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  1. A Nation of victims?
    representations of German wartime suffering from 1945 to the present
    Published: 2007
    Publisher:  Rodopi, Amsterdam

    Preliminary material /Editors A Nation of Victims? -- Introduction: The Return of Wartime Suffering in Contemporary German Memory Culture, Literature and Film /Editors A Nation of Victims? -- Germans in the Lager. Reports and Narratives about... more

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    Universitätsbibliothek Leipzig
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    Südwestdeutscher Bibliotheksverbund (SWB)

     

    Preliminary material /Editors A Nation of Victims? -- Introduction: The Return of Wartime Suffering in Contemporary German Memory Culture, Literature and Film /Editors A Nation of Victims? -- Germans in the Lager. Reports and Narratives about Imprisonment in Post-War Allied Internment Camps /Gregor Streim -- Die, von denen man erzählt hat, dass sie die kleinen Kinder schlachten’. Deutsche Leiderfahrung und Bilder von Juden in der deutschen Kultur nach 1945. Zu einigen Texten Wolfgang Weyrauchs /Hans-Joachim Hahn -- The Representation of Wehrmacht Soldiers as Victims in Post-war West German Film: Hunde, wollt ihr ewig leben? and Der Arzt von Stalingrad /Helen Wolfenden -- The German Myth of a Victim Nation: (Re-)presenting Germans as Victims in the New Debate on their Flight and Expulsion from Eastern Europe /Samuel Salzborn -- Implicit Equations in Constructions of German Suffering /Bill Niven -- Dresden and Hamburg - Official Memory and Commemoration of the Victims of Allied Air Raids in the two Germanies /Gilad Margalit -- Regarding and Imagining. Contrived Immediacy of the Allied Bombing Campaign in Photography, Novel and Historiography /Heinz-Peter Preußer -- Lost in Translations? The Discourse of ‘German Suffering’ and W. G. Sebald’s Luftkrieg und Literatur /Annette Seidel Arpacı -- Wahrheit und Erinnerung. Die Spuren des Jahres 1945 in Texten von Christa Wolf /Odile Jansen -- Historicism, Sentimentality and the Problem of Empathy: Uwe Timm’s Am Beispiel meines Bruders in the Context of Recent Representations of German Suffering /Helmut Schmitz -- Literary Representations in Contemporary German Fiction of the Expulsions of Germans from the East in 1945 /Stuart Taberner -- Der Untergang (2004): Victims, Perpetrators and the Continuing Fascination of Fascism /Paul Cooke -- Index of Contributors /Editors A Nation of Victims?. The re-emergence of the issue of wartime suffering to the fore of German public discourse represents the greatest shift in German memory culture since the Historikerstreit of the 1980s. The (international) attention and debates triggered by, for example, W.G. Sebald’s Luftkrieg und Literatur , Günter Grass’s Im Krebsgang , Jörg Friedrich’s Der Brand testify to a change in focus away from the victims of National Socialism to the traumatic experience of the ‘perpetrator collective’ and its legacies. The volume brings together German, English and Israeli literary and film scholars and historians addressing issues surrounding the representation of German wartime suffering from the immediate post-war period to the present in literature, film and public commemorative discourse. Split into four sections, the volume discusses the representation of Germans as victims in post-war literature and film, the current memory politics of the Bund der Vertriebenen , the public commemoration of the air raids on Hamburg and Dresden and their representation in film, photography, historiography and literature, the impact and reception of W.G. Sebald’s Luftkrieg und Literatur , the representation of flight and expulsion in contemporary writing, the problem of empathy in representations of Germans as victims and the representation of suffering and National Socialism in Oliver Hirschbiegel’s film Der Untergang

     
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    Source: Union catalogues
    Language: English; German
    Media type: Ebook
    Format: Online
    ISBN: 9789401204453
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    Series: German monitor ; no. 67
    Subjects: Germans in literature; German literature; Germans in literature; Germans in motion pictures; Motion pictures; Suffering in literature; Suffering in motion pictures; War and motion pictures; War in literature; Criticism, interpretation, etc; History
    Scope: 1 Online-Ressource (265 pages)
    Notes:

    Includes bibliographical references
  2. Roma e il cinema del dopoguerra
    neorealismo, melodramma, noir
    Author: Marmo, Lorenzo
    Published: [2018]; © 2018
    Publisher:  Bulzoni editore, Roma

  3. Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933)
    Author: Kester, Bernadette
    Published: 2002
    Publisher:  Amsterdam University Press, Amsterdam

    Describes Germany's experience of World War I as depicted in the cinematography of the Weimar era. more

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Bibliothek der Frankfurt University of Applied Sciences
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Describes Germany's experience of World War I as depicted in the cinematography of the Weimar era.

