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Displaying results 1 to 5 of 5.

  1. Tense, aspect and temporal homogeneity
    Author: Arosio, Fabrizio
    Published: 2019
    Publisher:  Tübingen Library Publishing, Tübingen

    Location:
    Universitätsbibliothek Duisburg-Essen
    Signature:
    EQG1290
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    ISBN: 9783946552307; 3946552307
    Other identifier:
    9783946552307
    DDC Categories: 440
    Edition: 1. Auflage
    Subjects: Semantik; Italienisch; Perfekt; Adverbiale; Romanische Sprachen; Tempus
    Other subjects: (Produktform)Paperback / softback; aspect; tense; temporal homogeneity; romance languages; italian; perfect; semantics; temporal adverbial; (VLB-WN)2566: Taschenbuch / Sprachwissenschaft, Literaturwissenschaft/Romanische Sprachwissenschaft, Literaturwissenschaft
    Scope: 180 Seiten, Illustrationen, 24 cm x 17 cm, 321 g
    Notes:

    Dissertation, Eberhard Karls Universität Tübingen, 2019
  2. Tense, aspect and temporal homogeneity
    Author: Arosio, Fabrizio
    Published: 2019
    Publisher:  Eberhard Karls Universität Tübingen, Tübingen Library Publishing, Tübingen

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  3. Processing Dante’s Commedia: From Sanguineti’s Edition to Digital Tools
    Author: Spadini, Elena

    Abstract: The Commedia project aims to investigate the manuscript transmission of the poem, using Sanguineti's previous edition and checking the validity of his stemma with computer methods. Full transcriptions of the seven selected witnesses are... more

     

    Abstract: The Commedia project aims to investigate the manuscript transmission of the poem, using Sanguineti's previous edition and checking the validity of his stemma with computer methods. Full transcriptions of the seven selected witnesses are provided alongside the corresponding facsimiles. The end results of the collation and phylogenetic analysis differ from Sanguineti's edition and reshape the stemma. No new critical text is provided. The edition is easy to navigate and high quality editorial materials are available. A metrical markup enriches the text and the integrated VBase tool allows the user to retrieve variants in different witnesses and parts of the poem

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title:
    Enthalten in: RIDE; Köln : Institut für Dokumentologie und Editorik, [2014]-; 3 (11.2015); Online-Ressource
    Other subjects: 14th century; collation; critical edition; dante; facsimile; italian; manuscript transmission; metrical markup; phylogenetic analysis; tei; transcription; variant
    Scope: Online-Ressource
  4. Dreaming with open eyes
    opera, aesthetics, and perception in Arcadian Rome
    Author: Smith, Ayana O.
    Published: [2019]
    Publisher:  University of California Press, Oakland, California

    Dreaming with Open Eyes examines visual symbolism in late seventeenth-century Italian opera, contextualizing the genre amid the broad ocularcentric debates emerging at the crossroads of the early modern period and the Enlightenment. Ayana O. Smith... more

    Access:
    Verlag (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Dreaming with Open Eyes examines visual symbolism in late seventeenth-century Italian opera, contextualizing the genre amid the broad ocularcentric debates emerging at the crossroads of the early modern period and the Enlightenment. Ayana O. Smith reevaluates significant aspects of the Arcadian reform aesthetic and establishes a historically informed method of opera criticism for modern scholars and interpreters. Unfolding in a narrative fashion, the text explores facets of the philosophical and literary background and concludes with close readings of text and music, using visual symbolism to create readings of gender and character in two operas: Alessandro Scarlatti's La Statira (Rome, 1690), and Carlo Francesco Pollarolo's La forza della virtù (Venice, 1693). Smith’s interdisciplinary approach enhances our modern perception of this rich and underexplored repertory, and will appeal to students and scholars not only of opera, but also of literature, philosophy, and visual and intellectual cultures Frontmatter -- Contents -- List Of Figures -- List Of Musical Examples -- Acknowledgments -- Introduction -- Part One. The Image Of Truth -- 1. Founding Arcadia: The Aesthetics Of Verisimilitude And Buon Gusto -- 2. Performing L’Endimione: A History and Reappraisal of Guidi’s Favola pastorale -- 3. Reading the Classics: Intellectual and Cultural Resonances in Gravina’s Discorso sopra l’Endimione -- Part Two. The Truth Of Representation -- 4. Reconciling Icon, Mythos, And Tupos: The Role Of Images In L’Endimione -- 5. Believing in Opera: Visual Modes in Alessandro Scarlatti’s La Statira -- 6. Deceiving the Eye: Mirror, Statue, and Stone in Carlo Francesco Pollarolo’s La forza della virtù -- Epilogue: Constructing Gender and Politics; Queen Christina’s Image -- Notes -- Bibliography -- Index

