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Displaying results 1 to 14 of 14.

  1. Chapter Rubinrote Federn, Walzähne und schimmerndes Perlmutt: polynesische Kosmologie in Ritualobjekten
    Author: Wilhelmina Haslwanter, Katharina; Nuku, Maia; Nuku, Maia; Haslwanter Wilhelmina, Katharina
    Published: 2014
    Publisher:  Scheidegger & Spiess

    This article is concerned with cosmological concepts of the peoples of Polynesia in the Pacific. Following a creation myth from Tahiti, the authors explore the realms of te ao (the world of space and light which came to be inhabited by humans) and te... more

     

    This article is concerned with cosmological concepts of the peoples of Polynesia in the Pacific. Following a creation myth from Tahiti, the authors explore the realms of te ao (the world of space and light which came to be inhabited by humans) and te po (the engulfing darkness, associated with the night, the ancestors and spirits) by investigating artefacts from the region. Certain qualities of the rare materials used in the highly skilled making, and the knowledge of the utilisation of these artefacts enabled pacific islanders to establish a connection to divine entities but also to protect themselves of their powers. Many of the cosmological principles finally can be rediscovered in the objects themselves, which therefore are a study of the cosmos in miniature.

     
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    Source: OAPEN
    Language: German
    Media type: Ebook
    Format: Online
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    Parent title: Kosmos: Weltentwürfe im Vergleich
    Subjects: Polynesia; Material culture; Cosmology & the universe
    Other subjects: material culture; ritual; pacific; te ao, te po; artefacts; mana; objects; polynesia; cosmology; anthropology; material culture; ritual; pacific; te ao; te po; artefacts; mana; objects; polynesia; cosmology; anthropology; Austral-Inseln; Ethnographie; Kosmologie; London; Marquesas; Perlmutt; Tahiti
  2. Transparent Things: A Cabinet
    Author: Williams, Maggie M.; Overbey, Karen Eileen
    Published: 2013
    Publisher:  punctum books, Brooklyn, NY

    For too long, the Earth has been used to ground thought instead of bending it; such grounding leaves the planet as nothing but a stage for phenomenology, deconstruction, or other forms of anthropocentric philosophy. In far too much continental... more

     

    For too long, the Earth has been used to ground thought instead of bending it; such grounding leaves the planet as nothing but a stage for phenomenology, deconstruction, or other forms of anthropocentric philosophy. In far too much continental philosophy, the Earth is a cold, dead place enlivened only by human thought—either as a thing to be exploited, or as an object of nostalgia. Geophilosophy seeks instead to question the ground of thinking itself, the relation of the inorganic to the capacities and limits of thought. This book constructs an eclectic variant of geophilosophy through engagements with digging machines, nuclear waste, cyclones and volcanoes, giant worms, secret vessels, decay, subterranean cities, hell, demon souls, black suns, and xenoarcheaology, via continental theory (Nietzsche, Schelling, Deleuze, et alia) and various cultural objects such as horror films, videogames, and weird Lovecraftian fictions, with special attention to Speculative Realism and the work of Reza Negarestani. In a time where the earth as a whole is threatened by ecological collapse, On an Ungrounded Earth generates a perversely realist account of the earth as a dynamic engine materially invading and upsetting our attempts to reduce it to merely the ground beneath our feet.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
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    Subjects: History of art: Byzantine & Medieval art c 500 CE to c 1400
    Other subjects: art history; medieval architecture; objects; book history; art theory
    Scope: 1 electronic resource (88 p.)
  3. Walk on the Beach: Things from the Sea, Volume 1
    Contributor: Williams, Maggie M. (Publisher); Overbey, Karen Eileen (Publisher)
    Published: 2016
    Publisher:  punctum books, Earth, Milky Way

    This volume brings together writing and imagery from the experimental “beachwalk” session(s) at the Third Biennial Meeting of the BABEL Working Group, On the Beach: Precariousness, Risk, Forms of Life, Affinity, and Play at the Edge of the World. We... more

     

