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Displaying results 1 to 18 of 18.

  1. Subjectivity in the American protest novel
    Author: Drake, Kimberly
    Published: 2011
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

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  2. Working subjects in early modern English drama
    Contributor: Dowd, Michelle M. (Hrsg.)
    Published: 2011
    Publisher:  Ashgate, Farnham

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    Source: Union catalogues
    Contributor: Dowd, Michelle M. (Hrsg.)
    Language: English
    Media type: Book
    ISBN: 9781409410775; 1409410773
    Series: Studies in performance and early modern drama
    Other subjects: English drama--Early modern and Elizabethan, 1500-1600--History and criticism.; Working class in literature.; Labor in literature.; Work in literature.; Literature and society--England--History--16th century.; Literature and society--England--History--17th century.
    Scope: XIII, 291 S., Ill., 24 cm
  3. Rogue performances
    staging the underclasses in early American theatre culture
    Author: Reed, Peter P.
    Published: 2009
    Publisher:  Palgrave Macmillan, New York, NY

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  4. Evading class in contemporary British literature
    Author: Driscoll, Lawrence
    Published: 2009
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

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  5. Subjectivity in the American protest novel
    Author: Drake, Kimberly
    Published: 2011
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

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  6. Writing Ireland's working class
    Dublin after O'Casey
    Author: Pierse, Michael
    Published: 2011
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

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  7. Dreams for dead bodies
    blackness, labor, and the corpus of American detective fiction
    Author: Robinson, Michelle
    Published: [2016]; ©2016
    Publisher:  University of Michigan Press, Ann Arbor

    Dreams for Dead Bodies: Blackness, Labor, and the Corpus of American Detective Fiction offers new arguments about the origins of detective fiction in the United States, tracing the lineage of the genre back to unexpected texts and uncovering how... more

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    Dreams for Dead Bodies: Blackness, Labor, and the Corpus of American Detective Fiction offers new arguments about the origins of detective fiction in the United States, tracing the lineage of the genre back to unexpected texts and uncovering how authors such as Edgar Allan Poe, Mark Twain, Pauline Hopkins, and Rudolph Fisher made use of the genre's puzzle-elements to explore the shifting dynamics of race and labor in America. The author constructs an interracial genealogy of detective fiction to create a nuanced picture of the ways that black and white authors appropriated and cultivated literary conventions that coalesced in a recognizable genre at the turn of the twentieth century. These authors tinkered with detective fiction's puzzle-elements to address a variety of historical contexts, including the exigencies of chattel slavery, the erosion of working-class solidarities by racial and ethnic competition, and accelerated mass production. Dreams for Dead Bodies demonstrates that nineteenth- and early twentieth-century American literature was broadly engaged with detective fiction, and that authors rehearsed and refined its formal elements in literary works typically relegated to the margins of the genre. By looking at these margins, the book argues, we can better understand the origins and cultural functions of American detective fiction

     
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  8. Dickens's secular gospel
    work, gender, and personality
    Author: Louttit, Chris
    Published: 2009
    Publisher:  Routledge, New York, NY [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780415991360; 0415991366
    Series: Studies in major literary authors
    Subjects: Arbeit <Motiv>; Persönlichkeit <Motiv>
    Other subjects: Dickens, Charles (1812-1870); Dickens, Charles, 1812-1870--Criticism and interpretation.; Work in literature.; Working class in literature.; Work--Religious aspects.; Work--Psychological aspects.; Working class--Great Britain--Attitudes.
    Scope: XIV, 167 S.
    Notes:

    Includes bibliographical references and index
  9. Evading class in contemporary British literature
    Author: Driscoll, Lawrence
    Published: 2009
    Publisher:  Palgrave Macmillan, New York, NY

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  10. Rogue performances
    staging the underclasses in early American theatre culture
    Author: Reed, Peter P.
    Published: 2009
    Publisher:  Palgrave Macmillan, New York, NY

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  11. To Exercise Our Talents
    The Democratization of Writing in Britain
    Author: Hilliard, Christopher
    Published: 2006; ©2006.
    Publisher:  Harvard University Press, Cambridge, Mass

    In twentieth-century Britain the literary landscape underwent a fundamental change. Aspiring authors--traditionally drawn from privileged social backgrounds--now included factory workers writing amid chaotic home lives and married women joining... more

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    In twentieth-century Britain the literary landscape underwent a fundamental change. Aspiring authors--traditionally drawn from privileged social backgrounds--now included factory workers writing amid chaotic home lives and married women joining writers' clubs in search of creative outlets. In this brilliantly conceived book, Christopher Hilliard reveals the extraordinary history of "ordinary" voices. In capturing the creative lives of ordinary people--would-be fiction-writers and poets who until now have left scarcely a mark on written history--Hilliard sensitively reconstructs the literary culture of a democratic age.

