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Displaying results 1 to 24 of 24.

  1. Vision, science and literature, 1870 - 1920
    ocular horizons
    Author: Willis, Martin
    Published: 2011
    Publisher:  Pickering & Chatto, London

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    Max-Planck-Institut für Wissenschaftsgeschichte, Bibliothek
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    612.8 W735v
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 834462
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    Thüringer Universitäts- und Landesbibliothek
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    ANG:HC:460:Wil::2011
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    ang 577.7 CY 0457
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    Universitätsbibliothek Osnabrück
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    6171-106 6
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781848932340
    RVK Categories: HL 1091
    Series: Science and culture in the nineteenth century ; 15
    Subjects: Vision; Vision; Literature and science; Vision; Medicine in Literature; Visual Perception; Ophthalmology; Microscopy; Optical Phenomena
    Scope: XII, 295 S., Ill., 24 cm
    Notes:

    Literaturverz. S. 267 - 285
  2. Experimentelle Untersuchungen zur visuellen Statik
    Author: Piesbergen, Christoph
    Published: 1992
    Publisher:  tuduv-Verl.-Ges., München

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3880734291
    RVK Categories: CP 2500
    Series: Tuduv-Studien / Reihe Sozialwissenschaften ; 55
    Subjects: Architektur; Psychologie; Ästhetik; Aesthetics; Architecture; Equilibrium; Phenomenological psychology; Strains and stresses; Visual Perception; Visual perception; Weight Perception; Kognitive Balance; Tragfähigkeit; Visuelle Wahrnehmung; Wahrnehmungspsychologie; Statik; Beurteilung; Stütze; Baustatik
    Scope: 177 S., graph. Darst.
    Notes:

    Zugl.: München, Univ., Fak. für Psychologie und Pädagogik, Diss.1992
  3. Welt des Auges
    zur Theorie des Sehens und Kunst des Schauens
    Author: Schipperges, Heinrich
    Published: 1978
    Publisher:  Herder, Freiburg u.a.

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Staatliche Bibliothek Passau
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3451183706
    RVK Categories: CC 4000 ; LH 61260
    Subjects: Gezichtsvermogen; Ogen; Neurophysiology; Ocular Physiology; Vision; Visual Perception; Ikonographie; Anthropologie; Auge; Sehen; Wahrnehmung; Visuelle Wahrnehmung; Auge <Motiv>
    Other subjects: Hildegard Bingen, Äbtissin, Heilige (1098-1179)
    Scope: 143 S., Ill.
    Notes:

    Literaturverz. S. 142 - [144]
  4. In the eye of the beholder
    the science of face perception
    Author: Bruce, Vicki; Young, Andrew W.
    Published: 1998
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

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    Universitätsbibliothek Bamberg
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0198524404
    RVK Categories: CP 2500 ; LH 85000
    Subjects: Visual Perception; Bildnisplastik; Kunst; Biologie; Ästhetik; Gesicht; Bildnismalerei; Physiognomie; Visuelle Wahrnehmung
    Scope: X, 280 S., Ill., graph. Darst.
  5. The image
    Author: Aumont, Jacques
    Published: 1997
    Publisher:  British Film Institute, London

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0851704107; 0851704093
    RVK Categories: AP 45100
    Edition: 1. published
    Subjects: Filmkunst; Visuele waarneming; Film; Kunst; Art; Art; Esthetics; Motion Pictures as Topic; Photography; Visual Perception; Visual perception; Komposition; Bildaufbau; Wahrnehmungspsychologie; Fotografie; Film; Ästhetik; Kunst
    Scope: VI, 249 Seiten, Illustrationen, 25 cm
    Notes:

    First published as : L'image, Editions Nathan, Paris 1990
  6. Selective history of theories of visual perception
    1650 - 1950
    Author: Pastore, Nicholas
    Published: 1971
    Publisher:  Oxford Univ. Pr., New York u.a.