    This volume brings together writing and imagery from the experimental “beachwalk” session(s) at the Third Biennial Meeting of the BABEL Working Group, On the Beach: Precariousness, Risk, Forms of Life, Affinity, and Play at the Edge of the World. We began with conversations about the sea. We meditated together on chance, discovery, agency, beauty, and material ecology. We talked about the delicate care of treading the world, the confluence of the personal and the professional, and the possibilities of storytelling. We thought about what happens when we encounter stuff, when we take it, change it, do something with it. When we display it, or sculpt it, or collect it. When we make something an object, and an object of looking. Then we met on the beach. We walked and talked about loss, home, agency, and liminality. We collected things: We picked up stones, feathers, seaweed. We pointed to stuff, gathered it, let it strike our fancy. Every shell nurtured a conversation among the artists, scientists, historians, poets, archivists, surfers, philosophers, and pirates who had joined the walk. We brought the sea-things back, manipulated them, and displayed them as works of art. Walk on the Beach is a souvenir of that project, a record of our bounty. It emerges from the process at the heart of art historical work: close looking. Thinking through objects, thinking with objects. Letting the things help us tell their stories. This is a tiny collection of looking, together

     
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    Source: OAPEN
    Contributor: Williams, Maggie M. (Publisher); Overbey, Karen Eileen (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
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    Subjects: Exhibition catalogues & specific collections
    Other subjects: art; beach; objects; photography; ocean
    Scope: 1 electronic resource (60 p.)
  4. The Agency of Things in Medieval and Early Modern Art : Materials, Power and Manipulation
    Contributor: Jurkowlaniec, Grażyna (Publisher); Matyjaszkiewicz, Ika (Publisher); Sarnecka, Zuzanna (Publisher)
    Published: 2017
    Publisher:  Taylor & Francis

    This volume explores the late medieval and early modern periods from the perspective of objects. While the agency of things has been studied in anthropology and archaeology, it is an innovative approach for art historical investigations. Each... more

     

    This volume explores the late medieval and early modern periods from the perspective of objects. While the agency of things has been studied in anthropology and archaeology, it is an innovative approach for art historical investigations. Each contributor takes as a point of departure active things: objects that were collected, exchanged, held in hand, carried on a body, assembled, cared for or pawned. Through a series of case studies set in various geographic locations, this volume examines a rich variety of systems throughout Europe and beyond.

     
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    Source: OAPEN
    Contributor: Jurkowlaniec, Grażyna (Publisher); Matyjaszkiewicz, Ika (Publisher); Sarnecka, Zuzanna (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    Subjects: History of art / art & design styles; Anthropology; Social & cultural anthropology, ethnography; European history
    Other subjects: medieval; early modern; objects; things; agency; art history; material culture; Europe; Italy; Netherlands; visual culture
    Scope: 1 electronic resource (220 p.)
  5. Exploring Written Artefacts
    Contributor: Quenzer, Jörg B. (Publisher)
    Published: 2021
    Publisher:  De Gruyter, Berlin/Boston

    This collection, presented to Michael Friedrich in honour of his academic career at of the Centre for the Study of Manuscript Cultures, traces key concepts that scholars associated with the Centre have developed and refined for the systematic study... more

     

    This collection, presented to Michael Friedrich in honour of his academic career at of the Centre for the Study of Manuscript Cultures, traces key concepts that scholars associated with the Centre have developed and refined for the systematic study of manuscript cultures. At the same time, the contributions showcase the possibilities of expanding the traditional subject of ‘manuscripts’ to the larger perspective of ‘written artefacts’.

     
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    Source: OAPEN
    Contributor: Quenzer, Jörg B. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110753301; 9783110745450; 9783110753349
    Other identifier:
    Subjects: Literature & literary studies
    Other subjects: Manuscript studies; paleography; artefacts; objects
    Scope: 1 electronic resource (1180 p.)
  6. Beginning Java 9 Fundamentals
    arrays, objects, modules, JShell, and regular expresions
    Author: Sharan, Kishori
    Published: [2017]; © 2017
    Publisher:  Apress, New York

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    Universitätsbibliothek Trier
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  7. Journeys Exposed
    Women’s Writing, Photography, and Mobility
    Author: Alù, Giorgia
    Published: 2018
    Publisher:  Routledge,, Boca Raton, FL