     
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    Source: Union catalogues
    Language: Dutch; English
    Media type: Ebook
    Format: Online
    ISBN: 9789048505197; 9048505194; 9053565981; 9789053565988
    RVK Categories: AP 52700
    Series: Film Culture in Transition
    Subjects: Film; Kriegsfilm; Weimarer Republik <Motiv>; Erster Weltkrieg <Motiv>; World War, 1914-1918; Motion pictures; Propaganda, German; Society and social sciences; Society and culture: general; The arts; Film, TV and radio; Humanities; History; HISTORY; Motion pictures; Propaganda, German; War and motion pictures; History & Archaeology; History - General
    Scope: 1 Online-Ressource (331 Seiten)
    Notes:

    Includes bibliographical references (pages 305-317) and indexes
  4. Narratives of trauma
    discourses of German wartime suffering in national and international perspective
    Contributor: Schmitz, Helmut; Seidel-Arpacı, Annette
    Published: 2011
    Publisher:  Rodopi, Amsterdam ; EBSCO Industries, Inc., Birmingham, AL, USA

    Over the last decade German culture has been engaged in a re-examination of the traumatic events of the Second World War and their post-war legacy in the public and private sphere. This shift in German memory culture from a focus on responsibility... more

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    Bibliothek der Hochschule Mainz, Untergeschoss
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    Over the last decade German culture has been engaged in a re-examination of the traumatic events of the Second World War and their post-war legacy in the public and private sphere. This shift in German memory culture from a focus on responsibility for the Holocaust to a focus on wartime suffering has attracted a lot of critical attention over the past decade, in both Cultural and Literary Studies and History. This volume brings together British, German, Dutch and American scholars from the fields of Cultural Studies, History and Sociology to address the national and international significance of discourses of ‘German wartime suffering’ in post-war and contemporary Germany. The focus of this interdisciplinary volume is both on the historical roots of the ‘Germans as victims’ narratives and the forms of their continuing existence in contemporary public memory and culture. The first three sections of this volume explore the conditions of German victim discourses in a variety of media and public arenas from historiography, sociology, literature and film to monuments, civil defence bunkers and local public memory. The final section sets the contemporary re-articulation of German wartime suffering in an international context with respect to its reception and its reflection in both Western and Eastern Europe and Israel. Over the last decade German culture has been engaged in a re-examination of the traumatic events of the Second World War and their post-war legacy in the public and private sphere. This shift in German memory culture from a focus on responsibility for the Holocaust to a focus on wartime suffering has attracted a lot of critical attention over the past decade, in both Cultural and Literary Studies and History. This volume brings together British, German, Dutch and American scholars from the fields of Cultural Studies, History and Sociology to address the national and international significance.

     
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  5. Chinese and Japanese films on the Second World War
    Contributor: Tam, King-Fai (HerausgeberIn); Tsu, Timothy Y. (HerausgeberIn); Wilson, Sandra (HerausgeberIn)
    Published: 2015
    Publisher:  Routledge, Taylor & Francis Group, London

    "This book examines representations of the Second World War in postwar Chinese and Japanese cinema. Drawing on a wide range of scholarly disciplines, and analysing a wide range of films, it demonstrates the potential of war movies for understanding... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "This book examines representations of the Second World War in postwar Chinese and Japanese cinema. Drawing on a wide range of scholarly disciplines, and analysing a wide range of films, it demonstrates the potential of war movies for understanding contemporary China and Japan. It shows how the war is remembered in both countries, including the demonisation of Japanese soldiers in postwar socialist-era Chinese movies, and the pervasive sense of victimhood in Japanese memories of the war. However, it also shows how some Chinese directors were experimenting with alternatives interpretations of the war from as early as the 1950s, and how, despite the "resurgence of nationalism" in japan since the 1980s, the production of Japanese movies critical of the war has continued"--

