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Displaying results 1 to 16 of 16.

  1. The Subject of Race in American Science Fiction
    Author: DeGraw, Sharon
    Published: 2007
    Publisher:  Taylor & Francis

    While the connections between science fiction and race have largely been neglected by scholars, racial identity is a key element of the subjectivity constructed in American SF. In his Mars series, Edgar Rice Burroughs primarily supported essentialist... more

     

    While the connections between science fiction and race have largely been neglected by scholars, racial identity is a key element of the subjectivity constructed in American SF. In his Mars series, Edgar Rice Burroughs primarily supported essentialist constructions of racial identity, but also included a few elements of racial egalitarianism. Writing in the 1930s, George S. Schuyler revised Burroughs' normative SF triangle of white author, white audience, and white protagonist and promoted an individualistic, highly variable concept of race instead. While both Burroughs and Schuyler wrote SF focusing on racial identity, the largely separate genres of science fiction and African American literature prevented the similarities between the two authors from being adequately acknowledged and explored. Beginning in the 1960s, Samuel R. Delany more fully joined SF and African American literature. Delany expands on Schuyler's racial constructionist approach to identity, including gender and sexuality in addition to race. Critically intertwining the genres of SF and African American literature allows a critique of the racism in the science fiction and a more accurate and positive portrayal of the scientific connections in the African American literature. Connecting the popular fiction of Burroughs, the controversial career of Schuyler, and the postmodern texts of Delany illuminates a gradual change from a stable, essentialist construction of racial identity at the turn of the century to the variable, social construction of poststructuralist subjectivity today.

     
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  2. Get Your Ass in the Water and Swim Like Me
    Contributor: Jackson, Bruce (Publisher)
    Published: 2004
    Publisher:  Taylor & Francis

    First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company. more

     

    First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

     
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    Source: OAPEN
    Contributor: Jackson, Bruce (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780203323311; 9780415969963; 9780415969970; 9781135879297; 9781135879280; 9781135879242
    Other identifier:
    Subjects: Music; Poetry
    Other subjects: medusa's; head; sex; offender; singer; tales; black; pimps; voodoo; queen
  3. Pan–African American Literature
    Signifyin(g) Immigrants in the Twenty-First Century
    Author: Li, Stephanie
    Published: [2018]; © 2018
    Publisher:  Rutgers University Press, New Brunswick, NJ

    The twenty-first century is witnessing a dynamic broadening of how blackness signifies both in the U.S. and abroad. Literary writers of the new African diaspora are at the forefront of exploring these exciting approaches to what black subjectivity... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    The twenty-first century is witnessing a dynamic broadening of how blackness signifies both in the U.S. and abroad. Literary writers of the new African diaspora are at the forefront of exploring these exciting approaches to what black subjectivity means. Pan-African American Literature is dedicated to charting the contours of literature by African born or identified authors centered around life in the United States. The texts examined here deliberately signify on the African American literary canon to encompass new experiences of immigration, assimilation and identification that challenge how blackness has been previously conceived. Though race often alienates and frustrates immigrants who are accustomed to living in all-black environments, Stephanie Li holds that it can also be a powerful form of community and political mobilization

     
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  4. Killing Poetry
    Blackness and the Making of Slam and Spoken Word Communities
    Author: Johnson, Javon
    Published: [2017]; © 2017
    Publisher:  Rutgers University Press, New Brunswick, NJ

    In recent decades, poetry slams and the spoken word artists who compete in them have sparked a resurgent fascination with the world of poetry. However, there is little critical dialogue that fully engages with the cultural complexities present in... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    In recent decades, poetry slams and the spoken word artists who compete in them have sparked a resurgent fascination with the world of poetry. However, there is little critical dialogue that fully engages with the cultural complexities present in slam and spoken word poetry communities, as well as their ramifications. In Killing Poetry, renowned slam poet, Javon Johnson unpacks some of the complicated issues that comprise performance poetry spaces. He argues that the truly radical potential in slam and spoken word communities lies not just in proving literary worth, speaking back to power, or even in altering power structures, but instead in imagining and working towards altogether different social relationships. His illuminating ethnography provides a critical history of the slam, contextualizes contemporary black poets in larger black literary traditions, and does away with the notion that poetry slams are inherently radically democratic and utopic. Killing Poetry—at times autobiographical, poetic, and journalistic—analyzes the masculine posturing in the Southern California community in particular, the sexual assault in the national community, and the ways in which related social media inadvertently replicate many of the same white supremacist, patriarchal, and mainstream logics so many spoken word poets seem to be working against. Throughout, Johnson examines the promises and problems within slam and spoken word, while illustrating how community is made and remade in hopes of eventually creating the radical spaces so many of these poets strive to achieve

