, Felix (Publisher)
    Published: 2023
    Publisher:  Georg Olms Verlag, Baden-Baden

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  20. Gli uomini e i testi
    Author: Cantale, Claudia
    Published: 2019
    Publisher:  Ledizioni, Milano ; OAPEN FOUNDATION, The Hague

    Il volume si presenta come un’agile ricostruzione della storia sociale del libro e del rapporto che l’uomo ha tessuto con il testo. Vuole indagare come, dall’incisione su tavolette, passando poi dal rotolo e dalla tecnologia della stampa fino alla... more

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    Il volume si presenta come un’agile ricostruzione della storia sociale del libro e del rapporto che l’uomo ha tessuto con il testo. Vuole indagare come, dall’incisione su tavolette, passando poi dal rotolo e dalla tecnologia della stampa fino alla scrittura digitale, il lettore e lo scrittore abbiano progressivamente modificato il loro legame rimettendo in discussione i propri ruoli. Parlare della produzione testuale nell’era digitale dal punto di vista sociologico permette di comprendere meglio qual è il contesto in cui un umanista digitale dovrà muoversi affrontando la difficile sfida di dovere studiare nuovi modelli di conservazione e condivisione della conoscenza. Ampio spazio è stato dato alle piattaforme on line, soprattutto Wattpad, i social network per la social reading e gli audiolibri, tutte tecnologie che permettono di porsi nuovi interrogativi su quali siano gli usi che i lettori fanno dei testi immergendosi in una dimensione inedita di convergenza culturale e tecnologica. Il tema caro a sociologi, storici del libro e critici letterari è stato affrontato osservando il quadro generale soprattutto dalla parte dell’audience che trasforma, commenta, recensisce le produzioni editoriali attraverso l’uso delle tecnologie digitali. Il libro, avendo voluto ricostruire anche quali sfide il web semantico dovrà affrontare nel prossimo futuro, si propone come strumento destinato a coloro che sono interessati a discipline afferenti al testo digitale, all’editoria e alle digital humanities, al fine di cogliere l’andamento storico dei rapporti sociali che il testo ha sempre saputo stimolare. Si è prestata in generale una particolare attenzione al presente, indagato con l’obiettivo di comprendere come esso sta intessendo le condizioni preliminari per gli imminenti sviluppi dello scrivere e del leggere.

     
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    Source: Union catalogues
    Language: Italian
    Media type: Ebook
    Format: Online
    ISBN: 9788855266956; 9788855260923
    Series: Editoria: passato, presente e futuro
    Subjects: Media studies
    Other subjects: social history of books; textual production in the digital age; sociology; Wattpad; social networks; social reading; audio books; semantic web; digital humanities; publishing
    Scope: 1 Online-Ressource (123 p.)
  21. Il digitale e la scuola italiana
    #modelli #strumenti #editori
    Author: Dominici, Marco
    Published: 2018
    Publisher:  Ledizioni, Milano ; OpenEdition, Marseille

    Conoscere il campo da gioco permette di superare gli stereotipi ed evitare contrapposizioni pregiudiziali tra favorevoli al digitale e contrari più tradizionalisti... L'impatto delle tecnologie nella didattica impone una trasformazione del modello... more

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    Conoscere il campo da gioco permette di superare gli stereotipi ed evitare contrapposizioni pregiudiziali tra favorevoli al digitale e contrari più tradizionalisti... L'impatto delle tecnologie nella didattica impone una trasformazione del modello attuale: come (e perché) la tecnologia può agevolare e accompagnare questo cambio di paradigma? Quali sono i progetti didattici già attivi in Italia e chi ne sono i fautori? Ne emerge un quadro della scuola italiana che, in mezzo a resistenze e difficoltà, cerca di aprirsi all'innovazione digitale. Il volume è un'agile bussola della transizione al digitale della scuola italiana e degli editori scolastici.