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Universitätsbibliothek Erlangen-Nürnberg, Wirtschafts- und Sozialwissenschaftliche Zweigbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    RVK Categories: CP 2500
    Subjects: Percepción visual; Perception visuelle; Perception visuelle - Histoire; Theorieën; Visuele waarneming; Visual Perception; Visual perception; Theorie; Visuelle Wahrnehmung; Ästhetik
    Scope: VII, 454 S., Ill., graph. Darst.
    Notes:

    Literaturverz. S. 428 - 445
  7. The psychology of perspective and Renaissance art
    Author: Kubovy, Michael
    Published: 1989
    Publisher:  Cambridge Univ. Pr., Cambridge u.a.

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    Universitätsbibliothek Passau
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0521368499
    RVK Categories: LH 65720
    Edition: 1. publ., repr.
    Subjects: Percepcao (Psicologia); Paintings; Visual Perception; Perspektive; Methode; Ästhetik; Wahrnehmungspsychologie; Renaissance; Kunst; Malerei; Kunstpsychologie
    Other subjects: Brunelleschi, Filippo (1377-1446)
    Scope: XIV, 192 S., Ill.
  8. Early modern eyes
    Contributor: Melion, Walter S. (Publisher); Wandel, Lee Palmer (Publisher)
    Published: 2010
    Publisher:  Brill, Leiden ; Boston

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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  9. Aesthetic science
    connecting minds, brains, and experience
    Contributor: Shimamura, Arthur P. (Publisher)
    Published: 2012
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

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    Universitätsbibliothek Bamberg
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    Source: Union catalogues
    Contributor: Shimamura, Arthur P. (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780199732142
    RVK Categories: LR 56650
    Subjects: Kunst; Psychologie; Ästhetik; Neuropsychology; Visual perception; Aesthetics; Esthetics; Art; Visual Perception; Neuroästhetik; Ästhetische Wahrnehmung; Kunstpsychologie
    Scope: XII, 408, [12] S., Ill., graph. Darst.
    Notes:

    Enth.: Toward a science of aesthetics : ideas & issues / Arthur P. Shimamura -- The philosophy of art and aesthetics, psychology, and neuroscience : studies in literature, visual arts, and music / Noel Carroll, Margaret Moore, & William P. Seeley -- Aesthetic theory and aesthetic science : prospects for integration / Vincent Bergeron & Dominic McIver Lopes -- Triangulating aesthetic experience / Murray Smith -- Art and the anthropologists / Gregory Currie -- Aesthetic science and artistic knowledge / Blake Gopnik -- Empirical investigation of an aesthetic experience with art / Paul J. Locher -- Hidden knowledge in aesthetic judgments : preferences for colors and spatial compositions / Stephen E. Palmer, Karen B. Schloss, & Jonathan S. Gardner -- Processing fluency, aesthetic pleasure, and culturally shared taste / Rolf Reber -- Human emotions and aesthetic experience / Paul J. Silvia -- Artistic development : the three essential spheres / Kimberly M. Sheridan & Howard Gardner -- Neuroaesthetics : growing pains of a new discipline / Anjan Chatterjee -- The modularity of aesthetic processing and perception in the human brain : functional neuroimaging studies of neuroaesthetics / Ulrich Kirk -- Art compositions elicit distributed activation in the human brain / Alumit Ishai -- A cognitive & behavioral neurological approach to aesthetics / Zachary A. Miller & Bruce L. Miller -- Neurology of visual aesthetics : Indian nymphs, modern art, and sexy beaks / V.S. Ramachandran & Elizabeth Seckel.
  10. Optics, ethics, and art in the thirteenth and fourteenth centuries
    looking into Peter of Limoges's moral treatise on the eye
    Contributor: Kessler, Herbert L. (HerausgeberIn); Newhauser, Richard (HerausgeberIn); Russell, Arthur J. (MitwirkendeR)
    Published: [2018]; © 2018
    Publisher:  PIMS, Pontifical Institute of Medieval Studies, Toronto, Ontario

