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Displaying results 1 to 19 of 19.

  1. Cinepoetry
    Imaginary Cinemas in French Poetry
    Author: Wall-Romana, Christophe
    Published: [2013]; © 2013
    Publisher:  Fordham University Press, New York, NY

    Cinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Cinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of cinema into writing, Wall-Romana documents the long history of cross-media concepts and practices often thought to emerge with the digital.In showing the cinematic consciousness of Mallarmé and Breton and calling for a reappraisal of the influential poetry theory of the early filmmaker Jean Epstein, Cinepoetry reevaluates the bases of literary modernism. The book also explores the crucial link between trauma and trans-medium experiments in the wake of two world wars and highlights the marginal identity of cinepoets who were often Jewish, gay, foreign-born, or on the margins.What results is a broad rethinking of the relationship between film and literature. The episteme of cinema, the book demonstates, reached the very core of its supposedly highbrow rival, while at the same time modern poetry cultivated the technocultural savvy that is found today in slams, e-poetry, and poetic-digital hybrids

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823245512
    Other identifier:
    Series: Verbal Arts: Studies in Poetics
    Subjects: André Breton; Charles Chaplin; Jean Epstein; Stéphane Mallarmé; cross media studies; early cinema; film studies; literary criticism; modern French literature; poetry; LITERARY CRITICISM / European / French; French poetry; French poetry; Motion pictures and literature; Motion pictures in literature
    Scope: 1 online resource (504 pages), 51 Black & White and Color Illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  2. Insane Run
    Author: Tomasik, Wojciech
    Published: 2020
    Publisher:  Peter Lang International Academic Publishers, Bern ; OAPEN FOUNDATION, The Hague

    This is a book about impending catastrophe. The metaphorical insane “run“ ends with the outbreak of the First World War. The book focuses on European culture of the late nineteenth century and the Polish contribution to it. The word “dark“ used to... more

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    This is a book about impending catastrophe. The metaphorical insane “run“ ends with the outbreak of the First World War. The book focuses on European culture of the late nineteenth century and the Polish contribution to it. The word “dark“ used to describe modernity is understood as a metaphor of gradual and permanent devaluation of the idea of progress, as a fading hope for the future of Europe as bright, predictable, prosperous, and safe. The “darkening“ also receives a literal sense. At the end of the nineteenth century, darkness found its way back to the public space – in the theaters, panoramas, dioramas, and “love tunnels“, which awaited the visitors of American and European amusement parks.

     
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  3. Cinepoetry
    Imaginary Cinemas in French Poetry
    Author: Wall-Romana, Christophe
    Published: [2013]; © 2013
    Publisher:  Fordham University Press, New York, NY

    Cinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Universitätsbibliothek Passau
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    Cinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of cinema into writing, Wall-Romana documents the long history of cross-media concepts and practices often thought to emerge with the digital.In showing the cinematic consciousness of Mallarmé and Breton and calling for a reappraisal of the influential poetry theory of the early filmmaker Jean Epstein, Cinepoetry reevaluates the bases of literary modernism. The book also explores the crucial link between trauma and trans-medium experiments in the wake of two world wars and highlights the marginal identity of cinepoets who were often Jewish, gay, foreign-born, or on the margins.What results is a broad rethinking of the relationship between film and literature. The episteme of cinema, the book demonstates, reached the very core of its supposedly highbrow rival, while at the same time modern poetry cultivated the technocultural savvy that is found today in slams, e-poetry, and poetic-digital hybrids

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823245512
    Other identifier:
    Series: Verbal Arts: Studies in Poetics
    Subjects: André Breton; Charles Chaplin; Jean Epstein; Stéphane Mallarmé; cross media studies; early cinema; film studies; literary criticism; modern French literature; poetry; LITERARY CRITICISM / European / French; French poetry; French poetry; Motion pictures and literature; Motion pictures in literature
    Scope: 1 online resource (504 pages), 51 Black & White and Color Illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  4. Balkan cinema and the Great Wars
    our story
    Contributor: Ionescu, Adrian-Silvan (Publisher); Ţuţui, Marian (Publisher); Arslan, Savaş (Publisher)
    Published: [2020]; © 2020
    Publisher:  Peter Lang, Berlin