     
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    Source: Union catalogues
    Language: Italian
    Media type: Ebook
    Format: Online
    ISBN: 9788867055227
    Subjects: Education; digital; publishing; school; digitale; editoria; scuola; numérique; édition; école
    Scope: 1 Online-Ressource (66 p.)
  22. L'@editoria tra cartaceo e digitale
    Author: Roncaglia, Gino
    Published: 2018
    Publisher:  Ledizioni, Milano ; OpenEdition, Marseille

    Questo volume, alla sua seconda edizione, la prima in cartaceo, riporta e commenta i dati di un indagine Nielsen commissionata dal Centro per il Libro e la Lettura, oltre ad arrichirsi di alcune appendici sul futuro dei libri di testo, degli ebook in... more

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    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
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    Universitätsbibliothek Gießen
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    Questo volume, alla sua seconda edizione, la prima in cartaceo, riporta e commenta i dati di un indagine Nielsen commissionata dal Centro per il Libro e la Lettura, oltre ad arrichirsi di alcune appendici sul futuro dei libri di testo, degli ebook in biblioteca (il digital lending) e sulle problematiche legate alla proprietà intellettuale. La crisi dei dati di vendita dei libri cartacei, che ha caratterizzato il 2012, che influsso avrà sul mercato editoriale? Quale sarà l'andamento del mercato editoriale digitale? Il volume esamina ed aiuta a capire le motivazioni della forte contrazione delle vendite, andando poi a toccare temi di fondamentale importanza per il settore editoriale, come i rapporti fra il digitale ed libri di testo, le biblioteche e la proprietà intellettuale.

     
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    Source: Union catalogues
    Language: Italian
    Media type: Ebook
    Format: Online
    ISBN: 9788867055210
    Subjects: Information Science & Library Science; copyright; digital lending; eBook; publishing; diritto d'autore; prestito digitale; eBook; editoria; droits d'auteur; prêt numérique; eBook; édition
    Scope: 1 Online-Ressource (51 p.)
  23. La diversité culturelle dans l'industrie du livre en France (2003-2007)
    Author: Moreau, François
    Published: 2014
    Publisher:  Département des études, Paris ; OpenEdition, Marseille

    Si la production éditoriale française a beaucoup progressé au cours des années 2000 en termes de titres et d'exemplaires produits annuellement, comment apprécier si ce bond quantitatif s'accompagne ou non d'une plus grande diversité de la... more

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Bibliothek der Frankfurt University of Applied Sciences
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Location:
    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
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    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    Si la production éditoriale française a beaucoup progressé au cours des années 2000 en termes de titres et d'exemplaires produits annuellement, comment apprécier si ce bond quantitatif s'accompagne ou non d'une plus grande diversité de la consommation ? Fondée sur l'approche tridimensionnelle d'Andrew Stirling, la mesure de la diversité culturelle est analysée sur trois segments éditoriaux (jeunesse, bandes dessinées, littérature) selon trois dimensions : la variété produite et consommée, l'équilibre des ventes entre les différents titres et la disparité des œuvres et des auteurs lus. L'analyse apporte des éléments de réponse à la question de l'efficacité de la loi sur le prix unique en termes de diversité culturelle et sur l'effet de levier des ventes en ligne (hypothèse de la longue traîne). Although there has been a marked increase in French publishing output throughout the 2000s, in terms both of annual print runs and titles released, how are we to assess whether this growth is also accompanied by increasingly diverse consumption? Based on Andrew Stirling's three-pronged approach, cultural diversity within three different publishing areas (the youth market, comic books and literature) is analysed on three levels: variety produced and consumed, the balance of sales between different titles and the range of works and authors read. This analysis provides some responses to the question of how effective fixed book pricing legislation has been in terms of cultural diversity and the leveraging effect of online sales (the long tail theory).

