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  1. Finding the Enemy Within : Blasphemy Accusations and Subsequent Violence in Pakistan
    Author: Ashraf, Sana
    Published: 2021
    Publisher:  ANU Press, Canberra

    In the past decade, Pakistan has witnessed incidents such as the public lynching of a student on a university campus, a Christian couple being torched alive, attacks on entire neighbourhoods by angry mobs and the assassination of a provincial... more

     

    In the past decade, Pakistan has witnessed incidents such as the public lynching of a student on a university campus, a Christian couple being torched alive, attacks on entire neighbourhoods by angry mobs and the assassination of a provincial governor by his own security guard over allegations of blasphemy. Finding the Enemy Within unpacks the meanings and motivations behind accusations of blasphemy and subsequent violence in Pakistan. This is the first ethnographic study of its kind analysing the perspectives of a range of different actors including accusers, religious scholars and lawyers involved in blasphemy-related incidents in Pakistan. Bringing together anthropological perspectives on religion, violence and law, this book reworks prevalent analytical dichotomies of reason/emotion, culture/religion, traditional/Western, state/nonstate and legal/extralegal to extend our understanding of the upsurge of blasphemy-related violence in Pakistan. Through the case study of blasphemy accusations in Pakistan, this book addresses broader questions of difference, individual and collective identities, social and symbolic boundaries, and conflict and violence in modern nation-states.

     
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  2. God on the Big Screen
    A History of Hollywood Prayer from the Silent Era to Today
    Author: Lindvall, Terry
    Published: [2019]; © 2019
    Publisher:  New York University Press, New York, NY

    Film history meets church history through the ritual of prayers Moments of prayer have been represented in Hollywood movies since the silent era, appearing unexpectedly in films as diverse as Rebecca of Sunnybrook Farm, Frankenstein, Amistad, Easy... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Film history meets church history through the ritual of prayers Moments of prayer have been represented in Hollywood movies since the silent era, appearing unexpectedly in films as diverse as Rebecca of Sunnybrook Farm, Frankenstein, Amistad, Easy Rider, Talladega Nights, and Alien 3, as well as in religiously inspired classics such as Ben-Hur and The Ten Commandments. Here, Terry Lindvall examines how films have reflected, and sometimes sought to prescribe, ideas about how one ought to pray. He surveys the landscape of those films that employ prayer in their narratives, beginning with the silent era and moving through the uplifting and inspirational movies of the Great Depression and World War II, the cynical, anti-establishment films of the 60s and 70s, and the sci-fi and fantasy blockbusters of today. Lindvall considers how the presentation of cinematic prayer varies across race, age, and gender, and places the use of prayer in film in historical context, shedding light on the religious currents at play during those time periods.God on the Big Screen demonstrates that the way prayer is presented in film during each historical period tells us a great deal about America’s broader relationship with religion

     
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  3. Taking Offense
    Religion, Art, and Visual Culture in Plural Configurations
    Published: 2018
    Publisher:  Wilhelm Fink Verlag, Paderborn

    What makes an image offensive? — This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding... more

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Universität Potsdam, Universitätsbibliothek
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    What makes an image offensive? — This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding of what is at stake in these tensions and debates calls for a multidisciplinary conversation. The authors focus on images that appear to trigger strongly negative reactions; images that are perceived as insulting or offensive; those subject to taboos and restrictions; or those that are condemned as blasphemous. In light of recurrent acts of violence leveled against images and symbols in the contemporary, globally entangled world, addressing instances of “icono-clash” (Bruno Latour) from a new post-secular, global perspective has become a matter of urgency.

