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Displaying results 1 to 12 of 12.

  1. The Anglo-Scottish Ballad and its Imaginary Contexts
    Published: 2014
    Publisher:  Open Book Publishers

    This is the first book to combine contemporary debates in ballad studies with the insights of modern textual scholarship. Just like canonical literature and music, the ballad should not be seen as a uniquely authentic item inextricably tied to a... more

     

    This is the first book to combine contemporary debates in ballad studies with the insights of modern textual scholarship. Just like canonical literature and music, the ballad should not be seen as a uniquely authentic item inextricably tied to a documented source, but rather as an unstable structure subject to the vagaries of production, reception, and editing. Among the matters addressed are topics central to the subject, including ballad origins, oral and printed transmission, sound and writing, agency and editing, and textual and melodic indeterminacy and instability. While drawing on the time-honoured materials of ballad studies, the book offers a theoretical framework for the discipline to complement the largely ethnographic approach that has dominated in recent decades. Primarily directed at the community of ballad and folk song scholars, the book will be of interest to researchers in several adjacent fields, including folklore, oral literature, ethnomusicology, and textual scholarship.

     

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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Literature: history & criticism; Literary studies: general
    Other subjects: ballads; oral transmission; textual scholarship; ballad studies; folk songs; critique génétique; Ballad; Oral tradition
    Scope: 1 electronic resource (227 p.)
  2. Make We Merry More and Less : An Anthology of Medieval English Popular Literature
    Published: 2019
    Publisher:  Open Book Publishers

    "Conceived as a companion volume to the well-received Simple Forms: Essays on Medieval English Popular Literature (2015), Make We Merry More and Less is a comprehensive anthology of popular medieval literature from the twelfth century onwards.... more

     

    "Conceived as a companion volume to the well-received Simple Forms: Essays on Medieval English Popular Literature (2015), Make We Merry More and Less is a comprehensive anthology of popular medieval literature from the twelfth century onwards. Uniquely, the book is divided by genre, allowing readers to make connections between texts usually presented individually.

     

    This anthology offers a fruitful exploration of the boundary between literary and popular culture, and showcases an impressive breadth of literature, including songs, drama, and ballads. Familiar texts such as the visions of Margery Kempe and the Paston family letters are featured alongside lesser-known works, often oral. This striking diversity extends to the language: the anthology includes Scottish literature and original translations of Latin and French texts.

     

    The illuminating introduction offers essential information that will enhance the reader’s enjoyment of the chosen texts. Each of the chapters is accompanied by a clear summary explaining the particular delights of the literature selected and the rationale behind the choices made. An invaluable resource to gain an in-depth understanding of the culture of the period, this is essential reading for any student or scholar of medieval English literature, and for anyone interested in folklore or popular material of the time.

    The book was left unfinished at Gray's death; it is here edited by Jane Bliss.

    The Faculty of English, University of Oxford, has generously contributed to this publication."

     

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    Source: OAPEN
    Contributor: Bliss, Jane (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Translation & interpretation; Anthologies (non-poetry)
    Other subjects: Essays on Medieval English Popular Literature; anthology; popular medieval literature; twelfth century; literary and popular culture; songs; drama; ballads; Douglas Gray; Jane Bliss
    Scope: 1 electronic resource (418 p.)
  3. Ballads
    Published: 2015
    Publisher:  punctum books, Brooklyn, NY

    Originally published by eth co-director David Hadbawnik’s habenicht press in 2012, Ballads uses the lyric form to explore the effects of global Capitalism from a sharp Marxist perspective. Recognizing the congruence between folk song circulation and... more

     

    Originally published by eth co-director David Hadbawnik’s habenicht press in 2012, Ballads uses the lyric form to explore the effects of global Capitalism from a sharp Marxist perspective. Recognizing the congruence between folk song circulation and the circulation of money, the “currency” of the ballad alongside supply-side economics, Owens hails Wordworth’s Lyric Ballads experiment (undertaken at the dawn of England’s Industrial Age) as one touchstone. But he also understands the built-in obsolescence of the form, its tendency to hearken back to imaginary origins. “[E]veryone has an idea they know what a ballad is,” Owens writes in his “Working Notes.” “It’s this degraded thing shot through with a sense of pastness, cultural infancy and a charming but sometimes dangerous rusticity that needs to be carefully framed and reined.” Thus Owens’ Ballads playfully engages with language, figures, and forms from medieval and early modern England, with nods to the caesura-based, alliterative line, and Barbara Allan, Thomas the Rhymer, and Piers Plowman making appearances in the book’s brief lyrics.