     
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  12. Writing Ireland's working class
    Dublin after O'Casey
    Author: Pierse, Michael
    Published: 2011
    Publisher:  Palgrave Macmillan, Basingstoke

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  13. Reading more of Roddy Doyle
    Author: White, Caramine
    Published: 2012
    Publisher:  Glasnevin Publ., Dublin

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  14. Dreams for dead bodies
    blackness, labor, and the corpus of American detective fiction
    Author: Robinson, Michelle
    Published: [2016]; ©2016
    Publisher:  University of Michigan Press, Ann Arbor

    Dreams for Dead Bodies: Blackness, Labor, and the Corpus of American Detective Fiction offers new arguments about the origins of detective fiction in the United States, tracing the lineage of the genre back to unexpected texts and uncovering how... more

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    Dreams for Dead Bodies: Blackness, Labor, and the Corpus of American Detective Fiction offers new arguments about the origins of detective fiction in the United States, tracing the lineage of the genre back to unexpected texts and uncovering how authors such as Edgar Allan Poe, Mark Twain, Pauline Hopkins, and Rudolph Fisher made use of the genre's puzzle-elements to explore the shifting dynamics of race and labor in America. The author constructs an interracial genealogy of detective fiction to create a nuanced picture of the ways that black and white authors appropriated and cultivated literary conventions that coalesced in a recognizable genre at the turn of the twentieth century. These authors tinkered with detective fiction's puzzle-elements to address a variety of historical contexts, including the exigencies of chattel slavery, the erosion of working-class solidarities by racial and ethnic competition, and accelerated mass production. Dreams for Dead Bodies demonstrates that nineteenth- and early twentieth-century American literature was broadly engaged with detective fiction, and that authors rehearsed and refined its formal elements in literary works typically relegated to the margins of the genre. By looking at these margins, the book argues, we can better understand the origins and cultural functions of American detective fiction

     
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  15. Working subjects in early modern English drama
    Contributor: Dowd, Michelle M. (Publisher)
    Published: 2011
    Publisher:  Ashgate, Farnham [u.a.]

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    Source: Union catalogues
    Contributor: Dowd, Michelle M. (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781409410775; 9781409410782
    RVK Categories: HG 434
    Series: Studies in performance and early modern drama
    Subjects: English drama--Early modern and Elizabethan, 1500-1600--History and criticism.; Working class in literature.; Labor in literature.; Work in literature.; Literature and society--England--History--16th century.; Literature and society--England--History--17th century.
    Scope: XIII, 291 S., Ill., 24 cm
    Notes:

    Literaturverz. S. [251] - 275
  16. Writing Ireland's working class
    Dublin after O'Casey
    Author: Pierse, Michael
    Published: 2011
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

  17. Working class fiction
    from chartism to Trainspotting
    Author: Haywood, Ian
    Published: 1997.
    Publisher:  Nortcote House Publishers, Tavistock

    A comprehensive introduction to working-class literature over the last 150 years showing how many of these texts have consistently challenged dominant literary, critical and social values. It combines an extensive survey and bibliography with a... more

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    A comprehensive introduction to working-class literature over the last 150 years showing how many of these texts have consistently challenged dominant literary, critical and social values. It combines an extensive survey and bibliography with a commitment to working-class writing as a vital area of literary study.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781786946324; 9780746307809
    Series: Writers and their work
    Subjects: English fiction ; 20th century ; History and criticism.; Working class in literature.; Capitalism in literature.; Labor in literature.; English fiction ; 20th century ; History and criticism; Working class in literature; Capitalism in literature; Labor in literature
    Scope: 1 online resource (xiv, 178 pages), digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 15 Jan 2020)
  18. No Country
    Working-Class Writing in the Age of Globalization
    Author: Perera, Sonali
    Published: [2014]; ©2014.
    Publisher:  Columbia University Press, New York, NY

    Can there be a novel of the international working class despite the conditions and constraints of economic globalization? What does it mean to invoke working-class writing as an ethical intervention in an age of comparative advantage and outsourcing?... more

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    Can there be a novel of the international working class despite the conditions and constraints of economic globalization? What does it mean to invoke working-class writing as an ethical intervention in an age of comparative advantage and outsourcing? No Country argues for a rethinking of the genre of working-class literature. Sonali Perera expands our understanding of working-class fiction by considering a range of international texts, identifying textual, political, and historical linkages often overlooked by Eurocentric and postcolonial scholarship. Her readings connect the literary radicalism of the 1930s to the feminist recovery projects of the 1970s, and the anticolonial and postcolonial fiction of the 1960s to today's counterglobalist struggles, building a new portrait of the twentieth century's global economy and the experiences of the working class within it.Perera considers novels by the Indian anticolonial writer Mulk Raj Anand; the American proletarian writer Tillie Olsen; Sri Lankan Tamil/Black British writer and political journalist Ambalavaner Sivanandan; Indian writer and bonded-labor activist Mahasweta Devi; South African-born Botswanan Bessie Head; and the fiction and poetry published under the collective signature Dabindu, a group of free-trade-zone garment factory workers and feminist activists in contemporary Sri Lanka. Articulating connections across the global North-South divide, Perera creates a new genealogy of working-class writing as world literature and transforms the ideological underpinnings casting literature as cultural practice. Gayatri Chakravorty Spivak, University Professor, Columbia University:Sonali Perera's No Country offers a powerful new theorizing of working-class literature in a global dimension. Gender inflections are given in unprecedented detail, through deeply learned and meticulously documented close readings of an astonishingly diversified collection of texts. Perera's readings of Marx are relevant to contemporary realities. Srinivas Aravamudan, Duke University, author of Guru English: South Asian Religion in a Cosmopolitan Language:Caught in the stampede toward globalism, literary scholars have overlooked the rich archives of working-class internationalism. Sonali Perera's study is a bracing corrective to this trend, putting South Asian voices in dialogue with transcontinental interlocutors. Inspired by Raymond Williams, No Country leads us to a world literature that includes its many proletarian offshoots. Ellen Rooney, Brown University:A timely, intellectually ambitious, and original piece of work. It hopes both to reinvigorate critical interest in a complex genre/period category and, in the same movement, to provoke new thinking about such major categories as class, history, and literature itself

     
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