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  1. Victorian Sappho
    Author: Prins, Yopie
    Published: [2020]; ©1999
    Publisher:  Princeton University Press, Princeton, NJ

    What is Sappho, except a name? Although the Greek archaic lyrics attributed to Sappho of Lesbos survive only in fragments, she has been invoked for many centuries as the original woman poet, singing at the origins of a Western lyric tradition.... more

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    Hochschule für Gesundheit, Hochschulbibliothek
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    Universitätsbibliothek Braunschweig
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    What is Sappho, except a name? Although the Greek archaic lyrics attributed to Sappho of Lesbos survive only in fragments, she has been invoked for many centuries as the original woman poet, singing at the origins of a Western lyric tradition. Victorian Sappho traces the emergence of this idealized feminine figure through reconstructions of the Sapphic fragments in late-nineteenth-century England. Yopie Prins argues that the Victorian period is a critical turning point in the history of Sappho's reception; what we now call "Sappho" is in many ways an artifact of Victorian poetics. Prins reads the Sapphic fragments in Greek alongside various English translations and imitations, considering a wide range of Victorian poets--male and female, famous and forgotten--who signed their poetry in the name of Sappho. By "declining" the name in each chapter, the book presents a theoretical argument about the Sapphic signature, as well as a historical account of its implications in Victorian England. Prins explores the relations between classical philology and Victorian poetics, the tropes of lesbian writing, the aesthetics of meter, and nineteenth-century personifications of the "Poetess." as current scholarship on Sappho and her afterlife. Offering a history and theory of lyric as a gendered literary form, the book is an exciting and original contribution to Victorian studies, classical studies, comparative literature, and women's studies

     
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  2. Intertextuality in New Testament Scholarship
    Significance, Criteria, and the Art of Intertextual Reading
    Author: Emadi, Samuel
    Published: [2015]

    ‘Intertextuality’ is currently a hot topic among biblical interpreters. However, a great deal of debate regarding the locus, purpose, and meaning-effect of an intertextual event, the criteria used to discern the presence of intertexts (if in fact... more

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    ‘Intertextuality’ is currently a hot topic among biblical interpreters. However, a great deal of debate regarding the locus, purpose, and meaning-effect of an intertextual event, the criteria used to discern the presence of intertexts (if in fact there are any), and the theological value of intertextuality in Scripture still exists. This article surveys these interpretive questions and discusses how the foremost contributors to the conversation have aimed at resolving these hermeneutical tensions. In this article, I examine and compare the hermeneutical methodologies of Richard Hays, Michael Thompson, Dale Allison, Greg Beale, Christopher Beetham, Leroy Huizenga, and Peter Leithart with respect to intertextuality. My aim is to identify the strengths of each contributor’s hermeneutical method, while clarifying where these scholars share similar hermeneutical convictions, as well as where they part ways with one another’s convictions about the practice of intertextual reading.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: Currents in biblical research; London [u.a.] : Sage, 2002; 14(2015), 1, Seite 8-23; Online-Ressource

    Subjects: allusion; BIBLE; BIBLE. New Testament; Christopher Beetham; Dale Allison; echo; Greg Beale; Hermeneutics; inner-biblical interpretation; Intertextuality; Leroy Huizenga; Michael Thompson; New Testament use of the Old Testament; Peter Leithart; Richard Hays