     
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    Verlag (Inhaltsverzeichnis)
    Source: Staatsbibliothek zu Berlin
    Contributor: Tam, King-Fai (HerausgeberIn); Tsu, Timothy Y. (HerausgeberIn); Wilson, Sandra (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781138791039
    Series: Media, culture, and social change in Asia series ; 38
    Subjects: World War, 1939-1945; Motion pictures; Motion pictures; Motion pictures; Motion pictures; World War, 1939-1945; Motion pictures; Motion pictures; Motion pictures; Motion pictures; Motion pictures; Motion pictures; War and motion pictures; China; Japan; Film; 2. Weltkrieg (1939-1945)
    Scope: viii, 185 Seiten
    Notes:

    Bd-Zählung aus LOC-Aufnahme entnommen, auf Umschlag fälschlicherweise als Bd. 41 bezeichnet
  6. De la guerre à l'écran
    Ay Carmela! de Carlos Saura
    Author: Berthier, Nancy
    Published: 1999
    Publisher:  Pr. Univ. du Mirail, Toulouse

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    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 2858164703
    RVK Categories: IP 9080
    Series: Cinespaña
    Subjects: Film criticism; War and motion pictures
    Other subjects: Saura, Carlos / Ay Carmela; Saura, Carlos <1932->: Ay Carmela!; Saura, Carlos (1932-2023)
    Scope: 100 S., Ill.
  7. Roma e il cinema del dopoguerra
    neorealismo, melodramma, noir
    Author: Marmo, Lorenzo
    Published: [2018]; © 2018
    Publisher:  Bulzoni editore, Roma

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    Bayerische Staatsbibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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  8. Allied encounters
    the gendered redemption of World War II Italy
    Author: Escolar, Marisa
    Published: [2019]
    Publisher:  Fordham University Press, New York

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780823284498
    Edition: First edition
    Series: World War II : the global, human, and ethical dimension
    Subjects: Zweiter Weltkrieg <Motiv>; Literatur; Englisch; Italienisch; Film
    Other subjects: World War, 1939-1945 / Literature and the war; World War, 1939-1945 / Motion pictures and the war; Italy / History / Allied occupation, 1943-1947; Allied Occupation of Italy (1943-1947); World War (1939-1945); War and literature; War and motion pictures; Italy; 1939-1947; History
    Scope: xi, 240 Seiten, Illustrationen
    Notes:

    Redeeming destination Italy : a guide to the occupation of enemy territory -- "Liberated" Rome beyond redemption : Roberto Rossellini's Paisá and Alfred Hayes's All They Conquests and The Girl on the Via Flamina -- Happily ever after redemption : Luciana Peverelli's "true" romance novels of occupied Rome -- A queer redemption : John Horne Burns's The Gallery -- Sleights of hand, black skin, and the redemption of Curzio Malaparte's La pelle -- The redemption of Saint Paul : Norman Lewis's Naples '44
  9. The Vietnam War on film
    Author: Luhrssen, David
    Published: [2019]; © 2019
    Publisher:  ABC-CLIO, LLC, Santa Barbara, California ; Denver, Colorado

    "Vietnam War on Film illustrates how to employ film as a teaching tool. It also stands on its own as an account of the war and the major films that have depicted it"-- more

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    Bayerische Staatsbibliothek
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    Universität der Bundeswehr München, Universitätsbibliothek
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    "Vietnam War on Film illustrates how to employ film as a teaching tool. It also stands on its own as an account of the war and the major films that have depicted it"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781440866722
    Series: Hollywood history
    Subjects: Film; Vietnamkrieg <Motiv>
    Other subjects: Vietnam War (1961-1975); Vietnam War, 1961-1975 / Motion pictures and the war; War films / United States / History and criticism; War and motion pictures; War films; United States; 1961-1975; Criticism, interpretation, etc
    Scope: xxxiv, 170 Seiten
    Notes:

    The Green Berets (1968) -- Coming Home (1978) -- The Boys in Company C (1978) -- The Deer Hunter (1978) -- Apocalypse Now (1979) -- Platoon (1986) -- Full Metal Jacket (1987) -- We Were Soldiers (2002) -- The Quiet American (2002) -- Rescue Dawn (2006)
  10. The American Civil War and the Hollywood war film
    Author: Trafton, John
    Published: 2016
    Publisher:  Palgrave Macmillan, New York, NY

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    RVK Categories: AP 52700 ; AP 59783
    Subjects: War films / United States / History and criticism; History in motion pictures; History in motion pictures; War and motion pictures; War films; Geschichte; Sezessionskrieg (1861-1865); Kriegsfilm; Sezessionskrieg <1861-1865, Motiv>; Malerei; Literatur
    Scope: 194 Seiten, Illustrationen, 23 cm
    Notes:

    Includes bibliographical references (pages 181-187), filmography (pages 179-180), and index
  11. Shell shock cinema
    Weimar culture and the wounds of war
    Author: Kaes, Anton
    Published: 2011
    Publisher:  Princeton Univ. Press, Princeton [u.a.]