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    Bayerische Staatsbibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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    Source: Union catalogues
    Contributor: Ionescu, Adrian-Silvan (Publisher); Ţuţui, Marian (Publisher); Arslan, Savaş (Publisher)
    Language: English
    Media type: Book
    ISBN: 9783631803967
    RVK Categories: AP 59436 ; KD 5120
    DDC Categories: 791
    Subjects: Film; Zweiter Weltkrieg <Motiv>; Erster Weltkrieg <Motiv>
    Other subjects: Adrian; Arslan; Balkan; Balkan films; Cinema; early cinema; Great; Ionescu; Marian; national identity; propaganda; Savas; Silvan; Story; Tutui; Wars; world wars
    Scope: 282 Seiten, Illustrationen
  5. Insane run
    railroad and dark modernity
    Author: Tomasik, Wojciech
    Published: [2020]; © 2020
    Publisher:  Peter Lang, Berlin ; Bern ; Bruxelles

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Contributor: Gołubiewski, Mikołaj; Burzński, Jan; Dorociński, Łukasz
    Language: English
    Media type: Book
    ISBN: 9783631831823; 363183182X
    Other identifier:
    9783631831823
    RVK Categories: KP 1405
    DDC Categories: 800
    Series: Modernity in question ; volume 14
    Subjects: Bahnbetriebsunfall <Motiv>; Literatur; Eisenbahn <Motiv>; Polnisch
    Other subjects: Burzyński; Dark; Dorociński; early cinema; Fazan; Golubiewski; Insane; Kowalska; Łukasz; Małgorzata; melodrama; Mikołaj; Modernity; nineteenth century; popular culture; Railroad; railroad disaster; Side; technology in literature; Teresa; Tomasik; Wojciech
    Scope: 303 Seiten, 21 cm x 14.8 cm, 466 g
  6. Modernist Idealism
    Ambivalent Legacies of German Philosophy in Italian Literature
    Author: Subialka, Michael J.
    Published: 2022; ©2021
    Publisher:  University of Toronto Press, Toronto

    Offering a new approach to the intersection of literature and philosophy, Modernist Idealism contends that certain models of idealist thought require artistic form for their full development and that modernism realizes philosophical idealism in... more

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    Offering a new approach to the intersection of literature and philosophy, Modernist Idealism contends that certain models of idealist thought require artistic form for their full development and that modernism realizes philosophical idealism in aesthetic form. This comparative view of modernism employs tools from intellectual history, literary analysis, and philosophical critique, focusing on the Italian reception of German idealist thought from the mid-1800s to the Second World War. Modernist Idealism intervenes in ongoing debates about the nineteenth- and twentieth-century resurgence of materialism and spiritualism, as well as the relation of decadent, avant-garde, and modernist production. Michael J. Subialka aims to open new discursive space for the philosophical study of modernist literary and visual culture, considering not only philosophical and literary texts but also early cinema. The author's main contention is that, in various media and with sometimes radically different political and cultural aims, a host of modernist artists and thinkers can be seen as sharing in a project to realize idealist philosophical worldviews in aesthetic form

     
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    Content information
    Cover (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Contributor: De Sanctis, Francesco (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487545383
    Other identifier:
    Series: Toronto Italian Studies
    Subjects: Idealism, German; Italian literature; Italian literature; Italian literature; Literature; Modernism (Literature); Philosophy, German; LITERARY CRITICISM / European / Italian
    Other subjects: Francesco De Sanctis; Futurism; Gabriele d'Annunzio; Hegel; Modernist idealism; Pirandello; Schopenhauer; aestheticism vitalism; decadence; early cinema; literature; occult spiritualism; philosophy; silent film
    Scope: 1 Online-Ressource (400 p.), 3 b&w illustrations
  7. Modernist Idealism
    Ambivalent Legacies of German Philosophy in Italian Literature
    Author: Subialka, Michael J.
    Published: 2022; ©2021
    Publisher:  University of Toronto Press, Toronto

    Offering a new approach to the intersection of literature and philosophy, Modernist Idealism contends that certain models of idealist thought require artistic form for their full development and that modernism realizes philosophical idealism in... more

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    Resolving-System (kostenfrei)
    Verlag (kostenfrei)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