     

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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
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    Subjects: Poetry by individual poets
    Other subjects: poetry; ballads; premodern England; global capitalism
    Scope: 1 electronic resource (134 p.)
  4. Mexican Ballads, Chicano Poems
    History and Influence in Mexican-American Social Poetry
    Published: [1992]; ©1992
    Publisher:  University of California Press, Berkeley, CA

    Mexican Ballads, Chicano Poems combines literary theory with the personal engagement of a prominent Chicano scholar. Recalling his experiences as a student in Texas, José Limón examines the politically motivated Chicano poetry of the 60s and 70s. He... more

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    Mexican Ballads, Chicano Poems combines literary theory with the personal engagement of a prominent Chicano scholar. Recalling his experiences as a student in Texas, José Limón examines the politically motivated Chicano poetry of the 60s and 70s. He bases his analyses on Harold Bloom's theories of literary influence but takes Bloom into the socio-political realm. Limón shows how Chicano poetry is nourished by the oral tradition of the Mexican corrido, or master ballad, which was a vital part of artistic and political life along the Mexican-U.S. border from 1890 to 1930.Limón's use of Bloom, as well as of Marxist critics Raymond Williams and Fredric Jameson, brings Chicano literature into the arena of contemporary literary theory. By focusing on an important but little-studied poetic tradition, his book challenges our ideas of the American canon and extends the reach of Hispanists and folklorists as well

     

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  5. The Anglo-Scottish ballad and its imaginary contexts
    Published: 2014
    Publisher:  Open Books Publishers, Cambridge ; JSTOR, New York

    "This is the first book to combine contemporary debates in ballad studies with the insights of modern textual scholarship. Just like canonical literature and music, the ballad should not be seen as a uniquely authentic item inextricably tied to a... more

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    "This is the first book to combine contemporary debates in ballad studies with the insights of modern textual scholarship. Just like canonical literature and music, the ballad should not be seen as a uniquely authentic item inextricably tied to a documented source, but rather as an unstable structure subject to the vagaries of production, reception, and editing. Among the matters addressed are topics central to the subject, including ballad origins, oral and printed transmission, sound and writing, agency and editing, and textual and melodic indeterminacy and instability. While drawing on the time-honoured materials of ballad studies, the book offers a theoretical framework for the discipline to complement the largely ethnographic approach that has dominated in recent decades. Primarily directed at the community of ballad and folk song scholars, the book will be of interest to researchers in several adjacent fields, including folklore, oral literature, ethnomusicology, and textual scholarship."--Publisher's website.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781783740291; 1783740299
    Subjects: Ballads, English; Ballads, Scots; Literary studies: general; Literature and literary studies; Literature: history and criticism; LITERARY CRITICISM; Ballads, English; Ballads, Scots
    Other subjects: ballads; oral transmission; textual scholarship; ballad studies; folk songs; critique gňťique
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references and index

  6. Modernist Women Poets
    Generations, Geographies and Genders
    Contributor: Dowson, Jane (Herausgeber)
    Published: 2020
    Publisher:  MDPI - Multidisciplinary Digital Publishing Institute, Basel, Switzerland ; OAPEN FOUNDATION, The Hague

    This Special Issue showcases poets who enhance the breadth of modernist literary practices. The cohering concept is a complex relationship to both gender and modernity through original experiments with language. Leading scholars explore writers who... more

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    This Special Issue showcases poets who enhance the breadth of modernist literary practices. The cohering concept is a complex relationship to both gender and modernity through original experiments with language. Leading scholars explore writers who both fit and extend orthodox modernist histories: Marianne Moore, H.D., Edna St Vincent Millay, Dorothy Parker, Katherine Mansfield, and Charlotte Mew were born around the cusp of the twentieth century and flourished during the 1920s and 1930s; Lynette Roberts, Helen Adam and Hope Mirrlees were contemporaries but publishing or recognition came later; the next generation can include Gwendolyn Brooks, Stevie Smith and Muriel Spark; Veronica Forrest-Thomson represents a third generation who published into the 1980s, while Frances Presley and M. NourbeSe Philip hinge this group with the contemporary poets Carol Watts and Natasha Trethewey, whose works continue and rejuvenate progressive stylistics. The essays offer new readings of both well-known and unfamiliar poets. They are truly groundbreaking in plundering diverse theoretical fields in ways that disturb any lingering notions of a homogenized women’s poetry. The authors supplant into literary poetic analysis notions of geometry and mathematics, maritime materialities, tourism and taxonomy, architecture, classicism, folk art, Christianity and death, whimsy and empathy.