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429437700
    Edition: First edition.
    Subjects: Italian literature; Women photographers; Photojournalism; Italian literature; Italian literature ; Women authors ; History and criticism; Women photographers; Photojournalism; Italian literature ; Women authors; Electronic books; PHOTOGRAPHY / General ; bisacsh; LITERARY CRITICISM / Modern / 20th Century ; bisacsh; anthropology ; bisacsh; autobiography ; bisacsh; borders ; bisacsh; boundaries ; bisacsh; Carla Cerati ; bisacsh; contemporary italian literature ; bisacsh; contemporary literature ; bisacsh; contemporary women’s writing ; bisacsh; displacement ; bisacsh; exile ; bisacsh; family ; bisacsh; fiction ; bisacsh; fragmentation ; bisacsh; gender ; bisacsh; gender studies ; bisacsh; history ; bisacsh; Italian women's literature ; bisacsh; identity ; bisacsh; loss ; bisacsh; Melania Mazzucco ; bisacsh; Monica Bulaj ; bisacsh; marginality ; bisacsh; migration ; bisacsh; mobile ; bisacsh; narrative ; bisacsh; nomad ; bisacsh; Ornela Vorpsi ; bisacsh; objectification ; bisacsh; objects ; bisacsh; people ; bisacsh; places ; bisacsh; power ; bisacsh; space ; bisacsh; time ; bisacsh; visual culture ; bisacsh; visual images ; bisacsh; women's studies ; bisacsh; 20th Century literature ; bisacsh; 20th Century women ; bisacsh; 20th Century women's literature ; bisacsh; PHOTOGRAPHY / General; LITERARY CRITICISM / Modern / 20th Century; anthropology; autobiography; borders; boundaries; Carla Cerati; contemporary italian literature; contemporary literature; contemporary women’s writing; displacement; exile; family; fiction; fragmentation; gender; gender studies; history; Italian women's literature; identity; loss; Melania Mazzucco; Monica Bulaj; marginality; migration; mobile; narrative; nomad; Ornela Vorpsi; objectification; objects; people; places; power; space; time; visual culture; visual images; women's studies; 20th Century literature; 20th Century women; 20th Century women's literature
    Scope: 1 online resource (192 pages)
    Notes:

    Includes bibliographical references and index
  8. Dynamic Matter
    Transforming Renaissance Objects
    Contributor: Bertolet, Anna Riehl (MitwirkendeR); Boeckeler, Erika Mary (MitwirkendeR); Howell, Naomi (MitwirkendeR); Philbrick, Emily E. F. (MitwirkendeR); Schoel, Josie (MitwirkendeR); Shmygol, Maria (MitwirkendeR); Test, Edward McLean (MitwirkendeR); Weinberg, Abbie (MitwirkendeR); Williams, Sarah F. (MitwirkendeR); Wood, Jennifer Linhart (MitwirkendeR); Wood, Jennifer Linhart (HerausgeberIn)
    Published: 2022; ©2022
    Publisher:  Penn State University Press, University Park, PA

    Dynamic Matter investigates the life histories of Renaissance objects. Eschewing the critical tendency to study how objects relate to human needs and desires, this work foregrounds the objects themselves, demonstrating their potential to transform... more

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    Dynamic Matter investigates the life histories of Renaissance objects. Eschewing the critical tendency to study how objects relate to human needs and desires, this work foregrounds the objects themselves, demonstrating their potential to transform their environments as they travel across time and space.Integrating early modern material theories with recent critical approaches in Actor-Network Theory and object-oriented ontology, this volume extends Aristotle’s theory of dynameos—which conceptualizes matter as potentiality—and applies it to objects featured in early modern texts such as Edmund Spenser’s The Faerie Queene, Robert Hooke’s Micrographia, and William Shakespeare’s The Tempest. Individual chapters explore the dynameos of matter by examining its manifestations in particular forms: combs are inscribed with words and brushed through human hair; feathers are incorporated into garments and artwork; Prince Rupert’s glasswork drops explode; a whale becomes animated by the power of a magical bracelet; and books are drowned. These case studies highlight the potentiality matter itself possesses and that which it activates in other matter. A theorization of objects grounded in Renaissance materialist thought, Dynamic Matter examines the richness of things themselves; the larger, multiple, and changing networks in which things circulate; and the networks created by these transformative objects.In addition to the editor, the contributors to this volume include Anna Riehl Bertolet, Erika Mary Boeckeler, Naomi Howell, Emily E. F. Philbrick, Josie Schoel, Maria Shmygol, Edward McLean Test, Abbie Weinberg, and Sarah F. Williams

