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  1. Literary Cultures in History
    Reconstructions from South Asia
    Contributor: Alam, Muzaffar (MitwirkendeR); Asani, Ali S. (MitwirkendeR); Collins, Steven (MitwirkendeR); Cutler, Norman (MitwirkendeR); Dharwadker, Vinay (MitwirkendeR); Freeman, Rich (MitwirkendeR); Hallisey, Charles (MitwirkendeR); Kapstein, Matthew T. (MitwirkendeR); Kaviraj, Sudipta (MitwirkendeR); McGregor, Stuart (MitwirkendeR); Nagaraj, D. R. (MitwirkendeR); Narayana Rao, Velcheru (MitwirkendeR); Pollock, Sheldon (MitwirkendeR); Pollock, Sheldon (HerausgeberIn); Pritchett, Frances W. (MitwirkendeR); Rahman Faruqi, Shamsur (MitwirkendeR); Trivedi, Harish (MitwirkendeR); Yashaschandra, Sitamshu (MitwirkendeR)
    Published: [2003]; ©2003
    Publisher:  University of California Press, Berkeley, CA

    A grand synthesis of unprecedented scope, Literary Cultures in History is the first comprehensive history of the rich literary traditions of South Asia. Together these traditions are unmatched in their combination of antiquity, continuity, and... more

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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    A grand synthesis of unprecedented scope, Literary Cultures in History is the first comprehensive history of the rich literary traditions of South Asia. Together these traditions are unmatched in their combination of antiquity, continuity, and multicultural complexity, and are a unique resource for understanding the development of language and imagination over time. In this unparalleled volume, an international team of renowned scholars considers fifteen South Asian literary traditions—including Hindi, Indian-English, Persian, Sanskrit, Tibetan, and Urdu—in their full historical and cultural variety.The volume is united by a twofold theoretical aim: to understand South Asia by looking at it through the lens of its literary cultures and to rethink the practice of literary history by incorporating non-Western categories and processes. The questions these seventeen essays ask are accordingly broad, ranging from the character of cosmopolitan and vernacular traditions to the impact of colonialism and independence, indigenous literary and aesthetic theory, and modes of performance. A sophisticated assimilation of perspectives from experts in anthropology, political science, history, literary studies, and religion, the book makes a landmark contribution to historical cultural studies and to literary theory in addition to the new perspectives it offers on what literature has meant in South Asia.(Available in South Asia from Oxford University Press--India)

     

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  2. Classical Telugu Poetry
    An Anthology
    Contributor: Shulman, David (HerausgeberIn)
    Published: [2002]; ©2002
    Publisher:  University of California Press, Berkeley, CA

    This groundbreaking anthology opens a window on a thousand years of classical poetry in Telugu, the mellifluous language of Andhra Pradesh in southern India. The classical tradition in Telugu is one of the richest yet least explored of all South... more

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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek Osnabrück
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    This groundbreaking anthology opens a window on a thousand years of classical poetry in Telugu, the mellifluous language of Andhra Pradesh in southern India. The classical tradition in Telugu is one of the richest yet least explored of all South Asian literatures. This authoritative volume, the first anthology of classical Telugu poetry in English, gives an overview of one of the world's most creative poetic traditions. Velcheru Narayana Rao and David Shulman have brought together mythological, religious, and secular texts by twenty major poets who wrote between the eleventh and nineteenth centuries. The beautifully translated selections are often dramatic and unexpected in tone and effect, and sometimes highly personal. The authors have provided an informative, engaging introduction, fleshing out the history of Telugu literature, situating its poets in relation to significant literary themes and historical developments, and discussing the relationship between Telugu and the classical literature and poetry of Sanskrit

     

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    Source: Union catalogues
    Contributor: Shulman, David (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520925885
    Other identifier:
    Series: Voices from Asia ; 13
    Subjects: Telugu poetry; Telugu poetry; POETRY / Anthologies (multiple authors)
    Other subjects: asian literature; brahmin; courtesan songs; courtesan; divine; folk tale; folklore; hindi literature; hinduism; literature; mahabharata; mancana; marriage; myth; nannaya; nannecoda; naraka; nonfiction; poetry; religious poetry; sanskrit; south asian literature; sukumara; telugu; tikkana; udanka and the snakes; vena; visnu the dwarf; widow; world literature
    Scope: 1 Online-Ressource (320 p.)
  3. The Life of a Text
    Performing the Ramcaritmanas of Tulsidas
    Published: [1991]; ©1991
    Publisher:  University of California Press, Berkeley, CA

    The Life of a Text offers a vivid portrait of one community's interaction with its favorite text—the epic Ramcaritmanas—and the way in which performances of the epic function as a flexible and evolving medium for cultural expression. Anthropologists,... more

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    The Life of a Text offers a vivid portrait of one community's interaction with its favorite text—the epic Ramcaritmanas—and the way in which performances of the epic function as a flexible and evolving medium for cultural expression. Anthropologists, historians of religion, and readers interested in the culture of North India and the performance arts will find breadth of subject, careful scholarship, and engaging presentation in this unique and beautifully illustrated examination of Hindi culture.The most popular and influential text of Hindi-speaking North India, the epic Ramcaritmanas is a sixteenth century retelling of the Ramayana story by the poet Tulsidas. This masterpiece of pre-modern Hindi literature has always reached its largely illiterate audiences primarily through oral performance including ceremonial recitation, folksinging, oral exegesis, and theatrical representation. Drawing on fieldwork in Banaras, Lutgendorf breaks new ground by capturing the range of performance techniques in vivid detail and tracing the impact of the epic in its contemporary cultural context

     

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