     

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  7. Pastoral poetry of the English Renaissance
    An anthology
    Contributor: Chaudhuri, Sukanta (Publisher)
    Published: 2016; ©2016
    Publisher:  Manchester University Press, Manchester

    This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Renaissance pastoral poetry is gaining new interest for its distinctive imaginative vein, its varied allusive content, and the theoretical... more

     

    This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Renaissance pastoral poetry is gaining new interest for its distinctive imaginative vein, its varied allusive content, and the theoretical implications of the genre. This is by far the biggest ever anthology of English Renaissance pastoral poetry, with 277 pieces spanning two centuries. Spenser, Sidney, Jonson and Drayton are amply represented alongside their many contemporaries. There is a wide range of pastoral lyrics, weightier allusive pieces, and translations from classical and vernacular pastoral poetry; also, more unusually, pastoral ballads and poems set in all kinds of prose works. Each piece has been freshly edited from the original sources, with full apparatus and commentary. This book will be complemented by a second volume, to be published in 2017, which includes a book-length introduction, textual notes and analytic indices

     

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    Volltext (kostenfrei)
    Source: Union catalogues
    Contributor: Chaudhuri, Sukanta (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781526143426
    Other identifier:
    Series: The Manchester Spenser
    Subjects: English poetry; Pastoral poetry, English; Literature Studies 2020; LITERARY CRITICISM / Renaissance
    Other subjects: Pastoral poetry; Spenser; ballads; early modern literature; renaissance; songs
    Scope: 1 Online-Ressource (584 Seiten), 1 black & white illustration
    Notes:

    Online-Erscheinungsdatum laut Landingpage: 2019

  8. Ballads
    Published: 2015; ©2015
    Publisher:  punctum books, Brooklyn, NY ; eth press, Buffalo, NY

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780615983936
    Edition: Second edition
    Subjects: Poetry, Modern; Small press books
    Other subjects: poetry; ballads; premodern England; global capitalism
    Scope: 1 Online-Ressource (viii, 132 pages), illustrations
    Notes:

    First edition published by habenicht press, 2012 --title-page verso

    Originally published by eth co-director David Hadbawnik's habenicht press in 2012, Ballads uses the lyric form to explore the effects of global Capitalism from a sharp Marxist perspective. Recognizing the congruence between folk song circulation and the circulation of money, the "currency" of the ballad alongside supply-side economics, Owens hails Wordworth's Lyric Ballads experiment (undertaken at the dawn of England's Industrial Age) as one touchstone. But he also understands the built-in obsolescence of the form, its tendency to hearken back to imaginary origins. "[E]veryone has an idea they know what a ballad is," Owens writes in his "Working Notes." "It's this degraded thing shot through with a sense of pastness, cultural infancy and a charming but sometimes dangerous rusticity that needs to be carefully framed and reined." Thus Owens' Ballads playfully engages with language, figures, and forms from medieval and early modern England, with nods to the caesura-based, alliterative line, and Barbara Allan, Thomas the Rhymer, and Piers Plowman making appearances in the book's brief lyrics

  9. Modernist Women Poets : Generations, Geographies and Genders
    Contributor: Dowson, Jane (Herausgeber)
    Published: 2020
    Publisher:  MDPI - Multidisciplinary Digital Publishing Institute, Basel, Switzerland

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  10. Ausgewählte Werke
    Band 2: Gedichte
    Author: Gaudy, Franz
    Published: 2023; ©2023
    Publisher:  Georg Olms Verlag, Baden-Baden

    Franz von Gaudy (1800–1840) schuf neben einem großen Prosawerk ein umfangreiches poetisches Œuvre. Durch seine Lyrik war er weit bekannt, sowohl mit eigenen Gedichten wie im Rahmen des Deutschen Musenalmanachs, den er zusammen mit Adelbert von... more

