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  1. Chinese Science Fiction during the Post-Mao Cultural Thaw
    Author: Li, Hua
    Published: [2021]
    Publisher:  University of Toronto Press, Toronto

    Frontmatter -- Contents -- List of Figures -- Acknowledgments -- CHINESE SCIENCE FICTION DURING THE POST-MAO CULTURAL THAW -- 1 The Field of Chinese Science Fiction, 1976–1983 -- 2 A Study of Zheng Wenguang’s Mars Series -- 3 A Scientific Holmes in... more

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    Frontmatter -- Contents -- List of Figures -- Acknowledgments -- CHINESE SCIENCE FICTION DURING THE POST-MAO CULTURAL THAW -- 1 The Field of Chinese Science Fiction, 1976–1983 -- 2 A Study of Zheng Wenguang’s Mars Series -- 3 A Scientific Holmes in Post-Mao China: Ye Yonglie and His SF Thrillers -- 4 Tong Enzheng and the Motif of Alien Invasions -- 5 Posthuman Conditions in Xiao Jianheng’s SF Narratives -- 6 Tech-SF and the Four Modernizations -- 7 Fledgling Media Convergence: PRC SF from Print to Electronic Media -- 8 Blooming, Contending, and Boundary-Breaking Even in a Genre of Government-Backed Literature -- Notes -- Chinese Character Glossary -- Bibliography -- Index The late 1970s to the mid-1980s, a period commonly referred to as the post-Mao cultural thaw, was a key transitional phase in the evolution of Chinese science fiction. This period served as a bridge between science-popularization science fiction of the 1950s and 1960s and New Wave Chinese science fiction from the 1990s into the twenty-first century. Chinese Science Fiction during the Post-Mao Cultural Thaw surveys the field of Chinese science fiction and its multimedia practice, analysing and assessing science fiction works by well-known writers such as Ye Yonglie, Zheng Wenguang, Tong Enzheng, and Xiao Jianheng, as well as the often-overlooked tech-science fiction writers of the post-Mao thaw. Exploring the socio-political and cultural dynamics of science-related Chinese literature during this period, Hua Li combines close readings of original Chinese literary texts with literary analysis informed by scholarship on science fiction as a genre, Chinese literary history, and media studies. Li argues that this post-Mao thaw science fiction began its rise as a type of government-backed literature, and yet often stirred up controversy and pushback as a contentious and boundary-breaking genre. Topically structured and interdisciplinary in scope, Chinese Science Fiction during the Post-Mao Cultural Thaw will appeal both to scholars and fans of science fiction

     
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  2. Chinese Science Fiction during the Post-Mao Cultural Thaw
    Author: Li, Hua
    Published: [2021]; ©2021
    Publisher:  University of Toronto Press, Toronto ; Walter de Gruyter GmbH, Berlin

    The late 1970s to the mid-1980s, a period commonly referred to as the post-Mao cultural thaw, was a key transitional phase in the evolution of Chinese science fiction. This period served as a bridge between science-popularization science fiction of... more

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    The late 1970s to the mid-1980s, a period commonly referred to as the post-Mao cultural thaw, was a key transitional phase in the evolution of Chinese science fiction. This period served as a bridge between science-popularization science fiction of the 1950s and 1960s and New Wave Chinese science fiction from the 1990s into the twenty-first century. Chinese Science Fiction during the Post-Mao Cultural Thaw surveys the field of Chinese science fiction and its multimedia practice, analysing and assessing science fiction works by well-known writers such as Ye Yonglie, Zheng Wenguang, Tong Enzheng, and Xiao Jianheng, as well as the often-overlooked tech-science fiction writers of the post-Mao thaw. Exploring the socio-political and cultural dynamics of science-related Chinese literature during this period, Hua Li combines close readings of original Chinese literary texts with literary analysis informed by scholarship on science fiction as a genre, Chinese literary history, and media studies. Li argues that this post-Mao thaw science fiction began its rise as a type of government-backed literature, and yet often stirred up controversy and pushback as a contentious and boundary-breaking genre. Topically structured and interdisciplinary in scope, Chinese Science Fiction during the Post-Mao Cultural Thaw will appeal both to scholars and fans of science fiction.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487537807
    Other identifier:
    Subjects: Science fiction, Chinese; LITERARY CRITICISM / Science Fiction & Fantasy
    Other subjects: Chinese literature; Liu Cixin; Post-Mao cultural thaw; Tong Enzheng; Xiao Jianheng; Ye Yonglie; Zheng Wenguang; fantasy; genre fiction; multi-media narrative; sci-fi; science fiction; science popularization
    Scope: 1 Online-Ressource (248 p.)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021)
  3. Chinese Science Fiction during the Post-Mao Cultural Thaw
    Author: Li, Hua
    Published: [2021]
    Publisher:  University of Toronto Press, Toronto

    Frontmatter -- Contents -- List of Figures -- Acknowledgments -- CHINESE SCIENCE FICTION DURING THE POST-MAO CULTURAL THAW -- 1 The Field of Chinese Science Fiction, 1976–1983 -- 2 A Study of Zheng Wenguang’s Mars Series -- 3 A Scientific Holmes in... more

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    Verlag (lizenzpflichtig)

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    Universität Potsdam, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    Frontmatter -- Contents -- List of Figures -- Acknowledgments -- CHINESE SCIENCE FICTION DURING THE POST-MAO CULTURAL THAW -- 1 The Field of Chinese Science Fiction, 1976–1983 -- 2 A Study of Zheng Wenguang’s Mars Series -- 3 A Scientific Holmes in Post-Mao China: Ye Yonglie and His SF Thrillers -- 4 Tong Enzheng and the Motif of Alien Invasions -- 5 Posthuman Conditions in Xiao Jianheng’s SF Narratives -- 6 Tech-SF and the Four Modernizations -- 7 Fledgling Media Convergence: PRC SF from Print to Electronic Media -- 8 Blooming, Contending, and Boundary-Breaking Even in a Genre of Government-Backed Literature -- Notes -- Chinese Character Glossary -- Bibliography -- Index The late 1970s to the mid-1980s, a period commonly referred to as the post-Mao cultural thaw, was a key transitional phase in the evolution of Chinese science fiction. This period served as a bridge between science-popularization science fiction of the 1950s and 1960s and New Wave Chinese science fiction from the 1990s into the twenty-first century. Chinese Science Fiction during the Post-Mao Cultural Thaw surveys the field of Chinese science fiction and its multimedia practice, analysing and assessing science fiction works by well-known writers such as Ye Yonglie, Zheng Wenguang, Tong Enzheng, and Xiao Jianheng, as well as the often-overlooked tech-science fiction writers of the post-Mao thaw. Exploring the socio-political and cultural dynamics of science-related Chinese literature during this period, Hua Li combines close readings of original Chinese literary texts with literary analysis informed by scholarship on science fiction as a genre, Chinese literary history, and media studies. Li argues that this post-Mao thaw science fiction began its rise as a type of government-backed literature, and yet often stirred up controversy and pushback as a contentious and boundary-breaking genre. Topically structured and interdisciplinary in scope, Chinese Science Fiction during the Post-Mao Cultural Thaw will appeal both to scholars and fans of science fiction

     
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