    "This volume examines afresh the various ways in which the introduction of ancient and Arabic optical theories transformed thirteenth-century thinking about vision, how scientific learning came to be reconciled with theological speculation, and the... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universitätsbibliothek Heidelberg
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    Germanisches Nationalmuseum, Bibliothek
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    Herzog August Bibliothek Wolfenbüttel
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    "This volume examines afresh the various ways in which the introduction of ancient and Arabic optical theories transformed thirteenth-century thinking about vision, how scientific learning came to be reconciled with theological speculation, and the effect these new developments had on those who learned about them through preaching. At the core of this collection lies Peter of Limoges's 'Tractatus moralis de oculo', a compilation remarkable for subsuming science into the edifice of theology and glossing the physiology of the eye and theories of perception in terms of Christian ethics and moralization, making esoteric learning accessible to the public (including artists) through preaching. Transgressing traditional boundaries between art history, science, literature, and the history of religion, the nine essays in this volume complicate the generally accepted understanding of the impact science had on thirteenth-century visual culture."--

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Kessler, Herbert L. (HerausgeberIn); Newhauser, Richard (HerausgeberIn); Russell, Arthur J. (MitwirkendeR)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780888442093
    Other identifier:
    9780888442093
    RVK Categories: BN 2504 ; CE 1250
    Series: Text - image - context ; 5
    Studies and texts ; 209
    Subjects: Vision; Eye in art; Optics and art; Optics; Visual communication; Visual perception; Art and science; Science, Medieval; Religion and science; Visual Perception; Religion and Science; Communication; Art; Science; History, Medieval
    Other subjects: Peter of Limoges (-1306): De oculo morali
    Scope: xiv, 212 Seiten, Illustrationen, 26 x 21 cm
    Notes:

    Literaturverzeichnis Seite 190-205

    Mit Register

    Herbert L. Kessler and Richard G. Newhauser: Introduction

    Richard G. Newhauser: Morals, science, and the edification of the senses

    Carolyn Muessig: "Can't take my eyes off of you" : mutual gazing between the divine and humanity in late medieval preaching

    Donal Cooper: Preaching amidst pictures : visual contexts for sermons in late medieval Tuscany

    Aden Kumler: Seeing the worldly with a moral eye : illuminated observation as introspection

    Jacques Berlioz: Eyes in the back of the head : exempla and vision in the Moral treatise on the eye by Peter of Limoges

    Larry Scanlon: Is the Exemplum a mirror?

    A. Mark Smith: Skating on thin eyes : Hans Belting on the optics of Arabic and Western art

    Christopher R. Larry: "To see clearly": the place of relief in medieval visual culture

    Herbert L. Kessler.: Fenestra obliqua: art and Peter of Limoge's Modes of seeing
  11. Selective history of theories of visual perception, 1650-1950
    Author: Pastore, Nicholas
    Published: 1971
    Publisher:  Oxford Univ.Pr., New York

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Regensburg
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  12. Aesthetic science
    connecting minds, brains, and experience
    Contributor: Shimamura, Arthur P. (Publisher)
    Published: 2012
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Contributor: Shimamura, Arthur P. (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780199732142
    RVK Categories: LR 56650
    Subjects: Kunst; Psychologie; Ästhetik; Neuropsychology; Visual perception; Aesthetics; Esthetics; Art; Visual Perception; Neuroästhetik; Ästhetische Wahrnehmung; Kunstpsychologie
    Scope: XII, 408, [12] S., Ill., graph. Darst.
    Notes:

    Enth.: Toward a science of aesthetics : ideas & issues / Arthur P. Shimamura -- The philosophy of art and aesthetics, psychology, and neuroscience : studies in literature, visual arts, and music / Noel Carroll, Margaret Moore, & William P. Seeley -- Aesthetic theory and aesthetic science : prospects for integration / Vincent Bergeron & Dominic McIver Lopes -- Triangulating aesthetic experience / Murray Smith -- Art and the anthropologists / Gregory Currie -- Aesthetic science and artistic knowledge / Blake Gopnik -- Empirical investigation of an aesthetic experience with art / Paul J. Locher -- Hidden knowledge in aesthetic judgments : preferences for colors and spatial compositions / Stephen E. Palmer, Karen B. Schloss, & Jonathan S. Gardner -- Processing fluency, aesthetic pleasure, and culturally shared taste / Rolf Reber -- Human emotions and aesthetic experience / Paul J. Silvia -- Artistic development : the three essential spheres / Kimberly M. Sheridan & Howard Gardner -- Neuroaesthetics : growing pains of a new discipline / Anjan Chatterjee -- The modularity of aesthetic processing and perception in the human brain : functional neuroimaging studies of neuroaesthetics / Ulrich Kirk -- Art compositions elicit distributed activation in the human brain / Alumit Ishai -- A cognitive & behavioral neurological approach to aesthetics / Zachary A. Miller & Bruce L. Miller -- Neurology of visual aesthetics : Indian nymphs, modern art, and sexy beaks / V.S. Ramachandran & Elizabeth Seckel.
  13. The image
    Author: Aumont, Jacques
    Published: 1997
    Publisher:  British Film Institute, London

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    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 0851704107; 0851704093
    RVK Categories: AP 45100
    Edition: 1. published
    Subjects: Filmkunst; Visuele waarneming; Film; Kunst; Art; Art; Esthetics; Motion Pictures as Topic; Photography; Visual Perception; Visual perception; Komposition; Bildaufbau; Wahrnehmungspsychologie; Fotografie; Film; Ästhetik; Kunst
    Scope: VI, 249 Seiten, Illustrationen, 25 cm
    Notes:

    First published as : L'image, Editions Nathan, Paris 1990
  14. Early modern eyes
    Contributor: Melion, Walter S. (Publisher); Wandel, Lee Palmer (Publisher)
    Published: 2010
    Publisher:  Brill, Leiden ; Boston

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    Freie Universität Berlin, Universitätsbibliothek
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  15. Kunstmaschinen
    Spielräume des Sehens zwischen Wissenschaft und Ästhetik
    Contributor: Mayer, Andreas (Publisher)
    Published: 2005
    Publisher:  Fischer-Taschenbuch-Verl., Frankfurt am Main

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    Source: Union catalogues
    Contributor: Mayer, Andreas (Publisher)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3596161835
    RVK Categories: TB 6300 ; LH 61100
    Series: [Fischer-Taschenbücher] ; 16183 : Fischer-Sozialwissenschaft
    Subjects: Art and science; Physiology in art; Senses and sensation in art; Visual perception; Visual communication; Esthetics; Science; Art; Visual Perception
    Scope: 246 S., Ill., graph. Darst.
  16. Kunstmaschinen
    Spielräume des Sehens zwischen Wissenschaft und Ästhetik
    Contributor: Mayer, Andreas (HerausgeberIn); Métraux, Alexandre (HerausgeberIn)
    Published: [2005]; © 2005
    Publisher:  Fischer-Taschenbuch-Verlag, Frankfurt am Main

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    Source: Staatsbibliothek zu Berlin
    Contributor: Mayer, Andreas (HerausgeberIn); Métraux, Alexandre (HerausgeberIn)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3596161835; 9783596161836
    RVK Categories: LH 61100
    Series: Fischer ; 16183
    Subjects: Art and science; Physiology in art; Senses and sensation in art; Visual perception; Visual communication; Esthetics; Science; Art; Visual Perception
    Scope: 246 Seiten, Illustrationen, Diagramme, 19 cm
  17. Kunstmaschinen
    Spielräume des Sehens zwischen Wissenschaft und Ästhetik
    Contributor: Mayer, Andreas (HerausgeberIn); Métraux, Alexandre (HerausgeberIn)
    Published: [2005]; © 2005
    Publisher:  Fischer-Taschenbuch-Verlag, Frankfurt am Main

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    Source: Staatsbibliothek zu Berlin
    Contributor: Mayer, Andreas (HerausgeberIn); Métraux, Alexandre (HerausgeberIn)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783596161836; 3596161835
    RVK Categories: LH 61100 ; AK 27700
    Series: Fischer ; 16183
    Subjects: Art and science; Physiology in art; Senses and sensation in art; Visual perception; Visual communication; Esthetics; Science; Art; Visual Perception
    Scope: 246 Seiten, Illustrationen, Diagramme, 19 cm
  18. Der schöne Schein
    optische Illusionen in der Kunst
    Author: Heine, Florian
    Published: [2020]; © 2020
    Publisher:  Prestel, München

