Skip to main navigation Skip to main content
info(at)avldigital.remove-this.de
Deutsch English
Last searches

Results for *

Displaying results 1 to 13 of 13.

  1. The Juggler of Notre Dame and the Medievalizing of Modernity : Volume 1: The Middle Ages
    Author: Ziolkowski, Jan M.
    Published: 2018
    Publisher:  Open Book Publishers

    "This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre... more

     

    "This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life.

    Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today.

    The Juggler of Notre Dame and the Medievalizing of Modernity is a rich case study for the reception of the Middle Ages in modernity. Spanning centuries and continents, the medieval period is understood through the lens of its (post)modern reception in Europe and America. Profound connections between the verbal and the visual are illustrated by a rich trove of images, including book illustrations, stained glass, postage stamps, architecture, and Christmas cards.

    Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies."

     
    Export to reference management software   RIS file
      BibTeX file
  2. Polemik in den Schriften Melchior Hoffmans: Inszenierungen rhetorischer Streitkultur in der Reformationszeit
    Author: Lundström, Kerstin
    Published: 2015
    Publisher:  Stockholm University Press, Stockholm, Sweden

    Polemik in den Schriften Melchior Hoffmans. Inszenierungen rhetorischer Streitkultur in der Reformationszeit” is a study of pamphlets written as a reaction to, and attempt for, expansion of the Lutheran and Zwinglian Reformation. Melchior Hoffman’s... more

     

    Polemik in den Schriften Melchior Hoffmans. Inszenierungen rhetorischer Streitkultur in der Reformationszeit” is a study of pamphlets written as a reaction to, and attempt for, expansion of the Lutheran and Zwinglian Reformation. Melchior Hoffman’s work has, so far, almost solely been investigated by historians of religion and thus focused merely on religious topics and argumentation, and rather seldomly on the literary aspects of his pamphlets – such as rhetorics, argumentation strategies and text compilation. In order to close this gap of research on Melchior Hoffman and – in the sense of a New Historicism approach – give him as a non-canonical author more attention, this book focuses on the literary qualities of the texts. It is thus the first full-length study on Melchior Hoffman by a literary scholar. Not only has little been written on Melchior Hoffman, but also about lay writers in the Reformation at all. Thus, the book delivers new perspectives within the field of Reformation pamphlet writers. Theoretical significance is an integral part of the study, with a focus on developing a new theoretical concept for analyzing polemic texts. The innovative approach combines post-modern theories like (constructivist) Cultural Studies, and Performativity concepts with Communication Analyses and Classical Rhetorics. By doing so, it provides a unique approach to texts from the 16th century, which can easily and reasonably be applied to polemical texts of the 21st century as well as to even older texts than Hoffman’s.

    The book has been written in the research field of German Literature, but will be of great interest for both literary scholars and historians (of religion or culture). Als ‚radikaler Reformator‘ geriet Melchior Hoffman immer wieder in Konflikte mit Vertretern der lutherischen und zwinglischen Reformation. Die Auseinandersetzungen über die ‚wahre Lehre Gottes‘ schlugen sich dabei in unterschiedlichen Textsorten und formen nieder: Hoffman stritt in polemischen Einzelschriften, Schriftwechseln sowie einem Reformationsdialog und polemisierte sogar in Bibelkommentaren und Traktaten. Diese Schriften Hoffmans werden hier erstmals unter literaturwissenschaftlichen Gesichtspunkten behandelt. Sie werden als Orte der Performanz einer rhetorischen Streitkultur verstanden, die typisch für die Reformationszeit und generell für religiöse Auseinandersetzungen zwischen Theologie und Laienfrömmigkeit sind: In der schriftlichen Inszenierung des Streits manifestiert sich die komplexe kulturelle Wechselwirkung zwischen den rhetorischen Normen und Traditionen auf der einen und der individuellen Auseinandersetzung mit ihnen auf der anderen Seite. Das textuelle In-Szene-Setzen ist somit als performative Handlung zu verstehen, die Polemik selbst als deren grundlegendes inszenatorisches Prinzip.