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    Franz von Gaudy (1800–1840) schuf neben einem großen Prosawerk ein umfangreiches poetisches Œuvre. Durch seine Lyrik war er weit bekannt, sowohl mit eigenen Gedichten wie im Rahmen des Deutschen Musenalmanachs, den er zusammen mit Adelbert von Chamisso betreute. Hochgeachtet war Gaudy wegen seines sprachlichen Formvermögens. Sein erstes Buch Erato (1829) ist eine Lyriksammlung, mit dem Napoleonzyklus Kaiser-Lieder (1835) trat er besonders hervor, 1837 erschienen Lieder und Romanzen; in seinen Novellen und Reisebeschreibungen sind viele Gedichte in künstlerischer Komposition eingefügt. Seine Lyrik umfasst Bildgedichte, satirische Verse, Spott- und Scherzgedichte, politische Gedichte, Romanzen, Balladen und erzählende Dichtungen. Zudem trat er als bedeutender Übersetzer von Gedichten aus dem Französischen und Polnischen hervor. Im literarischen Gedächtnis, den Anthologien, haben nur wenige Gedichte überlebt, literaturgeschichtlich bleibt jedoch die politische Lyrik unvergessen. Mit Bd. 2 erscheint eine Auswahl aus Gaudys lyrischem Werk, und zwar die von ihm selbst getroffene Auswahl. Der Band enthält eine umfangreiche Darstellung seines lyrischen Schaffens und ausführliche Kommentare, die Bilder zu den Bildgedichten sowie ein Verzeichnis der Vertonungen. Franz von Gaudy (1800–1840) was a late romantic and realistic writer in the Vormärz period. He wrote prose – novellas, stories, travel accounts – and poems, ballads and romances, had a distinctly satirical vein and was, because of his trained sense for languages, an excellent translator from French and Polish. Well-regarded and much read in the literary Germany of his own day, he is today, unjustly, largely forgotten, although traces of his reception can be found in the works of Friedrich Nietzsche and Arno Schmidt. With vol. 2, a selection from Gaudy's lyrical oeuvre appears, namely the selection he himself made. The volume contains a comprehensive account of his lyrical oeuvre and detailed commentaries, the images for the picture poems, and an index of the settings.

     

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  11. Modernist Women Poets : Generations, Geographies and Genders
    Contributor: Dowson, Jane (Herausgeber)
    Published: 2020
    Publisher:  MDPI - Multidisciplinary Digital Publishing Institute, Basel, Switzerland

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  12. Ausgewählte Werke
    Band 2: Gedichte
    Published: 2023
    Publisher:  Georg Olms Verlag, Baden-Baden

    Franz von Gaudy (1800–1840) schuf neben einem großen Prosawerk ein umfangreiches poetisches Œuvre. Durch seine Lyrik war er weit bekannt, sowohl mit eigenen Gedichten wie im Rahmen des Deutschen Musenalmanachs, den er zusammen mit Adelbert von... more

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    Franz von Gaudy (1800–1840) schuf neben einem großen Prosawerk ein umfangreiches poetisches Œuvre. Durch seine Lyrik war er weit bekannt, sowohl mit eigenen Gedichten wie im Rahmen des Deutschen Musenalmanachs, den er zusammen mit Adelbert von Chamisso betreute. Hochgeachtet war Gaudy wegen seines sprachlichen Formvermögens. Sein erstes Buch Erato (1829) ist eine Lyriksammlung, mit dem Napoleonzyklus Kaiser-Lieder (1835) trat er besonders hervor, 1837 erschienen Lieder und Romanzen; in seinen Novellen und Reisebeschreibungen sind viele Gedichte in künstlerischer Komposition eingefügt. Seine Lyrik umfasst Bildgedichte, satirische Verse, Spott- und Scherzgedichte, politische Gedichte, Romanzen, Balladen und erzählende Dichtungen. Zudem trat er als bedeutender Übersetzer von Gedichten aus dem Französischen und Polnischen hervor. Im literarischen Gedächtnis, den Anthologien, haben nur wenige Gedichte überlebt, literaturgeschichtlich bleibt jedoch die politische Lyrik unvergessen. Mit Bd. 2 erscheint eine Auswahl aus Gaudys lyrischem Werk, und zwar die von ihm selbst getroffene Auswahl. Der Band enthält eine umfangreiche Darstellung seines lyrischen Schaffens und ausführliche Kommentare, die Bilder zu den Bildgedichten sowie ein Verzeichnis der Vertonungen. Franz von Gaudy (1800–1840) was a late romantic and realistic writer in the Vormärz period. He wrote prose – novellas, stories, travel accounts – and poems, ballads and romances, had a distinctly satirical vein and was, because of his trained sense for languages, an excellent translator from French and Polish. Well-regarded and much read in the literary Germany of his own day, he is today, unjustly, largely forgotten, although traces of his reception can be found in the works of Friedrich Nietzsche and Arno Schmidt. With vol. 2, a selection from Gaudy's lyrical oeuvre appears, namely the selection he himself made. The volume contains a comprehensive account of his lyrical oeuvre and detailed commentaries, the images for the picture poems, and an index of the settings.

     

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