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  1. At the origins of Classical opera : Carlo Goldoni and the «dramma giocoso per musica»
    Author: Rista, Pervinca
    Published: 2018
    Publisher:  Peter Lang International Academic Publishers, Bern

    <P>Venetian playwright and pioneer of modern theatre Carlo Goldoni (1707-1793) led a ‘double life’ as a librettist, authoring nearly as many libretti as comedies- libretti which, born from the same mind and the same hand that brought forth his... more

     

    Venetian playwright and pioneer of modern theatre Carlo Goldoni (1707-1793) led a ‘double life’ as a librettist, authoring nearly as many libretti as comedies- libretti which, born from the same mind and the same hand that brought forth his famous, and famously controversial, overhaul of the practices of comic theatre, could not
    but push the limits of the standing tradition to open a new chapter in opera history. Goldoni became one of the first to give shape to the dramma giocoso per musica, an innovative, realistic, and enduring new genre with intimate connections to prose comedy that met with overwhelming international success, becoming the foundation for the works of future generations, including W. A. Mozart and his Italian librettist Lorenzo da Ponte. Perhaps because of his stature and influence as a comic playwright, Goldoni has rarely been considered as an innovator in the musical sphere. This study aims to shed new light on his primary role in the evolution of Classical opera, and on the legacy of his innovations in the European musical tradition.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783034335652; 9783034335515
    Other identifier:
    Subjects: Opera; Individual composers & musicians, specific bands & groups; Musical scores, lyrics & libretti; History: specific events & topics
    Other subjects: dramma; Carlo; Classical; giocoso; Goldoni; musica; opera; origins; other; Pervinca; Rista
    Scope: 1 electronic resource (172 p.)
  2. Inceptions
    Literary Beginnings and Contingencies of Form
    Author: Ohi, Kevin
    Published: [2021]; ©2021
    Publisher:  Fordham University Press, New York, NY ; Walter de Gruyter GmbH, Berlin

    The beginning is both internal and external to the text it initiates, and that noncoincidence points to the text’s vexed relation with its outside. Hence the nontrivial self-reflexivity of any textual beginning, which must bear witness to the... more

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    The beginning is both internal and external to the text it initiates, and that noncoincidence points to the text’s vexed relation with its outside. Hence the nontrivial self-reflexivity of any textual beginning, which must bear witness to the self-grounding quality of the literary work— its inability either to comprise its inception or to externalize it in an authorizing exteriority. In a different but related way, the fact that they must begin renders our lives and our desires opaque to us; what Freud called “latency” marks not only sexuality but human thought with a self-division shaped by asynchronicity.From Henry James’s New York Edition prefaces to George Eliot’s epigraphs, from Ovid’s play with meter to Charles Dickens’s thematizing of the ex nihilo emergence of character, from Wallace Stevens’s abstract consideration of poetic origins to James Baldwin’s, Carson McCullers’s, and Eudora Welty’s descriptions of queer childhood, writers repeatedly confront the problem of inception. Inception introduces a fundamental contingency into texts and psyches alike: in the beginning, all could have been otherwise.For Kevin Ohi, the act of inception, and the potential it embodies, enables us to see making and unmaking coincide within the mechanism of creation. In this sense, Inceptions traces an ethics of reading, the possibility of perceiving, in the ostensibly finished forms of lives and texts, the potentiality inherent in their having started forth.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823294657
    Other identifier:
    Subjects: American literature; English literature; Openings (Rhetoric); LITERARY CRITICISM / Semiotics & Theory
    Other subjects: Baldwin, James; Beginnings; Defoe, Daniel; Dickens, Charles; Eliot, George; Friedrich, Su; James, Henry; McCullers, Carson; Milton, John; Oppen, George; Ovid; Shakespeare, William; Stevens, Wallace; Welty, Eudora; Wordsworth, William; beginnings; birth; contingency; literary form; origins; potentiality
    Scope: 1 Online-Ressource (336 p.)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2021)
  3. Inceptions
    Literary Beginnings and Contingencies of Form
    Author: Ohi, Kevin
    Published: [2021]
    Publisher:  Fordham University Press, New York, NY

    Frontmatter -- Contents -- Exordium -- PART I. POTENTIALITY AND GESTURE -- PART II. NOVELS AND THE BEGINNINGS OF CHARACTER -- PART III. OUR STONY ANCESTRY -- PART IV. SOLITUDE AND QUEER ORIGINS -- Acknowledgments -- Notes -- Index The beginning is... more