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813580043
    Other identifier:
    Subjects: SoCal; Southern California; black poet; black poetry; black; blackness; community; performance art; performance; poetry; power structure; slam poem; slam poetry; so-cal; word artist; POETRY / General; ART / Performance; American poetry; American poetry; American poetry; Performance poetry; Poetry slams; Poetry; Poetry
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)
  5. Aphrodite's Daughters
    Three Modernist Poets of the Harlem Renaissance
    Author: Honey, Maureen
    Published: [2016]; © 2016
    Publisher:  Rutgers University Press, New Brunswick, NJ

    The Harlem Renaissance was a watershed moment for racial uplift, poetic innovation, sexual liberation, and female empowerment. Aphrodite’s Daughters introduces us to three amazing women who were at the forefront of all these developments, poetic... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    The Harlem Renaissance was a watershed moment for racial uplift, poetic innovation, sexual liberation, and female empowerment. Aphrodite’s Daughters introduces us to three amazing women who were at the forefront of all these developments, poetic iconoclasts who pioneered new and candidly erotic forms of female self-expression. Maureen Honey paints a vivid portrait of three African American women—Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V. Cowdery—who came from very different backgrounds but converged in late 1920s Harlem to leave a major mark on the literary landscape. She examines the varied ways these poets articulated female sexual desire, ranging from Grimké’s invocation of a Sapphic goddess figure to Cowdery’s frank depiction of bisexual erotics to Bennett’s risky exploration of the borders between sexual pleasure and pain. Yet Honey also considers how they were united in their commitment to the female body as a primary source of meaning, strength, and transcendence. The product of extensive archival research, Aphrodite’s Daughters draws from Grimké, Bennett, and Cowdery’s published and unpublished poetry, along with rare periodicals and biographical materials, to immerse us in the lives of these remarkable women and the world in which they lived. It thus not only shows us how their artistic contributions and cultural interventions were vital to their own era, but also demonstrates how the poetic heart of their work keeps on beating

     
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  6. Black Frankenstein
    The Making of an American Metaphor
    Author: Young, Elizabeth
    Published: [2008]; © 2008
    Publisher:  New York University Press, New York, NY

    For all the scholarship devoted to Mary Shelley's English novel Frankenstein, there has been surprisingly little attention paid to its role in American culture, and virtually none to its racial resonances in the United States. In Black Frankenstein,... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    For all the scholarship devoted to Mary Shelley's English novel Frankenstein, there has been surprisingly little attention paid to its role in American culture, and virtually none to its racial resonances in the United States. In Black Frankenstein, Elizabeth Young identifies and interprets the figure of a black American Frankenstein monster as it appears with surprising frequency throughout nineteenth- and twentieth-century U.S. culture, in fiction, film, essays, oratory, painting, and other media, and in works by both whites and African Americans.Black Frankenstein stories, Young argues, effect four kinds of racial critique: they humanize the slave; they explain, if not justify, black violence; they condemn the slaveowner; and they expose the instability of white power. The black Frankenstein's monster has served as a powerful metaphor for reinforcing racial hierarchy—and as an even more powerful metaphor for shaping anti-racist critique. Illuminating the power of parody and reappropriation, Black Frankenstein tells the story of a metaphor that continues to matter to literature, culture, aesthetics, and politics

     
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  7. Black Frankenstein
    The Making of an American Metaphor
    Author: Young, Elizabeth
    Published: [2008]; ©2008
    Publisher:  New York University Press, New York, NY

    For all the scholarship devoted to Mary Shelley's English novel Frankenstein, there has been surprisingly little attention paid to its role in American culture, and virtually none to its racial resonances in the United States. In Black Frankenstein,... more

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    For all the scholarship devoted to Mary Shelley's English novel Frankenstein, there has been surprisingly little attention paid to its role in American culture, and virtually none to its racial resonances in the United States. In Black Frankenstein, Elizabeth Young identifies and interprets the figure of a black American Frankenstein monster as it appears with surprising frequency throughout nineteenth- and twentieth-century U.S. culture, in fiction, film, essays, oratory, painting, and other media, and in works by both whites and African Americans.Black Frankenstein stories, Young argues, effect four kinds of racial critique: they humanize the slave; they explain, if not justify, black violence; they condemn the slaveowner; and they expose the instability of white power. The black Frankenstein's monster has served as a powerful metaphor for reinforcing racial hierarchy—and as an even more powerful metaphor for shaping anti-racist critique. Illuminating the power of parody and reappropriation, Black Frankenstein tells the story of a metaphor that continues to matter to literature, culture, aesthetics, and politics