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520970403
    Other identifier:
    RVK Categories: LQ 81604
    Subjects: Opera; Opera; Symbolism in opera; MUSIC / Genres & Styles / Opera
    Other subjects: 1690; 17th century; aesthetic; alessandro scarlatti; arcadian reform; carlo francesco pollarolo; character; crossroads; debates; early modern period; enlightenment; gender; genre; interpreters; italian; italy; la forza della virtu; la statira; literary background; modern scholars; ocularcentric; opera criticism; opera; philosophical background; rome; text and music; visual symbolism
    Scope: 1 Online-Ressource (xiv, 311 Seiten), Illustrationen, Notenbeispiele
    Notes:

    Includes bibliographical references and index

    restricted access online access with authorization star
  5. Dreaming with open eyes
    opera, aesthetics, and perception in Arcadian Rome
    Author: Smith, Ayana O.
    Published: [2019]
    Publisher:  University of California Press, Oakland, California

    Dreaming with Open Eyes examines visual symbolism in late seventeenth-century Italian opera, contextualizing the genre amid the broad ocularcentric debates emerging at the crossroads of the early modern period and the Enlightenment. Ayana O. Smith... more

    Access:
    Verlag (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Osnabrück
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

     

    Dreaming with Open Eyes examines visual symbolism in late seventeenth-century Italian opera, contextualizing the genre amid the broad ocularcentric debates emerging at the crossroads of the early modern period and the Enlightenment. Ayana O. Smith reevaluates significant aspects of the Arcadian reform aesthetic and establishes a historically informed method of opera criticism for modern scholars and interpreters. Unfolding in a narrative fashion, the text explores facets of the philosophical and literary background and concludes with close readings of text and music, using visual symbolism to create readings of gender and character in two operas: Alessandro Scarlatti's La Statira (Rome, 1690), and Carlo Francesco Pollarolo's La forza della virtù (Venice, 1693). Smith’s interdisciplinary approach enhances our modern perception of this rich and underexplored repertory, and will appeal to students and scholars not only of opera, but also of literature, philosophy, and visual and intellectual cultures Frontmatter -- Contents -- List Of Figures -- List Of Musical Examples -- Acknowledgments -- Introduction -- Part One. The Image Of Truth -- 1. Founding Arcadia: The Aesthetics Of Verisimilitude And Buon Gusto -- 2. Performing L’Endimione: A History and Reappraisal of Guidi’s Favola pastorale -- 3. Reading the Classics: Intellectual and Cultural Resonances in Gravina’s Discorso sopra l’Endimione -- Part Two. The Truth Of Representation -- 4. Reconciling Icon, Mythos, And Tupos: The Role Of Images In L’Endimione -- 5. Believing in Opera: Visual Modes in Alessandro Scarlatti’s La Statira -- 6. Deceiving the Eye: Mirror, Statue, and Stone in Carlo Francesco Pollarolo’s La forza della virtù -- Epilogue: Constructing Gender and Politics; Queen Christina’s Image -- Notes -- Bibliography -- Index

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520970403
    Other identifier:
    RVK Categories: LQ 81604
    Subjects: Opera; Opera; Symbolism in opera; MUSIC / Genres & Styles / Opera
    Other subjects: 1690; 17th century; aesthetic; alessandro scarlatti; arcadian reform; carlo francesco pollarolo; character; crossroads; debates; early modern period; enlightenment; gender; genre; interpreters; italian; italy; la forza della virtu; la statira; literary background; modern scholars; ocularcentric; opera criticism; opera; philosophical background; rome; text and music; visual symbolism
    Scope: 1 Online-Ressource (xiv, 311 Seiten), Illustrationen, Notenbeispiele
    Notes:

    Includes bibliographical references and index

    restricted access online access with authorization star