    The war at home. The wounded soldier -- The spirit of 1914 -- Film and nation -- The battle of images -- A medium for deception -- The new empire -- Mental breakdowns -- Notes from the asylum. War neurotics -- Recovering the past -- Phantoms and... more

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    Universitätsbibliothek Würzburg
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    The war at home. The wounded soldier -- The spirit of 1914 -- Film and nation -- The battle of images -- A medium for deception -- The new empire -- Mental breakdowns -- Notes from the asylum. War neurotics -- Recovering the past -- Phantoms and freaks -- From Dr. Charcot to Dr. Caligari -- Madness as resistance -- the Hitler connection -- Shattered space -- The return of the undead. The lost generation -- Mass death -- Dracula revisited -- A community under siege -- Hysteria on the home front -- The allure of the occult -- The work of mourning -- Myth, murder, and revenge. The national project -- Posing for Germany -- The will to form -- The fallen hero -- Excursus: Lang in World War I -- The sacred battle -- The end of violence -- Apocalypse redux. Rise of the machines -- Moloch war -- The American alternative -- The hunger for religion -- The workers&apos; revolt -- Destruction and regeneration -- Aftershocks -- Epilogue

     
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  12. Nordic war stories
    World War II as history, fiction, media, and memory
    Contributor: Stecher-Hansen, Marianne (Publisher)
    Published: 2021
    Publisher:  Berghahn, New York ; Oxford

    Location:
    Universitätsbibliothek Augsburg
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    Bayerische Staatsbibliothek
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    Institut für Zeitgeschichte München-Berlin, Bibliothek
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    Universitätsbibliothek der LMU München
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  13. Cinematic cryptonymies
    the absent body in postwar film
    Author: Eliaz, Ofer
    Published: [2018]
    Publisher:  Wayne State University Press, Detroit

    "Following the Second World War, the world had to confront the unmournable specters of those who had been erased socially and historically. Cinematic Cryptonymies: The Absent Body in Postwar Film explores how cinema addressed these missing bodies... more

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    Bayerische Staatsbibliothek
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    "Following the Second World War, the world had to confront the unmournable specters of those who had been erased socially and historically. Cinematic Cryptonymies: The Absent Body in Postwar Film explores how cinema addressed these missing bodies through an in-depth analysis of key filmmakers from the immediate postwar moment through the present."--Back cover

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780814345627; 9780814345610
    Series: Contemporary approaches to film and media series
    Subjects: Abwesenheit <Motiv>; Film
    Other subjects: Franju, Georges / 1912-1987; Bava, Mario / 1914-1980; Godard, Jean-Luc / 1930-; Uman, Naomi; World War, 1939-1945 / Motion pictures and the war; Motion picture producers and directors / History and criticism; Holocaust, Jewish (1939-1945), in motion pictures; Motion picture industry / Europe; Symbolism in motion pictures; Bava, Mario / 1914-1980; Franju, Georges / 1912-1987; Godard, Jean-Luc / 1930-; Holocaust, Jewish (1939-1945) in motion pictures; Motion picture industry; Motion picture producers and directors; Symbolism in motion pictures; War and motion pictures; Europe; 1939-1945; Criticism, interpretation, etc
    Scope: 230 Seiten, Illustrationen, 23 cm
    Notes:

    Introduction: a cryptic history of the cinema -- The crypt-image and the taboo body in the films of Georges Franju -- Mario Bava, the phantom-image, and transgenerational debt -- Anasemic montage and the cinematic interval in Jean-Luc Godard's late cinema -- Re-visions: Naomi Uman and cinematic decryption -- Conclusion: the body under erasure
  14. The victory banner over the Reichstag
    film, document, and ritual in Russia's contested memory of World War II
    Author: Hicks, Jeremy
    Published: [2020]
    Publisher:  University of Pittsburgh Press, Pittsburgh, Pa.