     
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  4. God on the Big Screen
    A History of Hollywood Prayer from the Silent Era to Today
    Author: Lindvall, Terry
    Published: [2019]; © 2019
    Publisher:  New York University Press, New York, NY

    Film history meets church history through the ritual of prayers Moments of prayer have been represented in Hollywood movies since the silent era, appearing unexpectedly in films as diverse as Rebecca of Sunnybrook Farm, Frankenstein, Amistad, Easy... more

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    Film history meets church history through the ritual of prayers Moments of prayer have been represented in Hollywood movies since the silent era, appearing unexpectedly in films as diverse as Rebecca of Sunnybrook Farm, Frankenstein, Amistad, Easy Rider, Talladega Nights, and Alien 3, as well as in religiously inspired classics such as Ben-Hur and The Ten Commandments. Here, Terry Lindvall examines how films have reflected, and sometimes sought to prescribe, ideas about how one ought to pray. He surveys the landscape of those films that employ prayer in their narratives, beginning with the silent era and moving through the uplifting and inspirational movies of the Great Depression and World War II, the cynical, anti-establishment films of the 60s and 70s, and the sci-fi and fantasy blockbusters of today. Lindvall considers how the presentation of cinematic prayer varies across race, age, and gender, and places the use of prayer in film in historical context, shedding light on the religious currents at play during those time periods.God on the Big Screen demonstrates that the way prayer is presented in film during each historical period tells us a great deal about America’s broader relationship with religion

     
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  5. Taking Offense
    Religion, Art, and Visual Culture in Plural Configurations
    Contributor: Kruse, Christiane; Schmitz, Norbert M.; Meyer, Birgit; Korte, Anne-Marie; Verrips, Jojada; Spalinger, Nika; O'Meara, Simon; Juneja, Monica; Svasek, Maruska; Becker, Tania
    Published: 2018
    Publisher:  Brill | Fink, Paderborn

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    Technische Hochschule Augsburg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Source: Union catalogues
    Contributor: Kruse, Christiane; Schmitz, Norbert M.; Meyer, Birgit; Korte, Anne-Marie; Verrips, Jojada; Spalinger, Nika; O'Meara, Simon; Juneja, Monica; Svasek, Maruska; Becker, Tania
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783846763452
    Other identifier:
    Edition: 2018
    Subjects: Postsäkularismus; post-sekular; visual culture; religious conflict; post-secularism; post-secular; populäre Ästhetik; popular aesthetics; politics of representation; offensive images; museums; Museen; Medienwissenschaft; Literaturwissenschaft; literary studies; Kunstwissenschaft; Kulturwissenschaft; Islam; imaging gender; Hinduismus; Hinduism; Glaubenskonflikt; Filmwissenschaft; cultural studies; co-existence; anstößige Bilder; artistic research; Artistic Research; Bildpolitik; Bildwissenschaft; Blasphemie; blasphemy; Christentum; Christianity
    Scope: 1 Online-Ressource (383 Seiten)
    Notes:

    What makes an image offensive? - This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding of what is at stake in these tensions and debates calls for a multidisciplinary conversation. The authors focus on images that appear to trigger strongly negative reactions; images that are perceived as insulting or offensive; those subject to taboos and restrictions; or those that are condemned as blasphemous. In light of recurrent acts of violence leveled against images and symbols in the contemporary, globally entangled world, addressing instances of "icono-clash" (Bruno Latour) from a new post-secular, global perspective has become a matter of urgency
  6. Taking Offense
    Religion, Art, and Visual Culture in Plural Configurations
    Contributor: Kruse, Christiane (Publisher); Schmitz, Norbert M. (Publisher); Meyer, Birgit (Publisher); Korte, Anne-Marie (Publisher)
    Published: 2018
    Publisher:  Wilhelm Fink Verlag, Paderborn

    What makes an image offensive? - This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding... more

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    Alice Salomon Hochschule Berlin, Bibliothek
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    What makes an image offensive? - This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding of what is at stake in these tensions and debates calls for a multidisciplinary conversation. The authors focus on images that appear to trigger strongly negative reactions; images that are perceived as insulting or offensive; those subject to taboos and restrictions; or those that are condemned as blasphemous. In light of recurrent acts of violence leveled against images and symbols in the contemporary, globally entangled world, addressing instances of "icono-clash" (Bruno Latour) from a new post-secular, global perspective has become a matter of urgency