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    Universität Potsdam, Universitätsbibliothek
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    Offering a new approach to the intersection of literature and philosophy, Modernist Idealism contends that certain models of idealist thought require artistic form for their full development and that modernism realizes philosophical idealism in aesthetic form. This comparative view of modernism employs tools from intellectual history, literary analysis, and philosophical critique, focusing on the Italian reception of German idealist thought from the mid-1800s to the Second World War. Modernist Idealism intervenes in ongoing debates about the nineteenth- and twentieth-century resurgence of materialism and spiritualism, as well as the relation of decadent, avant-garde, and modernist production. Michael J. Subialka aims to open new discursive space for the philosophical study of modernist literary and visual culture, considering not only philosophical and literary texts but also early cinema. The author's main contention is that, in various media and with sometimes radically different political and cultural aims, a host of modernist artists and thinkers can be seen as sharing in a project to realize idealist philosophical worldviews in aesthetic form

     
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    Content information
    Cover (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Contributor: De Sanctis, Francesco (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487545383
    Other identifier:
    Series: Toronto Italian Studies
    Subjects: Idealism, German; Italian literature; Italian literature; Italian literature; Literature; Modernism (Literature); Philosophy, German; LITERARY CRITICISM / European / Italian
    Other subjects: Francesco De Sanctis; Futurism; Gabriele d'Annunzio; Hegel; Modernist idealism; Pirandello; Schopenhauer; aestheticism vitalism; decadence; early cinema; literature; occult spiritualism; philosophy; silent film
    Scope: 1 Online-Ressource (400 p.), 3 b&w illustrations
  8. Balkan cinema and the Great Wars
    our story
    Contributor: Ionescu, Adrian-Silvan (Publisher); Ţuţui, Marian (Publisher); Arslan, Savaş (Publisher)
    Published: [2020]; © 2020
    Publisher:  Peter Lang, Berlin

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    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin
    Contributor: Ionescu, Adrian-Silvan (Publisher); Ţuţui, Marian (Publisher); Arslan, Savaş (Publisher)
    Language: English
    Media type: Book
    ISBN: 9783631803967
    RVK Categories: AP 59436 ; KD 5120
    DDC Categories: 791
    Subjects: Film; Zweiter Weltkrieg <Motiv>; Erster Weltkrieg <Motiv>
    Other subjects: Adrian; Arslan; Balkan; Balkan films; Cinema; early cinema; Great; Ionescu; Marian; national identity; propaganda; Savas; Silvan; Story; Tutui; Wars; world wars
    Scope: 282 Seiten, Illustrationen
  9. Agatha Christie on screen
    Author: Aldridge, Mark
    Published: [2016]
    Publisher:  Palgrave Macmillan, London

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  10. Re-disciplining the Audience: Godard’s Rube-Carabinier
    Author: Strauven, Wanda
    Published: 2005
    Publisher:  Philipps-Universität Marburg, Marburg ; Amsterdam University Press, Amsterdam

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    Source: Union catalogues
    Contributor: de Valck, Marijke (Herausgeber); Hagener, Malte (Herausgeber)
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Other subjects: intertextuality; film; history; early cinema; intermediality; television; Intertextualität; Filmgeschichte; Frühes Kino; Intermedialität; Fernsehen
    Scope: Online-Ressource
    Notes:

    In: Wanda Strauven: Re-disciplining the Audience: Godard’s Rube-Carabinier. In: Marijke de Valck und Malte Hagener (Hg.): Cinephilia. Movies, Love and Memory. Amsterdam: Amsterdam University Press (2005) (Film culture in transition), S. 125–133.
  11. Fortschritt als Fraktur im frühen Science Fiction Film. Metaphorologische Überlegungen zu Auf- und Einbrüchen in LE VOYAGE DANS LA LUNE und LE VOYAGE À TRAVERS L'IMPOSSIBLE von G. Méliès
    Author: Hartmann, Jörg
    Published: 2009
    Publisher:  Philipps-Universität Marburg, Marburg ; KIT Scientific Publishing, Karlsruhe

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    Source: Union catalogues
    Language: German
    Media type: E-Journal
    Format: Online
    ISSN: 1868-6648
    Other identifier:
    Parent title: In: Jörg Hartmann: Fortschritt als Fraktur im frühen Science Fiction Film. Metaphorologische Überlegungen zu Auf- und Einbrüchen in LE VOYAGE DANS LA LUNE und LE VOYAGE À TRAVERS L`IMPOSSIBLE von G. Méliès. In: Journal of New Frontiers in Spatial Concepts, Jg. 1 (2009), S. 134–147. DOI: http://dx.doi.org/10.25969/mediarep/4100.
    Subjects: Science-Fiction-Film; Querträger; Science-Fiction-Literatur
    Other subjects: Méliès, Georges (1861-1938); Raumfahrt; Science-Fiction; early cinema
    Scope: Online-Ressource
  12. Tableaux vivants, early cinema, and ‹beauty-as-attraction›
    Author: Wiegand, Daniel
    Published: 2018
    Publisher:  Philipps-Universität Marburg, Marburg ; De Gruyter Poland, Warschau