     
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  9. Beginning Java 9 Fundamentals
    arrays, objects, modules, JShell, and regular expresions
    Author: Sharan, Kishori
    Published: [2017]; © 2017
    Publisher:  Apress, New York

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    Universitätsbibliothek Trier
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781484228432; 148422843X
    Other identifier:
    9781484228432
    Edition: Second edition
    Subjects: Programmiersprache; Java <Programmiersprache>; Java Standard Edition 9
    Other subjects: java; oop; programming; objects; software; modules; syntax; language; arrays; data types; regex; regular expressions
    Scope: xxxvi, 1037 Seiten, Illustrationen, 25.4 cm x 17.8 cm
  10. Journeys Exposed
    Women’s Writing, Photography, and Mobility
    Author: Alù, Giorgia
    Published: 2018
    Publisher:  Routledge, Boca Raton, FL ; Taylor & Francis Group, London

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  11. Journeys Exposed
    Women’s Writing, Photography, and Mobility
    Author: Alù, Giorgia
    Published: 2018
    Publisher:  Routledge,, Boca Raton, FL

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429437700
    Edition: First edition.
    Subjects: Italian literature; Women photographers; Photojournalism; Italian literature; Italian literature ; Women authors ; History and criticism; Women photographers; Photojournalism; Italian literature ; Women authors; Electronic books; PHOTOGRAPHY / General ; bisacsh; LITERARY CRITICISM / Modern / 20th Century ; bisacsh; anthropology ; bisacsh; autobiography ; bisacsh; borders ; bisacsh; boundaries ; bisacsh; Carla Cerati ; bisacsh; contemporary italian literature ; bisacsh; contemporary literature ; bisacsh; contemporary women’s writing ; bisacsh; displacement ; bisacsh; exile ; bisacsh; family ; bisacsh; fiction ; bisacsh; fragmentation ; bisacsh; gender ; bisacsh; gender studies ; bisacsh; history ; bisacsh; Italian women's literature ; bisacsh; identity ; bisacsh; loss ; bisacsh; Melania Mazzucco ; bisacsh; Monica Bulaj ; bisacsh; marginality ; bisacsh; migration ; bisacsh; mobile ; bisacsh; narrative ; bisacsh; nomad ; bisacsh; Ornela Vorpsi ; bisacsh; objectification ; bisacsh; objects ; bisacsh; people ; bisacsh; places ; bisacsh; power ; bisacsh; space ; bisacsh; time ; bisacsh; visual culture ; bisacsh; visual images ; bisacsh; women's studies ; bisacsh; 20th Century literature ; bisacsh; 20th Century women ; bisacsh; 20th Century women's literature ; bisacsh; PHOTOGRAPHY / General; LITERARY CRITICISM / Modern / 20th Century; anthropology; autobiography; borders; boundaries; Carla Cerati; contemporary italian literature; contemporary literature; contemporary women’s writing; displacement; exile; family; fiction; fragmentation; gender; gender studies; history; Italian women's literature; identity; loss; Melania Mazzucco; Monica Bulaj; marginality; migration; mobile; narrative; nomad; Ornela Vorpsi; objectification; objects; people; places; power; space; time; visual culture; visual images; women's studies; 20th Century literature; 20th Century women; 20th Century women's literature
    Scope: 1 online resource (192 pages)
    Notes:

    Includes bibliographical references and index
  12. Sensory reflections
    traces of experience in medieval artifacts
    Contributor: Griffiths, Fiona J. (Herausgeber); Starkey, Kathryn (Herausgeber)
    Published: [2018]
    Publisher:  De Gruyter, Berlin