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    Frontmatter -- Contents -- Exordium -- PART I. POTENTIALITY AND GESTURE -- PART II. NOVELS AND THE BEGINNINGS OF CHARACTER -- PART III. OUR STONY ANCESTRY -- PART IV. SOLITUDE AND QUEER ORIGINS -- Acknowledgments -- Notes -- Index The beginning is both internal and external to the text it initiates, and that noncoincidence points to the text’s vexed relation with its outside. Hence the nontrivial self-reflexivity of any textual beginning, which must bear witness to the self-grounding quality of the literary work— its inability either to comprise its inception or to externalize it in an authorizing exteriority. In a different but related way, the fact that they must begin renders our lives and our desires opaque to us; what Freud called “latency” marks not only sexuality but human thought with a self-division shaped by asynchronicity.From Henry James’s New York Edition prefaces to George Eliot’s epigraphs, from Ovid’s play with meter to Charles Dickens’s thematizing of the ex nihilo emergence of character, from Wallace Stevens’s abstract consideration of poetic origins to James Baldwin’s, Carson McCullers’s, and Eudora Welty’s descriptions of queer childhood, writers repeatedly confront the problem of inception. Inception introduces a fundamental contingency into texts and psyches alike: in the beginning, all could have been otherwise.For Kevin Ohi, the act of inception, and the potential it embodies, enables us to see making and unmaking coincide within the mechanism of creation. In this sense, Inceptions traces an ethics of reading, the possibility of perceiving, in the ostensibly finished forms of lives and texts, the potentiality inherent in their having started forth

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823294657
    Other identifier:
    Subjects: American literature; English literature; Openings (Rhetoric); LITERARY CRITICISM / Semiotics & Theory
    Other subjects: Beginnings; Ovid; beginnings; birth; contingency; literary form; origins; potentiality
    Scope: 1 Online-Ressource (336 p)
  4. Inceptions
    Literary Beginnings and Contingencies of Form
    Author: Ohi, Kevin
    Published: [2021]
    Publisher:  Fordham University Press, New York, NY

    Frontmatter -- Contents -- Exordium -- PART I. POTENTIALITY AND GESTURE -- PART II. NOVELS AND THE BEGINNINGS OF CHARACTER -- PART III. OUR STONY ANCESTRY -- PART IV. SOLITUDE AND QUEER ORIGINS -- Acknowledgments -- Notes -- Index The beginning is... more

    Access:
    Verlag (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Frontmatter -- Contents -- Exordium -- PART I. POTENTIALITY AND GESTURE -- PART II. NOVELS AND THE BEGINNINGS OF CHARACTER -- PART III. OUR STONY ANCESTRY -- PART IV. SOLITUDE AND QUEER ORIGINS -- Acknowledgments -- Notes -- Index The beginning is both internal and external to the text it initiates, and that noncoincidence points to the text’s vexed relation with its outside. Hence the nontrivial self-reflexivity of any textual beginning, which must bear witness to the self-grounding quality of the literary work— its inability either to comprise its inception or to externalize it in an authorizing exteriority. In a different but related way, the fact that they must begin renders our lives and our desires opaque to us; what Freud called “latency” marks not only sexuality but human thought with a self-division shaped by asynchronicity.From Henry James’s New York Edition prefaces to George Eliot’s epigraphs, from Ovid’s play with meter to Charles Dickens’s thematizing of the ex nihilo emergence of character, from Wallace Stevens’s abstract consideration of poetic origins to James Baldwin’s, Carson McCullers’s, and Eudora Welty’s descriptions of queer childhood, writers repeatedly confront the problem of inception. Inception introduces a fundamental contingency into texts and psyches alike: in the beginning, all could have been otherwise.For Kevin Ohi, the act of inception, and the potential it embodies, enables us to see making and unmaking coincide within the mechanism of creation. In this sense, Inceptions traces an ethics of reading, the possibility of perceiving, in the ostensibly finished forms of lives and texts, the potentiality inherent in their having started forth

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823294657
    Other identifier:
    Subjects: American literature; English literature; Openings (Rhetoric); LITERARY CRITICISM / Semiotics & Theory
    Other subjects: Beginnings; Ovid; beginnings; birth; contingency; literary form; origins; potentiality
    Scope: 1 Online-Ressource (336 p)
  5. My Love and Beyond
    An Australian Story of Eternal Connection
    Author: Eschen, Bea
    Published: 2023
    Publisher:  tredition, Freudenberg

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  6. My Love and Beyond
    An Australian Story of Eternal Connection
    Author: Eschen, Bea
    Published: 2023
    Publisher:  tredition, Freudenberg

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  7. My Love and Beyond
    An Australian Story of Eternal Connection
    Author: Eschen, Bea
    Published: 2023
    Publisher:  tredition, Freudenberg

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  8. At the origins of classical opera
    Carlo Goldoni and the "dramma giocoso per musica"
    Author: Rista, Pervinca
    Published: [2018]
    Publisher:  Peter Lang, Bern