     
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  8. Killing Poetry
    Blackness and the Making of Slam and Spoken Word Communities
    Author: Johnson, Javon
    Published: [2017]; © 2017
    Publisher:  Rutgers University Press, New Brunswick, NJ

    In recent decades, poetry slams and the spoken word artists who compete in them have sparked a resurgent fascination with the world of poetry. However, there is little critical dialogue that fully engages with the cultural complexities present in... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    In recent decades, poetry slams and the spoken word artists who compete in them have sparked a resurgent fascination with the world of poetry. However, there is little critical dialogue that fully engages with the cultural complexities present in slam and spoken word poetry communities, as well as their ramifications. In Killing Poetry, renowned slam poet, Javon Johnson unpacks some of the complicated issues that comprise performance poetry spaces. He argues that the truly radical potential in slam and spoken word communities lies not just in proving literary worth, speaking back to power, or even in altering power structures, but instead in imagining and working towards altogether different social relationships. His illuminating ethnography provides a critical history of the slam, contextualizes contemporary black poets in larger black literary traditions, and does away with the notion that poetry slams are inherently radically democratic and utopic. Killing Poetry—at times autobiographical, poetic, and journalistic—analyzes the masculine posturing in the Southern California community in particular, the sexual assault in the national community, and the ways in which related social media inadvertently replicate many of the same white supremacist, patriarchal, and mainstream logics so many spoken word poets seem to be working against. Throughout, Johnson examines the promises and problems within slam and spoken word, while illustrating how community is made and remade in hopes of eventually creating the radical spaces so many of these poets strive to achieve

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813580043
    Other identifier:
    Subjects: SoCal; Southern California; black poet; black poetry; black; blackness; community; performance art; performance; poetry; power structure; slam poem; slam poetry; so-cal; word artist; POETRY / General; ART / Performance; American poetry; American poetry; American poetry; Performance poetry; Poetry slams; Poetry; Poetry
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)
  9. Aphrodite's Daughters
    Three Modernist Poets of the Harlem Renaissance
    Author: Honey, Maureen
    Published: [2016]; © 2016
    Publisher:  Rutgers University Press, New Brunswick, NJ

    The Harlem Renaissance was a watershed moment for racial uplift, poetic innovation, sexual liberation, and female empowerment. Aphrodite’s Daughters introduces us to three amazing women who were at the forefront of all these developments, poetic... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    The Harlem Renaissance was a watershed moment for racial uplift, poetic innovation, sexual liberation, and female empowerment. Aphrodite’s Daughters introduces us to three amazing women who were at the forefront of all these developments, poetic iconoclasts who pioneered new and candidly erotic forms of female self-expression. Maureen Honey paints a vivid portrait of three African American women—Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V. Cowdery—who came from very different backgrounds but converged in late 1920s Harlem to leave a major mark on the literary landscape. She examines the varied ways these poets articulated female sexual desire, ranging from Grimké’s invocation of a Sapphic goddess figure to Cowdery’s frank depiction of bisexual erotics to Bennett’s risky exploration of the borders between sexual pleasure and pain. Yet Honey also considers how they were united in their commitment to the female body as a primary source of meaning, strength, and transcendence. The product of extensive archival research, Aphrodite’s Daughters draws from Grimké, Bennett, and Cowdery’s published and unpublished poetry, along with rare periodicals and biographical materials, to immerse us in the lives of these remarkable women and the world in which they lived. It thus not only shows us how their artistic contributions and cultural interventions were vital to their own era, but also demonstrates how the poetic heart of their work keeps on beating

     
    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
  10. Black Frankenstein
    The Making of an American Metaphor
    Author: Young, Elizabeth
    Published: [2008]; © 2008
    Publisher:  New York University Press, New York, NY

    For all the scholarship devoted to Mary Shelley's English novel Frankenstein, there has been surprisingly little attention paid to its role in American culture, and virtually none to its racial resonances in the United States. In Black Frankenstein,... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Universitätsbibliothek Passau
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    For all the scholarship devoted to Mary Shelley's English novel Frankenstein, there has been surprisingly little attention paid to its role in American culture, and virtually none to its racial resonances in the United States. In Black Frankenstein, Elizabeth Young identifies and interprets the figure of a black American Frankenstein monster as it appears with surprising frequency throughout nineteenth- and twentieth-century U.S. culture, in fiction, film, essays, oratory, painting, and other media, and in works by both whites and African Americans.Black Frankenstein stories, Young argues, effect four kinds of racial critique: they humanize the slave; they explain, if not justify, black violence; they condemn the slaveowner; and they expose the instability of white power. The black Frankenstein's monster has served as a powerful metaphor for reinforcing racial hierarchy—and as an even more powerful metaphor for shaping anti-racist critique. Illuminating the power of parody and reappropriation, Black Frankenstein tells the story of a metaphor that continues to matter to literature, culture, aesthetics, and politics