    "In one of the most iconic images from World War II, a Russian soldier raises a red flag atop the ruins of the German Reichstag on April 30, 1945. Known as the Victory Banner, this piece of fabric has come to symbolize Russian triumph, glory, and... more

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    AlliiertenMuseum, Bibliothek

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    "In one of the most iconic images from World War II, a Russian soldier raises a red flag atop the ruins of the German Reichstag on April 30, 1945. Known as the Victory Banner, this piece of fabric has come to symbolize Russian triumph, glory, and patriotism. Facsimiles are used in public celebrations all over the country, and an exact replica is the centerpiece in the annual Victory Parade in Moscow's Red Square. The Victory Banner Over the Reichstag examines how and why this symbol was created, the changing media of its expression, and the contested evolution of its message. From association with Stalinism and communism to its acquisition of Russian nationalist meaning, Jeremy Hicks demonstrates how this symbol was used to construct a collective Russian memory of the war. He traces how the Soviets, and then Vladimir Putin, have used this image and the banner itself to build a remarkably powerful mythology of Russian greatness"--

     
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  15. The Great War in Hollywood memory, 1918-1939
    Author: Hammond, Michael
    Published: 2019; © 2019
    Publisher:  State University of New York Press, Albany

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    Bayerische Staatsbibliothek
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  16. Revolution in paradise
    veiled representations of Jewish characters in the cinema of occupied France
    Author: Moraly, Jean-Bernard
    Published: 2020
    Publisher:  Sussex Academic Press, Brighton ; Chicago ; Toronto

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    Bayerische Staatsbibliothek
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    Location:
    Hochschule für Fernsehen und Film, Bibliothek
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    Source: Union catalogues
    Contributor: Kessous, Gila; May-Ron, Rona (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781845197193
    Subjects: Juden <Motiv>; Film; Antisemitismus; Besetzung
    Other subjects: Jews in motion pictures; Motion pictures / France / History and criticism; World War, 1939-1945 / France / Motion pictures and the war; World War (1939-1945); Jews in motion pictures; Motion pictures; War and motion pictures; France; 1939-1945; Criticism, interpretation, etc
    Scope: xiii, 276 Seiten
    Notes:

    This English-language edition is a revised work and not a direct translation of the original 2014 French publication (Elkana, Jerusalem)
  17. Shell shock cinema
    Weimar culture and the wounds of war
    Author: Kaes, Anton
    Published: 2009
    Publisher:  Princeton Univ. Press, Princeton [u.a.]

    The war at home. The wounded soldier -- The spirit of 1914 -- Film and nation -- The battle of images -- A medium for deception -- The new empire -- Mental breakdowns -- Notes from the asylum. War neurotics -- Recovering the past -- Phantoms and... more

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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    Institut für Zeitgeschichte München-Berlin, Bibliothek
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    NS-Dokumentationszentrum München, Bibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Würzburg
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    The war at home. The wounded soldier -- The spirit of 1914 -- Film and nation -- The battle of images -- A medium for deception -- The new empire -- Mental breakdowns -- Notes from the asylum. War neurotics -- Recovering the past -- Phantoms and freaks -- From Dr. Charcot to Dr. Caligari -- Madness as resistance -- the Hitler connection -- Shattered space -- The return of the undead. The lost generation -- Mass death -- Dracula revisited -- A community under siege -- Hysteria on the home front -- The allure of the occult -- The work of mourning -- Myth, murder, and revenge. The national project -- Posing for Germany -- The will to form -- The fallen hero -- Excursus: Lang in World War I -- The sacred battle -- The end of violence -- Apocalypse redux. Rise of the machines -- Moloch war -- The American alternative -- The hunger for religion -- The workers&apos; revolt -- Destruction and regeneration -- Aftershocks -- Epilogue

     
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  18. For no reason at all
    the changing narrative of the First World War in American film
    Author: Hinkelman, Jeffrey A.
    Published: 2022
    Publisher:  University Press of Mississippi, Jackson

    "The years following the signing of the Armistice saw a transformation of traditional attitudes regarding military conflict as America attempted to digest the enormity and futility of the First World War. During these years popular film culture in... more