    Kerstin Lundström untersucht Hoffmans Polemik mittels einer Kombination aus Rhetorikanalyse und modernen Methoden der Kommunikations- und Performativitätsanalyse. Das Ergebnis ist die Identifizierung unterschiedlicher Konstellationen der Rede, die maßgeblich mit der sprachlichen Ausgestaltung zusammenwirken. Der Fokus liegt insbesondere darauf, wie die einzelnen Bausteine von Hoffmans vielschichtiger Polemik – auf Text- und auf Kontextebene – ineinander greifen und ihre performative Wirkmächtigkeit entfalten.

     
    Export to reference management software   RIS file
      BibTeX file
  3. The Juggler of Notre Dame and the Medievalizing of Modernity : Volume 3: The American Middle Ages
    Author: Ziolkowski, Jan M.
    Published: 2018
    Publisher:  Open Book Publishers

    This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame... more

     

    This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. Volume 3: The American Middle Ages hinges upon two figures influenced by the juggler: Henry Adams, scion of Presidents and distinguished cultural historian whose works contributed to the rise of medievalism in America during the Gilded Age, and Ralph Adams Cram, the architect whose vision of Gothic accounts directly or indirectly for the campuses of West Point, Princeton, Yale, Chicago, Notre Dame, and many other universities across America. The Juggler of Notre Dame and the Medievalizing of Modernity is a rich case study for the reception of the Middle Ages in modernity. Spanning centuries and continents, the medieval period is understood through the lens of its (post)modern reception in Europe and America. Profound connections between the verbal and the visual are illustrated by a rich trove of images, including book illustrations, stained glass, postage stamps, architecture, and Christmas cards. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies.

     
    Export to reference management software   RIS file
      BibTeX file
  4. Rhythm and Meaning in Shakespeare : A Guide for Readers and Actors
    Author: Groves, Peter
    Published: 20130701
    Publisher:  Monash University Publishing, Clayton, Victoria, Australia

    How did Shakespere intend that his plays be read? Rhythm and Meaning in Shakespeare explores the rhythmical organisation of Shakespeare’s verse and how it creates and reinforces meaning both in the theatre and in the mind of the reader. Because... more

     

    How did Shakespere intend that his plays be read? Rhythm and Meaning in Shakespeare explores the rhythmical organisation of Shakespeare’s verse and how it creates and reinforces meaning both in the theatre and in the mind of the reader. Because metrical form in the pentameter is not passively present in the text but rather something that the performer must co-operatively re-create in speaking it, pentameter is what John Barton calls “stage-direction in shorthand”, a supple instrument through which Shakespeare communicates valuable cues for performance. This book is thus an essential guide for actors wishing to perform in his plays, as well as a valuable resource for anyone wishing to enhance their understanding of and engagement with Shakespeare’s verse.

    Has supplementary audio files.

     
    Export to reference management software   RIS file
      BibTeX file
  5. Itinerant Spectator/Itinerant Spectacle
    Author: Skantze, P.A.
    Published: 2013
    Publisher:  punctum books, Brooklyn, NY

    Itinerant Spectator/Itinerant Spectacle moves across the landscape of European performance in late 20th and early 21st centuries, recounting performance in circulation across national borders and across the itinerant bodies of spectators who travel... more

     

    Itinerant Spectator/Itinerant Spectacle moves across the landscape of European performance in late 20th and early 21st centuries, recounting performance in circulation across national borders and across the itinerant bodies of spectators who travel to meet performances that travel. Itinerant Spectator/Itinerant Spectacle suggests spectating is a practice — an act of interpretation engaged in more than simply receiving the affects of a performance, a companion practice to the making of performance. The work forms a part of Skantze’s ongoing explorations of what she terms the ‘epistemology of practice as research.’ IS/IS theorizes spectating as a practice that extends beyond the theatre, as a practice of writing as recollecting (and recollecting as writing) at the center of what has been called “criticism.” The book grounds spectatorship in the subjective, embodied, differenced practice of spectating not from a fixed location or standpoint but from a ground that constantly shifts, that is, from the ground of the roving positionalities of the “itinerate spectator.” Following Walter Benjamin, for example, Skantze importantly adopts the privileges of the flaneur as a feminist and rather queer project, one that refuses to be tied to the minor position, to that of the impossible “flaneuse.”