     
    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
  11. Pan–African American Literature
    Signifyin(g) Immigrants in the Twenty-First Century
    Author: Li, Stephanie
    Published: [2018]; © 2018
    Publisher:  Rutgers University Press, New Brunswick, NJ

    The twenty-first century is witnessing a dynamic broadening of how blackness signifies both in the U.S. and abroad. Literary writers of the new African diaspora are at the forefront of exploring these exciting approaches to what black subjectivity... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Unlimited inter-library loan, copies and loan

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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    The twenty-first century is witnessing a dynamic broadening of how blackness signifies both in the U.S. and abroad. Literary writers of the new African diaspora are at the forefront of exploring these exciting approaches to what black subjectivity means. Pan-African American Literature is dedicated to charting the contours of literature by African born or identified authors centered around life in the United States. The texts examined here deliberately signify on the African American literary canon to encompass new experiences of immigration, assimilation and identification that challenge how blackness has been previously conceived. Though race often alienates and frustrates immigrants who are accustomed to living in all-black environments, Stephanie Li holds that it can also be a powerful form of community and political mobilization

     
    Export to reference management software   RIS file
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  12. Talking at the Gates
    A Life of James Baldwin
    Author: Campbell, James
    Published: [2021]
    Publisher:  University of California Press, Berkeley, CA

    Frontmatter -- Contents -- Illustrations -- Author's Note -- Acknowledgments -- Publisher's Acknowledgments -- Introduction to the 2021 Edition -- I No Story, Ma -- II Lord, I Ain't No Stranger Now -- III A Severe Cross -- IV Tear This Building Down... more

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    Frontmatter -- Contents -- Illustrations -- Author's Note -- Acknowledgments -- Publisher's Acknowledgments -- Introduction to the 2021 Edition -- I No Story, Ma -- II Lord, I Ain't No Stranger Now -- III A Severe Cross -- IV Tear This Building Down -- V The Price of the Beat -- Afterword to the 2002 Edition: Campbell v. US Department of Justice -- Appendix: An Interview with Norman Mailer -- Abbreviations Used in Notes -- Notes -- Bibliography -- Index An intimate portrait of Baldwin's mythic life. James Baldwin was one of the most incisive and influential American writers of the twentieth century. Active in the civil rights movement and open about his homosexuality, Baldwin was celebrated for eloquent analyses of social unrest in his essays and for daring portrayals of sexuality and interracial relationships in his fiction. By the time of his death in 1987, both his fiction and nonfiction works had achieved the status of modern classics. James Campbell knew James Baldwin for the last ten years of Baldwin's life. For Talking at the Gates, Campbell interviewed many of Baldwin's friends and professional associates and examined several hundred pages of correspondence. Campbell was the first biographer to obtain access to the large file that the FBI and other agencies had compiled on the writer. Examining Baldwin's turbulent relationships with Norman Mailer, Richard Wright, Marlon Brando, Martin Luther King Jr., and others, this candid and original account portrays the life and work of a writer who held to the principle that ";the unexamined life is not worth living."; This new edition features a fresh introduction addressing recent developments in Baldwin's reputation and his return to a position he occupied in the early 1960s, when Life magazine called him ";the monarch of the current literary jungle."; It also contains a previously unpublished interview with Norman Mailer about Baldwin, which Campbell conducted in 1987

     
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  13. Talking at the Gates
    A Life of James Baldwin
    Author: Campbell, James
    Published: [2021]
    Publisher:  University of California Press, Berkeley, CA

    Frontmatter -- Contents -- Illustrations -- Author's Note -- Acknowledgments -- Publisher's Acknowledgments -- Introduction to the 2021 Edition -- I No Story, Ma -- II Lord, I Ain't No Stranger Now -- III A Severe Cross -- IV Tear This Building Down... more