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  13. Exploring written artefacts
    objects, methods, and concepts
    Contributor: Quenzer, Jörg B. (HerausgeberIn); Friedrich, Michael (GefeierteR)
    Published: [2021]
    Publisher:  De Gruyter, Berlin

    Frontmatter -- Contents -- Introduction: In Honour of Michael Friedrich -- Volume I -- Matters of Materiality -- ‘Paleografia quale scienza dello spirito’: Once More on the Gǝʿǝz Inscription of Ham (RIÉ no. 232) -- Multiple-Text Inscriptions in the... more

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    Frontmatter -- Contents -- Introduction: In Honour of Michael Friedrich -- Volume I -- Matters of Materiality -- ‘Paleografia quale scienza dello spirito’: Once More on the Gǝʿǝz Inscription of Ham (RIÉ no. 232) -- Multiple-Text Inscriptions in the Greco- Roman World -- Engrave on the Heart and Wash Away Care -- They Wrote on Clay, Wax, and Stone: Some Thoughts on Early Mesopotamian Writing -- What about 3D Manuscripts? The Case of the Cuneiform Clay Tablets -- How Were Bronze Inscriptions Cast in Ancient China? New Answers to Old Questions -- What Inscriptions do not Tell You about Themselves: Chinese Cases -- Measuring, Analysing, Computing -- A New Standard Protocol for Identification of Writing Media -- Mass Spectrometry-Based Proteomics and Metaproteomics Analysis of Ancient Manuscripts -- Scientific Analysis of Leonardo’s Manuscript with Anatomic Drawings and Notes -- Inscribed Gems: Material Profiling beyond Visible Examination -- Humanities-Centred Artificial Intelligence (CHAI) as an Emerging Paradigm -- How Can Research on Written Artefacts Benefit from Collaboration with Computer Science? -- Changing Media -- Notes on the Terminology for Print in Early Sanskrit Printed Books -- Media Systems and Genre Conventions in Transition: A German Priamel Booklet from Nuremberg, c. 1490 -- About a Manuscript on Tea Found in Timbuktu, Mali: Mamma Haidara Collection, MS 125, Tārīkh al-shāy fī ’l-Maghrib -- From Mouth to Ear to Hand: Literacy as Recorded Orality in Nineteenth- and Early Twentieth-Century German Courts -- Realms of Codicology -- The Codex’s Contents: Attempt at a Codicological Approach -- The Advantages of Comparative Codicology: Further Examples -- About a Series of Late Medieval Moroccan Bindings -- A Tale of Papermaking along the Silk Road -- Cataloguing Arabic Manuscripts for the Project ‘Katalogisierung der Orientalischen Handschriften in Deutschland’ -- Repositories of Knowledge -- Unravelling Multiple-Text Manuscripts: Introducing Categories Based on Content, Use, and Production -- Chinese Character Variants in Medieval Dictionaries and Manuscripts -- The Art of Astrological Computations: Conrad Heingarter and the Manuscript Paris, BnF latin 7295A -- Magic in the Hebrew-Manuscript Collection of the Staats- und Universitätsbibliothek Hamburg: Observations on Cod. hebr. 252 -- Notes on a Central Asian Notebook -- Creating an Original of a Greek Lexicon in the Middle Ages: Notes on the Manuscript Vaticanus Barberinianus gr. 70 of the Etymologicum Gudianum -- Volume II -- Paracontent -- A Multilayered Greek Manuscript of Learning: Some Glimpses into the Scribal Practices Evident in the Aristotelean Codex Vaticanus graecus 244 -- From ‘Task’ to ‘Title’? Japanese Linked Poetry and the Fushimono -- Hidden Colophons -- Sealed Manuscripts in Laos: New Findings from Luang Prabang -- Naming the Author: The Taṇṭi Motif in the Margins of the Tamil Poetic Tradition -- Visual Matters -- A Typology of West African Ajami Manuscripts: Languages, Layout and Research Perspectives -- Forgery and Appreciation of Old Choir Books in Nineteenth-Century Europe -- A Lesser-Known Member of Bessarion’s Milieu: The Scribe-Bishop Makarios -- Enigmatic Calligraphy: Lettering as Visualized Hermeneutic of Sacred Scripture -- Sailing-Ships and Character Illustrations in Three Javanese Literary Poetic Manuscripts -- Peripatetic Readers and a Dancing Maiden: Marginal Multigraphic Discourse in a Medieval Latin Multiple-Text Manuscript -- Rethinking Philology -- Textual Criticism and Early Chinese Manuscripts -- Notes for an Ontological Approach within Manuscript Studies: Object Oriented Ontology and the Pothi Manuscript Culture -- Collation in Early Imperial China: From Administrative Procedure to Philological Tool -- Loss and Circumstances: How Early Modern Europe Discovered the ‘Material Text’ -- The Letters of Michael Psellos and their Function in Byzantine Epistolary Culture -- Preaching with the Hands: Notes on Cassiodorus’ Praise of Handwriting and its Medieval Reception -- Performance and Ritual -- Where did the Ngạn People Come From? Ritual Manuscripts among the Ngạn in Northern Vietnam -- (Re-)Writing Jazz: The Manuscripts of John Coltrane’s A Love Supreme -- A Ritual Manual of Healing: The Body-Balance of the Four Elements and the Four Key Factors of Manuscript Production and Usage -- The Volvelle and the Lingga: The Use of Two Manuscript Ritual Devices in a Tibetan Exorcism -- ‘Vu et approuvé’: Censorship Notes in Hamburg Prompt Books from the French Period -- Transmission in Time and Space -- The Unusual Story of a Wandering Book and its Physical Metamorphosis -- Joint Forces: A Handscroll by Zhao Mengfu and Guan Daosheng -- Touched by a Tale of Friendship: An Early Nineteenth-Century Zidishu Manuscript -- On Some Manuscripts of Hatifi’s Timurnama -- Contributors -- Indices This collection, presented to Michael Friedrich in honour of his academic career at of the Centre for the Study of Manuscript Cultures, traces key concepts that scholars associated with the Centre have developed and refined for the systematic study of manuscript cultures. At the same time, the contributions showcase the possibilities of expanding the traditional subject of ‘manuscripts’ to the larger perspective of ‘written artefacts’