     
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  7. Taking offense
    religion, art, and visual culture in plural configurations
    Contributor: Kruse, Christiane (Herausgeber); Meyer, Birgit (Herausgeber); Korte, Anne-Marie (Herausgeber)
    Published: [2018]
    Publisher:  Wilhelm Fink, Paderborn

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    Source: Union catalogues
    Contributor: Kruse, Christiane (Herausgeber); Meyer, Birgit (Herausgeber); Korte, Anne-Marie (Herausgeber)
    Language: English
    Media type: Conference proceedings
    Format: Print
    ISBN: 9783770563456; 377056345X
    Other identifier:
    9783770563456
    Corporations / Congresses: Offensive Pictures. Art and Religion in Global Cultures (2014, Kiel)
    Series: Dynamis
    Subjects: Bild; Wertordnung; Normverletzung; Bild; Tabuverletzung; Gotteslästerung; Verunglimpfung
    Other subjects: (Produktform)Paperback / softback; Literaturwissenschaft; Kulturwissenschaft; Artistic Research; Postsäkularismus; Glaubenskonflikt; literary studies; cultural studies; artistic research; post-secularism; religious conflict; (VLB-WN)1589: Hardcover, Softcover / Kunst/Sonstiges; (BISAC Subject Heading)ART025000; anstößige Bilder; Bildwissenschaft; Kunstwissenschaft; Medienwissenschaft; Filmwissenschaft; Blasphemie; populäre Ästhetik; post-sekular; Museen; Bildpolitik; Islam; Hinduismus; Christentum; offensive images; visual culture; co-existence; blasphemy; popular aesthetics; post-secular; museums; politics of representation; imaging gender; Hinduism; Christianity
    Scope: 381 Seiten, Illustrationen, 24 cm, 826 g
    Notes:

    Angabe der Veranstaltung aus dem Vorwort der Vorlage
  8. Taking Offense
    Religion, Art, and Visual Culture in Plural Configurations
    Published: 2018
    Publisher:  Wilhelm Fink Verlag, Paderborn

    What makes an image offensive? — This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding... more

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    What makes an image offensive? — This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding of what is at stake in these tensions and debates calls for a multidisciplinary conversation. The authors focus on images that appear to trigger strongly negative reactions; images that are perceived as insulting or offensive; those subject to taboos and restrictions; or those that are condemned as blasphemous. In light of recurrent acts of violence leveled against images and symbols in the contemporary, globally entangled world, addressing instances of “icono-clash” (Bruno Latour) from a new post-secular, global perspective has become a matter of urgency.

     
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  9. Taking Offense
    Religion, Art, and Visual Culture in Plural Configurations
    Author: Korte, Anne-Marie
    Published: 2018
    Publisher:  Verlag Wilhelm Fink, Paderborn

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  10. Taking Offense
    Religion, Art, and Visual Culture in Plural Configurations
    Contributor: Kruse, Christiane (Publisher); Schmitz, Norbert M. (Publisher); Meyer, Birgit (Publisher); Korte, Anne-Marie (Publisher)
    Published: 2018
    Publisher:  Wilhelm Fink Verlag, Paderborn

    What makes an image offensive? - This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding... more

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    Hochschule Kempten, Hochschulbibliothek
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    Location:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Evangelische Hochschule Nürnberg, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschulbibliothek Rosenheim
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    What makes an image offensive? - This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding of what is at stake in these tensions and debates calls for a multidisciplinary conversation. The authors focus on images that appear to trigger strongly negative reactions; images that are perceived as insulting or offensive; those subject to taboos and restrictions; or those that are condemned as blasphemous. In light of recurrent acts of violence leveled against images and symbols in the contemporary, globally entangled world, addressing instances of "icono-clash" (Bruno Latour) from a new post-secular, global perspective has become a matter of urgency

     
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