     
    Export to reference management software   RIS file
      BibTeX file
    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Theatre studies
    Other subjects: theater; performance studies; cultural studies; drama
    Scope: 1 electronic resource (262 p.)
  6. The Juggler of Notre Dame and the Medievalizing of Modernity : Volume 2: Medieval Meets Medievalism
    Author: Ziolkowski, Jan M.
    Published: 2018
    Publisher:  Open Book Publishers

    "This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre... more

     

    "This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life.

    Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today.

    The Juggler of Notre Dame and the Medievalizing of Modernity is a rich case study for the reception of the Middle Ages in modernity. Spanning centuries and continents, the medieval period is understood through the lens of its (post)modern reception in Europe and America. Profound connections between the verbal and the visual are illustrated by a rich trove of images, including book illustrations, stained glass, postage stamps, architecture, and Christmas cards.

    Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies."

     
    Export to reference management software   RIS file
      BibTeX file
  7. The Juggler of Notre Dame and the Medievalizing of Modernity : Volume 4: Picture That: Making a Show of the Jongleur
    Author: Ziolkowski, Jan M.
    Published: 2018
    Publisher:  Open Book Publishers

    Born into a distinguished aristocratic family of the old Habsburg Empire, Hermynia Zur Mühlen spent much of her childhood and early youth travelling in Europe and North Africa with her diplomat father. Never comfortable with the traditional roles... more

     

    Born into a distinguished aristocratic family of the old Habsburg Empire, Hermynia Zur Mühlen spent much of her childhood and early youth travelling in Europe and North Africa with her diplomat father. Never comfortable with the traditional roles women were expected to play, she broke as a young adult both with her family and, after five years on his estate in the old Czarist Russia, with her German Junker husband, and set out as an independent, free-thinking individual, earning a precarious living as a writer. She translated over 70 books from English, French and Russian into German, notably the novels of Upton Sinclair, which she turned into best-sellers in Germany; produced a series of detective novels under a pseudonym; wrote seven engaging and thought-provoking novels of her own, six of which were translated into English; contributed countless insightful short stories and articles to newspapers and magazines; and, having become a committed socialist, achieved international renown in the 1920s with her Fairy Tales for Workers’ Children, which were widely translated including into Chinese and Japanese. Because of her fervent and outspoken opposition to National Socialism, she and her life-long Jewish partner, Stefan Klein, had to flee first Germany, where they had settled, and then, in 1938, her native Austria. They found refuge in England, where Zur Mühlen died, forgotten and virtually penniless, in 1951. This new, expanded edition contains: Zur Mühlen’s autobiographical memoir, The End and the Beginning; The editor’s detailed notes on the persons and events mentioned in the autobiography; A selection of Zur Mühlen’s short stories and two fairy tales; A synopsis of Zur Mühlen’s untranslated novel Our Daughters the Nazi Girls; An essay by the Editor on Zur Mühlen’s life and work; A bibliography of Zur Mühlen’s novels in English translation; A portfolio of selected illustrations of her work by George Grosz and Heinrich Vogeler; A free online supplement with additional original material

     
    Export to reference management software   RIS file
      BibTeX file
  8. The Juggler of Notre Dame and the Medievalizing of Modernity : Volume 5: Tumbling into the Twentieth Century
    Author: Ziolkowski, Jan M.
    Published: 2018
    Publisher:  Open Book Publishers

    The ANZUS Alliance was a defence arrangement between Australia, New Zealand and the United States that shaped international policy in the aftermath of the Second World War and the early stages of the Cold War. Forged by influential individuals and... more

     

