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  1. Écritures et discours « populaires » (xixe-xxe siècles)
    Contributor: Anselmini, Julie (Herausgeber); Massol, Chantal (Herausgeber)
    Published: 2023
    Publisher:  UGA Éditions, Grenoble ; OAPEN FOUNDATION, The Hague

    La littérature dite « populaire » a longtemps été considérée comme une littérature uchronique et apolitique, tournée seulement vers le divertissement. Il faut attendre le début des années 1990 pour qu'elle soit pleinement intégrée aux études... more

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    La littérature dite « populaire » a longtemps été considérée comme une littérature uchronique et apolitique, tournée seulement vers le divertissement. Il faut attendre le début des années 1990 pour qu'elle soit pleinement intégrée aux études littéraires. Les travaux pionniers de Lise Queffélec-Dumasy ont contribué de manière essentielle à cette réévaluation, fécondant ceux de nombreux universitaires et doctorants, en France et bien au-delà. Dans le présent ouvrage, ce sont quinze chercheurs d'envergure internationale qui portent de nouveaux regards sur les caractéristiques et enjeux de la littérature populaire des XIXe et XXe siècles, du feuilleton à la BD, rendant un hommage aussi original quʼamical à leur collègue « Lise ». Consacrée d'abord à Dumas, la réflexion sʼattache ensuite aux spécificités et aux pouvoirs de réinvention de la fiction populaire, pour situer enfin écritures et discours dans leur contexte éditorial et médiatique. Tout au long de ces analyses se croisent les questions que la notion de « populaire » fait inévitablement surgir : celles des personnages et procédés mis en œuvre, celles des publics et des mutations engendrées par la démocratisation politique et culturelle.

     
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    Source: Union catalogues
    Contributor: Anselmini, Julie (Herausgeber); Massol, Chantal (Herausgeber)
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 9782377474585; 9782377474240
    Series: Bibliothèque stendhalienne et romantique
    Subjects: Literary studies: general
    Other subjects: Stendhal; romantisme; littérature; roman; fiction; essai; prose; histoire; style; représentation(s); imaginaire héroïque; presse; feuilleton; édition populaire; parodie; sérialité
    Scope: 1 Online-Ressource (306 p.)
  2. The art of taking a walk
    flanerie, literature, and film in Weimar culture
    Author: Gleber, Anke
    Published: 1. September 2020
    Publisher:  Princeton University Press, [Princeton, New Jersey]

    Anke Gleber examines one of the most intriguing and characteristic figures of European urban modernity: the observing city stroller, or flaneur. In an age transformed by industrialism, the flaneur drifted through city streets, inspired and repelled... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Anke Gleber examines one of the most intriguing and characteristic figures of European urban modernity: the observing city stroller, or flaneur. In an age transformed by industrialism, the flaneur drifted through city streets, inspired and repelled by the surrounding scenes of splendor and squalor. Gleber examines this often elusive figure in the particular contexts of Weimar Germany and the intellectual sphere of Walter Benjamin, with whom the concept of flanerie is often associated. She sketches the European influences that produced the German flaneur and establishes the figure as a pervasive presence in Weimar culture, as well as a profound influence on modern perceptions of public space. The book begins by exploring the theory of literary flanerie and the technological changes--street lighting, public transportation, and the emergence of film--that gave a new status to the activities of seeing and walking in the modern city. Gleber then assesses the place of flanerie in works by Benjamin, Siegfried Kracauer, and other representatives of Weimar literature, arts, and theory. She draws particular attention to the works of Franz Hessel, a Berlin flaneur who argued that flanerie is a "reading" of the city that perceives passersby, streets, and fleeting impressions as the transitory signs of modernity. Gleber also examines connections between flanerie and Weimar film, and discusses female flanerie as a means of asserting female subjectivity in the public realm. The book is a deeply original and searching reassessment of the complex intersections among modernity, vision, and public space

     
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  3. The Way We Live Now
    Author: Trollope, Anthony
    Published: 2018
    Publisher:  Strelbytskyy Multimedia Publishing, Vachendorf

  4. The art of taking a walk
    flanerie, literature, and film in Weimar culture
    Author: Gleber, Anke
    Published: 1. September 2020
    Publisher:  Princeton University Press, [Princeton, New Jersey]

    Anke Gleber examines one of the most intriguing and characteristic figures of European urban modernity: the observing city stroller, or flaneur. In an age transformed by industrialism, the flaneur drifted through city streets, inspired and repelled... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Anke Gleber examines one of the most intriguing and characteristic figures of European urban modernity: the observing city stroller, or flaneur. In an age transformed by industrialism, the flaneur drifted through city streets, inspired and repelled by the surrounding scenes of splendor and squalor. Gleber examines this often elusive figure in the particular contexts of Weimar Germany and the intellectual sphere of Walter Benjamin, with whom the concept of flanerie is often associated. She sketches the European influences that produced the German flaneur and establishes the figure as a pervasive presence in Weimar culture, as well as a profound influence on modern perceptions of public space. The book begins by exploring the theory of literary flanerie and the technological changes--street lighting, public transportation, and the emergence of film--that gave a new status to the activities of seeing and walking in the modern city. Gleber then assesses the place of flanerie in works by Benjamin, Siegfried Kracauer, and other representatives of Weimar literature, arts, and theory. She draws particular attention to the works of Franz Hessel, a Berlin flaneur who argued that flanerie is a "reading" of the city that perceives passersby, streets, and fleeting impressions as the transitory signs of modernity. Gleber also examines connections between flanerie and Weimar film, and discusses female flanerie as a means of asserting female subjectivity in the public realm. The book is a deeply original and searching reassessment of the complex intersections among modernity, vision, and public space

     
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  5. Écritures et discours « populaires » (xixe-xxe siècles)
    Nouveaux regards
    Contributor: Anselmini, Julie (Herausgeber); Massol, Chantal (Herausgeber)
    Published: 2023
    Publisher:  UGA Éditions, Grenoble

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    Source: Union catalogues
    Contributor: Anselmini, Julie (Herausgeber); Massol, Chantal (Herausgeber)
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 9782377474240
    Other identifier:
    Series: Bibliothèque stendhalienne et romantique
    Subjects: Literary studies: general
    Other subjects: Stendhal; romantisme; littérature; roman; fiction; essai; prose; histoire; style; représentation(s); imaginaire héroïque; presse; feuilleton; édition populaire; parodie; sérialité
    Scope: 1 electronic resource (306 pages)