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    Universität Potsdam, Universitätsbibliothek
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    Frontmatter -- Contents -- Illustrations -- Author's Note -- Acknowledgments -- Publisher's Acknowledgments -- Introduction to the 2021 Edition -- I No Story, Ma -- II Lord, I Ain't No Stranger Now -- III A Severe Cross -- IV Tear This Building Down -- V The Price of the Beat -- Afterword to the 2002 Edition: Campbell v. US Department of Justice -- Appendix: An Interview with Norman Mailer -- Abbreviations Used in Notes -- Notes -- Bibliography -- Index An intimate portrait of Baldwin's mythic life. James Baldwin was one of the most incisive and influential American writers of the twentieth century. Active in the civil rights movement and open about his homosexuality, Baldwin was celebrated for eloquent analyses of social unrest in his essays and for daring portrayals of sexuality and interracial relationships in his fiction. By the time of his death in 1987, both his fiction and nonfiction works had achieved the status of modern classics. James Campbell knew James Baldwin for the last ten years of Baldwin's life. For Talking at the Gates, Campbell interviewed many of Baldwin's friends and professional associates and examined several hundred pages of correspondence. Campbell was the first biographer to obtain access to the large file that the FBI and other agencies had compiled on the writer. Examining Baldwin's turbulent relationships with Norman Mailer, Richard Wright, Marlon Brando, Martin Luther King Jr., and others, this candid and original account portrays the life and work of a writer who held to the principle that ";the unexamined life is not worth living."; This new edition features a fresh introduction addressing recent developments in Baldwin's reputation and his return to a position he occupied in the early 1960s, when Life magazine called him ";the monarch of the current literary jungle."; It also contains a previously unpublished interview with Norman Mailer about Baldwin, which Campbell conducted in 1987

     
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  14. Black Frankenstein
    The Making of an American Metaphor
    Author: Young, Elizabeth
    Published: [2008]; ©2008
    Publisher:  New York University Press, New York, NY

    For all the scholarship devoted to Mary Shelley's English novel Frankenstein, there has been surprisingly little attention paid to its role in American culture, and virtually none to its racial resonances in the United States. In Black Frankenstein,... more

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    For all the scholarship devoted to Mary Shelley's English novel Frankenstein, there has been surprisingly little attention paid to its role in American culture, and virtually none to its racial resonances in the United States. In Black Frankenstein, Elizabeth Young identifies and interprets the figure of a black American Frankenstein monster as it appears with surprising frequency throughout nineteenth- and twentieth-century U.S. culture, in fiction, film, essays, oratory, painting, and other media, and in works by both whites and African Americans.Black Frankenstein stories, Young argues, effect four kinds of racial critique: they humanize the slave; they explain, if not justify, black violence; they condemn the slaveowner; and they expose the instability of white power. The black Frankenstein's monster has served as a powerful metaphor for reinforcing racial hierarchy—and as an even more powerful metaphor for shaping anti-racist critique. Illuminating the power of parody and reappropriation, Black Frankenstein tells the story of a metaphor that continues to matter to literature, culture, aesthetics, and politics

     
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  15. Comrade Sisters
    Women of the Black Panther Party
    Author: Shames, Stephen; Huggins, Ericka
    Published: 2022
    Publisher:  ACC Art Books, Melton

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781788841757; 1788841751
    Other identifier:
    9781788841757
    Other subjects: (Produktform)Book; angela davis; BBP; Ericka Huggins; black panther; black; black history; women; civil rights; movement; BLM; george floyd; Fredrika Newton; history; america; power; california; 1966; (VLB-WN)1954: Hardcover, Softcover / Sachbücher/Kunst, Literatur/Fotokunst
    Scope: 192 Seiten, 10 colour, 112 black & white, 28 cm x 24 cm, 1444 g
  16. Alpha Edition - Streifenplaner SCHWARZ 2025, 11,3x49,5cm, Streifenkalender mit einer Spalte für Termine, 100-jähriger Kalender, Mondphasen, schmales Design und deutsches Kalendarium
    Published: 2024
    Publisher:  Neumann Verlage GmbH & Co. KG, Kiel ; Alpha

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    Other identifier:
    4251732341527
    Edition: 4. Auflage
    Other subjects: (Produktform)Calendar; (Produktform (spezifisch))Wall calendar; schwarz; black; Übersicht; Struktur; Wand-Kalender; Küchen-Planer; Termine; schmal; Wochenplan; Geburtstag; Notizen; Alltags-Planer; Familie; dunkel; Planer; praktisch; schlicht; Spalte; Eintrag; Ferien-Termin; groß; Alpha-Edition; Platz; Deko-ration; Orga-Kalender; Kalender Streifen; (VLB-WN)7480: Kalender / Ratgeber/Lebenshilfe, Alltag
    Scope: 26 Seiten, 49.5 cm x 11.3 cm