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Quenzer, Jörg B. (HerausgeberIn); Friedrich, Michael (GefeierteR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110753301; 9783110753349
    Other identifier:
    RVK Categories: AM 44800
    Series: Studies in manuscript cultures ; volume 25
    Subjects: LITERARY CRITICISM / General
    Other subjects: Manuscript studies; artefacts; objects; paleography
    Scope: 1 Online-Ressource (XXIX, 1180 Seiten), Illustrationen, Diagramme, Karten, 1 Porträt
    Notes:

    Enthält Band 1-2 der Druckausgabe

    Festschrift für Michael Friedrich anlässlich seines Eintritts in den Ruhestand im Oktober 2021
  14. The Things Things Say
    Author: Lamb, Jonathan
    Published: 2011
    Publisher:  Princeton University Press, Princeton

    One of the new forms of prose fiction that emerged in the eighteenth century was the first-person narrative told by things such as coins, coaches, clothes, animals, or insects. This is an ambitious new account of the context in which these "it... more

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    One of the new forms of prose fiction that emerged in the eighteenth century was the first-person narrative told by things such as coins, coaches, clothes, animals, or insects. This is an ambitious new account of the context in which these "it narratives" became so popular. What does it mean when property declares independence of its owners and begins to move and speak? Jonathan Lamb addresses this and many other questions as he advances a new interpretation of these odd tales, from Defoe, Pope, Swift, Gay, and Sterne, to advertisements, still life paintings, and South Seas journals. Lamb emphasizes the subversive and even nonsensical quality of what things say; their interests are so radically different from ours that we either destroy or worship them. Existing outside systems of exchange and the priorities of civil society, things in fact advertise the dissident obscurity common to slave narratives all the way from Aesop and Phaedrus to Frederick Douglass and Primo Levi, a way of meaning only what is said, never saying what is meant. This is what Defoe's Roxana calls "the Sense of Things," and it is found in sounds, substances, and images rather than conventional signs. This major work illuminates not only "it narratives," but also eighteenth-century literature, the rise of the novel, and the genealogy of the slave narrative. --

     
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