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  1. Affective Geographies
    Cervantes, Emotion, and the Literary Mediterranean
    Author: Johnson, Paul Michael
    Published: [2020]; ©2020
    Publisher:  University of Toronto Press, Toronto ; Walter de Gruyter GmbH, Berlin

    For Miguel de Cervantes, to narrate a Mediterranean experience is to necessarily speak of an emotional experience. Affective Geographies takes as its point of departure the premise that literature is as influential in constructing the Mediterranean... more

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    For Miguel de Cervantes, to narrate a Mediterranean experience is to necessarily speak of an emotional experience. Affective Geographies takes as its point of departure the premise that literature is as influential in constructing the Mediterranean as are its geographic, climatic, or economic features. As the writer with the most vast and varied Mediterranean experience of his era, Cervantes is exceptionally well-suited for the critical task of recovering the literary Mediterranean. Engaging with the interdisciplinary fields of Mediterranean studies, affect theory, and the history of emotion, Paul Michael Johnson reads Cervantes’s texts alongside the affective structures that inscribe the Mediterranean as a space of conflict, commerce, expansion, and empire. In particular, he argues that Cervantes’s writing, with its uncommon focus on the Moorish, Islamic, and North African experience, can serve to realign misconceptions about the Mediterranean we have inherited today. Affective Geographies proposes that, with a more than four-hundred-year history of impacting the hearts and minds of readers, Cervantes’s works constitute a literary longue durée, ramifying beyond fiction to alter the popular imaginary and long-term cultural landscape.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487536398
    Other identifier:
    Series: Toronto Iberic
    Subjects: Gefühl <Motiv>; Mittelmeerraum <Motiv>; Emotions in literature; LITERARY CRITICISM / European / Spanish & Portuguese
    Other subjects: Cervantes Saavedra, Miguel de (1547-1616); Blue Humanities; Don Quixote; Fernand Braudel; Golden Age literature; Mediterranean; Miguel de Cervantes; Moorish; Moriscos; Oceanic Studies; Spain; affect; early modern Spanish literature; emotion; sentiment
    Scope: 1 Online-Ressource (328 p.)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mrz 2021)
  2. Drawing the Curtain
    Cervantes's Theatrical Revelations
    Contributor: Burningham, Bruce R. (MitwirkendeR); Calderón, José R. Cartagena (MitwirkendeR); Domínguez, Julia (MitwirkendeR); Fernández, Esther (MitwirkendeR); Fernández, Esther (HerausgeberIn); Galán, Mercedes Alcalá (MitwirkendeR); Guerrero, Eduardo Olid (MitwirkendeR); Ife, B. W. (MitwirkendeR); Infante, Catherine (MitwirkendeR); Johnson, Paul Michael (MitwirkendeR); Laguna, Ana (MitwirkendeR); Martín, Adrienne L. (MitwirkendeR); Martín, Adrienne L. (HerausgeberIn); Slater, John (MitwirkendeR); Velasco, Sherry (MitwirkendeR); Velázquez, Sonia (MitwirkendeR)
    Published: 2022; ©2022
    Publisher:  University of Toronto Press, Toronto

    Miguel de Cervantes’s experimentation with theatricality is frequently tied to the notion of revelation and disclosure of hidden truths. Drawing the Curtain showcases the elements of theatricality that characterize Cervantes’s prose and analyses the... more

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    Miguel de Cervantes’s experimentation with theatricality is frequently tied to the notion of revelation and disclosure of hidden truths. Drawing the Curtain showcases the elements of theatricality that characterize Cervantes’s prose and analyses the ways in which he uses theatricality in his own literary production. Bringing together the works of well-known scholars, who draw from a variety of disciplines and theoretical approaches, this collection demonstrates how Cervantes exploits revelation and disclosure to create dynamic dramatic moments that surprise and engage observers and readers. Hewing closely to Peter Brook’s notion of the bare or empty stage, Esther Fernández and Adrienne L. Martín argue that Cervantes’s omnipresent concern with theatricality manifests not only in his drama but also in the myriad metatheatrical instances dispersed throughout his prose works. In doing so, Drawing the Curtain sheds light on the ways in which Cervantes forces his readers to engage with themes that are central to his life and works, including love, freedom, truth, confinement, and otherness

     
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    Cover (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Burningham, Bruce R. (MitwirkendeR); Calderón, José R. Cartagena (MitwirkendeR); Domínguez, Julia (MitwirkendeR); Fernández, Esther (MitwirkendeR); Fernández, Esther (HerausgeberIn); Galán, Mercedes Alcalá (MitwirkendeR); Guerrero, Eduardo Olid (MitwirkendeR); Ife, B. W. (MitwirkendeR); Infante, Catherine (MitwirkendeR); Johnson, Paul Michael (MitwirkendeR); Laguna, Ana (MitwirkendeR); Martín, Adrienne L. (MitwirkendeR); Martín, Adrienne L. (HerausgeberIn); Slater, John (MitwirkendeR); Velasco, Sherry (MitwirkendeR); Velázquez, Sonia (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487538927
    Other identifier:
    Series: Toronto Iberic
    Subjects: Revelation in literature; Theater in literature; LITERARY CRITICISM / Renaissance
    Other subjects: Don Quixote; Miguel de Cervantes; Peter Brook; Renaissance; Spanish drama; drama; dramatic works; early modern Spanish literature; empty space; entremeses; performance; prose; revelations; theatre; theatricality
    Scope: 1 Online-Ressource (392 p.), 6 b&w illustrations