    Optische Illusion in der Kunst wird häufig mit der Trompe-l'oeil-Malerei gleichgesetzt. Der nicht ganz billige Titel des Fotografen und Kunsthistorikers geht darüber hinaus. Zusätzlich behandelt er sachkundig und gut verständlich Architektur,... more

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    Optische Illusion in der Kunst wird häufig mit der Trompe-l'oeil-Malerei gleichgesetzt. Der nicht ganz billige Titel des Fotografen und Kunsthistorikers geht darüber hinaus. Zusätzlich behandelt er sachkundig und gut verständlich Architektur, Fotografie sowie fotorealistische Acrylbilder, Skulptur, Street-Art (moderne 3-D-Strassenmalerei und Graffiti) und auch Anamorphosen, sodass sich eine abgerundete Gesamtdarstellung ergibt. Einleitende Übersichtsartikel und die Beschreibung wichtiger Werke von der Antike bis heute wechseln sich ab und die hochwertig wiedergegebenen Abbildungen verblüffen den Betrachter Eine Tür, wo keine ist, fantastische Ausblicke in den Himmel oder Totenköpfe, die nur aus einem bestimmten Blickwinkel zu sehen sind: Seit Menschen malen, versuchen sie, durch Kunstfertigkeit und mit Hilfe optischer Effekte den Betrachter hinters Licht zu führen. Vom klassischen Trompe l?œil, das in die dritte Dimension zu wachsen scheint bis zur Pflastermalerei, die tiefe Schluchten in die Fussgängerzone zaubert, hat die Kunst der Augentäuschung eine grosse und abwechslungsreiche Bandbreite. Florian Heine schreibt sachkundig über die Geschichte der illusionistischen Malerei und nimmt den Betrachter mit auf eine Reise durch unglaubliche Sinnestäuschungen. Präzise gemalte Kabinettstücke, Deckenmalereien, Anamorphosen, fotorealistische Acrylbilder und lebensechte Skulpturen von der Renaissance bis heute werden in diesem Band versammelt, der gleichzeitig einen Ausblick auf populäre Techniken wie 3D-Strassenmalerei, Graffiti und Matte Painting bietet Discover how artists have been tricking the human eye for centuries in this gorgeous and wide-ranging exploration of the art of illusion. This spellbinding look at the history and development of illusionistic art reveals wide-ranging techniques that have piqued the public s fascination with this medium. Beautifully reproduced, the images featured in the book includes centuries-old work such as the scenery at the Teatro Olimpico in Vicenza, Italy, and the ceiling frescos at the Wurzburg Residence in Germany, that showcase processes such as trompe l'oeil and anamorphosis. It also features work from the 20th and 21st centuries, including Rene Magritte's classic Surrealist works; M.C. Escher's magical and mathematically precise drawings; the seemingly undulating paintings of Bridget Riley; the manipulated photography of Andreas Gursky; Duane Hanson's eerily lifelike sculptures; JR's larger-than-life portrait photographs; and Georges Rousse's mind-bending constructions. The book also has examples of amazing street art including subway graffiti and a sidewalk painting that makes pedestrians think twice. This extraordinary and informative guide to all kinds of artistic trickery will satisfy scholars as well as everyday fans

     
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  19. Welt des Auges
    zur Theorie des Sehens und Kunst des Schauens
    Author: Schipperges, Heinrich
    Published: 1978
    Publisher:  Herder, Freiburg u.a.