    The ANZUS Alliance was a defence arrangement between Australia, New Zealand and the United States that shaped international policy in the aftermath of the Second World War and the early stages of the Cold War. Forged by influential individuals and impacting on global events including the Japanese Peace Treaty, the Korean War and the Suez Crisis, the ANZUS Alliance was a crucial factor in the seismic changes that took place in the second half of the twentieth century. In this compact and accessible study Andrew Kelly lays out the tensions that underpinned the formation of the Alliance, as each power sought to extract maximum influence and prestige, and examines how the ANZUS powers worked together (or failed to do so) when responding to massive global events including the rise of the People’s Republic of China and the waning of the British Empire. Kelly comprehensively explores the reasons why Australia and New Zealand disagreed so regularly about mutual security issues, how US global leadership shaped ANZUS, and the British impact on the trilateral relationship, and outlines how these issues set the foundations for today’s world order. ANZUS and the Early Cold War is essential reading for historians of Australian, New Zealand and American international relations in the twentieth century. Its concise format and readable style will also appeal to general readers interested in the history and foreign policies of these nations, and to anyone who wants to know more about the individual and geopolitical tensions that beset any major alliance.

     
    Export to reference management software   RIS file
      BibTeX file
  9. The Juggler of Notre Dame and the Medievalizing of Modernity : Volume 6: War and Peace, Sex and Violence
    Author: Ziolkowski, Jan M.
    Published: 2018
    Publisher:  Open Book Publishers

    "This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre... more

     

    "This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life.

    Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. In this concluding volume, Ziolkowski explores the popularity of The Juggler of Notre Dame from the 1930s through the Second World War, especially in the Allied Resistance. Its popularity in the United States was subsequently maintained by figures as diverse as Tony Curtis and W. H. Auden, and although recently the story and medievalism have lost ground, the future of both holds promise.

    Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies."

     
    Export to reference management software   RIS file
      BibTeX file
  10. Restaging the Past : Historical Pageants, Culture and Society in Modern Britain
    Contributor: Bartie, Angela (Publisher); Fleming, Linda (Publisher); Freeman, Mark (Publisher); Hutton, Alexander (Publisher); Readman, Paul (Publisher)
    Published: 2020
    Publisher:  UCL Press, London

    Restaging the Past is the first edited collection devoted to the study of historical pageants in Britain, ranging from their Edwardian origins to the present day. Across Britain in the twentieth century, people succumbed to ‘pageant fever’. Thousands... more

     

    Restaging the Past is the first edited collection devoted to the study of historical pageants in Britain, ranging from their Edwardian origins to the present day. Across Britain in the twentieth century, people succumbed to ‘pageant fever’. Thousands dressed up in historical costumes and performed scenes from the history of the places where they lived, and hundreds of thousands more watched them. These pageants were one of the most significant aspects of popular engagement with the past between the 1900s and the 1970s: they took place in large cities, small towns and tiny villages, and engaged a whole range of different organised groups, including Women’s Institutes, political parties, schools, churches and youth organisations. Pageants were community events, bringing large numbers of people together in a shared celebration and performance of the past; they also involved many prominent novelists, professional historians and other writers, as well as featuring repeatedly in popular and highbrow literature. Although the pageant tradition has largely died out, it deserves to be acknowledged as a key aspect of community history during a period of great social and political change. Indeed, as this book shows, some traces of ‘pageant fever’ remain in evidence today.

     
    Export to reference management software   RIS file
      BibTeX file
  11. Performing the digital: performativity and performance studies in digital cultures
    Contributor: Leeker, Martina (Herausgeber); Schipper, Imanuel (Herausgeber); Beyes, Timon (Herausgeber)
    Published: 2017
    Publisher:  SSOAR, GESIS – Leibniz-Institut für Sozialwissenschaften e.V., Mannheim ; transcript Verlag, Bielefeld

    Abstract: How is performativity shaped by digital technologies - and how do performative practices reflect and alter techno-social formations? "Performing the Digital" explores, maps and theorizes the conditions and effects of performativity in... more