     
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  24. La lecture de bandes dessinées
    Author: Evans, Christophe
    Published: 2014
    Publisher:  Département des études, Paris ; OpenEdition, Marseille

    Avec plus de 16 millions de lecteurs en France, la bande dessinée, longtemps considérée comme un genre mineur, bénéficie désormais d'une large diffusion dans la société française : plus de trois Français sur quatre déclarent avoir déjà lu des bandes... more

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    Location:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    No inter-library loan

    Location:
    Bibliothek der Frankfurt University of Applied Sciences
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    No inter-library loan

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    No inter-library loan

    Location:
    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
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    No inter-library loan

    Location:
    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
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    Location:
    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Location:
    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    Avec plus de 16 millions de lecteurs en France, la bande dessinée, longtemps considérée comme un genre mineur, bénéficie désormais d'une large diffusion dans la société française : plus de trois Français sur quatre déclarent avoir déjà lu des bandes dessinées, dont plus d'un quart (29 %) au cours des douze derniers mois. La production éditoriale a bénéficié d'un essor sans précédent depuis les années 1990, le nombre de titres édités est en constante progression, tandis que les genres, au sein de la bande dessinée, se diversifient : aux traditionnels albums se sont ajoutés, ces dernières années, les mangas, romans graphiques, comics... L'étude apporte des éléments de caractérisation du lectorat de bandes dessinées, majoritairement masculin, plutôt jeune, par ailleurs lecteur de livres et amateur de sorties culturelles, et repère des caractéristiques de lecture propres à cette pratique, comme la relecture. With over 16 million readers in France, comic strips, long considered a minor genre, now enjoy a huge readership there: over three quarters of French people say they have already read comic strips, and over a quarter of these (29%) have done so within the last twelve months. Book publishing has seen an unprecedented boom in this area since the 1990s with the number of titles published constantly expanding, whilst the genres represented within comic books are becoming ever more diverse: in addition to the traditional books, over the last few years there has been an emergence of manga, graphic novels, comics, etc. This study gives an outline of the comic strip readership: overwhelmingly young and male, and with a penchant for reading books and cultural outings; it also points up reading trends within this practice such as re-reading.

     
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  25. Modèles économiques d'un marché naissant : le livre numérique
    Author: Benhamou, Françoise
    Published: 2014
    Publisher:  Département des études, Paris ; OpenEdition, Marseille

    Alors que le marché du livre numérique est encore balbutiant en France et représente moins de 1% du chiffre d'affaires des éditeurs, les stratégies commerciales mises en œuvre par les acteurs traditionnels de la chaîne du livre et par de nouveaux... more

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    Location:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    No inter-library loan

    Location:
    Bibliothek der Frankfurt University of Applied Sciences
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    No inter-library loan

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    No inter-library loan

    Location:
    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
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    No inter-library loan

    Location:
    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
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    No inter-library loan

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    Universitätsbibliothek Gießen
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    No inter-library loan

    Location:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    No inter-library loan

    Location:
    Universität Mainz, Zentralbibliothek
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    Location:
    Universität Marburg, Universitätsbibliothek
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    No inter-library loan

     

    Alors que le marché du livre numérique est encore balbutiant en France et représente moins de 1% du chiffre d'affaires des éditeurs, les stratégies commerciales mises en œuvre par les acteurs traditionnels de la chaîne du livre et par de nouveaux entrants permettent d'esquisser différentes configurations des marchés du livre numérique. La dématérialisation induit des mutations qui auront des conséquences sur l'ensemble de la filière : disparition et apparition d'acteurs, perte, création et déplacement de valeur, restructuration industrielle. Les enjeux de marché, soumis à certaines contraintes techniques comme celle de l'interopérabilité entre normes de fichiers et matériels de lecture, dépendent aussi du maintien ou de l'évolution de la législation régissant le commerce du livre en France : droits de propriété intellectuelle, fiscalité, mode de fixation du prix. Cette photographie cherche à synthétiser les futurs possibles de l'économie du livre numérique. Whilst the market for electronic books (or e-books) is still stuttering into life in France and represents less than 1% of publishers' turnover, the commercial strategies being implemented by both traditional and new players in the book publishing industry are laying the foundations for various possible publishing industry configurations. Dematerialisation is leading to changes which are likely to affect whole industry, e.g. the emergence and the disappearance of various industry players, the loss, creation and transfer of value and industry restructuring. The market faces issues such as technical constraints, i.e. interoperability between file formats and reader hardware. It is also subject to legislative support or change governing the publishing trade in France, covering such matters as intellectual property rights, taxation, price-fixing methods, etc. This snapshot aims to summarise the possible futures of the e-book economy.

     
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