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    Source: Union catalogues
    Language: English
    Media type: E-Journal
    Format: Online
    ISSN: 2066-7779
    Other identifier:
    Parent title: In: Daniel Wiegand: Tableaux vivants, early cinema, and ‹beauty-as-attraction›. In: Zurich Open Repository and Archive (2018), S. 9–32. DOI: http://dx.doi.org/10.25969/mediarep/4094.
    Other subjects: early cinema; Film; Performance; Intermedialität; Rezeption; Tableau Vivant; Schönheit; Ästhetik
    Scope: Online-Ressource
  13. Insane run
    railroad and dark modernity
    Author: Tomasik, Wojciech
    Published: [2020]
    Publisher:  Peter Lang, Berlin

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  14. Balkan cinema and the Great Wars
    our story
    Contributor: Ionescu, Adrian-Silvan (Herausgeber)
    Published: [2020]
    Publisher:  Peter Lang, Berlin

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  15. Balkan Cinema and the Great Wars
    Our Story
    Contributor: Ionescu, Adrian-Silvan (Herausgeber); Arslan, Savaş (Herausgeber); Tutui, Marian (Herausgeber)
    Published: 2020
    Publisher:  Peter Lang GmbH, Internationaler Verlag der Wissenschaften, Frankfurt a.M.

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  16. Insane Run
    Railroad and Dark Modernity
    Author: Tomasik, Wojciech
    Published: 2020
    Publisher:  Peter Lang GmbH, Internationaler Verlag der Wissenschaften, Frankfurt a.M.

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  17. Early/Post-Cinema: The Short Form, 1900/2000
    Author: Mayer, Ruth
    Published: 2016
    Publisher:  Philipps-Universität Marburg, Marburg ; REFRAME Books, Falmer

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    Source: Union catalogues
    Contributor: Denson, Shane (Herausgeber); Leyda, Julia (Herausgeber)
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Other subjects: Frühes Kino; Mediengeschichte; Medientheorie; Post-Cinema; film history; early cinema; media history; micromovie
    Scope: Online-Ressource
    Notes:
  18. Agatha Christie on screen
    Author: Aldridge, Mark
    Published: [2016]; © 2016
    Publisher:  Palgrave Macmillan, London

    Location:
    Universitätsbibliothek der RPTU in Landau
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    Location:
    Universitäts- und Landesbibliothek Münster
    Signature:
    3K 68607
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    Location:
    Universitätsbibliothek Paderborn
    Signature:
    ECBC3327
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    Location:
    Landesbibliothekszentrum Rheinland-Pfalz / Pfälzische Landesbibliothek
    Signature:
    116-4508
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  19. Balkan cinema and the Great Wars
    our story
    Contributor: Ionescu, Adrian-Silvan (Publisher); Tutui, Marian (Publisher); Arslan, Savaş (Publisher)
    Published: [2020]; © 2020
    Publisher:  Peter Lang, Berlin

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin
    Contributor: Ionescu, Adrian-Silvan (Publisher); Tutui, Marian (Publisher); Arslan, Savaş (Publisher)
    Language: English
    Media type: Conference proceedings
    Format: Online
    ISBN: 9783631809082; 9783631809099; 9783631809105
    Other identifier:
    RVK Categories: AP 59436 ; KD 5120
    DDC Categories: 791
    Corporations / Congresses: International Conference on Balkan Cinema, 3. (2018, Bukarest)
    Subjects: Film; Zweiter Weltkrieg <Motiv>; Erster Weltkrieg <Motiv>
    Other subjects: Adrian; Arslan; Balkan; Balkan films; Cinema; early cinema; Great; Ionescu; Marian; national identity; propaganda; Savas; Silvan; Story; Tutui; Wars; world wars
    Scope: 1 Online-Ressource (282 Seiten), Illustrationen
    Notes:

    Aus der Einleitung: "This volume is indeed a result of such perspectives presented at the Third Balkan International Conference on Balkan Cinema, 'The Great War(s): Our Story,' held in Bucharest between 8 and 10 May 2018."