     

    Abstract: How is performativity shaped by digital technologies - and how do performative practices reflect and alter techno-social formations? "Performing the Digital" explores, maps and theorizes the conditions and effects of performativity in digital cultures. Bringing together scholars from performance studies, media theory, sociology and organization studies as well as practitioners of performance, the contributions engage with the implications of digital media and its networked infrastructures for modulations of affect and the body, for performing cities, protest, organization and markets, and for the performativity of critique. With contributions by Marie-Luise Angerer, Timon Beyes, Scott deLahunta and Florian Jenett, Margarete Jahrmann, Susan Kozel, Ann-Christina Lange, Oliver Leistert, Martina Leeker, Jon McKenzie, Sigrid Merx, Melanie Mohren and Bernhard Herbordt, Imanuel Schipper and Jens Schröter

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Leeker, Martina (Herausgeber); Schipper, Imanuel (Herausgeber); Beyes, Timon (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839433553
    Other identifier:
    DDC Categories: 070; 600; 301
    Series: Digitale Gesellschaft ; Bd. 11
    Other subjects: (thesoz)Körper; (thesoz)Kultur; (thesoz)Theorie; (thesoz)Digitale Medien; (thesoz)Medien; (thesoz)Medientheorie; (thesoz)Wissenschaft; (thesoz)Technologie; (thesoz)Kunst; Media studies; performance studies; performing arts
    Scope: Online-Ressource, 304 S.
    Notes:

    Veröffentlichungsversion

    begutachtet
  12. L'@arte orale
    Poesia, musica, performance
    Author: Bratus, Alessandro
    Published: 2021
    Publisher:  Accademia University Press, Torino ; OpenEdition, Marseille

    Trasversalmente, arte orale è ogni genere artistico che faccia uso della voce: antico o moderno; occidentale o extra-occidentale; popolare o autoriale; non scritto (nell'accezione consolidata della "tradizione orale") oppure anche scritto; non... more

    Access:
    Verlag (kostenfrei)

    Location:
    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliothek der Frankfurt University of Applied Sciences
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
    Inter-library loan:
    No inter-library loan

    Location:
    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Gießen
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Mainz, Zentralbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Marburg, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

     

    Trasversalmente, arte orale è ogni genere artistico che faccia uso della voce: antico o moderno; occidentale o extra-occidentale; popolare o autoriale; non scritto (nell'accezione consolidata della "tradizione orale") oppure anche scritto; non mediato oppure mediato dalla tecnologia audiovisiva; in tempo reale o differito; in loco o a distanza; linguistico o anche non linguistico; genere puro (poesia, vocalizzo extraverbale) o misto (teatro, melologo, canzone). E in generale è forma significante ma insieme anche materiale presenza, sonora e corporea. Questo volume raccoglie gli atti di un convegno svoltosi nel maggio 2019 presso l'Università IULM di Milano, che alle ordinarie sessioni accademiche affiancava anche "sessioni performative" artistiche. La prospettiva è necessariamente interdisciplinare: l'oralità è trattata come l'elemento comune che caratterizza arti diverse quali la poesia, la musica e il teatro, nonché le loro storiche commistioni (ad esempio il canto epico, la poesia lirica), fino a fenomeni contemporanei come il rap, il poetry slam, la vocal performance art. Sono convocati a dialogare studiosi di differente estrazione: estetica, teoria letteraria, poesia contemporanea, metrica, linguistica, (etno)musicologia, storia del teatro, performance studies. L'interazione dei vari punti di vista consente di affrontare l'oralità nella sua valenza trasversale e, al tempo stesso, negli aspetti specifici propri di ciascuna espressione artistica.

     
    Export to reference management software   RIS file
      BibTeX file
  13. Echo and meaning on early modern English stages
    Susan L. Anderson
    Author: Anderson, Susan
    Published: [2018]
    Publisher:  Palgrave Macmillan, Cham ; ProQuest, [Ann Arbor]

    Export to reference management software   RIS file
      BibTeX file