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  1. Dreaming with open eyes
    opera, aesthetics, and perception in Arcadian Rome
    Published: [2019]
    Publisher:  University of California Press, Oakland, California

    Dreaming with Open Eyes examines visual symbolism in late seventeenth-century Italian opera, contextualizing the genre amid the broad ocularcentric debates emerging at the crossroads of the early modern period and the Enlightenment. Ayana O. Smith... more

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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek Osnabrück
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    Universität Potsdam, Universitätsbibliothek
    No inter-library loan

     

    Dreaming with Open Eyes examines visual symbolism in late seventeenth-century Italian opera, contextualizing the genre amid the broad ocularcentric debates emerging at the crossroads of the early modern period and the Enlightenment. Ayana O. Smith reevaluates significant aspects of the Arcadian reform aesthetic and establishes a historically informed method of opera criticism for modern scholars and interpreters. Unfolding in a narrative fashion, the text explores facets of the philosophical and literary background and concludes with close readings of text and music, using visual symbolism to create readings of gender and character in two operas: Alessandro Scarlatti's La Statira (Rome, 1690), and Carlo Francesco Pollarolo's La forza della virtù (Venice, 1693). Smith’s interdisciplinary approach enhances our modern perception of this rich and underexplored repertory, and will appeal to students and scholars not only of opera, but also of literature, philosophy, and visual and intellectual cultures Frontmatter -- Contents -- List Of Figures -- List Of Musical Examples -- Acknowledgments -- Introduction -- Part One. The Image Of Truth -- 1. Founding Arcadia: The Aesthetics Of Verisimilitude And Buon Gusto -- 2. Performing L’Endimione: A History and Reappraisal of Guidi’s Favola pastorale -- 3. Reading the Classics: Intellectual and Cultural Resonances in Gravina’s Discorso sopra l’Endimione -- Part Two. The Truth Of Representation -- 4. Reconciling Icon, Mythos, And Tupos: The Role Of Images In L’Endimione -- 5. Believing in Opera: Visual Modes in Alessandro Scarlatti’s La Statira -- 6. Deceiving the Eye: Mirror, Statue, and Stone in Carlo Francesco Pollarolo’s La forza della virtù -- Epilogue: Constructing Gender and Politics; Queen Christina’s Image -- Notes -- Bibliography -- Index

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520970403
    Other identifier:
    RVK Categories: LQ 81604
    Subjects: Opera; Opera; Symbolism in opera; MUSIC / Genres & Styles / Opera
    Other subjects: 1690; 17th century; aesthetic; alessandro scarlatti; arcadian reform; carlo francesco pollarolo; character; crossroads; debates; early modern period; enlightenment; gender; genre; interpreters; italian; italy; la forza della virtu; la statira; literary background; modern scholars; ocularcentric; opera criticism; opera; philosophical background; rome; text and music; visual symbolism
    Scope: 1 Online-Ressource (xiv, 311 Seiten), Illustrationen, Notenbeispiele
    Notes:

    Includes bibliographical references and index

    restricted access online access with authorization star

  2. Dreaming with open eyes
    opera, aesthetics, and perception in Arcadian Rome
    Published: [2019]
    Publisher:  University of California Press, Oakland, California

    Dreaming with Open Eyes examines visual symbolism in late seventeenth-century Italian opera, contextualizing the genre amid the broad ocularcentric debates emerging at the crossroads of the early modern period and the Enlightenment. Ayana O. Smith... more

    Access:
    Verlag (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Dreaming with Open Eyes examines visual symbolism in late seventeenth-century Italian opera, contextualizing the genre amid the broad ocularcentric debates emerging at the crossroads of the early modern period and the Enlightenment. Ayana O. Smith reevaluates significant aspects of the Arcadian reform aesthetic and establishes a historically informed method of opera criticism for modern scholars and interpreters. Unfolding in a narrative fashion, the text explores facets of the philosophical and literary background and concludes with close readings of text and music, using visual symbolism to create readings of gender and character in two operas: Alessandro Scarlatti's La Statira (Rome, 1690), and Carlo Francesco Pollarolo's La forza della virtù (Venice, 1693). Smith’s interdisciplinary approach enhances our modern perception of this rich and underexplored repertory, and will appeal to students and scholars not only of opera, but also of literature, philosophy, and visual and intellectual cultures Frontmatter -- Contents -- List Of Figures -- List Of Musical Examples -- Acknowledgments -- Introduction -- Part One. The Image Of Truth -- 1. Founding Arcadia: The Aesthetics Of Verisimilitude And Buon Gusto -- 2. Performing L’Endimione: A History and Reappraisal of Guidi’s Favola pastorale -- 3. Reading the Classics: Intellectual and Cultural Resonances in Gravina’s Discorso sopra l’Endimione -- Part Two. The Truth Of Representation -- 4. Reconciling Icon, Mythos, And Tupos: The Role Of Images In L’Endimione -- 5. Believing in Opera: Visual Modes in Alessandro Scarlatti’s La Statira -- 6. Deceiving the Eye: Mirror, Statue, and Stone in Carlo Francesco Pollarolo’s La forza della virtù -- Epilogue: Constructing Gender and Politics; Queen Christina’s Image -- Notes -- Bibliography -- Index

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520970403
    Other identifier:
    RVK Categories: LQ 81604
    Subjects: Opera; Opera; Symbolism in opera; MUSIC / Genres & Styles / Opera
    Other subjects: 1690; 17th century; aesthetic; alessandro scarlatti; arcadian reform; carlo francesco pollarolo; character; crossroads; debates; early modern period; enlightenment; gender; genre; interpreters; italian; italy; la forza della virtu; la statira; literary background; modern scholars; ocularcentric; opera criticism; opera; philosophical background; rome; text and music; visual symbolism
    Scope: 1 Online-Ressource (xiv, 311 Seiten), Illustrationen, Notenbeispiele
    Notes:

    Includes bibliographical references and index

    restricted access online access with authorization star