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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    ISBN: 3451183706
    RVK Categories: CC 4000 ; LH 61260
    Subjects: Gezichtsvermogen; Ogen; Neurophysiology; Ocular Physiology; Vision; Visual Perception; Ikonographie; Anthropologie; Auge; Sehen; Wahrnehmung; Visuelle Wahrnehmung; Auge <Motiv>
    Other subjects: Hildegard Bingen, Äbtissin, Heilige (1098-1179)
    Scope: 143 S., Ill.
    Notes:

    Literaturverz. S. 142 - [144]
  20. In the eye of the beholder
    the science of face perception
    Author: Bruce, Vicki; Young, Andrew W.
    Published: 1998
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 0198524404
    RVK Categories: CP 2500 ; LH 85000
    Subjects: Visual Perception; Bildnisplastik; Kunst; Biologie; Ästhetik; Gesicht; Bildnismalerei; Physiognomie; Visuelle Wahrnehmung
    Scope: X, 280 S., Ill., graph. Darst.
  21. Grafische Gestaltung in Naturwissenschaften und Medizin
    wissenschaftliche Informationen vermitteln und präsentieren
    Author: Hien, Katharina; Rümpler, Steffen
    Published: 2008
    Publisher:  Spektrum Akademischer Verlag, Berlin

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783827419316
    Other identifier:
    9783827419316
    12140510
    RVK Categories: TB 1024 ; AK 39500 ; ST 630 ; VB 4400 ; XB 1903 ; AK 39620 ; AK 39950 ; WB 1024 ; XB 1900 ; WC 3550 ; WC 3500
    Subjects: Scientific illustration; Layout (Printing); Desktop publishing; Medical illustration; Writing; Science; Teaching Materials; Teaching; Visual Perception
    Other subjects: Science; Teaching / methods; Teaching Materials; Visual Perception; Writing
    Scope: 311 S., zahlr. Ill., graph. Darst.
    Notes:

    Literatur- und URL-Verz. S. 300 - 305
  22. Compelling visuality
    the work of art in and out of history
    Published: 2003
    Publisher:  University of Minnesota Press, Minneapolis

    Art History after Aesthetics: A Provocative Introduction; ONE: Ecstatic Aesthetics: Metaphoring Bernini; TWO: Before the Image, Before Time: The Sovereignty of Anachronism; THREE: Aesthetics before Art: Leonardo through the Looking Glass; FOUR:... more

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    Verlag (lizenzpflichtig)

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    Kompetenzzentrum für Lizenzierung
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    Art History after Aesthetics: A Provocative Introduction; ONE: Ecstatic Aesthetics: Metaphoring Bernini; TWO: Before the Image, Before Time: The Sovereignty of Anachronism; THREE: Aesthetics before Art: Leonardo through the Looking Glass; FOUR: Touching the Face: The Ethics of Visuality between Levinas and a Rembrandt Self-Portrait; FIVE: Presence and Absence: On Leonardo da Vinci's Saint John the Baptist; SIX: Rococo as the Dissipation of Boredom; SEVEN: Mourning and Method; EIGHT: A Guide to Interpretation: Art Historical Hermeneutics; NINE: Seeing Soane Seeing You; Contributors

     
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  23. Vision, science and literature, 1870-1920
    ocular horizons
    Author: Willis, Martin
    Published: 2011
    Publisher:  Pickering & Chatto, London

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    612.8 W735v
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1848932340; 9781848932340
    RVK Categories: HL 1091
    Series: Science and culture in the nineteenth century ; no. 15
    Subjects: Vision; Vision; Literature and science; Vision; Medicine in Literature; Visual Perception; Ophthalmology; Microscopy; Optical Phenomena
    Other subjects: Array; Array; Array; Array
    Scope: xii, 295 p., ill., 24 cm
    Notes:

    Formerly CIP Uk. - Includes bibliographical references and index
  24. Compelling visuality
    the work of art in and out of history
    Published: 2003
    Publisher:  University of Minnesota Press, Minneapolis [u.a.]

    Takes up the commonly unexplored question of what is actually present in art--what aspects have survived the vicissitudes of time. International and interdisciplinary, this volume conducts readers into a discussion of the significance of personal... more

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    Takes up the commonly unexplored question of what is actually present in art--what aspects have survived the vicissitudes of time. International and interdisciplinary, this volume conducts readers into a discussion of the significance of personal response to works of art

     
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    Content information
    Volltext (lizenzpflichtig)