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    Bayerische Staatsbibliothek
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    Universität der Bundeswehr München, Universitätsbibliothek
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    "The years following the signing of the Armistice saw a transformation of traditional attitudes regarding military conflict as America attempted to digest the enormity and futility of the First World War. During these years popular film culture in the United States created new ways of addressing the impact of the war on both individuals and society. Filmmakers with direct experience of combat created works that promoted their own ideas about the depiction of wartime service-ideas that frequently conflicted with established, heroic tropes for the portrayal of warfare on film. Those filmmakers spent years modifying existing standards and working through a variety of storytelling options before achieving a consensus regarding the fitting method for rendering war on screen. That consensus incorporated facets of the experience of Great War veterans, and these countered and undermined previously accepted narrative strategies. This process reached its peak during the Pre-Code Era of the early 1930s when the initially prevailing narrative would be briefly supplanted by an entirely new approach that questioned the very premises of wartime service. Even more significantly, the rhetoric of these films argued strongly for an antiwar stance that questioned every aspect of the wartime experience. For No Reason at All: The Changing Narrative of the First World War in American Film discusses a variety of Great War-themed films made from 1915 to the present, tracing the changing approaches to the conflict over time. Individual chapters focus on movie antecedents, animated films and comedies, the influence of literary precursors, the African American film industry, women-centered films, and the effect of the Second World War on depictions of the First. Films discussed include Hearts of the World, The Cradle of Courage, Birthright, The Big Parade, She Goes to War, Doughboys, Young Eagles, The Last Flight, Broken Lullaby, Lafayette Escadrille, and Wonder Woman, among many others"--

     
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  19. Roma e il cinema del dopoguerra
    neorealismo, melodramma, noir
    Author: Marmo, Lorenzo
    Published: [2018]
    Publisher:  Bulzoni editore, Roma

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 45774
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    Source: Staatsbibliothek zu Berlin
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 9788868971120
    Series: Array ; 19
    Subjects: Motion pictures; Realism in motion pictures; Melodrama in motion pictures; Film noir; Film noir; Film noir; Melodrama in motion pictures; Melodrama in motion pictures; Motion pictures; Motion pictures; Realism in motion pictures; Realism in motion pictures; War and motion pictures; Italy; Rome (Italy); World War (1939-1945); History; 1900-1999
    Scope: 224 Seiten, Illustrationen, 23 cm
    Notes:

    Includes bibliographical references (pages 207-224)
  20. Krieg und Militär im Film des 20. Jahrhunderts
    Published: 2003
    Publisher:  Oldenbourg, München

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    Staatliche Bibliothek, Provinzialbibliothek
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    Hofbibliothek Aschaffenburg
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    AlliiertenMuseum, Bibliothek

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    Studienbibliothek
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerisches Armeemuseum, Bayerische Armeebibliothek
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    Bayerische Staatsbibliothek
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    Deutsches Museum, Bibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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    Institut für Zeitgeschichte München-Berlin, Bibliothek
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    Metropolitankapitel München und Archiv des Erzbistums München und Freising (AEM), Bibliothek
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    Universitätsbibliothek der LMU München
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  21. The Civil War on film
    Author: Lamphier, Peg A.; Welch, Rosanne
    Published: 2020
    Publisher:  ABC-CLIO, an imprint of ABC-CLIO, LLC, Santa Barbara, California

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    Universitätsbibliothek Würzburg
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  22. The intimacies of conflict
    cultural memory and the Korean War
    Author: Kim, Daniel Y.
    Published: [2020]; © 2020
    Publisher:  New York University Press, New York

    The Intimacies of Conflict explores cultural memory and the Korean War more

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    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
    Signature:
    951.90421 KIM
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    The Intimacies of Conflict explores cultural memory and the Korean War

     
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  23. The Korean War and postmemory generation
    contemporary Korean arts and films
    Author: Koh, Dong-Yeon
    Published: 2022
    Publisher:  Routledge, London ; New York

    "This pioneering volume navigates cultural memory of the Korean War through the lens of contemporary arts and film in South Korea. Cultural memory of the Korean War has been a subject of persistent controversy in the forging of South Korean postwar... more

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    Freie Universität Berlin, Universitätsbibliothek
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    "This pioneering volume navigates cultural memory of the Korean War through the lens of contemporary arts and film in South Korea. Cultural memory of the Korean War has been a subject of persistent controversy in the forging of South Korean postwar national and ideological identity. Applying the theoretical notion of 'postmemory', this book examines the increasingly diversified attitudes toward memories of the Korean War and Cold War from the late 1990s and onwards - particularly in the demise of military dictatorships. Chapters consider the tension between personal and collective memory, as well as efforts from younger generations to distance themselves from the trauma of war survivors. Extensively illustrated, this is one of the first volumes in English to provide an in-depth analysis of work oriented around such themes from twelve renowned and provocative South Korean artists and filmmakers. This includes documentary photographs, participatory public arts, independent women's documentary films, and media installations. The Korean War and Postmemory Generation will appeal to students and scholars of film studies, contemporary art and Korean history"--

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780367439743; 9781032033952
    Series: Routledge advances in Korean studies
    Subjects: Film; Koreakrieg <Motiv>; Kunst
    Other subjects: Korean War, 1950-1953 / Motion pictures and the war; Korean War, 1950-1953 / Art and the war; War films / Korea (South) / History and criticism; Korean War, 1950-1953 / Social aspects / Korea (South); Collective memory / Korea (South); Collective memory; Social aspects; War and motion pictures; War films; Korea (South); 1950-1953; Art; Criticism, interpretation, etc
    Scope: xv, 227 Seiten, Illustrationen (schwarz-weiß), 23 cm
    Notes:

    Introduction: The Korean War and postmemory generation in South Korea -- "Late photography" and Cold War memories -- The rise of DMZ ecotourism and the real DMZ project -- Documentaries on family tragedy : My father's emails and Dear Pyongyang -- Affective memory : sounds and smells of the Korean War -- Monuments, memorials and museums for war veterans in South Korea -- Conclusion: After memory and the ideological divide
  24. The Great War in Hollywood memory, 1918-1939
    Author: Hammond, Michael
    Published: [2019]; © 2019
    Publisher:  SUNY Press, Albany

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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  25. The Victory Banner over the Reichstag
    film, document, and ritual in Russia's contested memory of World War II
    Author: Hicks, Jeremy
    Published: [2020]; © 2020
    Publisher:  University of Pittsburgh Press, Pittsburgh, Pa.

    "In one of the most iconic images from World War II, a Russian soldier raises a red flag atop the ruins of the German Reichstag on April 30, 1945. Known as the Victory Banner, this piece of fabric has come to symbolize Russian triumph, glory, and... more

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    Europa-Universität Viadrina, Universitätsbibliothek
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    "In one of the most iconic images from World War II, a Russian soldier raises a red flag atop the ruins of the German Reichstag on April 30, 1945. Known as the Victory Banner, this piece of fabric has come to symbolize Russian triumph, glory, and patriotism. Facsimiles are used in public celebrations all over the country, and an exact replica is the centerpiece in the annual Victory Parade in Moscow's Red Square. The Victory Banner Over the Reichstag examines how and why this symbol was created, the changing media of its expression, and the contested evolution of its message. From association with Stalinism and communism to its acquisition of Russian nationalist meaning, Jeremy Hicks demonstrates how this symbol was used to construct a collective Russian memory of the war. He traces how the Soviets, and then Vladimir Putin, have used this image and the banner itself to build a remarkably powerful mythology of Russian greatness"--

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822987963
    RVK Categories: NQ 2700
    Series: Russian and East European studies
    Subjects: Geschichtspolitik; Kollektives Gedächtnis; Schlacht um Berlin <Motiv>; Russlandfeldzug <1941-1945, Motiv>
    Other subjects: Berlin, Battle of, Berlin, Germany, 1945 / Motion pictures and the war; World War, 1939-1945 / Soviet Union / Flags; Soviet Union / Raboche-Krestʹi͡anskai͡a Krasnai͡a Armii͡a / Flags; Flags / Soviet Union; Emblems, State / Soviet Union; Collective memory / Russia / History / 20th century; National characteristics, Russian; War and society / History / 20th century; Soviet Union / Raboche-Krestʹi͡anskai͡a Krasnai͡a Armii͡a; Armed Forces / Flags; Collective memory; Emblems, State; Flags; National characteristics, Russian; War and motion pictures; War and society; Germany / Berlin; Russia; Soviet Union; 1900-1999; History
    Scope: 1 Online-Ressource (ix, 285 Seiten), Illustrationen
    Notes:

    The Raising of the Victory Banner -- Victory and the Postwar Stalin Cult -- The Death of Stalin and Birth of the Victory Cult -- The Victory Cult in the Age of Television -- Iconoclasm, Resanctification, and the Post-Soviet Victory Cult